Queer Masculinity in Porn: Heavenly Spire, Stepfather’s Secret, & More

Weekly, rife and I have a private little ritual on Saturday mornings where we make pancakes and watch porn. I’m not sure exactly how it started, we probably did that one Saturday and decided we should do it again. (I have discovered that I don’t really like watching porn while I’m eating, it makes my mouth feel all weird. So the porn and pancakes are separate. Just in case you were wondering.)

I don’t have much of a history of boy-on-boy action, but being involved with this boy has made me more curious about gay porn. I’ve watched a lot of queer porn over the years, with lots of trans folks and genderqueer hotties and butches and femmes, but not a lot of cis guys. (Also, have you noticed that porn with trans women is kind of booming? Maybe it’s just because I started following Chelsea Poe, but I am really inspired by the activism and visibility that’s been happening. And the fucking hotness.)

So the boy and I have been exploring all sorts of fag porn, looking into the things we think we’d like, from leather BDSM porn to daddy/boy explorations.

So far, Stepfather’s Secret on men.com has been my favorite, though “Sexual Education” with James Darling and Allen Silver on Pinklabel also stands out.

I’m surprised how much tenderness is depicted. I suppose partly it’s because of the genres I’ve been primarily watching—leather and daddy/boy—I think those tend to be more tender than average. But I’ve been really touched by the variety of depictions of masculinity.

I’ve also noticed the wide range of types of bodies. Perhaps it’s that the big-ness of men and masculine bodies is what’s fetishized, while with women (and feminine bodies) usually the slightness, thinness, and smallness is fetishized, but I’ve been enjoying seeing the sizes depicted as desirable and sexy.

(I still struggle with this, personally, around my own body. Sometimes I can fetishize the size—that I’m kind of big, thick, heavy, whatever word you want to use—but most of the time I feel bulky and awkward. I know rife and other lovers I’ve had have specifically commented on my size or shape as desirable, so it’s not that I don’t exactly see it reflected, but I don’t feel it. I remember the relief of starting to shop in the men’s department: I went from an XL in women’s to a M or S in men’s, and that just felt like such a more accurate size for me. Plus, the clothes fit my body better, or fit my energetics better, or something, and wow it was such a relief. It’s been more than 15 years now since I officially made that transition to butch.)

Maybe the tenderness in gay porn shouldn’t be surprising, particularly as most of my critique of masculinity comes from the male gender role that tends to be heteronormative, but as a queer feminist butch dyke, I’ve often been critical of the gay depictions of masculinity too, and made assumptions that it was more like the normative male gender role than it was radical and transgressive. But hey, I like to be wrong about things like that! (And certainly there’s plenty of gay porn that reinforces normative gender roles—I just happened not to pick it up during porn and pancakes, apparently. I’ll try harder.)

Really my first introduction to depictions of masculinity in porn was through Heavenly Spire, launched in August 2010 by filmmaker Shine Louise Houston, the director and producer behind the revolutionary queer porn Crash Pad Series. Heavenly Spire is short films, released on Sundays (get it? Spire? Heavenly?) devoted to all kinds of men and their sexuality.

At the time, it was new, raw, and beautiful—and it still is. I don’t know about you, but watching it over the past few years has changed the way I think about male sexuality and erotics.

I interviewed Shine for Carnal Nation when it was first released, but Carnal Nation has since folded and the interview is now only found in the wayback machine. So here it is, reprinted, because the first volume of Heavenly Spire has been compiled and is available from PinkLabel.tv—and it is stunning.


Heavenly Spire: Interview with Shine Louise Houston

Reprinted from Carnal Nation, August 2010

Filmmaker Shine Louise Houston, who brought you the queer porn Crash Pad Series web episodes and the feature-length films Champion, The Wild Search, and Superfreak, has started a new online web project depicting masculine sexualities in a visual medium. Heavenly Spire began in late July. I gladly sat down for a long-distance chat with her about the new site, masculinity, the personal things that had to happen in order for her to embark on this project, and what’s next for her and her growing companies.

Sinclair: I’m excited about Heavenly Spire, the new project! I haven’t seen behind the scenes yet, but the stuff that’s up is lovely.
Shine: The format is different from Crash Pad Series; there are no interviews, no behind the scenes. I’m not too sure if I’m going to do that, I’m going to see how the site goes. We shoot lean on this project, there’s not a whole lot of extras.

