dirty stories, fiction

Whatever I Want, Whatever I Say

“I’m going to do whatever I want.”

By now, I have my hand over her mouth. My arm is pressed up against the plaster wall; the paint is scratchy and the plaster is cold. The curves of her — hips, ass, ribs — against my body are warm.

“And you’re going to do whatever I say.”

I’m not stupid. I know there are limits to what I can do with her. When I negotiated with her owner a few nights ago, we went over all kinds of things I could feasibly see myself doing, and some things that probably would never cross my mind. Although now that they have, perhaps I shall.

Her owner laughed when we started negotiating. “Honestly, I can’t imagine anything you could do that would be over the line.”

“That’s very generous,” I replied, smiling. We laid out everything we could think of, and made it all clear.

She whimpers under the palm of my hand. Her hair is caught at my wrist, probably in my watch. I might rip it if I move too quickly. She keeps arching her back and rubbing her ass into my thighs. I wonder if she even notices she’s doing that.

I reach under the loose, knee-length wrap dress to trace my way up her thighs. I savor the feeling of fishnets on my skin. The pad of my fingers fit perfectly into one of the little holes, and when I press just a little on her skin, I can feel how it dips inside of it. How easily I could hook my finger in, and pull her hole open.

She makes a sound that is half of a whimper and half of a moan, muffled by my hand. Her lips are open and she’s almost sucking. I can feel her teeth.

The straps of her garter belt are pulling at the raw top of her fishnets. I can feel the strain. They aren’t going to last much longer. My breathing gets shallow and faster. I want to tear, rip, split apart, shatter. I want that moment when the pounding against her is what forces the sound from her mouth.

I did promise I wouldn’t break her.

She isn’t wearing panties underneath anymore. She handed them to me after she walked in the door, one hand on the doorframe to steady herself while she peeled them over her delicate t-strap heels. She knows the protocol.

I promised myself I would fuck her mouth before I touched her pussy, before I made her feel good. I promised myself I would focus on my pleasure and her service. But when I think about feeling her wetness on my fingers I feel the tension ratchet up and up and up. I want it. I want to feel her stretch open. I want to shove my fingers in her mouth with her juices all over them and feel her open her throat.

Slow, I tell myself. Go slow. The faintest finger on her velvet lips.

She whines. A sweet noise, a long high note from her throat.

“Shut up,” I whisper. My lips touch her earlobe. “You’re mine tonight. Just for tonight. Aren’t you lucky, you slutty little bitch.”

She swallows whatever cry was going to come out of her next.

I feel the folds of her. She is not bare; her hair is short and thin. It feels impossibly dry, and I try not to think about sinking my finger into the slick of her.

“What am I going to do with you, hm?” I slide my lips to her neck to kiss, to suck. To taste her skin, the sweat of her, and the sweet. She arches her neck, rolling her head back on my shoulder, offering herself up.

My fingers find it, the spot I was looking for, where she is pouring, where she is waiting for me. I wonder how long I can wait. I wonder how cliche it is to want to strap on and fuck her. I let her wetness coat my fingertip, but only that. I don’t put it inside.

I pull it away, tighten my grip around her chest, and heave her toward the bed. She stumbles slightly and catches herself. I grab her ankles, one with each hand, pushing her up onto the bed and twisting her legs so she turns over onto her back. Her eyes flash a little fear, a lot of arousal. She bites her lip, unsure if she can speak yet.

In a breath, I whip my belt from my jeans, slide the end back through the buckle, and loop it around her wrists. It’ll do. I wrap the end in my fist, pull it above her head, and push between her thighs. She reaches for me. She looks at me, pleading. She wants.

I want to slide in. Her pussy is making a wet spot on my jeans. I want there to be something I can feel ready for her to take. I want the nerve endings. Instead, I have this: the color of my flesh, supple, flexible, on demand. I pull the buttons of my fly and they open, pop pop pop. It is easy to heave forward the swell of me.

She moans right away, with thick breaths and pressing hips, and turns her head to bite her upper arm. Her lip catches and turns out. The pink of her is showing.

I rub the head against her cunt. Her hole is so slick it almost slides in just by touching. She is an invitation, an open door: come inside.

“Just because I’m going to fill you with come doesn’t mean we’re done tonight,” I growl above her. She glances at me sideways, then lowers her eyes. She didn’t think this would be it, did she?

“Yes, sir,” she whispers. She steals a glance at me again to check my face and see if her words please me. “I will do whatever you say.”

A place in my core liquifies and groans, filling a void the has needed soothing. That is what I need to hear.

I let go of the belt and stand. Is she trembling? Her wrap dress is a mess, falling off of her. I reach for one end of the fabric belt of it and tug, and the bow dissolves. One side of the dress spills back, exposing the skin of her stomach, the curves of her plush body, the curl of her breast.

“Open your legs.”

Her face goes tight around her eyes, but she does. Her knees butterfly open and she slides her feet apart. My thighs are inside of hers, touching. I can feel the scrape of her tights when she moves. I want the indentation in my skin, want to feel the pinch and burn of it.

She has the expression of a woman who has readied herself to be entered. She knows she may or may not like it; she knows she may or may not come; she knows it isn’t for her. She knows who it is for. She knows what she is for, and right now, she is a plaything her owner loaned out. She is a toy her owner is showing off.

“Pull your hands free of the belt. Open your lips.” My mouth is going dry. “Show me.”

She slowly brings her arms down from over her head and reaches for her pussy, spreading her fingers to show me what’s underneath her layers. I grip her thighs with my hands. Strong. A handful. With the kind of pressure that will leave finger marks tomorrow. Gifts for my friend. She lets me push her thighs open further. I press forward with my hips. My cock is stiff in front of me and I find her hole with the tip of it, I keep my hands gripped on her thighs, the flesh of her giving under my hands. My fingertips feel the holes in the stockings again and I don’t resist, I slide my fingers through them and pull. I slide my cock into her and push. She writhes and gasps. I flex and urge forward. The cells of her stockings burst with my pressure.

I slide in and out. My eyes are closed, I don’t see her, but I do, through my touch, through the heat of her. I pull her thighs to me. I rip her stockings again. She cries out when it gives way. I feel myself close, so close.

“Please,” she whispers. She has moved her hands out of the way so I can push in deeper. “Please.”

Does she want it to end, or is she fearful of what comes next? Does she want my seed in her, or does she want me to pull out?

Doesn’t matter. What I want is to flood deep inside of her. To surprise her with the pressure. To fill her. Instead, I empty myself, thrust after thrust, and she milks me, she catches me, she holds everything I give her.

My body thrums.

Then I breathe out. “Good,” I say, righting myself again, pulling to my feet. Her dress is a piece of fabric. Her fishnets are shredded, falling off of her thighs. My lust is poured inside her and I can control myself, I can think, again. “Now that that’s out of the way, let’s start.”

I button my jeans slowly and watch as she comes back together. I take my shirt off, bare from the waist up. I kiss her mouth and she is supple and so, so soft. Then I reminder her, and I grip her throat, a little too hard. “Say it again,” I tell her.

“You’re going to do whatever you want,” she whispers. She rubs her thighs together, presses her lips tight before swallowing. “And I’m going to do whatever you say.”

I pick up the belt and fist it. I try to stop the wicked grin from spreading over my face.

“Oh,” she says. “God.”

kink, starred

The Outermost Bracket™: A Theory on D/s and Non-Monogamy

Both non-monogamy and power exchange relationships revolve around sets of agreements between the people involved. Sometimes, those agreements are in harmony — and ahhh, isn’t it lovely when that happens? Not just lovely: it is magic.

Sometimes, however, they conflict.

Both D/s and non-monogamous relationships often have agreements (and arguments) which center around control, ownership, and permission. The difference is, non-monogamy often emphasizes the equality of all parties, while D/s is about someone having authority over the other.

As you can imagine, when both D/s and non-monogamy are both happening within one relationship, that can be very difficult to negotiate.

rife and I were both in non-monogamous relationships when we met, and we quickly knew our play — and then our relationship — would have an ongoing authority imbalance (a.k.a. power dynamic, D/s). As our D/s relationship grew, the non-monogamous and D/s agreements became increasingly complicated. Our authority imbalance continued to strengthen, and sometimes it trumped — or we wanted it to trump — our non-monogamous agreements. That didn’t make sense to a lot of our non-monogamous friends or with the polyamoroy theory that we were reading, and we had a lot of trouble navigating that.

In trying to negotiate all of this (with a lot of trial and error and fucking up), we developed a theory we call “the outermost bracket,” that explores which identity is set within the other.

In other words, is the D/s within the non-monogamy agreements, or is the non-monogamy within the D/s agreements?

Quick disclaimer:

This theory doesn’t apply to everyone. If it makes sense in your world, great! Hope you can take it and make it your own and use it to negotiate these complex things with more ease. If it doesn’t apply, cool. Just take what makes sense and leave the rest.

I’m using the terms “D/s”, “dominant/submissive relationship,” “authority imbalance,” and “power dynamic” as somewhat interchangeable. There are dozens of other terms that folks might be using, too, but these are some of the main ones. All of them mean different things to different people with subtle nuance, but for the purposes of this theory, they are similar enough. Generally, I use them to mean all kinds of authority imbalance relationships in and out of the bedroom.

This theory might be most relevant for D/s relationship where the dominant has a lot of control, but some bedroom-only D/s dynamics might apply here, too, since often there are rules executed in the bedroom. Such as: you will only come when I give you permission, you will call me Mistress and nobody else, you will always keep your genitals shaved. As you can imagine, if someone who has those rules is playing with someone else, they might cause conflicts.

Similarly, I’m using the terms “polyam,” “polyamory,” “open relationship,” and “non-monogamy” somewhat interchangeably. We could have long conversations about the nuanced differences between them, and what applies to what, but for the sake of this essay, they’re similar enough.

The conflicts around D/s and non-monogamy are vast and complicated, and, while there might be some parallels and common concepts, the specific circumstances are unique to each polycule or set of folks involved. I don’t assume to speak for everyone or all experiences, and this might not resonate with you at all.

The Key Distinction of the Theory

Is your non-monogamy restricted by your D/s rules and agreements, or is your D/s restricted by your non-monogamy agreements?

Let’s break that down.

When Non-Monogamy is the Outermost Bracket

When non-monogamy is the outermost bracket for someone, a couple’s D/s relationships happen within their open relationship agreements.

This often looks like making relationship guidelines with a partner, or setting one’s own solo-poly or polyamorous family boundaries, and negotiating D/s within the confines of those agreements. Whatever D/s-based rules, protocols, or agreements are made, they do not extend to other partners — and the D/s might be restricted by non-monogamous arrangements.

For Example:

Let’s say that Mel has a partner they live with, Jay, and another partner, Alex, they are in a power exchange relationship with (and perhaps other partners, too).

The relationship with Jay is long-term and they consider themselves primary partners. That relationship has various agreements for how any other relationships happen — how many times per week, whether or not they sleep over, whether they only do certain things with one person and not another. Mel and Jay made these rules together from an egalitarian place, and both adhere to them.

Mel’s relationship with Alex is a power exchange relationship where Mel is the sub and Alex is the dom. Alex wants to exercise some control over Mel’s sexuality — let’s say they want to restrict the use of Mel’s ass so that only they can fuck it. But Jay doesn’t want any restrictions on what they can or can’t do with Mel.

The agreements within the D/s don’t extend to their primary partnership — at least, not without some negotiations between all three of them, and with Jay’s blessings for the restrictions.

(Sometimes, Alex and Jay might get together and conspire to make wonderfully terrible things happen for Mel. But that’s an exception, because non-monogamy is hard and sometimes Alex has lots of feelings and they have to spend lots of time sorting it all out.)

So Jay might have control over very specific things in Mel’s life — for example, what they wear when they get together for dates, or how they keep their hair. Whatever these are, they are not things that interfere with Mel’s other relationships.

But Jay’s control does not extend to whether or not Mel can have any other partners, and does not extend to any parts of their relationship with Alex.

In other words, the rules of the D/s relationship do not extend to the primary relationship, nor to the arrangements of any other non-monogamous activities.

In my experience, this is how the majority of D/s non-monogamous relationships operate.

Having non-monogamy as the outermost bracket can help the D/s boundaries be incredibly clear. Mel might want Alex’s power and control over them to be in certain realms or within certain time restrictions only, and their power dynamic might flourish that way.

When D/s is the Outermost Bracket

When D/s is the outermost bracket for someone, their non-monogamous relationships happen within their D/s agreements.

The dominant in this scenario would be in control — to whatever degree they arrange — of the kind of play the submissive would have with other people.

Let’s use another example:

Carter is Devon’s dominant. Carter is in charge of pretty much every aspect of Devon’s life. Devon occasionally wants to play with other people, but Carter gets to say how that happens, when, and within what context.

That could look like:

  • The dominant gives orders when the submissive plays with anyone else
  • The dominant is allowed to play with others, but the submissive is not
  • The submissive is allowed to do certain things but not other things
  • The submissive has to ask permission for any kind of play with others
  • The dominant gives permission for all of the sub’s new relationships, but none of their existing ones

Ultimately, the submissive conforms to the dominant’s will, and the arrangements for their non-monogamy are within the confines of the D/s. The submissive’s needs and boundaries are taken into consideration here, and the rules are consented to, but they might be guided by the controlling ideals of D/s and not the egalitarian ideals of open relationships.

This means that the other people Devon is in relationships with must, to some degree, consent to their relationship being underneath the D/s umbrella that Devon has with Carter. Not everyone wants to do that.

How far does the control go?

A dominant controlling the kinds of acts the submissive can or can’t do is one thing; controlling who the submissive is in relationship with is another thing. Vetting or giving permission for a certain relationship to happen or continue can get into tricky territory that can become controlling, unhealthy, or even abusive.

When the dominant controls the kind of non-monogamy that the submissive is allowed to have, it can be a red flag to some folks outside of the relationship. The negotiations of this should be careful and intentional. All parties are in their full agency, give explicit informed consent, and understand that they can talk about it if it becomes a problem between them.

For some folks, it works; for others, it means that the control goes too far.

And this is the key distinction of the Outermost Bracket theory.

Why Does This Matter?

If you know you are into one of these relationship styles more than the other, it can be useful to bring up early on in negotiations. If you can communicate what you’re looking for, you’re much more likely to get it. So, where do you fall? Is non-monogamy your outermost bracket? Is D/s? Or do you structure things in another way?

If you’re having trouble figuring it out, I suggest doing a thought experiment: imagine you are in the most ideal D/s relationship. Do you have control over all aspects of your submissive’s relationships? Does your dominant have complete control over you? What would it feel like if they did?

In Conclusion

For me and rife, this distinction was very helpful as we were figuring out how to navigate the theories we knew about non-monogamy and the desires we had within our D/s. We even extended it with geeky HTML references to talk about hierarchies of other relationship identities (for example, our relationship is M/s first, and Daddy/boy within that). More on this later, or come to our “Art of Ownership” class!

There are probably many other theories and best practices within the overlap of D/s and non-monogamy — no doubt this is not the only one! But honestly, there’s not much out there about it. We know of very few resources, aside from Raven Kaldera’s book Power Circuits: Polyamory in a Power Dynamic.

I’d love to hear about the different kind of theories you all know about and have come up with. Please add your resources and theories to the comments!

PS: Feel free to expand on this theory and apply it to all kinds of other identities! Please do credit us and link back here if you do.
miscellany

Using CoSchedule: Project Management, Editorial Calendar, & Social Media

I love CoSchedule.

It is an editorial calendar and project management system which connects my WordPress blog (that would be this) to my social media. It can do a whole bunch of organizing, and it has all these features for teams, but for me, as just one person, that’s primarily what I use it for.

It connects to WordPress, so either in my WordPress dashboard, or on the CoSchedule website, when I’m on an individual post, the CoSchedule plugin appears and I have different options. I can publish the post on all the social media accounts I’ve connected, as many times as I want — on Twitter or Facebook or Tumblr or Instagram (and probably more, but those are the ones I use). There are some suggestions for posting today, tomorrow, next week, and next month, but I can add custom times, too. When I go to schedule a post to Twitter, it has different shortcuts — title, excerpt, permalink — so I don’t have to write anything post-specific, just add text if I want it to be different than that. I can add images, too.

It’ll also show me all kinds of analytics, including the top posts, so I can see what kind of posts are getting the most attention and traffic.

(To be honest, I don’t pay much attention to the metrics. But I’m glad to have them there when, at some point, I decide to look into them!)

The social media integration is what makes it all worth it, though. I love that I don’t even have to think about it.

So that’s all amazing, and I would be using it even if that was all it did. But the feature that has been the most incredible for me on Twitter is called ReQueue. It is basically a small database where you store text and images for social media posts, and you set up a schedule. ReQueue will automatically put those into your queue to be posted, and it will integrate with the posts you are setting up which promote blog posts.