What do you mean by lean? You don’t spend a lot of time sitting around, hanging out with them, asking them what they think about sex?
Yeah. The interviews I do for Heavenly Spire are more really about delving into what their sexualities are, what their turn-ons are, has it changed over the years, what do they do now, physically what do they like about themselves, or physically what do they like about each other. I’m approaching it from a totally different angle than I approached Crash Pad Series.

Is that angle also about a focus on masculinity?
Yeah, I really wanted to start thinking about masculinity, and asking whether masculine sexuality is different. Heavenly Spire is a personal project for me. Accepting my own masculinity has really allowed me to feel okay with desire for masculine people. Exploring it on the site really looks at male bodies the way I want to. Maybe not everybody feels the way I do, but this is good for me. For a long time, I just didn’t get guys. But as I got more comfortable, I realized they’re not that different, and they’re not all that scary, and actually they’re pretty cool. And actually, penises are pretty cool. But it’s been a long process, and eventually bringing that to the screen is just where the process is supposed to go.

It makes sense that you would take your own creative medium to explore that sort of thing. What about your own personal masculinity process? What has that looked like for you? Has it been a long time coming, have you always been a tomboy?
It’s been a long process, definitely influenced by time and location. I grew up as a tomboy, but I also remember having favorite dresses. In my twenties, I definitely knew that I liked girls, and I was into the dyke/lesbian identity, but at the time – this was the early 90s in southern California – it was very much anti-butch/femme, pro-androgyny, and that had an influence on me. It was a very cool scene, and things were very open about sexuality. But right after that, mid-90s, I moved to San Francisco, and at that time, it was this huge butch/femme revival.

I knew I was definitely not femme, but I felt a lot of pressure to be one or the other. So the kind of masculinity I kept bumping into within that community was this really intense macho masculinity. I realized trying to put on that performance, that I’m not very macho. I’m really a fag. I went through my fag period, where I dated other fag dykes, but then I think the next big jump for me was realizing that I was into femmes! I remember looking at this girl, and her earrings, and they were kind of … bouncing. And it clicked. So that started me exploring a more masculine, pansexual identity. I’m definitely on the more masculine side, I’m kind of swishy, and I definitely like femmes. In the last six or seven years, I’ve really become comfortable with where I am: my masculinity, my sexuality. I needed to have a strong root in masculinity in order to take on a project and not be freaked out.

Freaked out by worrying about what you were going to be depicting, or not being solid enough in it?
And just not being intimidated by guys! At this point I’m so comfortable with myself, I’m not intimidated to ask guys to take their clothes off.

Do you think the recent work on masculinity has set the stage for this kind of project to be launched? It seems time-specific to me, that maybe we didn’t have enough radical depictions of masculinity, especially not of male sexuality, even four or five years ago.
Yeah, the queer movement, the trans movement – all of the work is completely reshaping what we think about sexuality and how we manage that in our lives. There’s a lot more acceptance for genderqueer and performative genders. The project is a lot about timing—a lot of people have done tremendous work at softening up the ground for it to come along.

Going back to my personal experience, I’m affected by all the waves of thought that have been coming through the Bay Area. There are a lot of people in the porn community who are really changing how they depict sexuality, whether it’s gay, straight, lesbian, bi. This is a drop in the bucket of a larger movement that is sweeping across the porn industry. When I went to Berlin for the porn film festival, I really felt that. I’m not alone, this is going to explode across the industry. And when I got back to the United States, it seemed like maybe it wasn’t here yet, but it’s coming.

It definitely seems like we still need work on the depiction of masculinity in porn.
Definitely. There’s also a new project I’m going to start working on in August that’s definitely going to challenge male homophobia while at the same time satisfying homosexual desire in men who might not otherwise get to experience it. There’s going to be some interesting stuff happening in the next year.

Do you expect some backlash for this? Have you had backlash for including cis men, like Micky Mod, in Crash Pad?
We have a very polite question in the forums in Crash Pad Series, and before I even had the chance to respond, other members of the site said pretty much everything I would have said. And the person who asked the question responded, “Oh, okay.”

And that was it?
Yeah, that was it! I was at the last Feminist Porn Awards, in Toronto, and they screened that scene, Mickey and Shawn. And I answered some questions about them, everybody seemed to like it. But then it won the Viewer’s Choice Award! So I thought, okay, the audience is listening! They loved it.