You can set up different sets of them — this series to only post on Mondays, tagged with #MotivationMonday. You could make series of holiday posts, with affiliate links and links to past gift guide ideas, and then turn it on from November through December and have your promotion ready to go. Of course, you can always add more — through CoSchedule’s calendar, through another app like Buffer, or on your own on the websites.

It has helped me so much more organized about my posting schedule, and it is so helpful for social media. People aren’t following individual blogs like they used to, so really the major ways my work reaches people is through social media. And not everyone is on Twitter or Facebook at any given time, so only a fraction of my followers see when I post. So putting the new story or essay out there multiple times is important!

CoSchedule is one of the essential apps for serious bloggers, as far as I’m concerned. Along with Patreon and ConvertKit, I will offer some coaching on these apps if you sign up for them with my referral code!

Click here to go check out CoSchedule, and if you use my code, let me know, and we can set up some time to talk about your project and for me to support it in any way I can.

dirty stories, guest posts

I Know Where You Live, Guest Post by Raki Kopernik

Content warning: this story contains being groped in public, stalking, being followed home, restraint, hands on the throat, force, knife play, offensive name calling, and fisting. All characters are consenting adults.

I’ll be on a crowded bus traveling south down MLK. At 6:15 pm, you will get on the bus, walk past me, make eye contact for a quick moment, then step behind me. I will be standing, holding the overhead bar. You’ll have to stand too. I won’t be able to see you, but I will feel you looking at me from behind, at my ass and the back of my neck. The bus will make a sudden stop and you’ll almost fall into me. One of your hands will land on my ass. I’ll feel it, but I won’t turn around. When you catch your step, you’ll stand closer to me, behind me. Your hand will stay on my ass and faintly rub up and down, creeping between my legs. I’ll feel the heat of your breath on the back of my bare neck. I won’t do anything. The bus will stop suddenly, again, and your hips will press into mine. You’ll stay there, reach your hand around to the front of my body, and rub my crotch, pressing your pelvis into my ass with the rhythm of the bus. A few people will notice. They will look, trying not to stare, but no one will do anything about it. I won’t make eye contact with any of them, embarrassed. Your breath will get hotter on my neck and you’ll whisper in my ear that you’re going to follow me when I get off the bus. The next stop will be mine and I will push you away, simultaneously pushing other people out of my way to get off the bus. You’ll barely make it off the bus behind me.

It will be already be dark out. I will walk fast toward my house. I’ll feel you behind me, turn to look, but I won’t see you. I’ll start running and I’ll hear you running behind me. I’ll turn but, again, I won’t see you. When I get home, the house will be dark and empty. I’ll forget to lock the door behind me. I will go upstairs and light candles to calm myself. I’ll hear a noise downstairs but will convince myself it’s the cat. I’ll look out the window toward the bed, away from the door and the stairway. I’ll see my reflection in the glass, rub my face and my eyes. Suddenly, your right hand will be pressed over my mouth. Your left hand will be tight around my chest. You’ll whisper in my ear not to move or make a sound. I will wince.

If you scream, you say, I will hurt you.

Then you will let go and push me hard onto the bed, belly down. Stay there, you’ll say, and I will not move, in fear and anticipation. I’ll hear you open your bag and rustle around in it quickly. You’ll straddle my ass and tie my hands together above my head, firm with a black nylon rope, then fasten the rope to the bed frame. With the brown bandana you wear around your neck, you will tie my mouth. Bite this, bitch, you’ll say. I’ll wince again.

Then you will flip me over onto my back. There will be a small hole in my shirt, just above the chest, and you will put your index finger into it and tug, making the hole bigger. You’ll put another finger in, then another until the hole is big enough for all of your fingers. In one quick motion, you’ll tear my shirt apart and pull my pants down around my knees. Your right hand will rest at my throat. You will spit into your left hand and reach it between my legs, forcing your fingers, two, three, then four, inside of me. I will be wet and you will call me a slut for it. I’ll scream into the bandana. You will keep moving your fingers in and out of me until I get so wet you think I might come, and then you’ll stop. Again, I will wince and you will shake your head, no, and smile. You’ll flip me back over onto my belly and pull me up onto my forearms and knees. Then you will slap my ass several times, hard and quick, leaving bright red welts.

You’ll place your fingers back between my legs and say, Damn, you’re dripping, you can’t get enough.

I’ll push my pussy into your hand but you’ll pull it away. You’ll put your hands on my ankles to hold me in place while you breath hot air onto my pussy from behind. I’ll feel your tongue barely lick. I will almost come.

You’ll take out your pocketknife and run it along my back, down between my legs. Are you afraid, you’ll ask. I’ll flinch in fear and want. The tip of the knife will press into my inner thigh, then up around my cunt and ass crack. It will scratch the surface of my skin without breaking it. You will run it back up my spine and around my tits, down my belly, and almost to my pussy again. My breath will quicken and you will laugh. You will, again, press its tip into my inner thigh and this time, a tiny drop of blood will surface. Oh, sorry, you’ll say, condescending, then slap my ass again. And again. I will feel the redness of the skin around my ass and thighs, burning. For a moment, nothing more will happen. We will just breathe, me on my knees, you behind me.

I will hear you close the knife and put it back into your pocket. The bed will creak as you get up. You’ll start to walk away. When I no longer hear your steps I will think you’re almost gone, but suddenly, you will thrust your fingers into my pussy and fuck me hard and quick, from behind; three fingers, then four, then your knuckles, then your whole fist. I’ll scream into the bandana. I will be swollen and damp, yet still you will tear me open and it will hurt. Your fingers will move back and forth inside of me. I’ll scream into the bandana again and again. I’ll bite it, feeling like my teeth might break. I’ll pull my wrists at the rope, I’ll push my hips into your hand, I’ll writhe.

You like that, you’ll say. Yeah, I bet you do, bitch.

Your hand will quicken until I gush and collapse onto the bed. You’ll laugh, then smack my ass once more, for luck, you’ll say. You’ll untie the rope and the bandana and leave me in a pile on the bed as you walk away, down the stairs. I’ll hear you run the water in the kitchen sink and drink, then slam the door as you leave to catch the bus home.

When I’m sure you’re gone, I will wipe my pussy on a towel and get dressed quickly. Then I will go downstairs, drink a glass of water, and slam the door behind me as I run to catch the number 6 bus, the one you take to get home. I know where you live.

miscellany

Announcing: D/s Webinars for Patrons

I’ve reached a new goal in Patreon where I’m beginning to offer monthly D/s webinars for the folks who are pledging $5+ over on Patreon.

Fourth Saturday of the Month
10am-12noon PT / 1-3pm ET

It’s been exciting! We’ve done four so far. The one in December, 2018, was a condensed version of a workshop that rife and I have done many places called The Protocol Game, about building 52 protocol based on a “training wheel” that you make for yourself, and then you pull one random protocol each week for a year. It’s great to do for submissives who either don’t have a dominant or whose dominant doesn’t control their protocol that way, or for dominants who want to get better at self-control and discipline.

rife & I did a walk-through of how we created our first Protocol Game and explained it here, in case you’re interested in building that for yourself.

January’s webinar will be Fundamentals of Dominance

Saturday, January 26, 2019
10am-12pm PT / 1pm-3pm ET

Here’s how to join the webinars:

  • Head over to my page on Patreon, patreon.com/mrsexsmith
  • Sign up for one of the $5 or more tiers. You’ll get other gifts, too, not just the webinars!
  • You’ll receive email notifications in the days coming up to the webinar with the links on how to join!

Yes, the webinars will be recorded, so patrons can watch it later if they cannot access it live. And, they can access all of the past webinars!

There will be different D/s workshop every month

rife won’t always be able to join me, and it won’t always be on the 4th Saturday of the month, but the patrons will be notified in advance of the dates. As soon as I have a schedule worked out, I’ll release a few months in advance, with the dates and topics.

Topic wise, I will do some more classes on power dynamics that rife and I have already taught, and some new ones … and I’m thinking about Submissive Playground, too.

Would you come to Submissive Playground if I broke it up over four webinars?

I’m thinking I’ll break the course down and do one unit per webinar, for four webinars, every other month. So one month will be Bondage, then Discipline, then Service, then Masochism. $5+ patrons will have access to all the course materials, and if they want individual sessions with me or for me to go over their homework, that’ll be an add-on.

It’d make the course much more affordable than it was before. (The $5 level on Patreon is per-thing, not per-month, though, remember, so it’s actually about $25/month. Still, $25 webinar is less than I have done any of these in the past.)

I’d love to know what other D/s topics or classes you’d like!

So far, I have these requests:

  • Codependence & D/s
  • Stepping up your D/s (beginner->intermediate)
  • D/s and Open Relationships
  • Dom drop tips
  • D/s when you don’t live together / long distance

The classes rife & I are working on are:

  • The Art of Ownership
  • Queer Non-Binary D/s
  • Powerful Submission, Vulnerable Dominance
  • Take, Allow, Serve, Accept
  • Doctor D/s
  • Up the D/s Escalator: Trust & Limits

If any of these are speaking to you, I’d love to know; please add your ideas in the comments.

kink, starred

Creating a Submissive Training Plan for Yourself

Submissives don’t have to wait for a dominant to give them structure, plans, and training! There is a lot you can do on your own to keep yourself connected to your submission.

A training plan involves protocol, goals, rules to follow, and, ideally, rewards. A lot of protocol and training in relationships revolve around sexy kinky things, but sometimes people use it as tools for self-growth and self-improvement.

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A quick side note: though I am really into the tools and ideas of the self-growth worlds, I take it with caution. Sometimes focusing so hard on improvement and growth can give the impression that who you are and what you’re doing already right now is not good enough, and I don’t want to encourage that. Still, it’s often satisfying to dream big, break it down into goals, and work toward them, so the tools still have a useful place in my life.

Even if you don’t currently have a dominant, you can create a training plan for yourself to keep you motivated, connected to your submissive, and striving. These are excellent skills to hone, both for yourself and for your future dominant.

So what is a ‘training plan,’ anyway?

A training plan is a breakdown of the small steps needed to reach a goal. For example, if the goal is to run a marathon, the training plan breaks down the different steps to get mentally and physically prepared in order to do it. For example, a triathlon training plan might include identifying one’s current level of swim, bike, run; increasing capacity for each; targeting biggest improvement potential; and setting a date to do the triathlon in order to dole out the milestone goals between then and now.

Making a goal and working to achieve it combats boredom & complacency, because there’s something challenging to strive for — pushing oneself is not usually boring, and inherently not complacent.

Within the context of D/s, there are dozens of skills that submissives can hone in order to be of greater service to the dominant. Setting a goal to learn or master some of those skills can serve the D/s in the long run, as well as the submissive themself.

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If you are in a relationship, and you want more training or support to meet goals and push yourself, you could think about presenting your dom with a short list of goals you are curious about, that you think will benefit your partnership, and ask your dom to choose which one they would like most. You could still follow the other suggestions, and create the rest of your plan yourself, knowing that the reward will be presenting your completed goal to your dominant at the end of the plan.

Step 1: Identify What Kind of Training to Pursue

Depending on what you want to improve, or what your dominant/household would want you to improve, your training will be different.

Here’s some examples of skills you’d like to increase or parts of your life that you’d like to improve:

  • Providing sexual service
  • Domestic service: cooking, housekeeping chores, bookkeeping, assistance, gardening
  • “Trophy” attributes like dress, grooming, mannerisms
  • Entertainment: music, dance, storytelling, producing/hosting events
  • Expressions of devotion

Step 2: Vision What You’d Like the Goal to Be

Here’s some examples that (roughly) correspond to the examples above:

  • Receive double penetration
  • Perfect your favorite Thai food dish
  • Do 100 push-ups
  • Play guitar well enough to share sing-alongs at a campfire
  • Make a photo album (actually print out some of your Instagram photos!)

Step 3: Break the Goal Into Small Tasks

Continuing with the examples above, here’s some of the tasks and experiments that could happen in order to perfect your favorite Thai food dish.

  • Go visit your favorite Thai restaurants to order the dish and see how you most like it
  • Research Thai cooking classes in your area
  • Ask that friend who is a really good cook for some help
  • Look up recipes for that thai dish
  • Gather the ingredients needed
  • Cook the dish for your friends at least 5x to experiment with getting the flavors right

Step 4: Set a Timeline

When do you want to have this task or goal complete? A timeline is essential to a training plan — otherwise, it’s just a someday-dream.

Make your timeline as realistic as possible. You might even check in with friends about the timeline and see if they find it realistic — sometimes it’s hard to tell how long something will actually take.

Step 5: Set Aside Time To Do These Different Tasks

That might mean saying no to things you want to do, or canceling things, or pausing a project or hobby you love in order to make time. You can come back to all those things later. You won’t miss out on that much, I promise. (This is a good time to practice noticing your FOMO — fear of missing out — and not letting that fear overpower your goals and training.)

Put your tasks on your calendar! You could even make a date with a friend to keep yourself accountable.

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One Last Note: About ‘Failing’ to Meet Goals: I’ve noticed that submissives are often a-types, and often beat themselves up (even more than their doms beat them up) for mistakes and short-comings. Learning to acknowledge limits, forgive failures, understand and move on are big skills for a sub to build. (Big skills for all of us to build, let’s be honest; but in a D/s context a sub is held to external standards and both D and s need to work with that with kindness & forgiveness & humanity.)

Step 6: Practice

Anything new needs practice. For a while, it will be a thing to try out (and probably fail, sometimes). The only way to see the progress is with more practice, more diligence, and more trying.

Find different ways to practice. Put your skill in different situations to adjust and practice with different variables. Tell your friends that you’re practicing and ask for their help in supporting you. For example, cook at a friend’s house, cook in a very limited prep time, cook using only what you have in the house and make a range of substitutions.

Step 7: Present! Show Off Your New Skills!

Once you feel confident that you have practiced a lot, show off your skills! Share what you’ve been doing with friends. Offer your new cooking skills by bringing dishes to a leather community event. Or find different ways to share what you’ve been learning, and tell people about your journey.

  • Make the Thai dish for dinner for your partners + friends
  • Dress up for no good reason, just to look good
  • Write down a fantasy about your new DP skill
  • Set up a campfire sing-along

This is part of how to reward yourself for a job well done!

Step 8: Celebrate Meeting Your Goal!

You get to decide how to celebrate — you could bribe yourself, you could create a star chart and cross things off, you could high-five your bestie and congratulate yourself.

And repeat!

Set another new goal, break it down, and get it done!

dirty stories, real life, starred

Show Me You Want It

I want you on your knees in the dark. Waiting. Unsure when I’ll come for you but knowing that I will. Of course I will. We both trust I will.

You know you have to be ready. Your knees are sore your back is sore your wrists are enflamed from the cuffs. Loose enough to be safe, but barely. You won’t use the buzzer affixed to you, the one that alerts me if you are in danger. You know it’s there. That is enough comfort for you.

You know you have to be ready because when I open the door I will not wait. It could be a blow to the face, a swift kick, knocking you over, shoving you to the floor. It could be a tight grip, lifting you to your feet. Don’t fall over don’t get thrown off balance keep your composure.

Impress me.

Maybe I’ll let you breathe. Maybe I’ll let you look at me, touch me. Maybe I’ll let you catch your breath, ease off of your red knees, work the kink out of your elbow.

The softest fingertip touch is a tease, is a curse, is even worse because of the pounding force that will come. You don’t trust it. But you trust me, underneath, under the pink of you, inside. You know I can hold this, hold myself and you, hold all of your autonomy and authority and sense of self, and I will give them back to you in morsels you can melt on your tongue. Close your eyes. Don’t bite, just suck. Good boy.

You will be lucky if you taste me. Open your mouth, stick out your tongue. Wider, further. Don’t make me get the gag that opens you too far. I could kneel over your mouth and drip into it, I could urge you open wider and watch you strain to lick, to suck. I like when you strain. I like when you want it.

Show me you want it.

I won’t give it to you, precisely because you want it. This isn’t about you getting what you want. This is about me. This is about my want, my ownership, my craving, my retribution, my dick. It isn’t personal. It’s about the ways my life is so far out of my control, both because that no human is in control of their surroundings and also because I am wired to be passive, to let things happen to me instead of making the things happen. But this, I can control. This is my deepest lust and vulnerability, the rawness at the heart of me, both the raw power and the raw open wound. It isn’t personal, but then again it is: it is the ways that we have grown together and changed

You will take all that I can give and more than I can give. I want it raw, just you and me: I use my fists. I catch you in the jaw, in the chest. One or two in the stomach to remind you of your place. To ensure that it hurts and is too much, sometimes.

I will hit you for so long and you will take it, just take it. Will you ever cry for me? You hold out for so long. You are so tough, so brave. Not so much a masochist, but capable of dispersing the intensity and absorbing the impact with your whole self. But you won’t outlast me. You will cry. You will break down for me. You need it. Maybe we both forget how you need it, but I remember each time you curl in my arms and finally heave sobs of relief and love.