I also wonder if this is more part of queer women’s culture, not necessarily gay culture. A lot of butch women are watching fag porn. When I started out watching porn, my favorite pornos were fags. This community has been able to really transcend their fantasies, so they can apply to any type of body. They aren’t restricted to just one. In gay culture, which I’m learning more about, they don’t watch dyke porn. We watch fag porn, but they don’t watch dyke porn. So there’s a realm that they haven’t gone into yet, they haven’t applied their fantasies to different bodies yet. Heavenly Spire looks at masculine people, but not every male has a dick. So this is about pushing their boundaries, pushing the male viewer boundaries. I bet they’ll think it’s hot. We’ll see—the site’s been up less than a month.

I’ve only seen the clips so far, and the clips are teasers, but it seems a little less focused on cock-centricity than I would have imagined.
Well—it’s definitely about cock. But what I really want to capture is a person having a good time, really having genuine pleasure, and to translate that into a visual medium. And it’s about building a narrative about the person’s relationship to their own body or to the other person that they’re having sex with. And I’m just having fun with visual language. It’s true, the trailers are very much teasers, and they don’t give you much.

But they’re beautiful.
The clips are, according to porn standards, a little short, but I’ve been struggling with length. So with this, I decided I’m going to cut it the way I think it should be cut, and I’m editing it so the viewer doesn’t get bored. Really picking out the best parts, and splicing the best parts together into a narrative. Sometimes I feel like, yeah, this thing is half an hour long, but is it pretty, and is it working? So this is a bit of a self-indulgent project, because I’m really letting myself go with my ideas, asking myself, how long should it be? What makes it good?

Do you anticipate it having lots of episodes, like Crash Pad does? Or is it a different structure?
No, we update every Sunday. It’s different from Crash Pad, because each week is something new, there’s no behind the scenes, just something new once a week.

If a new performer is coming in, how do you tell if they’re going to be a good porn star? Did you have a sense that Mickey Mod was going to stick around and be amazing?
Not really. Mostly, we have model applications and if we can make a date, we go for it. Some people who work with us find it fun and want to do it again. Dylan Ryan, Jiz Lee, Shawn [Sid Blakovich] all did Crash Pad, and are now doing awesome stuff. We’re the launching pad! Shoot with us, we’re good people, we’re a good place to start.

Is it easy to pair people together? Or do they do that themselves?
For Crash Pad, I work with a booking company who does all of that now. I used to do that, but it’s work. But Heavenly Spire is a different approach. With men, and a gay site, I’m really interested in getting couples who already know each other and already have that connection. People apply, so if you apply by yourself you’re going to be solo. If you want to perform as a couple you have to apply as a couple. I want to make sure the couples like each other. Especially since so much of the gay male porn is all about fucking, I want this to be about connection. I want to see two big dudes who are totally tender with each other.

Are you finding that guys are interested?
As viewers or as participants? We’ve had a decent amount of model applications. We paused the project for a while, but we started to get this influx of models, both trans men and cis men alike, both solo or couples. I have some speculation about viewers, but I’m not 100% sure who is going to be our audience for this new site. I kind of wonder if it’s not going to be straight guys. I think they’ll like it. But gay men, I’m not sure if they’ll like the format. Possibly straight women as well. I’m not sure how it’s going to shape up.

What else do you still want to film?
I have three features I’d like to do, but right now the company is growing, expanding, changing. We’re kind of in the teenage phase, not super big, but not tiny either. So in the future that’ll help us get more what we want with big features. Right now, we’ve got the web projects going on, short videos, and that’s setting the foundation to create these larger features. We’ve really pushed the limits of what porn is. It’ll be self-evident, when I actually announce those projects.

Do you have an over-arching mission for your work, or goals you set out to accomplish? Or was it born out of a love for filming people fucking?
When I first started filming I didn’t realize this was how the mission statement was going to be, but the mission statement came later: We’re dedicated to making really well produced, beautiful images that represent queer sexuality. That was the driving force, but I continue to push myself as a filmmaker, and pornographer (though I identify less with that word). I want to make good stuff, and I want to make good stuff about sex. Everything I do is moving in that direction.

Do you see it as political and social activism?
It is … and here’s the weird thing. I feel that if I approach it as social activism head on, I’m going to do it wrong. I’ll stick my foot in my mouth! So I internalize my own politics, and turn them to the creative mill, and then spit them out and use them in a project. And that way I fulfill certain goals. But if I say, first, that I’m going to do political activism, then I miss the mark of what I really wanted to accomplish. So I take the personal and churn it through my internal politics, and that moves me in the right direction.

Have you had trouble with BDSM being misconstrued as abuse in your work?
Not from people on the site, but at the film festivals. I was at the Hamburg festival, and people walked out. It seems like that’s prevalent in places where they’re not doing the same things we’re doing here. I get really weird stuff about race, and violence. But I feel like ten years from now, it won’t be a problem.

Do you struggle with taking the criticism personally?
I try not to … I think maybe every six months I Google myself. I can’t do it on a regular basis, I have a fragile ego and I’m harder on myself than anyone. There can be fifty great reviews for what I do, but if there’s one bad one, that’s the one I remember. I try to focus on what’s working. If we keep showing at festivals, and people keep downloading it, somebody must like it.

And if you’re satisfied with the work you’re putting out there, how your art is growing, and if you’re continuing to get opportunities, that might be a better scale. But it’s hard! Especially when the work is so personal, when the work we put out into the world is about our own bodies, and our own desires, and our own deepest, splayed open selves, it can be really easy to take in the criticism.
Yeah.

I ask about the problem with BDSM and abuse because I have actually seen queer porn that triggered me—I’m not easily triggered, it really surprised me. But I don’t see that in your work at all.
It might just be because I have such intense aversions to bleed over. Things stay very clear in my own life. I definitely pay attention. If I ever see something that makes me wince, I know it’s not quite right.

I think that exhausts my questions. Is there anything else I should know?
Check out the site! Check out Crash Pad Series, and the new Heavenly Spire.

I’m looking forward to seeing more on Heavenly Spire. It’s a pleasure to talk to you, thanks so much.

Weight. Mouth. Rough Sex.

Content Warning: Force, coercion, descriptions of rough sex. Also dominance and submission, and depictions of ownership.

Sometimes I just think of the simplest of things.

Your mouth.

That look on your face, that look, when you’re giving over even more, just a little deeper, giving in to the sensation, giving in to wherever I’m moving your body, however I’m touching you.

Your skin.

The way your hands feel in mine. The way my fingers close around your wrist or throat or earlobe. The back of your head in my palm.

I think of these little flashes of your body, of us.

Other times, a more elaborate story.

What happens when I pick you up and drive you somewhere deserted and quiet, an empty kind of creepy parking lot where no one is around, no other cars, and lock the doors before I force your head into my lap. You struggle against me, but you know I will have my way, no matter what you do. You know it’s better to go easy, but not too easy, because then I’ll beat you for liking it.

I don’t really need an excuse to take you, or to hurt you, or to use you. It is so comforting, so deeply validating, to be able to have you in this way. To know that if you are in arm’s reach, I can use you for anything I may need, from fetching me a glass of water to your hands as an ashtray to your holes for my cock or fingers or tongue or whatever I might want to do with them.

Lately, I think a lot about rough sex. Pressure and strain and resistance and using my weight against gravity to hold you down. I think about going too far, pushing too hard, making you gag, spit, sputter, making you cry out and bleed, bruises under my fingers holding you so tight, making you beg and cry, making you take it anyway. There’s something about the release on that level that is different—deeper?—than most other releases for me … knowing I can just pour into someone else and they can hold it, they have to. I love how you do this for me.

You release me in so many other ways, too, though. Moments of energetic intensity come to mind, times we’ve been outside with your hand in me in some way, the earth underneath shooting up and connecting me with … everything. I miss being somewhere with places to fuck outside.

I think about what it’s like to force you, use you, disregard what you’re feeling in your body or your mind. Why is that such a fetish, such a kink of mine, when I am so obsessed with consent and permission and pleasure and connection? Maybe I’ve just answered my own question. And knowing that we are both guided by a deep craving here—me, the craving to play with taking and owning and destruction, and you, the craving of being used and coerced and owned—is what makes the play possible, of course. Without that deep craving underneath the play, it would be completely different, and unappealing.

Fuck, I am so grateful for how our wounds/gifts are attuned.

Lately, I think a lot about your sucking mouth. Maybe that is the equal and opposite of thinking about pounding into your open holes: instead, having this sweet suckling softness draw it all out of me. I think of you sucking your thumb or sucking my toes or nipples or cock, even the uncut packing cock, my current favorite. I get hard with just the thoughts. The way you can nestle in and cuddle up to my thighs, sigh, and relax.