Something in me releases when you do: Relief. I can still do it. I can still break you down to particles, put your puzzle pieces back together. I still have you. You are still, and always have been, mine.

dirty stories, guest posts

Stone Femmes Should Be Called Diamonds, Guest Post by R. Magdalen

I could see Jaci’s outline as they were coming into the bar, and I could guess already how it would go. There was something in their body language that signaled a difficult conversation. I closed my book and put it on my lap. Their short gray hair falling a bit into their eyes. Looking around for me for a second, and then focusing. They were wearing jeans and a leather jacket over a an old white t-shirt. They walked up and sat down roughly, looking at me and then looking away, like some kind of 1950’s bad boy. Even though I felt what was coming, their face and the smell of the leather and pomade made my heart flutter. Or maybe the flutter was lower down. Or maybe there’s some disagreement about where my heart is actually located.

“You look pretty. Is that a new dress? How have you been?” I could tell they were going to put off the conversation as long as possible. I accepted the compliment and told them about my family, about the concert I went to last week, and they asked some feeble follow-up questions. I tried to make eye contact with the waitress, but she was busy.

“We have to talk.” There it was. I felt a bit of panic starting to rise.

“That’s why I’m here,” I answered, steeling myself.

“So, we’ve been spending a lot of time together, and that’s been great, but …”

“But.”

“But this was obviously not ever going to work out.”

“I thought it was fine,” I really don’t know why, but I did.

They ran their fingers through their hair and I felt the color rise to my cheeks. A thought occurred to me.

“You’ve already met someone? That was quick.”

“Yeah,” they said, looking down. I guess I was looking down, too, because abruptly the waitress was there. I wondered how much she’d heard, what she thought this was. I looked away and ordered a glass of wine, as my lover decided on a fancy beer.

As the waitress left, I could tell my lover wanted to chicken out, change the subject. I could not allow that, now that we’d finally started, so I didn’t skip a beat.

“And I guess she must be monogamous?”

“Pretty much.”

“Fair enough. It’s part of our arrangement. I back off when things get monogamous.”

“Yeah, well, here’s the thing.”

I pressed my lips together and nodded. I knew what the thing was. “You know this about me. You know I can’t…be touched. By other people, I mean.”

“Yeah, I know.” We hadn’t talked about it explicitly, but it was true. They let me. I don’t know why they didn’t let anyone else, but they let me. It was the thing I needed. Because it was true for me, too. Jaci was the only one I could let in, the only one I felt comfortable enough with, and they knew it. They put their head down and rested it on their hands.

“I just, I just couldn’t ever do anything for you. I wouldn’t feel right about it.”

My eyes stung at this, even though I’d seen it coming. They knew exactly what this change would mean to me. I’m a service top for my other lovers, just not them. I’d miss being touched. It would hurt, and my cunt would miss their hand, but I had other ways to fix that problem. I could turn to stone again. I could feel it already, as if my skin were cooling and hardening, creating a shell that protected a soft core.

Their eyes were suddenly red and they grew quiet. I could tell my lover was squirming inside, wondering if they’d lose me forever this time, and decided to wait a few beats before reassuring them. The blow to my ego was very real, and I am not without sadistic impulses. They slumped, and I decided to put them out of their misery.

“It’s okay,” I lied, and reached across the table to put my fingers in their hair, “It’s alright. We’ve been here before and it’s fine.”

They looked up with relief in their eyes. These things were never really certain. It’s the nature of the beast. There had been other women, other femmes who were warmer, prettier, more loving. I had backed off before, enough to give those relationships space to grow and then die on the vine. It was never easy, though, knowing I couldn’t be one of them. There were things I was not capable of giving. What I was capable of was another matter.

I smiled, shifted, and moved my book so they could see the outline of the big cock I had strapped on under my dress. I had come prepared for a somewhat different, more mutual sort of scene, but my mind shifted and adapted to the new reality. A cool, calm feeling spread through my chest. Jaci’s eyes widened, and they bit their lower lip, curled in the tiniest of smiles.

“Bathroom,” I said.

“Uhhh? Don’t you want to talk about this?” Maybe we should’ve, but I couldn’t stand the thought of processing right now. It was too fucking exhausting. Right now I wanted to believe that I was somehow too enlightened to need what Jaci had given me, and that I was completely comfortable with everything. I had to be nonchalant, and I had to fuck.

“Bathroom!” I said again, this time my voice came out harder than I intended. I slung my purse over my body so the cock was obscured again, picked up my book, and slid out of the booth. I led the way to the bathroom.

There was a woman leaving by the time we got back there. I smiled at her as my lover and I both went in, when there was obviously only one toilet.

I closed the door behind Jaci and pushed them against it. I moved my face close to theirs and we both opened our mouths slightly, but I didn’t move in for a kiss. They shifted forward, and I backed away, reaching down and pulling the leather jacket off of their shoulders instead. Then I pulled their t-shirt out of their pants, and yanked it and their binder up, exposing their chest. The binder left bright red welts behind. These, I kissed. They moaned and their face went slack and serious the way it does. I bit their nipples the way I do. I could do this for hours, with my teeth and my tongue. The taste, like nothing, and like everything. I liked to put my tongue in every cleft, under those tits and between them, still half compressed into firmness by the binder, like the skin of a plum. I bit, leaving red ovals. They were leaning against the door now and I reached down between their legs to feel their cunt’s warmth through the denim. I squeezed and they made a beautiful little sound.

I felt around for their belt buckle, and when I hesitated, they unbuckled it for me and opened their jeans. I pulled their pants and boxers down a bit, just to their thighs. The angle would be … suboptimal … but enough. I knelt down in front of them, the threads of my fishnets pressed into my knees, the floor dirty. I inhaled their cunt for a moment before giving the small mound the same as I’d given their tits, biting and teasing and kissing, covering it with attention before I worked my way to their slit. I wouldn’t be able to fuck them this way, but I took a long, delightful taste, pushing my tongue between their lips to find the wetness and the familiar flavors I loved. I reached their clit and a small wave washed over both of us. For a time, I just moved my head back and forth, my tongue rubbing their clit. When I felt their knees get a little bit weak, I jerked away and stood up.

They looked at me like a helpless creature.

They reached for me, tentatively, their hand moving toward the V of my wrap dress and the fluorescent pink bra that was starting to peek out. I slapped it away, hard, liking the sound.

“No. Not allowed anymore, remember?”

They drew their hands back. I adjusted the front of my dress to reveal as little as possible.

Then I put my fingers in their short hair again and pulled. Not gentle or comforting this time. I grabbed a fistful of gray hair and with the other hand pulled off their jacket. Not letting go, I turned them around and pushed their face hard against the door. With the other hand, I touched their ass. I squeezed, hard, until they whimpered. There would be a nice bruise there tomorrow. I wondered who would see it. I worked my hand between their legs and touched their cunt for a time, and they moved against me.

“You’re not coming. Not this way.” I took my hand away and they whined.

I pulled open the front of my dress, pulled down the fishnets a little, and let my big silicone cock bob out, pointing at that round ass. I reached into my purse and groped for a small packet of lube. I didn’t want to let go of their hair, so I opened it with my teeth and awkwardly squirted it into my hand. I rubbed some of it on my cock, and, with the rest, I started massaging their tight little asshole. They moaned and it did not take much of my massage before I felt their asshole relax enough for me to put a finger in. I fucked them like this until they moaned and said, “Now.”

Then I put the head of my cock against their asshole. There was the smallest resistance at first, and then it slid in easily. They moaned a little louder.

“Shut the fuck up or we’ll get kicked out,” I said in a stage whisper and I started pumping them slowly at first. I let go of the hair and held their hips. Their belt, still hanging from their pants, jingled a bit in time with our rhythm. The sound evoked a vestigial response in my cunt, from the days when the sound that belt made meant they’d use it.

I fucked them until I got lost in the fucking and forgot where we were, why we were there, and what they’d come to say. Then I pulled their hips as close to me as they would go and reached around with my other, unlubed hand, for their clit. I rubbed it in circles, my cock still deep in their ass, until they tensed and shuddered and came, not quietly enough at all. I pulled their body against mine, to keep them steady, to keep them from falling on the floor. I wanted to be their strength for a little bit longer. I held them for a while and then pulled my cock out. They winced at this. It was the end of a connection.

“We’ll be okay,” I said. We wouldn’t. The new girlfriend would find out, would become insecure with having me in the mix, and eventually even a friendship would become impossible. This would be the last time I’d see Jaci alone.

“My hair looks terrible,” they said, running a casual hand through it before pulling up their jeans and reaching for their jacket. They walked out of the bathroom, briefly meeting my eyes in the bathroom mirror.

I stayed and looked at myself. My skin looked grayish in the shitty light, my eyeliner was smudged. I wrapped the dildo in a plastic bag and stuffed it into my purse. Then I washed my hands and carefully tended to my face, gently drawing new lines around my eyes. I added some sparkles to my eyes, put on lotion and dabbed perfume on my wrists. There is something beautiful and strong about stone, I thought.

dirty stories, fiction, starred

I Want To Be Brutal.

This story contains some physical force, talk of ownership and dominance, the threat of choking, and somewhat forced orgasm.

I want to be brutal, but I want to be nice.

This is a constant conflict in my mind: I want to get that fire in my throat that comes when I see you wince and cringe and cry and beg, that thing that opens through the center of me and smiles when you hurt. And I want you to feel good, I want to touch you and for you to like it, I want to watch you come and give permission for pleasure and encourage you and embrace all the sensations of being in a body.

So maybe I don’t really want to “be nice:” what I want is for you to feel good. I want to be brutal, but I want you to feel good.

Sometimes you tell me that when I’m brutal is when you feel the best. That helps. But I also know that what feels “good” isn’t always loving, caressing touch; sometimes the rough, painful touch is an ordeal to conquer, an experience to withstand, and that too is pleasure.

Tonight, that’s the phrase that keeps coming up: I want to be brutal. I want to brutalize you. I feel afraid of my own desire for this, but I feel inspired by the lines of our contract and things that you’ve said and mantras that I’ve made going around in my head: “I want you to do whatever you want to me.” “I like it when it hurts.” “I want to cry for you.” “I want you to take it out on me.”

You’re working on your computer. I tell you to tell me when you are done, that I need you for something.

You come over to where I’m reading in the leather armchair. I have my reading glasses on and a little lamp next to me.

“Sir?”

“Mmm.” I don’t look up.

“I’m ready for you.”

I glance at you quickly. “Strip. Then kneel there.” I point. And I go back to my book.

It’s not a particularly good book, but it’s easy to read and I get engrossed. You slip off your jeans and tee shirt. You hesitate at your underwear, but I am not paying attention to you, so you don’t interrupt me to ask. You take it off. You kneel, there, with your hands behind your back and your eyes down, and you wait.

I turn pages. Mostly I am reading them, too. I’m waiting for the end of the chapter, but I already know I’m hard and wet and eager and starting to tremble at the sight of you I’m drinking in through my periphery vision. I never stop wanting you. It still feels like it did when we first got together and we had such limited time, that desire, that need to be inside you, to get so deep in you, to claim you, to own you. You press yourself up against me in the mornings with sleepy hellos or in the afternoon with frustrated work stress or in the evenings after coming home from out with friends, and when you kiss me, my desire for you stirs up and rises just like it always does. You are such a good kisser. Something about the softness of your lips and the way you use the sweet part on the inside and its slick and smooth but not too wet and it makes me shiver with pleasure. I want you. I feel embarrassed at how much you turn me on. I’m glad my hard-ons don’t show through my pants because you would know all the time how I just glance at you and it happens. My mouth waters and my cunt gets wet but you can’t see that.

I close the book. It makes a sharp, definitive noise. You were in a meditative state and you jump a little, your muscles tensing as you straighten up.

I stand next to you. I take a few steps around you. I see your chest rise as you breathe in.

I want to lavish praise on you, talk about how good you are and how well you serve me, and while it is true, it is also out of guilt. I want you to know how much I appreciate it when you can take the brutality I need to give, but that can happen after. I give too much praise. It softens the blow.

Tonight, I don’t want the blow to be soft.

I grab a fist full of your hair and I twist so you fall forward to your hands and knees, and pull you so you are crawling. I have some of your weight but mostly you are on your hands and knees. I drag you to the bedroom. I pull you up by your hair and throw you onto the bed with a shove.

“Sit up.” I whip the belt out of the loops of my jeans. You move slowly. You are so quiet, you get so quiet and still when I have you in my palm like this. You will do whatever I say. The noise is gone. There is only me and my commands, demands.

I pull the belt around your right forearm and thigh, binding them together. I grab another belt and do the same on the left.

I sit at the head of the bed, the pillows sweetly behind me, and pull you to sit in between my legs. I spread your legs open, pushing your feet to the outside of my knees. I grab the Magic Wand vibrator from its proper spot between the mattress and the wall and hold it to your cunt with my right hand, gripping your jaw with my left hand, with my mouth right next to your ear.

I turn on the vibrator and it rumbles. You whimper.

“This isn’t for you,” I growl quietly. I savor every shudder as your body starts to tremble and react. You’re so sensitive. I will overwhelm you quickly. That’s the point. “This is for me.”

I might kiss you, sometimes. My mouth is right there and your neck is so sweet and you moan and roll your head against me and I like that, so I might just kiss you again.

My hand covers both your mouth and nose. I take your air. I take your breath. I can have it if I want it. It’s mine.

“I take what I want.”

I let go and you inhale deep and you gasp and you moan when you exhale.

“Aren’t you lucky that you like this.”

I put my hand around your throat, but no pressure, just the touch. It makes you nervous, but there is no danger. Not yet.

“You may as well like it, I’m going to do it whether you want it or not.”

You are straining against the two leather belts. You are pressing back against me. I can feel your pulse in how you are shaking.

“I like to feel you all worked up like this.”

I kiss you again. Why not. You’ve earned it. Or you will.

“I like to remember all the things I can do to you, whenever I want to.”

Your voice is so soft I barely hear you, but you say, “Yes, Sir.”

My arms are in front of your shoulders, holding you back, holding your legs open. I put my fingers to your lips and you reach to have them in your mouth. I tease your mouth. I know how much you like to have your mouth filled, so I won’t give it to you. This torture is for me.

“I get so worked up. I just need to see you suffer. I need to remember my role, my purpose.”

You whisper yes, Sir again.

“It feels so good to see you this way.”

You whimper. You struggle and strain. I let you suck the tips of my fingers.

“It feeds me.”

My lips are on your ear, my voice quiet and low.

“You can do it for me. Go ahead and come when you’re ready. I’m just going to hold you right here and tease you and force you. You don’t have to ask. Just do it.”

You cry out and I let you have more of my fingers. They slip deep on your tongue. Your legs are shaking and you’re pulling against the leather belts, against me, kicking your feet, arching your back. I hold your jaw with my fingers in your mouth, I press the vibrator against you in pulses, softer then harder, feeling the thrust of your hips and the way you’re moving to get it to just the right spot, and I leave it there, and I wait, and I growl.

“Come for me, little toy.”

You do; you come hard, tensing everything, your stomach rippling, clenching your thighs and arms and toes and shaking until you collapse against me, still whimpering, almost crying, releasing.

I’m radiating. I’m giddy. I’m glowing. I’m so fucking deeply satisfied somewhere that I don’t know how to explain or how to touch but seems to only be sated when I force you to do hard things. And I’m so, so turned on. I will have you on your belly with my cock in your mouth next. I will fist your hair again and hold you against me until you can’t breathe. I will thrust my cunt up into you and fuck your mouth. I will come down your throat and you will drink it and swallow it and thank me for the privilege.

But first, I take the leather belts off of you, and you curl up in my arms, and I touch you with long soothing strokes, sweet and comforting, until I can be brutal again.

dirty stories, guest posts

Getting Wood, Guest Post by Morris Danielson

In the woodshed, kneeling, Nia is looking away from me, stacking logs on her arm. “There’s something I’ve got to tell you. Don’t be angry.”

I might be.

“Me and Kim, last night.”

“In my bed? Did you?”

She nods, quickly, and looks up. “You’re angry.”

“I’m not. That’s really hot.”

“Really?”

I squat in front of her. “What did you do?”

“You want to know?”

“All of it. Who started?”

“I asked her if she wanted to cuddle.”

“And she did?”

“She did. I was holding her and … we started touching.”

“Did you ask?”

“She started stroking my side first. Then we were kissing.”

“Did you kiss her?”

“I … I think I started the kissing. Are you okay with this?”

“I’m so okay with this.” I’m close to her and she searches my face. For what? She still thinks I might be angry, or jealous. She can see my eyes are dark and my cock hard, and smiles. Her hand is on my arm, her touch so light it”s hardly there.