Somehow, when I’m deep inside you, when you’re slowly drawing me hard and all of the things pent-up inside start drizzling out, that’s when I can best let go, feel the tightness in my shoulders unravel, and relax, too.

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Daddy’s Good Boy

Content warning: This story contains Daddy/boy play, rough sex, spanking, and some woo about energy. Proceed at your own risk.

Or, The Divine Beast in Me

We’re watching TV and his sweet hand keeps going to my dick. Softly, absently, like it just happens to be where his hand lands, but it gets more intentional as the mystery on the show grows. I feel it jump and shudder involuntarily. Feel my bits start to swell and thicken under the straps of the harness. Feel the harness dig a little tighter into my skin.

The boy can feel the response it elicits. Fingertips grazing the head of his daddy’s prick, just hard enough to feel the contours of the head and the veins that run along the shaft. This one is my favorite, the most realistic, the one I can comfortably pack all day and then easily bust out and play with.

We aren’t talking about it. He’s just absently stroking.

I may have started it by grabbing his wrist and placing it squarely on my package, he may have groaned and buckled a little into me. I watch his throat for when he swallows. He’s salivating. My heat is growing, rising, as he circles his thumb and forefinger around the corona and strokes the underside of the head with gentle tiny quick strokes, pad of the thumb barely touching. My toes curl. I bite the inside of my lip and breathe.

Very slowly, I bring my hand up to the back of his head, palming his neck with a slight grip on his collar, and turn my head so my lips are next to his ear.

“What do you think you’re doing.” It’s not really a question.

He squirms, rubbing his thighs together, doing that curled in thing that he does when he gets turned on and curious and wanting and small. I like him small. It makes me feel big, or maybe, rather, it gives my bigness meaning and value.

“Nothing, Daddy,” he whispers.

“You know what happens when you get me going, boy. You want to get me all hard right now?”

He whimpers.

“You’re the one who wanted to watch this.” I push his neck down with a firm hand and he immediately opens his lips. But I push him past my lap until his hips are over my thighs and his face is in the pillow at the edge of the couch. I reach forward to stop the TV show and leave my mouth close to his ear again, that growl in me coming from down low. “Such a dirty boy. Can’t even keep your hands off of me for one hour.”

“N-no, Daddy, I’m not, I’m a good boy,” he’s still squirming.

“Dirty little slut. You feel how hard you made me? Huh? Can you feel that digging in to you?”

“Yes, Sir!” His hips buck against me, ass in the air as I palm his cheeks through his jeans. They’re loose enough that I work them down past his hips just far enough to expose him.

I swat at his butt with my right hand and hold his neck gently with my left. He buries his face into the pillow. He likes this.

“You like this,” I accuse.

He hesitates. “Daddy, I want to be good.” Honest answer, if slightly deflecting.

“You do, huh. Good boys do just what I say. Are you ready to do what I say?” The fetish of controlled behavior. Still spanking lightly, with the flats of my fingers.

“Yes, Daddy! Yes Sir! Always … always.” He shoots me a look, wondering if I really don’t know he would do anything. Anything. It’s in our contract. It was the line we both jerked off the most over. Sometimes it’s a “thought experiment,” a game we play, to see if we could come up with a thing I would realistically, feasibly ask him for that he would have any good reason not to. So far, we haven’t found any.

“Mmmm. Maybe my dirty little slut is a good boy after all.”

I keep warming up his ass, hitting deeper now, with the heel of my palm instead of the little swats. He prefers this, the deep thud to the surface sting, and he sometimes comes just from me punching his ass. I shake the bones in his pelvis, knocking to wake them up. He moans and settles over my lap. This won’t take long.

We go on like this for a while. Him settling into the spanking, me shifting it up, from swats to thuds to fists to heels of my palm to knuckles popped for added bruising. He starts swelling, his parts swelling and pinkening between his legs, starting to drip. I can see it, smell it. I love how our bodies can wrap around each other in this position, him curling around my thighs,me the base support. I drape my arm over his back, my left elbow to the center of his shoulder blades, arm down his spine, while I hold his ass open with both hands. His asshole puckers and releases.