“We were kissing, and I asked if she wanted to. She just nodded.” I know that nod. She’s shy but she’s honest. “I pulled her on top of me, I wanted to see if she’d top.”

“She wouldn’t.”

“She did a bit, my hands were in her hair to keep it off my face.”

“Still kissing?”

“Still kissing, and her eyes …” she’s breathing heavily, she’s moved closer so our knees intersect. I can picture Kim’s eyes, hazel and secret and wanting, and not quite comfortable on top. I take the logs from Nia’s arm and lean into her, feeling her body tense against me. “Then she rolled us over, her hands were on my back.”

“Where was your leg?”

“You know where my leg was.”

“Tell me.”

“Between hers, rubbing on her.” Does Nia know she’s started moving against me? Her little skirt up around her waist, her pants tight and moving, just a little, on the leg of my jeans. Can she feel that I’m packing, hard against her leg? She’s looking up at me, light grey eyes holding fire. “I put her hands above her head and held them, and touched her side with the other hand.”

“Like this?” My hand traces her curved flank through her tee shirt, around her waist and into the small of her back, pushing her down against my leg, and she draws breath, quick and harsh. She wants me to kiss her, but I’m not going to, not yet. I lean down to her, she closes her eyes, but I move past to her ear and whisper, “Then what?” Her cheek is against mine, my hand at the nape of her neck. I’m holding her close, not letting her kiss me. I’m in charge here and she likes it, riding my leg in earnest now as I pull her to me and breathing hard in my ear, I wonder if she’s let go of her story, but she hasn’t.

“I let go of her hands, and she took mine and put it on her cunt, and pushed up against me. A sound escapes me, because I’m all of them, I’m Jodi on top of Kim, parting the trimmed fur to find slick wetness, I’m Kim feeling Nia’s weight on me and the sweetness of surrender, I’m Nia, pushing her cunt into my leg and wanting to feel my fingers on her, I’m both of my selves, Leah, wet with my packer pressing in just the right place, but most of all I’m Lee, my cock on Jodi’s leg, hard and real and mine, and now I have to take her face in my hands and kiss her.

“Did you go inside her?” I need to know, my voice is harsh and urgent. My fingers brush her lacy pants and she moans in my ear. “Did you?”

“Her clit … then inside … please …” she’s lost the story now, as I slip my fingers inside the fabric and find her clit, circle it with my thumb, move my fingers inside.

She’s close, I can feel it in the tightness of her shoulders and her breath in my neck, but the house door opens and someone calls out, “Are you getting wood or what?”

“Just coming!” I yell back. She’s looking up at me, her eyes wide and needing more. I grab a handful of her hair and yank her head to the side, lean down and bite her neck, hard, and mash her face into my chest to muffle her cries as her body twists in my arms and her cunt contracts around my fingers. The door slams, they won’t come out; I have time to hold her while her breathing slows, feeling her melt into me, every muscle letting go. Then I kiss her. “Are you going to do it again tonight?”

“Probably.” Her voice and her eyes are soft now. “Can I tell you about it tomorrow?”

“I’ll look forward to it.”

journal entries, poetry

Trauma Is Your Teacher

“You acknowledge the trauma as your teacher, and thank it as the unique lesson your Soul devised for you in this lifetime as a strategy for calling out your best and highest faculties. This is no easy task. You might feel bewildered and resentful, yet your subconscious mind is eager to re-claim this aspect of your lost power and re-integrate it. Ask yourself what gifts the trauma has given you, and why it was necessary for you to receive them. Your Soul knows the answers to these questions.”

— Angels & Demons: A Tarot Spread for Processing Trauma

I live in the space in between the crumpled heap at the bottom of the stairs and the glimpse I catch of potential on the horizon. It could be better; it might be better; hello, look, here I am better for a little while; but look again, here I am crumbled, it doesn’t ever last long.

It is the aftermath. The recovering from the betrayal pain trauma that has never healed. My life is the aftermath, the need for rest and regeneration and healing and pause and allowing myself to feel into the extent of it so that I can actually take the path into the new way of being.

But underneath that: more grief. More loss. The pain so deep the offerings of transformation and nourishment aren’t even visible. Look away, look away, I don’t even trust them.

And underneath that: watching watching watching everything. Observing everything. Making everything into a story that is either true or untrue. This serves me well; often my skills of emotional and psychological insight are greater than those around me, and they learn and are grateful for the insight. But it can become compulsive. I can’t stop seeing every little detail that is wrong wrong wrong. I can’t stop listing every infraction. I can’t stop noticing all the things that should not be the way they are.

Sometimes, when the ghosts come, it is impossible to be awake in the present moment. All there is is indecisiveness, restlessness, carelessness, and a lost path. There is no here/now. There is no building of stability because why? Stability is lost and will surely never be found.

Way down deep in the bottom of it all, I am untrustworthy. I do not trust myself.

In my highest of high selves, connection can pull me out of it. The spark of new love. The spark of insight about being in relationship with myself, with the living earth. Fueling each other, asking each other to share our lives. The mirroring that can happen. The deep feeling of being understood. The deep feeling of life meaning something, because it can be shared and others can witness and feel seen and understood, too.

And when I can get out of my own way, I can see where I am going: king of my own passion. King of my own emotions. King of my own sovereign kingdom. I know where the boundaries are, and I know how to keep them. I know my own strength and I’m not afraid to use it. I have control, mastery. I know my limits. I know how to take my seat and not give it up, to hold my ground and be willing to fight to keep it. I know my worth. I trust my worth.

I trust that I will be okay, regardless of what happens around me.

I can say no, I’m sorry, that just isn’t right, and I’m going to remove myself from that situation. I can say yes, that is the right thing for me. Yes, that is where I am going. Yes, I have a vision I have values I have goals I have experiments to do, and I’m going to do them, they are all in alignment, they are working together harmoniously. Oh, there is something wrong? Totally cool, tell me the details and we will work out a solution.

I will not take things so personally. I will not identify so deeply with the pain, anguish, suffering.

When I can resurrect what has been taken from me, what trauma has strangled and left bleeding, I can get back to my own trust. I can trust my own proprietary experiences. I will build my own stability, a fertile ground where I can grow into the person I have always wanted to spend my life with.

cock confidence

Cock Confidence: Zoro, by Perfect Fit

Zoro is a one-piece strap-on. The silicone is molded to fit the body’s pelvic contour, and it features a protrusion (5.5″), plus a hole underneath (good for accessing what’s underneath, or putting something through).

It comes with an elastic waistband — it won’t really work in other harnesses, but it doesn’t need to, because the jock strap style elastic is as comfy as wearing underwear. The site says the waistband is for all gender wear, and it fits waist sizes 24-40″. As someone on the top end of that spectrum, I gotta say, it was perfectly comfortable to wear. And as rife just said this morning when I asked him to put it on so I could take some photos, “How does this fit you? It fits me perfectly.”

I asked him what he remembered about being the recipient of this comfy Zoro, and he said he couldn’t recall — which is on the positive side, since there wasn’t anything particularly bad or annoying or weird about it, it was just us having sex. Ya know?

It’s really comfortable to wear. It’s an unusual shape — I’m particularly used to my two-piece style of harness-plus-interchangeable-silicone, so I wasn’t sure what to expect. It’s actually really comfortable.

The silicone is actually hollow on the inside, so someone on the smaller side could actually fit inside of it, and use it as an extender.

It’s a great size — not too big, not too small. Really good standard one-cock-fits-all-holes kind of size.

Details

Price: $90
Material: Silicone; waistband is nylon, polyester, and elastic. No phthalates or latex
Size: 5.5″ long, which means it’s about 1.4″ in diameter
Colors: Purple and black
Clean up: The waistband unsnaps from the silicone. Silicone can be sanitized with bleach, in the dishwasher with no soap, or by boiling for 5-7 minutes. Waistband can be washed in mild soap and water; it would probably get stretched out in the washing machine, so I wouldn’t recommend that

Comfortable, easy to clean, really good size. If you’re looking to invest in just one single strap-on, this is a really good option! If you want to have more options, it’s probably worth saving up and buying a separate harness and dildo, so that when you want to expand to even more dildos and harnesses you can use them all interchangeably.

Pick up Zoro in purple or in black
over on the Perfect Fit website.

Zoro was sent to me from Perfect Fit for review.

journal entries

Things I Didn’t Know I Didn’t Know: Part One

“Feel it fully.”
“Don’t shy away from your feelings.”
“Let all your emotions flow through you without getting attached to them.”
“Don’t push them away or resist them, they’ll just get stronger.”
“Just be with the pain.”

How many times have I heard these things? I’ve been studying self-actualization spiritual self-help psychological philosophy things in the “transformational communities” since I was in high school — that’s a good 20 years now. I couldn’t even count how many times I’ve heard these, or things like these. These kinds of aphorisms are so heavily embedded in almost all the narratives about bettering the self.

I have taken them in and internalized them and really truly believed that that is what I’ve been doing all along.

But I was wrong.

Well, maybe that’s too harsh on myself. (Wouldn’t be the first time.) Maybe it’s more that I was only capable of understanding or implementing it to a certain degree, and now I’ve leveled up, and a new understanding of it is unlocked. It’s harder to see it that way, and much easier to believe that I just had. It. Wrong. This. Whole. Time. But I do actually believe that “everyone is doing the best they can,” because well, if I could do better, I would.

Regardless: these teachings that I’ve been reading for years have led to the habits and techniques I have used over and over as coping strategies for my intense moods, thinking that I knew what they meant.

Some of those include:

  • journaling all the feelings out
  • journaling all my feelings out and telling elaborate stories about them
  • journaling all my feelings out and telling elaborate stories about them and reaffirming those stories any time I re-wrote my feelings
  • journaling all my feelings out and telling elaborate stories about them on the internet for an audience (that has continued to grow over the 12 years I’ve been doing this)
  • talking to friends for hours and going over every little detail of the scenario
  • chatting over telnet chatrooms, ICQ, message boards, Gchat, and iMessage to friends and strangers disclosing every little bit about my feelings that I can think of
  • reading books and listening to podcasts that get down into the wound and poke poke poke at it
  • internalizing the feelings and thoughts and beliefs into part of my identity and forming a self-image around them
  • self-harm
  • seeking experiences that raise the chemicals in my brain so I feel better, but that often results in a bigger crash
  • seeking comfort food & drinks & sometimes drugs to feel better, which has led to all sorts of gut health issues, which they are now discovering is all the more linked to mental health and stability
  • to paraphrase Brene Brown: I’m not an alcoholic, but I am a numb-aholic; I’ll use all sorts of things to numb out and not feel, in the name of coping and managing my feelings

I have absolutely confused coping and treatment — coping being the thing that will make me feel better in the moment, to lift me out of whatever particular hole I’m in so that I can actually be in a better frame of mind to make decisions and connection, and treatment being techniques during episodes and outside of episodes which will ultimately support getting better over time, though they often take more work in the moment.

I always thought I was “sitting with the hurt” while I journaled, talked it through with multiple people, called in sick to work or didn’t get anything done because I was too flooded with feelings, and focused brooding over feelings. That wasn’t the same as pushing the feelings away, denying they were even happening, and pushing through my day to day obligations pretending the feelings weren’t even there! So of course I was “sitting with the hurt,” right?

I mean, maybe? Maybe pushing feelings away is a whole other level of it, and what I’ve been doing is a version of “sitting with it” and feeling the discomfort and pain more than the denial and complete numbness is. So maybe I should give myself some credit here?

But what I now know is this:

I worked with some good therapists in 2017. I saw someone specializing in early childhood trauma, and someone else who primarily worked with mindfulness and trauma. For the first time, I started seeing the emotional reactions I was having as a “part” of me, in a family systems theory way. I started to be able to dialogue with that part — just a little at first, and then more.

This is kind of the stereotypical “inner child” work, and before 2017 I would have told you that I have so done that, I know all about it, I’m so over it, that’s not what I’m going through, it’s not relevant to this now. Ugh. I’m even a little embarrassed to admit that I haven’t already gone through that and triumphed — I mean, I’m 39, you know? I’ve been doing these kind of self-examination healing awareness processes since I was 14. So SO frustrating that I haven’t gone further already!

But. Okay, okay, that’s another judgement place: for whatever reason, I’m at a new place with it now. It’s okay. Maybe other people are over it before they’re 22 or whatever. I wasn’t. This is a new edge for me. Trying to let that be and be kind about it.

So I hit a breaking point in December, 2017. I’ve written some about what’s been going on between me and rife, and all of the old things and relationship trauma it’s been bringing up for me (someday I should go back and read all the posts on it, there aren’t all that many, and figure out what I have or haven’t written about — there’s so much missing, I’m not sure where to start now to keep telling you what’s been happening). In December, I had a “dark night of the soul” kind of month. I had started to make some progress and could, occasionally, watch myself reacting when I was getting triggered, rather than being completely identified with and consumed by the triggered feeling state. But those states were still so constant — sometimes one thing would set me off for a day or two, sometimes a week, sometimes longer.

It became clear to me, though, that having some space between the “adult” functional self part of me and that part of me that was having a trauma reaction was the key to softening the impact of the trauma reaction on me — and on rife. I kept studying, therapizing, and practicing mindfulness as much as possible. My understanding is that cultivating that distance takes a lot of time, so it wouldn’t happen quickly, and that constant, diligent practice is what helps. My intention was to develop a stronger sense of that adult-functioning-part, understand the trauma-reaction (-child) part more, and cultivate my mind’s ability to be less identified and have more distance between the two parts, so that I could not do some of my own self-soothing and not be so overwhelmed and controlled by the triggered response.

One major tool that came to mind here is meditation. At its best, it cultivates the ability to watch the thoughts the mind is putting forth and both stay calm and let the thought go without taking it too seriously and identifying with it. I’ve been studying meditation since high school, but I only really understood how to do it and started a regular practice of it when I was in New York and learning from Sharon Salzberg, then studying at the Interdependence Project. At that same time, I was diving into work with the crew that is now Body Trust, and that too encouraged and bolstered my study of meditation. Body Trust has in the past hosted twice-weekly online morning meditations, and I started those back up in January 2018 — we’ve been going ever since, and I’ve only missed a few, and often meditate more often than twice a week. Still aiming for daily, though that’s only occasionally.

I definitely think that cultivating that practice helped.

In January or February, can’t quite recall, I started diving in to the tarot practice that I’ve been writing about quite a bit, and tried a new experiment with journaling: rather than writing out my feeeeeeelings and telling myself my own version of what is happening, over and over, and seeing the writing which made the story even more true, and sharing the story which made the story even more true, I would try to journal less and write more, and I would use tarot to journal. This helped with distance too, and with softening my identification with the stories. Tarot kicked my ass, man. It told me all sorts of truths that I don’t think I would have come to otherwise, and shook me up out of my habits in ways that really supported the changes.

In March, things came to a head again. (Am I the only one who thinks about pimples when I hear that phrase? I should use a different phrase.) It was another “dark night of the soul,” or maybe it was a different kind. I was facing some decisions about moving forward, and the best path of the three major options was in the long run the least painful, but in the short run felt like dying. Felt like annihilation. Felt like the destruction of everything I knew and loved and trusted. Yeah, that all sounds very dramatic — but that’s how trauma talks and feels, especially when it is being threatened with healing or change. It wants to grip so tightly that it stays right where it is, thank you very much, doing its very important job of protection.

So I tried a new thing — or rather, I tried the same thing I thought I was doing, but I tried it with new tools: I sat still with the pain of it. With the death and annihilation and destruction. I sat in this chair I am sitting in right now and I watched the pain happen. I saw the reactions. Sometimes it took all my effort to sit still. Sometimes I slid down onto the floor and sobbed for an hour. I could barely think about anything else. I woke up and gasped for breath and started crying immediately. It would hit me at odd moments and I found myself on the bathroom floor, on the floor in the shower, on the floor in the closet holding a shirt I was going to put on.

rife wanted to help. I know he did. I was pretty sure he couldn’t. I just needed to feel into it, all the way, and to watch myself feel it, and to be okay with it happening.

This is just going to happen, I’d tell myself. This is just how it is. I don’t know how long this will hurt. Maybe forever. But everyone says that if I sit with it and watch it and soften toward it, it will change. It’s been one day, it’s been two days, it’s been three days and I haven’t seen it change, but what else can I do? This is the best option. This is the way forward.

Sometimes I could say hello. Hello, you who are suffering, you who are in pain. What do you need? Can I hold you? I can tell it hurts so much. I see you hurting. You are safe, you are safe.

Sometimes all I could do was whisper, “I am so angry. I am so sad. I can’t believe this is my best option. I am so angry that I am in this situation, that this is what I have to do to go forward.”

On the fourth day, I was home alone for a long evening, trying to take care of myself while in a moderately triggered state. I sat still for a while. I probably cried for a while. I tried to tell myself some of the little mantra sayings that I’ve collected over the years, the deep beliefs I have in moving through difficulty and joy and making meaning — like: raise your heart. What is the hidden gift? You already have what you need. Resisting pain causes more suffering. You already have what you need. And I got this instinct to go play with the little scraps of paper I’d started to collect all of those sayings on, and somehow, I was divinely driven to create this oracle deck. It’s still a very mysterious process to me; I’d never made anything like them before, and they came together with such perfect moments — like I had exactly 20 blank cards, and I randomly pulled exactly 20 images out of this pile of magazine clippings, and the sayings and the pictures matched up completely.

And the sobbing stopped. Those moments of absolute annihilation and terror stopped. I mean, not really completely, but for the moment — that particular crisis shifted.

It’s not like I now feel like I’m a pro at “sitting with it” and I can just do that and things are fine. But my reactions have extremely shifted, and I understand this skill and technique and what the aphorisms really mean in a way I never have before.

It feels amazing, really — to suddenly really get a concept that I thought I’d been working with for years, for decades. I didn’t know that I didn’t know how it really worked, or could work. I thought I’d been practicing it all this time. It’s still hard not to beat myself up about that, or not to be angry at the world for not telling me sooner that I wasn’t doing it “right.” But for whatever reason, this spring was when I was actually ready to hear it, and now, finally, all the different threads of work and insight and study that I’d been doing came together, and something is … better.

poetry

She Is There In the Bed

The world is tumbling down around you. The bedroom is full of boxes: papers from college and writing classes, the books you are still going to keep after selling ten boxes to the local used bookstore, the winter clothes you won’t need maybe ever since you are moving to California, the sex toys you aren’t using, the love letters you almost didn’t pack but decided you couldn’t throw such artifacts away yet, they would have to be properly disposed of, like burned in a ritual and ashes tossed into a clear lake. The boxes surround two sides of the bed, tucked between the bed and the wall, and there is only one side left open. The boxes are the shared apartment, shared life, shared love being packed away.

Separated.

Giving themselves back to themselves.

Every morning, she is there in the bed. You wake up and greet the return of the sun with relief, and then remember the destruction of your life, not yet able to lean on the building of the new life. But she is there in the bed. She is curled next to your belly or behind your knees, a little black and white cat not so little anymore, sometimes sleeping tucked under the covers when it’s cold, sometimes her head on the pillow. She makes eye contact, purring. She knows something already, knows the hurting that pours off of you, and she catches it. She puts her paws on you. She closes her eyes slowly and it’s a nod, it’s a greeting, it’s acknowledgement. You hold her. She fits in your curled up body. You pet her. She soothes your nervous system, already activated, already high alert with the tenth breath of the morning.

When this ends, she will still be there, with the white patches of fur on her neck and chest that are softer than the black, with her four pink toes and one black toe, with her relentless swarming when you are trying to cry and concentrate and clean and create and crash because she’s hungry.

You have forgotten to eat, so she reminds you.

She curls in your lap just as you were about to get up, but knows you don’t need to fuss now, you don’t need to fidget more, you just need to calm. She allows your full body caresses in order to give you her vibration. They say that the 20 to 140 hertz vibrations of a cat’s purring can heal stress, infection, swelling, high blood pressure, broken bones. And because it is the law that you cannot disturb a sleeping cat, you must just sit still, next to all the books you’ve packed but reading none of them, as your shoulders drop just half an inch.

poetry

A Poem for the Closing of Workshops

Published in Erotix: Literary Journal of Somatics, forthcoming in August 2018

We have traveled. Alone and with each other, down deep and up high, from black and white to Technicolor: we are Dorothy in sparkling red shoes who have had the answer all along.

We started as the Ouroboros and we have travelled, have become the scales and spine and beating heart who discovers and devours our own tail, root to crown, recycling, ad infinitum. We complete the circle. We know how we come together to cauldron our stones and thick scented herbs and blue sea glass and red aching scars. We pour our every fluid into the center of the toroid. We are the body, our own body and the body of the circle.

We have become the Alchemist and we have travelled. We have put together our rucksack of tools and took part of the magic, drank of the passionate potion of our pheromonal feast. We made bone from feather, we made heart from stone. We found the scars and massaged until they slip-slided into skin. We bottled the essence of body plus courage plus desire plus prayer.

And now we are closing the circle. Stitching ourselves back up, stepping out into the life flow from this place of stillness and refuge.

When we leave here: again, we will travel, but this time back to whatever we left. Take a breath now into this feeling of the center of the body. Hold it. Lock it to the back of the heart. In the center of the merry-go-round, the tornado, the wheel, the toroid, and the self is the place of stability. On the rim, we are flung. But we have found stillness and we can return.

When we leave here: touch water. Go sit on the edge of the ocean and remember the jagged mountains and green-black kelp and monstrous sharks still under the flat surface. Go find a cobalt waterfall and enter it hand-first, enter it head-first, remember what it feels like to be a body that something rushes against and into. Go find a river that spends half the year as ice and ask how it freezes and thaws and freezes and thaws over and over.

When we leave here: know that with expansion comes contraction. It is the story of the universe, the oldest story, the one even before the sacred whores and healers, the one before the magic rush of one palm on the ground and one palm to the sky. It is a story even the water knows. What we take in may cut to the quick. Be cautious around toxicity, screens, urgency. Expect the contraction, and tend to the baby-green shoots that have dared put their root down and just begun to stretch the surface open.

When we leave here: reach out. We journeyed together and we can look again at each other with blinking eyes and say yes, that happened. Yes, our siren screams of pleasure brought the nourishing rains to soak the soil. Yes, fingers ankles collarbone hips. Yes, hello again beloved.

When we leave here: tell your story. Tell your story. Tell the story where we are the hero of our own journey, where our quest is one of continually knowing the self, now and now and now. Leave alone the stories of others, gorgeous and shimmering as they are, lodged as crystals in our open places. They are for our memories, our witness, and we leave them in the circle. Tell your story. Tell it slant. Tell it complete. But always keep a little for yourself.

It is time now to invoke our individuation, to come back into our own completeness. To carry what we have made together, a love note tucked between heart and ribcage. Together, we have traveled. And now together, we are going home.

journal entries

The Mystical and The Profane

In late July, I spent five nights near Albuquerque, New Mexico, at a zen center on a hot springs. Body Trust held our fifth annual Portals of Pleasure advanced retreat for women and non-binary folks, and this year, I co-facilitated.

It was mystical. I spent a lot of time tapped in, channeling, connected. A hollow bone so spirit could fill me. Full-spectrum lit up from inside.

I don’t know if any of these things make sense. I live in fucking California now, and I see (what I judge as) superficial woo everywhere … I have a lot of critique. But I grew up “second generation woo,” as I like to say sometimes. My mom is more into astrology than I am, we celebrated the wheel of the year, and focused more on the mysticism of nature than any religion or beliefs. The spiritual system and lineage I work with now is more of a science than a religion, working with the body, health, connection, pleasure, being stable and centered, food as medicine, and experimenting with energy.

This is our 10th annual retreat, and each year has been a little different. After my spiritual revelation experience in March, I’ve been very tapped in and leaning hard on my spiritual practices, and I really wanted to bring some witchy, mystical — meaning, tapping into the mystery — kinds of things. We spent the five days exploring the idea of wildness, re-wilding, de-taming, un-taming ourselves, opening the body, rooting down into the earth, resourcing ourselves, re-sourcing as in returning to and feeling the source, and exploring desires. The concepts change every year, but a lot of the exercises are the same. I hesitate to go into them here, mostly because a workshop is often a very altered space … we create a container, an energy body, a field of energy and collaboration in which we play. We do rituals, experiments with our bodies, intentions, connection, touch.

I also really wanted to bring forward and teach rituals about dominance and submission, more play with polarities, and more penetration and reception.

All of that — and, of course, the intentions and brilliant teachings of the other facilitators and assistants and “circle technologist” who consulted about group dynamics — wove together, and it was one of the most potent years yet.

I’m struggling to portray what it meant to me, and to describe my personal experiences — spiritual breakthrough experiences? Mystical experiences? Experiences where I felt god? When I got back, and was high and blurry and open and strong and creative and in touch and light and fluffy, a friend asked: do you ever write about this? And I realize, I don’t, not really. At least, I haven’t for a long time. I did, a few years back, but honestly it was a little odd for folks who know me as Sinclair to show up at one of those workshops. They’re deeply intimate, though not really personal, which is a difficult thing to explain to folks. Some people have no problem meeting me in that space, but it has also at times felt like too much.

When I was writing about it more, I was still working with the Body Electric School, but things got very complicated for me in 2012 when my dad died and Kristen and I broke up and I moved to Oakland. Around then, the group of us who worked with Body Electric broke off to create Body Trust, and Sugarbutch and Body Trust started feeling more like two separate projects.

But as Patreons know, I’m still deeply involved with Body Trust, writing blog posts every month, working on our podcast, working on our books, and leading workshops. We have been working more on ephemera than in-person workshops lately, but we still lead this big deep dive of Portals.

If you want to be on the list and know what we’re doing, sign up and you’ll get invites to our workshops and such. The same co-facilitator and I are planning to do a tantra & SM workshop this fall/winter, and I have dreams of leading an embodied writing retreat soon.

A quick PS …

I’ve been reading and thinking and talking a lot about cultural appropriation, and examining my studying of Tantra. The lineage I am learning from is Kashmir Shivism Tantra, passed down from Swami Rama, former head of the Himalayan Institute. A few ‘generations’ back from me, my teachers began to queer things and translate them into different terms. Sometimes I’ve called it “holistic non-binary Tantra,” or “queer Tantra,” or, lately, “neo-classical Tantra” (though calling it that doesn’t so much highlight the queer af parts). I’m not sure how I’m going to go forward with my public talkings about Tantra, but I do know I’m going to remain a devoted student.

essays, reviews

Introducing Erotix: Literary Journal of Somatics

For a few years now, I’ve been working on an anthology called Erotix: Literary Journal of Somatics. I put out a call in late 2016, thinking it would be a quarterly journal (!) published by Body Trust with the intention of putting some words to the erotic embodiment work we pursue, which is often mysterious. But the personal (trauma) crises I’ve been going through have kept me pretty much unable to get to my big projects since then, so it’s just sat in my inbox (and in the back of my mind, making me feel awful). On top of that, the submissions I received were somehow not quite what I was visualizing, though I couldn’t really put my finger on what I was visualizing to explain it, either. I thought I might have to do a second call for submissions.

But as I’ve been able to pick up projects — and complete them! — again this year, I’ve been tackling Erotix. It’s a smaller volume than I expected, but it finally came together in some sort of form that makes sense for me. No idea if I’m going to make other volumes — with the Best Lesbian Erotica project on my plate right now, it will probably be a little while before there is another one, but of course now that this is finished I’m excited and want to do more. I also don’t want to promise another one and then keep it incomplete for a long time.

But here it is, the first issue! I am excited to share it with you. It’ll be ready to buy in August.

Introduction

In an erotic embodiment workshop, though we may be loosely organized around a theme of exploration, we all come together with different stories. We have different lived experiences, different relationships to our bodies and to others, different wounds, different resiliency. Many of our stories explore the themes of connection, touch, rejection, care, transformation, power. Some of them overlap at the same resonant frequency, and when we find the tones that match ours, the moment of perfect harmony which comes out of cacophony can be a soothing balm of relief.

I find this to be true in anthologies, too. A group of stories, tied loosely around a theme, manifested through a writer but now a being in their own right, come together with different expressions. Through the various refracted perspectives, sometimes deeper truths emerge. Sometimes a resonance emerges like a singing bowl which can buoy, which can soothe. Sometimes each piece adds it’s own perspective on the melody, like the different instruments in an orchestra.

I’ve had a vision for Erotix as a literary journal of somatics, but it’s taken me some time to figure out what that is and how to share it with others. That process of articulating something is precisely part, in fact, of what I visualized. When starting to do work in erotic healing circles in the late 1990s, participants and staff alike were often counseled not to talk about it, because others who weren’t there and didn’t experience this transformative space wouldn’t understand. Amy Butcher’s essay, “Between Silence and Words,” explores this further. But in the two decades since then, we in the embodiment, somatic, transformative, and sacred erotic realms have begun articulating quite a lot — and much of the world is ready to hear what we have to say.

That is Erotix’s goal: to be a mouth and tongue to express, in the linear confines of the written word, what it is like to experience embodied erotic transformations. The differences in the content are too many to name — power dynamics, masturbation, temple, sensation from subtle to bold, intellect, skin, orgasm, kink, connection, friction, music, and countless more. Each experience is unique and individual. Yet seeing a dozen or so descriptions come together in one volume shows some commonalities, some themes: the wild and whimsical ways our bodies work, the healing power of pleasure, the navigation of reclamation, shameless exploration, and connecting beyond ourself and other to a greater consciousness all thread through. They also thread through week-long residential workshops where we pray and dance and soar, where we realign our Self and selves, where we circle in a lineage of women’s temples.

Though not everyone can be in temple with us, I hope that as you sit with this small volume of words and have a glimpse of what it might be like. Each of these contributors bring their body and desire to the page, and without each one, the circle of this book would not be complete.

guest posts

Back to One, Guest Post by Kit McGuire

I’ve displeased her in our games. Today it’s because I took too long to respond to a request. I did not give my complete trust in that moment, and now I must pay for my disobedience. At times she allows more time, but when she is in a certain mood she expects immediate action, and anything else means that I was not present and ready to appease. She can always tell when I have not given myself up to her power, and she will always remind me who holds the upper hand. It does not matter the reason for my correction, because at the end of this punishment I will not question her control. I will beg for her forgiveness, and I will know with surety that I deserved what she has dealt.

With a firm tone I’m told to stand, push my underwear down around my ankles, then bend and grab my calves. I’m ordered to count each stroke of her hand, and thank her for each part of my correction. If I miscount, back to one. If I dare to whimper or complain, back to 1. Sometimes she takes pleasure in making me spell long, difficult words and if I become too distracted by the sting and misspell, it’s back to one. I’ve gotten very good at counting to ten. My vocabulary now is fairly extensive. I’m often bad.

The first smack is always the easiest. She will always ask if I’m ready as to announce herself before the first blow is struck. My body will always let out an involuntary hiss of air through my teeth, but my knees know to lock. She tells me to be a good girl and take what’s coming to me.

One

It is sharp, but her hand is cupped. She’s warming me up. It stings, but at the same time my cunt contracts. I shouldn’t enjoy this. It’s punishment, but again, I am often bad.

Two

I need to bite my lip to avoid a groan. She has gone hard in the second stroke and waits for my brain to receive the signal that it stings like fire. She reminds me that she can tell when I enjoy it, and good girls don’t enjoy punishment. Am I not her good girl? She won’t be kind this time.

Three

This time she’s struck on my thigh. A tear trickles from my eye. I know that one has left a solid hand print. I breathe through the pain. I can take this. I should have been a better listener. I shouldn’t have questioned her motives.

Four

It is a series of smaller taps where where my ass and cunt connect. Sharp and short, but I feel myself get wet. She continues sharp taps then plunges her fingers inside me.

Five

She calls me a slut. Apparently my cunt is drenched because I enjoy it so much. I remain silent. I have to trust what she says. She smears my juices on an ass cheek, then delivers a harsh blow. The wetness makes the bite that much sharper. I end up biting the inside of my cheek and tasting blood.

Six

I wait. There is no connection. I don’t dare turn around to see what she’s doing. I scrunch my eyes shut and listen for her movements. She is playing with my mind now. I must wait, and the wait is excruciating. Suddenly there is a sharp snap and I cringe, but my pain receptors receive nothing. She’s smacked her own leg. While my brain is trying to figure out what’s happened, she winds up and smacks with such force I’m thrust forward and I have to take a step to steady myself.

Seven

I feel like I’m floating above my body and looking down. It’s at this point when I’m ready to tap out. But I can’t, I mustn’t. I must muster my control and push through. If I beg for forgiveness now, when I feel like I’ve hit a wall, it’s back to the beginning and that is torture. I know. I’ve been weak.

Eight

My back hurts. The blood has rushed to my head and I am slightly dizzy. I can feel all the spots where her hand will have marked. Her canvas this time has taken a few nail rakes while she decides where to leave the next mark. They’ll welt. I could use the word now, but then she’ll think I can’t take it. I start to silently cry. I don’t want her to stop. The spots where she’s hit most are now numb. I am ashamed that I can feel a dribble of my own juices run down my thigh. The tears are both from the pain and the fact that good girls shouldn’t enjoy this. She’s told me so many times. Reminded me other times while she has her fist inside me that good girls would be shocked at my wanton whoreishness. All I want is to be good for her. It’s my only goal; not be this nasty girl who wants the pain, wants all her attention.

Nine

My weak thanks comes from a place of honesty. She knows and she asks me to repeat myself. I am too quiet. Too unconvincing. She needs to hear me loud and clear. She tells me I’m nearly there. I struggle knowing I have more to take. I will please her. Next time I’ll listen, next time I won’t take my time responding. Next time, next time. Next time I’ll probably be bent over again like the shameful thing I am.