What is it about those tight, sweet little holes that make me crave the pushing inside? I cannot explain the magic of shoving into resistance so beautifully well that it dissolves. Maybe that’s why I write about it so much, because I wish I could capture it. Wish I could have it in a bottle to recreate whenever I need to be reminded that god exists, that my body and his body and your body are made for pleasure, that we are spiritual beings having a human experience, that we are blessed with these messy sensory overloads of flesh and physical manifestation and that someday, one of these 365 days, we won’t have them anymore. That moment of resistant pushing, force against force until one or the other yields, is what I turn to most when I need to understand how mortal I am, and how immeasurable.

I crave his holes like I crave the ocean, all salt and dissatisfaction until I can actually just breathe the expanse that opens up and swallows the horizon.

I’m hitting harder, entranced and rhythmic, our hips connecting through that energy spark that flows when I stop using my head so much and allow my body to speak. He’s moaning something, oh god or Daddy Daddy, I don’t make it out over the throbbing in my dick. It’s time.

“Up,” I push out from under him and roughly pull his pants down, moving him where I want him, kneeling on the couch, legs spread, shoulders draped on the back of it. He’s breathing deep and his back body fits into the front of mine perfectly, like we were carved in each other’s negative. I pull my shorts low and his hole finds the tip of my cock with a tilt of his hips and with a quick bend to the flexible shaft I slide it in, slow, inch by inch. He takes my weight, holds me up. Everything is poised on the precipice of me and I’m falling. He grips from inside and I cry out. Yes, please, please one of us is whimpering. It might be me. He opens and opens and opens. I didn’t know I could get so far inside with just a few inches of silicone like this.

One hand is at his mouth, fingers at his lips; he sucks with his throat and pulls me down. A vortex at the middle of him, pulling me in from both directions. If I’m filling him this far with my cunt, he fills me at the heart, and as soon as I remember that he’s pouring into me until my chest cracks with a bang and I see fireworks. I bite at his shoulders, hips bucking, the beast in me fucking to extend my temporary impact. To make me last longer.

“Please Daddy, give it to me,” long strings of words are coming out of his mouth. “Fill me up, please Daddy. Come in me, Daddy. That hole is for you, just for you. Give it to me. Use your boy. I’ll take it for you. I’ll empty you out. Fill me up, I’ll open up for you, give it to me, please, please,” still sucking at my fingers while he breathes hard and harder, I feel his lips form the words against my palm. Sweet swollen mouth.

“Squeeze,” I tell him. Fuck I’m close. Poised and I might just stay right here forever. Let this never end, I pray. “Work it out of me, boy. You want that come? Suck it, that’s good. I’ll fill you with it until you’re dripping out of all your holes. That’s right, nice and tight for Daddy … ” I don’t know what I’m saying but I keep going, hole and boy and all mine and good boy and before I know it I can feel all that pressure built up start to peak and tip over, muscles clenched so tight that they stumble and burst. Coming in waves, hips shuddering like a deep tremble, gripping his muscles everywhere my hands can get ahold of, groaning around his flesh in my mouth that I didn’t even realize I was biting.

“Oh, god, oh fuck, baby, my good boy.” I’m babbling again, every muscle shaking, still shuddering from the come, he’s still squeezing every drop from my dick and licking my fingers like he’s cleaning them. His lips are still thick from the swelling.

I nearly collapse on top of him. I notice my thighs are wet, he’s dripping, who knows how many times he’s come. He can be wordless about it when I fuck him like this, with all power and need and little consideration. I want to curl him in my arms and carry him to bed, want to tuck him in and feel him suck my fingers all night.

Pulling out, I shift on the couch to let him off his knees, to bring his thighs together. He snuggles against me, body humming. We touch fingertips and toes, wrap around each other, low laughs and eyes sparkling. Even though I thought it’d be rough and demanding, I get so distracted by the easy way we discover what makes the universe spin every time we collide. I want him more now than I did three years ago, and I feel more whole, more myself. I don’t know what love is or how to keep it, but I know it changes me every time, and it’s the thing I’ve rearranged my life for again and again. It’s the closest I’ve come to an experience with the divine.

Every inch of me feels alive.

* * *

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From the Dirty Faggot Archives: You’re Fucking Mine

From one of the early dates with the boy. The story contains some sensual knife play.

This is how it began.