Ten

It’s more tender and she grabs me before releasing. I can hear her behind me, breathing heavily. Her hand likely stings nearly as much as my behind. I know it is a drug to hear the small noises that escape my lips, the ones she pretends not to hear. Hearing my voice struggle to contain a cry as I thank her for each delivery drives her into a frenzy near the end and she has to catch her breath and steady her demeanor before she tells me I’ve finished.

When I’ve been good, when I’ve reached the goal, I’ll be turned around in a mirror and told to look. She’ll place her hand over the most red mark to remind me who left the perfect print. She does this now, and traces the nail crescents she’s also left this time. I can see her smirk in the mirror, like the cat whose swallowed the canary. We lock eyes and I feel her powerful feelings for me.

She whispers in my ear that she’s to go get a towel and the almond oil. I’m to get a delicate rub over her marks for taking such a thorough spanking. My skin is hers and she takes care of her things. We can’t have that skin think it’s not cared for, can we?

No, no we can’t.

miscellany

Call for Submissions: Best Lesbian Erotica Volume 4

PEOPLE I have exciting news!! Cleis Press asked me to edit the next edition of Best Lesbian Erotica, volume 4 (aka 2019)! I’ve had such a good time putting together anthologies — Say Please, Best Lesbian Erotica 2012, and the forthcoming Erotix: Literary Journal of Somatics through Body Trust — and I am really thrilled to do another one.

In 2016, for the 20th anniversary of Best Lesbian Erotica, I posted a personal history of it, with some of my favorite volumes and what they have meant to me. My essay “Why Lesbian Erotica is Valuable Activism” was in the edition I edited, Best Lesbian Erotica 2012, and it’s also on Sugarbutch here.

Here it is! I would especially love submissions from you folks who read a lot of erotica and maybe have secretly tried your hand at it … I’d love to have a variety of stories by people who have never been published before.

Best Lesbian Erotica of the Year Volume 4 (Best Lesbian Erotica 2019)

Editor: Sinclair Sexsmith
Publisher: Cleis Press
Deadline: August 31, 2018 (earlier encouraged)
Payment: $50 and 1 copy of the book within 90 days of publication
Rights: non-exclusive right to publish the story in this anthology in print, ebook and audiobook form. Authors will retain copyright to their stories.

Sinclair Sexsmith is editing the next volume of Best Lesbian Erotica, and is looking for your best sexy stories about queer women.

Representations of queer women, non-binary AFAB, and trans women’s sexuality that are not as frequently seen — with ability, race, ethnicity, class, neurodiversity, ace-spectrum, age, religion, or other social justice politic viewpoint — are particularly of interest. Writers who have not previously published are encouraged.

The anthology is not limited to certain kinds of sex acts. “Vanilla,” BDSM, fetish, ace, and all kinds of sensual and sexual expression are welcome. I will be looking for a wide variety of sexual identities: mommy, mistress, sir, puppy, girl, etc. I will consider a few reprints published in 2018, but prefer unpublished stories. No simultaneous submissions. Up to two submissions per author, between 2000-4000 words. No poetry or speculative fiction please.

Send your double-spaced, Times New Roman black font submission with the subject line “Best Lesbian Erotica submission” to lesbianbdsmerotica@gmail.com as a Google document (preferred), or as an attachment in .doc, .docx or .rtf format. Include the story title, your legal name, pseudonym (if applicable), 150-word bio, previous publication information for the story (if applicable), and mailing and email addresses on the first page.

Queries are welcome.

miscellany

Call for Submissions: Guest Posts on Sugarbutch

I occasionally post stories by guest writers on Sugarbutch, and I’m looking for more to publish in 2018.

Criteria: Erotica, 1500-2000 words, extra dirty / kinky / bdsm, queer. Here’s some ideas of what I like.

I’m open to other non-fiction articles about butch identity, master/dominant identity, and strap-ons, and possibly a few other things; please contact me with a pitch before sending me anything.

Pays $50 for one time rights (meaning I get to publish it this one time and you get to publish it however you want after that).

Email me the file, a short bio for you, and a reference or two: sinclair@sugarbutch.net. POC & gender radicals to the front!

Please ask if you have questions!

Edited to Add:

Deadline: July 31, 2018. I’ll accept these on a rolling basis. I’m publishing one (max) per month, and will accept as they come in. I already have about a dozen submissions (which, if they all fit, would be a year’s worth of guest posts). I hope to have 10-15 after this call.

(I also have another editing project coming up, so keep an eye for that if you don’t get one in by July 31!)

References: I’m looking for character references particularly. It’s difficult to judge just based on a really good story and a great bio who someone really is — I don’t want to accidentally publish someone with TERF politics, for example (not that they’d ever submit here). Your Twitter account, your blog, your Facebook would all be okay references; sharing a mutual friend or someone you think I know would be even better, so I can have a quick chat with them. I don’t say this to scare anyone off, but by publishing someone else on my platform, I’m basically endorsing them. I will be clear regardless that all I can really “endorse” is this one story that I like, and whatever they do separately from this has nothing to do with me and is not necessarily endorsed by me. But I want to ensure good politics & community on this story AND outside of this story as much as I can.

That said, I’m pretty sure, if you have even seen this, then you read Sugarbutch or follow me somewhat regularly, so then we have a lot in common. I’m not that worried about it, just trying to be professional & thorough!

journal entries

Kintsugi

She fingered the teacup at the sink. Hands wet, dishes stacked waiting, overhead light off but the light under the cabinets on which made for dramatic shadows and underbelly.

The teacup was her grandmother’s. Used to be. She didn’t put it in the sink anymore because of the porcelain on porcelain danger. The sliver of gold around the rim and edge of the saucer were still the ring she loved most, even since the one on her finger. Her lips touched it and she was kissing like King Midas was touching, she was drinking like the sorceress at the waterfall. The way it balanced in between her fingers felt like a fine Japanese knife, like a feather compared to a cairn of rocks, like the sacrum loose in the pelvis.

The rest of it was white. It still held it’s gleam, though it could use a deep polish by one of those harsher chemicals. The glass of the glaze was still diligently strong, protecting everything after all these years, protecting hot sweet poured flow like a mountain cradles the lava.

She used to beg her grandmother to get it down from the high glass shelf of the cabinet and let her hold it. Gently, gently, with two hands, only when she was sitting on her bottom, only when her hands were clean and steady. She learned to keep her hands clean and steady. Learned to ask the way her grandmother wanted to hear. Learned to remember the settled feeling in her belly even when it wasn’t in her hand.

The hairline crack was still visible. He fixed the break, the fracture that separated it into half-moons, splitting into duality, no longer whole. He was as precise as she was. He researched how to repair fine porcelain on youtube. He had tears in his eyes as he mixed the chemicals to make the sealant, and again when he smoothed the outside until she couldn’t even feel it with her fingertips. He presented it to her again. He gave it back to her. He as much as raised it in both hands on bended knee.

There was nothing to do but go forward. She cradled it in both hands, careful not to have too much soap. It was reparable, she told herself. The sealant was made from gold, too. A fine river-shape down the side where her thumb sat. It was stronger than it had ever been before. But she knew the line was there. She will always know it is there. And someday it will be more beautiful than it was before.

media, reviews

Writing Ourselves Whole: Transformation, Healing, & Queer Sex

I am thrilled to share a beautiful interview with Jen Cross, author of Writing Ourselves Whole: Using the Power of Your Own Creativity to Recover and Heal from Sexual Trauma.

The first few times I cracked open the book, a writing exercise chose me, and I sat down to keep my pen moving for ten minutes, I ended up in tears. Since the national conversation about sexual assault has been so visible these past few months, I have — like many of us — been thinking more and more about assault and #metoo. I’ve seen the conversations about consent violations and consent accidents grow significantly in the kink communities in recent years, too, and I’m glad we’re both giving it more weight and talking about how it is that we as a community want to work with it, since the legal system isn’t actually helpful in resolving these complex occurrences.

(Jen has some excellent writings over on the Writing Ourselves Whole blog. Highly recommend.)

The beautiful personal memoir writing, the guidance through one’s own inner world through writing prompts and inspired quotes and sharing, the reclamation of sexuality and sexual flow and eros and erotic joy — this book moves me, shakes me up, soothes me. I haven’t worked through all of it. It’s intense. But I’ve picked it up when I need a kick in my writing voice, when I need to stop blah blah blah-ing in my journal entries and actually get down deep into something. Sometimes it has been a serious kick to the gut.

Be careful what you wish for.

Interview with Jen Cross

How did this project come about?

This book grew out of my own relationship (for the last 20-something years!) to freewriting as a healing practice and the work I did for my MA in Transformative Language Arts (Goddard College) — at that time, I was focused on erotic writing as a healing and transformative practice for survivors of sexual violence. It was through that program that I led my first writing groups, in fact. Over the years, I’ve expanded my work to writing about sexual trauma more broadly, as well. What I’ve found is that writing — either alone or in a community of generous and supportive peers — can be a way to find language for experiences of violence or trauma (or its aftermath) that were meant never to be expressed, a way to break down the isolation that is an inherent part of intimate trauma, and a way to reconnect with our creative intuition: that quiet, persistent voice within that we often had to ignore during the time that we were being abused. With this book, I wanted to share my experiences as a writer, survivor, and workshop facilitator, and offer support to trauma survivors (and others) who are seeking to find their way into words, as well as to anyone who would like to gather together a peer survivors writing group in their own community!

The work in this book is at the intersection of three topics/communities – survivors of sexual assault, erotic and sexual writing, and queer folks. How are these interwoven, and how do you see the potency of the intersection?

The spark for this work came out of my own relationship with my sexuality — at the same time that I was getting away from my stepfather and his abuse, I also came out as queer, so these two parts of my identity are intertwined. I found myself part of a couple of communities — an incest survivor community (which often seemed not to want to think or talk about sex at all, since that was the site of our wounding) and a sex-positive queer community (which, given our struggle as a community to get out from under the shame of homophobia and a sex-negative upbringing, seemed only to want to talk about how excellent sex was). What was true for me (and is still true), though, was that sex was complicated and messy, both a place of longing and desire, and a place of struggle and pain. What I wanted was a place to be able to connect with the fullness and complexity of my adult, lives, consensual sexuality, given my history and my identity as a queer woman.

So, when I got started in leading writing groups, I facilitated an erotic writing group for queer women survivors of sexual trauma. In this group, we mostly didn’t write our trauma story, but instead wrote fiction and fantasy; we wrote about the gorgeous complications of our lived sexuality, and gently wrote ourself into new possibility, into our bodies, into new desire, into sex.

I think a lot about Audre Lorde’s definition of the erotic, from her essay “Uses of the Erotic: The Erotic as Power” (in Sister/Outsider) as a knowledge and quality of embodiment that “flows through and colors [our lives] with a kind of energy that heightens and sensitizes and strengthens all [our] experience.” The erotic is connected to our sexuality, but, given this definition, I think about the erotic more broadly — as having to do with desire in all its forms. We have sexual desire, but we also have creative desire, we have desire for fulfilling work, we have desire for connection, social change, and so on — those of us who have experienced sexual violence (particularly as children or young people, but this can be true for those abused as adults, as well) are often trained to expend a great deal of energy paying attention to someone else’s desire; most of us who are socialized as women are, too. We don’t know what we want — in fact, we aren’t supposed to want anything. We are supposed to want to be wanted, to be the object of someone else’s desire, and that’s all. We are supposed to tend to the desire of the other. Folks on college campuses want their students to communicate clearly and directly about what they want, to say yes and no definitively; but what if we don’t even know what we want? How can we make such an assertion?

In my erotic writing groups, I wanted to push into that question: What if it were ok to want? What if I could want without anyone having any expectation of me? What if I could want without anyone taking advantage of it, or using that desire against me?

What do you most want people to take away from your work?

What I want, more than anything, is for folks to write! So many of us want to write, or to express ourselves creatively in another way, but we have been trained away from our creative expression, or we have been called stupid or dumb, or someone important to us told us we were bad writers because we misplaced a comma or didn’t capitalize a sentence correctly — or, we have feared putting into words how we were harmed or violated. I am always moved when any survivor of trauma, and particularly sexual trauma, manages to write (whether or not they write about the violence done to them), because they are claiming a voice that was shut down, claiming a creativity that was shamed or silence, claiming words that may have been used against them. What I hope is that, as folks are reading Writing Ourselves Whole, they allow themselves to put it down and write whenever they are called to write — in response to a prompt, or one of the chapters; maybe they wish I had said or worded something differently — I encourage folks to write down how they would have said it!

Anything else you’d like to add?

We are an enormous community, we survivors of sexual violence — when we come together, when we tap into our creative genius voices and raise our voices, we are a force to be reckoned with. Every time a survivor tells their story —as memoir, in fiction or poetry, in paint or dance or song or craft — we claim some small bit of what our perpetrators tried to steal from us; we reveal that it was ours, was in us, all along.


Go visit some more stops on the 2018 Writing Ourselves Whole blog tour!

3/5 – Interview with Kori Doty of Sex, Drugs, How We Roll podcast: Sex, Drugs and How We Roll – w/ Jen Cross, Writing Ourselves Whole

3/8 – Why I’m starting a writing practice to heal from grief and trauma, The Art of Healing Trauma blog, by Heidi Hanson

3/16 – sex, love, and all the feels:

3/20 – On Lauren Sapala’s blog (writing coaching for introverts and others!):
http://laurensapala.com/willing-leave-unfinished/

3/30 (or thereabouts) Sugarbutch

4/7 – laurietobyedison.com/body-impolitic-blog/

TBD – Kitty Stryker and Consent Culture

TBD – GoodVibes blog

TBD – Talking Writing Magazine


Pick up the book at your local independent bookstore, or if you must, on Amazon.

poetry

king of disks

it is enough to have gone through this ordeal
it is enough to have sought the diamond
hard and bright within
it is enough to have sat still and let the pain wash,
wash, wash, and drain away
it is enough to have been so giving, so for
giving that creation was made

raw creativity sprang forth
and with it, raw power
the ability to make
to survive
to quiet
to live

the rules come from the deep
they come from the pressure needed to aim
to fire, to be a ball shot from a cannon
the focus it takes to go this way instead of that
means denying, means confining

it’s not practice anymore
the earth lends all its power through the root
filling everything inside
the inner world rich and bright
the outer world finally catching up
finally reflecting
finally abundant
finally alive

family is manifest
rituals are ancient
authority is earned
protocols are purposeful
aim is strong and true
striving is over

find the peace that comes with surviving
relax in the trust of the heart of the master

I’ve been posting more of my recent tarot practice on instagram, go over there if you want to follow.

guest posts

Back Seat Brat, Guest Post by Jack Stratton

All characters in this story are over 18 and consenting adults.

The first time I met Lola was in the backseat of my cousin Tommy’s black boat of a Lincoln Town Car. She was one of his friends. Tommy had a crazy crew of friends — hippies, stoners, punks, and musicians.

Tommy let me hang with him during the summer break before my senior year of college. As I sat in the back, he pulled up to a bar and a few of his friends jumped in. Lola opened the door I was sitting next to and climbed right over me to sit in the center of the back seat. She was this little firecracker. Around my age. Short, feisty, jet black hair with bangs, and lips that were always bright red. She dressed all rockabilly, like some modern take on one of the girls in Grease.

We drove around for a while. Visiting Tommy’s haunts. Picking up beer. She didn’t say anything, she just watched me. At around eight, we pulled up to a burger joint and she looked at me expectedly after tap tap tapping on her phone.

“My Daddy’s not here, so you have to pay for my fries,” she said plainly, looking bitchy and bratty at the same time.

“Is that so?” I laughed.

She didn’t laugh or even smile. She moved closer, sitting right on my hand, pressing her big ass down on it.

“Yeah it is. You have to or you can’t sit next to me,” she said threateningly. There was no irony there. It was a stupid juvenile thing, but it worked. She leaned back and stretched, pushing out her chest. I reached for my wallet.

Tommy left us alone in the car and went to talk to some friends inside. After eating her fries and most of mine, she chewed on her straw while she looked at me inscrutably. She unbuttoned the first few buttons of her navy blue dress, to expose a pink bra. I was hypnotized by her. She slowly traced the top of her bra with her finger, pulling it down a little, almost giving me a glimpse of more, all the time watching me.

“I think you like me,” she said with a self satisfied grin.

I laughed nervously.

“I bet you’d rob a bank for a taste of my pussy,” she purred.

I swallowed.

Her phone buzzed. She picked it up and read something, smiled, and then furiously typed a response. Then just like that, I was forgotten. She leaned over me, her hands pressing painfully into my shoulder and chest, rolling down the window next to me and sticking her head out.

“Tommy, we gotta pick up Frank!” she screamed.

With that, Tommy came back to the car and we headed for the bus station.

I saw him waiting there, leaning against a wall. Her “Daddy.” He wore a leather jacket, a white t-shirt, blue jeans, and boots. When we stopped he walked slowly to the car. He slid in the other side of the back seat, sandwiching Lola between us.

He was a little older than me. He had a chiseled jaw with some stubble. His hair was parted perfectly and slick with grease.

His hand went possessively to Lola’s knee. She turned and hugged him tightly.

“Hi Daddy,” she said almost breathlessly. Then she kissed him. I wondered if I should go sit up front, but we started driving. Lola and Frank whispered to each other. As they did, she became sweet and childish. Not the brat I had come to know, but some reflection of it. A brat who was put in her place.

“Him? The pretty boy?” I heard him ask her with a laugh as they both glanced at me. She cupped her hand to his ear and whispered more, with her eyes on me.

“Rob a bank, huh? I bet he would too,” he said with a chuckle. I blushed deeper, knowing what they were saying about me.

We drove to a pool hall at the edge of town and Tommy got out and went in. I got out too and took a few deep breaths of the night air. I heard Lola and Frank get out. I didn’t want to face them, but I couldn’t ignore them when I heard them whistle for me, as much as I tried. I turned to see them walking into the alley behind the pool hall. Lola was motioning for me to follow.

In the shadows of the alley I saw them making out. They stopped as I approached and looked at me expectantly. I walked to them, unsure of what else to do.

Frank grabbed me by the scruff of the neck and pushed me against the wall. “You been taking care of my girl while I was gone?” he asked, though he didn’t sound mad. “I’ll tell you what, kiddo, you want to play with her, you have to play with me a little first,” he said with bravado.

I looked around and laughed a little. He was joking, right?

He pushed me up against the wall again, the cold bricks against my back. His face was suddenly close to mine. “Come on, pretty boy, you said you’d do anything. She told me,” he growled into my ear. He smelled like aftershave and whiskey and cigarettes.

She was behind him, arms around him, lips near his ear, eyes on me. “Hit him, Daddy,” she begged and then bit her fat bottom lip.

He smiled at me, reached up and took my chin in his hand. It seemed like he was thinking about it, but then he turned away from me and grabbed her.

“What did we talk about, Lo? Good girls don’t make demands. What did we say?” he said, clearing his throat and walking towards her as she backed up and fidgeted with her dress.

“I’m not supposed to be a bossy little brat,” she said, looking down and fuming.

He grabbed her by the hair and spun her around. He flipped up her dress and smacked her ass. My eyes were glued to them.

He pulled up her dress a little more, exposing white panties with little hearts on them. He spanked her again, hard, and she let out a little yelp. A red mark the shape of his hand appeared immediately.

I followed his fingers on her skin, watching as he traced the mark he left, then the edge of her panties, slowly slipping just the tip of his finger under the thin material.

When his long fingers got to the crotch of her panties she arched her back and stuck her ass out as high as she could, standing on her on her toes. His fingers slipped between her thick thighs and I heard her let out a low whimper. I may have let out a similar sound.

I could see it, just barely. He pushed the fabric to the side just enough that a delicious little bit of pink was exposed and my heart was beating so fast it hurt.

“Well, kiddo, time to rob that bank,” he said, turning to with daring in his eyes. He slipped his finger across his bottom lip. I felt a scared little puppy whimper emanate from my chest.

My brain didn’t seem to command it, but somehow my body was moving forward.

He was tall. I felt small and clumsy next to him. He leaned down, then all I felt was stubble across my lips. It was embarrassing how much I wanted all of it, her taste, his mouth. He kissed me and I got light headed. My hand went up to his firm chest. I sucked his bottom lip and I could swear I tasted heaven.

He chuckled again as he let go of me and he reached up and grabbed my chin. He slipped one finger into my mouth and I sucked it greedily. His thick fingers pushed deeper into my mouth, two, then three.

“Look how much he take. Look at what a good boy he is, Daddy,” she whispered to him, right in my ear.

“What do you say, kiddo? You want to be my good boy?” he said, rubbing his hand through my hair.

“Come on pretty boy, don’t you want to suck my cock? Just think how much Lola would like to watch you. She’d probably do anything to see it,” he said pulling me closer by my hair.

I fought his grip a little, trying to pull away, but his hand tightened around the back of my neck. Did I want to suck it? It was complicated. It made me want to run out of the alley, but somehow I was sinking to my knees.

Lola was there with me, sounding excited. Then she was kissing my neck again. “Do it for me,” she whispered into my ear. “If you do it good, I can be your little girl tonight, too,” she promised

“Okay,” I choked out through a dry throat.

She rocked with glee and tugged at his belt. “You’ll be great, I’ll show you what to do. Maybe, you know, you can call him daddy too, if you want,” she said, and flashed a huge bright smile.

The smile of a spoiled brat that was getting exactly what she wanted.

guest posts

The End of Innocence, Guest Post by Guy New York

Growing up, Vogue had more naked pictures than Playboy. Or at least they were more appealing to my budding teenage imagination. Maybe they spoke more to my aesthetic, or perhaps they felt illicit because they were so unexpected, but whatever the reason, I used to pour through my mother’s magazines almost as much as my father’s. I remember one ad, a double page spread I believe, of an elegant dinner party where the women were all stark naked while the men wore suits. And that was hotter than any centerfold had ever been.

But to be fair, I also remember flipping through the giant collection of New Yorker cartoons we had sitting on the coffee table in the old farmhouse. It was an oversized paperback of every single cartoon in the magazine over the course of thirty years, and I read it from cover to cover again and again. I have no idea how much my twelve-year-old self understood any of the jokes, but again, there were glimpses of nude bodies, albeit inked with a pen, that while I didn’t lust over, I relished all the same.

What is it about naked bodies that fascinated me? Was it more the dirty magazines or the sex-ed textbooks from my mother’s library? Maybe it was the naked girls and boys in my room as we played doctor, or possibly it was a trip to a nude beach when I was nine, where for the first time in my life I looked up to see a woman, spread eagle on a blanket, less than ten feet away from me. That image has stayed in my mind although it’s more the feeling of watching than it is a photograph. She was an adult, and she had a thick covering of pubic hair between two round thighs, but the rest is a blur as much as everything else. I know I wandered the beach after that, my own naked body irrelevant to my interests. I don’t remember feeling shame, in fact, the only thing I recall firmly is the desperate interest to see new bodies, new shapes, and new people.

But home from the beach I was left with the familiar images in my father’s house. But I had seen the National Geographics, and I had flipped through the one copy of Playboy dad had a photo in. I had explored the old photography magazines until I knew them by heart, and my mother’s sex-ed manuals all knew the shape of my fingers.

Which meant there was only one choice for a pubescent boy in the northern wiles of New Jersey. I had to head to the woods.

When I was maybe twelve or thirteen I spent as much time as I could in the woods not far from the house. Sometimes with a friend or two but often alone, I’d wander through the small nature preserve kicking rocks, climbing over streams, and searching out the hidden grottos where older boys might have hidden the greatest treasure known to man: a truly dirty magazine.

And lo and behold I would find them! As I’ve gotten older, I’ve met other men who also found porn in the woods, and it’s become something of a joke. Kids these days with their internet! When I was young, we used to have to look for porn under a rock or hidden in a hollowed out tree. We didn’t know what it would be. We couldn’t search for “Blonde Teens” or “Big Titty MILFS” like they do these days. No! We’d find something, often half a page, and we loved it for what it was. Most often it was a centerfold from a Playboy, or if we were lucky a few pages of a Hustler where you could not only see some bush but some skin as well! My god, is that girl holding her pussy open? I had no idea what that looked like.

And once, maybe in sixth grade, Matt and I found a whole magazine that must have been European. It was black and white, with photos covering the paper like stamps. And there, on those wrinkled, rain-soaked pages I saw a woman fucking herself with a carrot! My god, I had no idea that’s what women did! Why did I never think of it?

The truth is, the thrill of discovery was always more exciting than the final reveal. The long hours walking through the woods, the digging through our father’s closets or basements, and the channel surfing late-night cable in hopes of seeing some semblance of nudity was all the more exciting because of how rarely they panned out. But the searching got my heart beating, and the hope was a drug. And when the web finally appeared it was still the same. In those early days of surfing, it was a hunt to find good nudity, and sometimes we’d wait for an hour as the file downloaded only to discover a girl in a bikini from a sports illustrated we had already seen a hundred times. Often it was the same model, the same naked girl that popped up on every site, and some of those faces are still familiar even if I don’t know their names.

What I don’t remember is ever getting off to a picture. I don’t remember crawling under the covers with a stolen Playboy or jerking off fantasizing about Miss May. The New Yorker cartoons didn’t get me hard, and even the impossibly beautiful models in Vogue didn’t drive me to self-abuse. The longing was there, the desire for discovery was overpowering, but the sexual release was seemingly disconnected as if my lust for the images was separate from my want for release.

The first pornographic movie I ever saw was on a VHS, and I barely remember a thing about it. I’m sure it was enticing, and I have a strong sense of attachment to it when it somehow ended up in my possession, but as for the scenes? They’re as much a blur as anything. I’m reasonably sure there was a blonde but after that?

None of this is to say that I didn’t like to get off, that I didn’t get turned on, or that my love of dirty pictures was disconnected from my sexuality. But if I was going to touch myself to a magazine, it was going to be a Penthouse, because dammit if those letters didn’t do something for me! There were two magazines in the house that had stories in them, and I don’t know how many times I read them. Strangers fucking on a beach during a summer vacation, a young man picked up by a woman only to discover that her husband liked to watch from the closet and a road trip that ended with a beautiful hitchhiker getting fucked in the backseat of a truck.

I read them over and over again because while the pictures were enticing, the images in my mind were something else. Because when that husband came out of the closet to watch his wife have sex, the story was only beginning! I read it with my cock in my hand, and I’ll never forget my shocked delight when our hero knelt on the floor by the bed and learned how to suck the husband’s cock like a pro! It was a Penthouse, a magazine for straight men, and yet there he was, on the floor with a big dick in his mouth as he struggled not to choke.

And if they could put that in a Penthouse then where else could it appear? What else had I misunderstood about what was allowed and what was not? It was easy to look at the pictures of the pretty women and the nude models, but the men were something else. And if I was lucky enough to find a magazine with not just a man in it, but a hard cock as well, then my year had been made. Because in those days, men were rare in straight printed smut unless you read the words.
But the more I searched, the more I found them! Hidden in the middle, between articles, nearly every single men’s magazine had a letter about a man discovering a new side to his sexuality. Maybe he was “forced” into it for plausible deniability, but sometimes he jumped into it gleefully, as if to tell me that nothing was as it seemed.

No one is as straight as they look.

And the books were even better because in books anything could happen and often did. There were a few books in particular that worked in the same way, and I vividly remember the scene in Eric Van Lustbader’s classic novel The Ninja about two women in a bathtub fucking a pistol which turned out to be a shower attachment. But lo and behold, there are a man and a boy (can I possibly remember that right?) who fuck as well because nothing was off limits to Mr. Lustbader. I think there was a rape scene and possibly a sexy murder, all of which I slotted into my mind’s rotation or horrible jerk-off material.

Clan of the Cave Bear had a scene which got dog-eared as well as Umberto Eco’s The Name of the Rose because those were some graphic sex scenes. A girlfriend in high school revealed the secrets of Anne Rice, and at some point, I discovered hidden among my brother’s comic books the filthy ones whose names now escape me. And I’m sure there were others, although those are the only ones I remember this morning.

It would be easy now to jump forward to Literotica, but there’s a middle that’s even harder to ignore.
Because before that, there’s Innocence.

At that point, I had only recently come out. My senior year of high school I wore a skirt to school one day, which prompted a whole lot of questions from other boys and cemented my reputation as the gayest kid in school. We had one gay teacher who was barely out, and he was as close to a community as I had. Because when it came to the students, I was it.

But once I found my way to college, I discovered at least a few other queer men, which meant that thankfully I was no longer the expert. I attended a meeting of the alphabet soup committee and helped organize the Midwestern Lesbian, Gay, and Bisexual College Conference which brought in a hundred queers to our tiny college in Indiana. And one night, I found myself in bed with two men, trying desperately to navigate my desire for one and my fear of the other.

As a newly minted bisexual, I had work to do, and since I only knew those two other gay men and they identified as full-on gay, I was still somewhat adrift. It was better than high school, but the pickings were slim, the community complicated, and room to explore negligible. Because let’s face it, all of us were awkward and confused, and that didn’t make anything easier.

There was one place, however, where I might have better luck. It was new, and it was confusing, but I heard enough rumors to believe something was out there. It wasn’t just a place to form community either; it was a place where stories were told, and sexuality was explored. And I was going to find it no matter how complicated and confusing this new-fangled Internet thingy was.

My first foray online came from an old friend of mine who shared the log-in to a bulletin board system out of the University of Chicago. I had to dial in via Telnet or some other technology I only understood well enough to make my way into the text-based heaven of chat rooms. And there, one afternoon, hidden deep in the basement of the school’s library, sitting in an imaginary hot tub in what was called the Bisexual Cafe, I met Innocence.

I found my way there through dumb luck and sheer force of will, and once I had arrived, I learned how to chat, how to use the basic commands, and how to interact with other perverts halfway around the world. Innocence was the handle of a girl in England who had also managed to Telnet into to the BBS and make her way through the ether to the Bisexual Cafe where she too climbed naked into a “hot tub” to chat with strangers. And my god was she enticing! I pictured her in my mind’s eye that very first day I logged on, and we talked for an hour as I fantasized about all the imaginary sex we would soon be having.

We flirted, her and the others as well, and in that one afternoon, I joined a small community of queer and questioning people desperate to find others like them. When I finally logged off, I felt alive and afraid. I had discovered something new, something foreign, and yet something that I was sure was unstoppable. It was just a taste of the future, a hint at how the world might be, but in my heart, I knew everything was about to change.

I just didn’t realize how quickly.

The next day I found my way back to the computer lab, worked out how to gain access to the BBS once more, navigated my way through the text-based interface, and then once again landed in the Bisexual Cafe, sitting in the hot tub. Which is where I heard the news.

“Hey, where’s Innocence?” I asked someone. There was silence on the board for a few moments until someone sent me a private message.

“Sorry, didn’t you hear? Innocence was hit by a car in London last night and was killed. Sorry to have to tell you.”

And my god, if right then, hidden in the basement with a broken heart, I didn’t realize the truth of it all. I had found the internet. I had discovered a brave new world that would soon change everything. And at that moment, after my initial discovery, right then as it all began, Innocence died.

What a fucked up metaphor, I thought to myself. What a completely messed up, disturbing, and in your face lesson to learn. And my god the poor girl! She was a teenager, maybe a year younger than me, and just as she too found her way into the new digital closet, her life was snatched away seemingly so that I could be hit over the head with a message from the future.

The internet is here. The world is changing. And Innocence is dead.

poetry

instructions on not giving up

the water from this storm pools in the streets
all those places the concrete
the asphalt
sinks and sags, so many cars
so many feet

the drops are so fat your shoulders
are up by your ears
protecting your neck
(you forgot your favorite
red and grey scarf
that usually keeps the shaved back of your head
protected)

you forgot other things too

like the lust in your eyes
like snapping your gaze to attention
when you see their ass
in those jeans
like the way fussili
with fresh garlic and white sauce
should not be expected
even once more
like the way peach juice drips
down their chin
like the bloom and blush
of their lust

the water runs in the sluice between street
and sidewalk
the wet sycamore, maple, ginkgo, gum tree leaves
mash together into that color of brown
that paint turns
when all the colors combine
and they block the storm drain

no movement
no release
just pooling

but you have boots

they’re even waterproof

you can drag your toe
through the muck
until the barrack of leaves bursts
the water flows brown,
flows clear

journal entries

A Ten Year Retrospective: Portraits by Bill Wadman

I was in New York City in November and met up with Bill Wadman, an amazing portrait photographer and friend of mine. As we were catching up we realized that he’s been photographing me for ten years, so I started thinking back on the experiences with him, the way things have changed over that time, and how portrait photographs can be a powerful tool of identity reflection.

My first shots with him were in 2007 for his 365 portrait series. Many of the folks I was in community with were part of it, and I threw my name out to him, too … I didn’t know what to expect, but I went over to his home studio with some ideas. He spent a lot of time with me, through multiple outfit changes and my nerves and even a performed poem at his old-school microphone. These shots weren’t the one he used for his project, but these are the ones I like best.

These were the first professional photos of myself, I think … aside from school portraits. Definitely my first “photo shoot.” I’d been an avid self-portraiture explorer since 2000 or so, but I was coming in to my butchness in new ways in 2005-6-7, and so I was seeing myself anew. Having someone else see me like this was gratifying … and kind of shocking. I remember staring at these photos a lot. Is that really how I look? Are you sure? It seemed magical.

I did three shoots with him in 2012. That was one of the hardest years of my life, and it was one of those years where I reached out to a lot of different photographers and did many shoots. The first one, with the red flogger against the brick wall, has been used many places since. While I’ve used some of the photos from the shoot later in the year, it was also a time when I was in deep depression, and the photos, while technically beautiful and very accurate in their capture of me, are really sad. My face is … surprising.

There’s actually one more shoot from 2012 that is missing. I’d had this vision of a photo of me in a white button-down, sleeves rolled up to the elbows, next to a clawfoot tub with a femme covered in bubbles, and me shaving her legs. Bill said, “If I find a clawfoot tub, will you and Kristen model?” and made it happen. It makes me sad to look at it. I’m not including it here, but I’ve seen it make the rounds on Tumblr, and it’s over on my Flickr.

There’s one — the middle one from 2015 — that I think is my favorite photo of myself ever taken. That whole shoot, though, are some of my favorites of all time. I’m not sure what it was, but I felt confident and so like myself, I’d just had top surgery, I was getting healthier in my body, and I was appreciating being back in New York for a small trip.

The 2017 photo shoot was for his second 365 portraits project. rife is also in this year’s portrait series, from the summer when Bill and his wife Heather were in San Francisco, but I waited until I was visiting New York to do a portrait with him. We met up at the gay boy bar Therapy because I remembered their all-gender bathroom as kinda epic, so we took some photos in there at the urinals. They show a different kind of me than the others, I think. More grown up. Maybe a little more wise. More playful. More … solid. More something.

Thank you, Bill. Here’s to another 10 years of friendship!

2007

2012, early

2012, late

2015

2017

PS: I used to keep a lot of photos over on Flickr, and I still upload galleries from photoshoots there. You can browse through more of the photos from these shoots (and others) if you’d like.

miscellany

Erotica, Journal Entries, and Feminist Kink: What I Wrote in 2017

The Novellas!

Getting these ebooks compiled, uploaded, and released into the world was a HUGE accomplishment of 2017. They weren’t actually written in 2017, but the publication is part of the writing process, so it definitely counts.

View From The Top on Autostraddle

While my column about topping, View From The Top, over on Autostraddle ended in the spring, there were still quite a few pieces that are notable.

  • Topping While Butch: The reconciliation between being masculine and being a top, the questioning of the assumption of the power alignments and coming to my own conclusions.
  • The Thing About Sadism: This one was quite controversial, and generated some of the more … colorful comments. I’m particularly proud of the writing on this.
  • I’ll Take That Risk, And That Knife Play: The trust of dominance and submission, the believing that is necessary for the tension to take place.
  • Where I’ve Been: The penultimate piece, a retrospective of the series but also of my topping journey.
  • Where I’m Going: The finale of the series.

Cock Confidence

In addition to publishing half a dozen posts about strap-on technology & psychology, I updated the Cock Confidence page here on Sugarbutch to be a better list of ALL of the posts and reviews I’ve written in the past. It’s fun to see them all together!

Private journal entries

I started publishing private journal entries on Sugarbutch again in 2017. After writing private entries for almost two years for the folks on Patreon, I moved the private entries over to Sugarbutch (about 30 of them) and made them visible to the world. They’re still only readable by the folks who are part of Patreon. This has been a big focus and growing edge of my writing this year.

Guest post

My Dog by Avery Cassell is the top guest post of the year. I’ve been publishing a few things by authors I admire here and there, which I’ve liked doing … there are so many good erotica authors out there. Thanks to Avery for sharing this one.

Body Trust

I write monthly over on the Body Trust blog on a theme connected to the wheel of the year and my personal journey with spirit and connection and resilience.

One more thing: #2017bestnine

How I’ve been using Instagram and posting photos publicly has changed this year, and I mostly keep my Instagram account private, but I still really enjoy posting there. It’s kind of funny, I used to have such a huge photography habit and eye, and carry a complicated camera with me everywhere, but as smartphones have taken over my (and everyone else’s) life, I feel less inclined. I guess snapshot photography became more accessible, and I got a little less interested. But the self-portraiture used to be so valuable to me. Not sure why that’s changed exactly.

Here’s my top nine photos from 2017 over on Instagram. Come on over and follow me.

Two of the nine are (professional portrait) photos by Bill Wadman from November — I’m working on a sort of retrospective post with a lot of the photos he’s taken of me over the years. More of his work soon.

media, starred

Looking for a good dirty read? Here ya go

Partly because I’ve been having/recovering from an emotional breakdown, and partly because I have a day job these days so I haven’t been obsessively reading either marketing books or sex/gender/relationship/kink books, I’ve been reading for pleasure a lot more lately. Goodreads says I read 86 books this year, and I’m not sure I recorded all of them.

I’ve found some particularly good erotica lately, too. I’ve been using the Kindle “read a sample” feature a lot — sometimes I just follow the recommended books on Amazon and get a sample of dozens, then read a whole bunch of them in a batch. The ones that I actually want to continue reading after the sample, I’ll buy. Honestly, it’s quite rare that I buy anything, particularly the erotic titles, but occasionally I find something!

So, looking for a good dirty read? Here ya go.

How Not to Fall, by Emily Foster

The first thing you need to know is that Emily Foster is the pen name of Emily Nagoski, PhD, who wrote the amazing book Come As You Are: The Surprising New Science that Will Transform Your Sex Life, which I would include in a different post about “books that have changed the way I think about sex and should be essential reading for anyone who studies sex or wants to be a sex educator or has genitals or ever thinks about sex.” She’s a brilliant researcher and educator, and a big nerd about sex (she’s lots of fun to follow on Twitter). She’s also a really good writer. So when a nerdy sex educator/theorist writes erotica? I’m in.

The characters are a professor (the dominant, of course) and graduate student (the sub). Annie isn’t experienced, but of course Charles is, so they go slowly and cautiously. Lots of negotiation, lots of witty fantastic writing, lots of science (science!!), lots of rock climbing (as metaphor and literally). I couldn’t put it down.

See also: The next book in the series, How Not to Let Go.

Buy it at your local independent bookstore, or on Amazon.

How to Bang a Billionaire, by Alexis Hall

This is in the bildom genre, meaning “billionaire dominant” — a genre Fifty Shades of Grey certainly popularized, but has existed long before that book. I think what’s hot about it is that the dominant has even more power by having lots of money, control, and business prowess, therefore seeming all the more dom-ly. I have plenty of critiques of that — I’d much rather have dominants who have their inner sense of power all worked out, who don’t lean on capitalism or other forms of hierarchies (like teacher/student, boss/employee) to have the dominance that is sought — but I also have to admit: I like reading ’em.

And I especially like reading them when it’s written by one of my favorite erotica authors!

So this follows a random encounter with a gorgeous and famous billionaire and a writer (both cis guys). The writer becomes a bit of a kept boy, being put up in the billionaire’s fancy London apartment while he works and travels the world. The dominant is a bit self-loathing, and had a bad experience with an ex, so has trouble being very dominant and breaking out the kink toys, but the submissive really wants him to, so they navigate how to play with that and stay emotionally safe.

See also: The next book in the series, How to Blow it With a Billionaire, and For Real, which has a 19-year-old dominant and a 30-something year old sub, and plays deliberately with the hierarchy of age often also used to create power distance in erotica.

Buy it at your local independent bookstore, or on Amazon.

The Prince’s Boy, by Cecilia Tan

Cecilia Tan is well-known in the erotica world, and has written dozens of books — so you’ve probably read something of hers before. This is a fantasy m/m novel which was originally written as a serial, and she explains a bit of that in the beginning, but because of how it was originally published, when the stories are all back-to-back they become one sex scene after another, rather than a novel with a flow and an arc. Still, it works.

The prince went to an orphanage and chose a whipping boy when he was young, because “nothing can strike the royal flesh,” and the whipping boy and prince become close. Quite close. And then intimately close, exploring sex and their bodies for the first times. But! Oh no! Then the prince is kidnapped, and there’s an evil magician putting spells on people and taking over the kingdom, and it ends up that the only thing that the prince can eat is cum, so he gets so hungry and has to suck someone off at least a few times a day. (Maybe it doesn’t make sense here, but it does in the book. Plus it’s really hot.)

Fantasy isn’t usually my genre, but the sex was so fun and it’s so well written that it was completely a page-turner.

See also: The Prince’s Boy Volume 2, and the Struck by Lightning series, which is in the bildom genre and is so well written (and kind of a parody of the genre) that it’s fantastic.

Buy it at your local independent bookstore, or on Amazon.

Cub, by Jeff Mann

The 17-year-old in this gorgeous novel is in West Virginia, and likes it that way. He isn’t one of those young queers who wants to run away to the big city — he loves his country roots. He just doesn’t quite fit in, and he doesn’t know how to get the queer culture and play that he wants. But along comes a guy who helps him explore, and even introduces him to a whole new image of gay men and culture than he’s ever explored, one with hairy chests and big bellies … and finds out that maybe, he’ll grow up from being a cub into a bear.

Love the body positivity in this one. The way the appreciation and fetish and sexiness of bears are talked about made me love my own body more, and made me see more what others see in my belly and hair and body. That was really moving.

Not a lot of BDSM, but fantastic romance and real feelings and characters … loved it.

Buy it at your local independent bookstore, or on Amazon.

Untouched, by Annabeth Leong

The protagonist in this one is practically a nymphomaniac — she loves sex, loves everything about sex, reads about it all the time, thinks about it, talks about it — but she can’t stand to be touched. Of course, the first place any new lover goes is to figure out how to “help her” out of her “disability,” and while part of the book explores that, it also hits home that this is just the way she is, and there’s nothing wrong with that. In fact, it’s exciting to work out new ways to have sex and play with kink with these particular limitations.

It’s such a unique premise, and it was so interesting to see the negotiations, conversations, and depth of thought about this limitation.

See also: Annabeth Leong has written so many good books and stories, you could basically pick up any of hers.

Buy it at your local independent bookstore, or on Amazon.

Risk Aware, by Amelia C. Gormley

The protagonist of this m/m romance is a serious masochist, but also a serious hemophiliac. One hard whack could literally kill him. He and the top he falls for have to find new, interesting ways to torture him — and they do. But the protagonist also has to forgive himself and come to accept that he has plenty to give, even with his limitations.

Excellent examples of negotiation and working with physical limitations. Made me think a lot about creative scene-building, and ways to get to the feeling of a scene, rather than negotiating the content of the scene.

Buy it at your local independent bookstore, or on Amazon.

Nighthawk, by Artemis Oakgrove

Recommended by Xan West, I’m so glad I picked up this book. I think this is the only f/f book on this whole list, but that’s partly because the full-length lesbian (queer/afab/”lesbian”) erotica novels aren’t that common. Hey, if you have any to recommend, I’m all ears.

Nighthawk is edgy. Published in 1987, and it’s sometimes obvious, it includes lots of non-consent, (borderline?) kidnapping, strict butch/femme gender roles with tons of flaming masculinity, some violence … it’s edgy. I loved it, but particularly the non-consent and the cliche and turned-up gender roles bugged me sometimes.

Still, it’s not every day you come across a lesbian novel this dirty. Yum.

Buy it at your local independent bookstore, or on Amazon.

Haven, by Rebekah Weatherspoon

City girl goes on a camping trip with her brother, but a serial killer (!) finds them, kills her brother, and nearly kills her — luckily the sexy, dominant, very attractive man who lives a very solitary life in a cabin in the middle of nowhere is there to save her. And that’s how it begins.

This has another self-loathing dominant, where he has had a bad experience in the past and is now hesitant to play again, even pushes away the beautiful, willing, experienced submissive who is in front of him. Not sure why this is such a common theme in erotica — because it shows the sub really wants it? Assures the reader she isn’t being taken advantage of? — but it’s compelling.

Rebekah Weatherspoon has written many books, and she’s queer and black — she often brings race, size, and identity into her books in ways I love.

See also: The Fit trilogy, which manages to be fat-positive while still detailing a woman who wants to lose some weight, finds a gym, and falls for the trainer.
Buy it at your local independent bookstore, or on Amazon.

Dark Secret Love, Alison Tyler

Alison’s writing is widely published and she’s edited dozens of anthologies — but I believe this is her first novel, and it’s one of a 3-part series subtitled “A Story of Submission.” It’s semi-autobiographical — or at least, that’s what the author wants us to believe, since the character is named Alison and it’s all in first person. It explores Alison’s progression as a submissive through college and her early 20s, finding out what kind of things she likes and dislikes, and searching for the dominant of her dreams. Things become complicated when her dominant is both polyamorous and bisexual, though … she isn’t sure how she’ll navigate it. The series is close to being in the bildom genre, too.

Pick up anything by Alison, really. Her anthologies are highly curated and this series is particularly good.

Buy it at your local independent bookstore, or on Amazon.

Unrestrained, by Joey W Hill

Joey W. Hill is well known in romance circles … and I don’t know about you, but when I see something categorized as ‘romance’ I usually (in the past, anyway) tend to think that it’s not dirty enough for me, and that I want more sex. Calling it “romance” makes me think of “his throbbing member” and “her delicate pearl” and other euphemisms, or, even worse, chapters that end with the characters heading off to bed, but without any actual descriptions of the sexytimes.

The more romance I read, though, the more I have my stereotype busted open. But isn’t that the way it is?

So, I hadn’t picked up Hill’s work before, but it’s clear why she’s a big success — characters and writing are great, which will get a book really far in my … book. What made this one particularly interested was that the woman has a history of being a dominant, but it turns out that’s because her husband was submissive, and she so wanted to please him that she learned how to dominate. It’s almost as if he was the Master and she was the slave, except that the slave was the dominant and the Master was submissive, because that was the Master’s will. But her husband has now passed on, and she discovers she wants to bottom and submit, but it’s a new world of exploring for her.

I should read more of her work.

Buy it at your local independent bookstore, or on Amazon.

Writing Dirty, by Jack Stratton

Jack is my kind of erotica writer, filled with short skirts and age play and over the knee socks and bisexual explorations and dapper attire. This collection is the anthology version, the best-of-the-best of his ebooks and blog, and it’s a fantastic book to flip through and explore.

Jack has a million other books, though, if you want to start with something more specific, and lots of other stories published on his blog.

Buy it at your local independent bookstore, or on Amazon.

QNY: Quickies in New York, by Guy New York

Guy New York writes fantastic dirty explorations of bisexuality, sensation, and pleasure indulgence … and this is the amazing anthology of ALL of it. There are over 1,000 stories and it’s listed at 814 pages.

You will find something in here that you love.

Tons of examples of his writing are on his blog, along with a lot of his beautiful dirty photographs. And if you’re in New York City, he throws some lovely parties sometimes, you should check it out.

Buy it at your local independent bookstore, or on Amazon.

miscellany

Announcement! The Novella Series is Here

I finished the novella series!!

You might remember the stories when they were released on Sugarbutch, in early 2015 — but now you can have them on your very own kindle or ipad, and snuggle up with them in your bed, read them aloud to your honey, read them in a hammock at a cabin, or all sorts of other places that it’s harder to read a laptop.

A little backstory:

Perhaps you remember I did a fiction experiment on Sugarbutch (in 2015!!!) and was writing ~4 stories per month, for six months, all with the same characters. I did a variety of different gender combinations and types of sex that the characters explored — butch/femme, boi/boi, femdom/boy, daddy/girl, femme/femme. The goal was to compile them into a quickie little ebook at the end of each month, and end up with a series of 6.

But in April 2015, about a month before this project was supposed to end, I had a bit of a mental breakdown. That’s kind of a dramatic phrase to use, but I think it’s accurate. Maybe something more like “my mind broke a little bit” or “my trauma pattern reoccurred and I’ve been digging myself out ever since” or “I don’t know what the fuck happened but pretty much all my emotional energy has gone to working with this break since then.” … I guess my particular neurodiversity (such a kind way to say it, isn’t it) and developmental trauma allows me to be very high functioning — which I’m grateful for, don’t get me wrong, but it’s also meant I have been suffering for years before getting a diagnosis and actually working on long-term treatment strategies rather than temporary coping tools.

There’s a lot more to that story. Some of it is on the mentalkink posts, for which you can get the password if you support me on Patreon.

So needless to say, I didn’t finish the project. I finished the writings, but I didn’t finish the novella publications. In fact, there are a few big projects still “open” on my to do list from 2015, and while I’m compassionate and forgiving of myself, I still want to complete them, feel committed to them, and know they should be out in the world.

Here’s where you can get ’em — either on Smashwords (epub and mobi) or directly from Amazon (mobi for Kindle). If you’re a Patreon patron, you’ll get the code to download all these books for free.

If you can, please leave a review on Amazon, Goodreads, or Smashwords (or all three!). It really helps to get the book in search results and “you might like…” kind of suggestions.

I appreciate every single book you buy and read, y’all. Thank you.