Two hotel rooms, one park, one bookstore, two restaurants, two—no, three—cocks, eight gloves, who knows how many condoms, who knows how many orgasms, dozens for you, one for me plus dozens of moments of shuddering energetic overwhelm, twice we were barged in on, three dams, one blade you put in my hand, three times you got your waterproof blanket out, at least two pairs of my briefs you soaked through, one tight little fist, four sets of three minutes, hundreds of kisses.

I took myself to the airport moments after gathering you in my arms, our hearts lined up, pounding. Waiting for my flight, I sat still, closed my eyes, to harvest the myriad sensations running through my body, to sink down into it, to catch my breath after running for an airport shuttle, after gender panic through security, after rushing to my gate.

I could feel my blood pressure like waves through my veins, rising and swelling, back and forth in an internal rocking. Connected to my heartbeat, no doubt, which, I’ve read, syncs up after hours of sex. That thrum through my veins was the same one that thrummed through yours, or had been, half an hour ago. What was your heart doing as you drove that twenty minutes north, as you returned to your little city on the Bay, as you went back to your partner with my marks covering your chest and thighs? Mine felt heavy, sore, thick and red, pulsing, alive. My whole body feels alive, each nerve ending aflame and perked, awake and eager for the feel of our skins, slick, against each other.

Maybe this even more than any particular action is what I remember: the aliveness. The awareness of my body, of all my edges, of all my pieces, weaving together.

And I remember your eyes. How shy you were to look at me, even after I asked you for eye contact while you sucked my fingers down, how rare it was to hold your gaze. I remember how little you said, patient, knowing how interesting your thoughts are when you do share them. I remember waiting for you to calm and soften, wanting that before moving in to take, play, shove, hurt.

The three afternoons come back to me in snippets, treasures, a rock in my pocket I’d forgotten I put there, a poem in my notebook I forgot I wrote, tucked away in my memories and then surprising when it emerges—was that real? Was I really there? Did I really leave? Why am I not there right now?

I pulled you to me at every possible red light while you drove. Teasing you on my one-way trip to the last hotel, on the freeway, first your knuckles against my lips, then sliding one of your small fingers into my mouth to hear you gasp and shudder. My fingers on your tongue, my hand at your throat, just for a minute. Your heat. The way you squirm.

Eager and impatient within hours of arriving, making out in the sunshine and already drunk on your smell, your everything, I couldn’t help myself and had two fingers in you until you said gloves please and I had to unzip my suitcase, dig into my toy bag. It is different to keep my hand gloved, but I can still feel so much: how you liked it deep, that spot by your cervix I reached twice when I got deep enough and both times you said ohh right there.

That moment of sliding my cock inside you. Every time. The first day I thought I’d shoot and lose it the moment the tip of me touched your hole and I felt you give way, hips upturned, and a firework exploded up my spine. I thought I’m going to collapse right here and that will be that. Done. But that was when you opened your eyes, brought your arms around my shoulders, and I was so bolstered, held up, supported, that I could fuck for hours. And we did.

Look at me while you’re sucking my dick, boy; where are your manners. You can do it, just a little more. That’s it. Mm, nice. I like that. That’s what I wanted. That’s exactly what I wanted.

You kept shying away from me. Squirming, hiding, closing your eyes. I can tell you like to drink in the sensations, but I want that exposure that comes from your eyes open. From seeing. From knowing what your eyes are tracking and watching your responses. So I started calling you on it. Teasing. Pushing. Where do you think you’re going? Do you think your hand over your face really hides you from me? You like it. Tell me you like it. It doesn’t matter; I’m going to take from you whether you like it or not.

Thank you sir.

Good boy. You said I could. You said I could have you. You said you’re mine. Can you take it? I think you can. You keep squirming; lie fucking still. Trying to get away from me? Do you think you can? Go ahead, try. Let’s see what you’ve got. Go ahead and twist, try to get away from my punches, I can hit you other places, too.

I’m fucking yours.

Look at me while you’re sucking my dick, boy; where are your manners. You can do it, just a little more. That’s it. Mm, nice. I like that. That’s what I wanted. That’s exactly what I wanted.

I’m not shy about taking what I want, but you are. How many minutes did it take for you to sit back and pull that knife from your pocket? When I opened up my palm between us and the weight of it dropped, something clicked. Something clicked and I wanted to open you up, do some damage, mark you. Instinctively I could see the scar I wanted to leave, but knew better than to follow that. That didn’t mean I was going to hold back: I let it pour out of me, almost as good as the thing itself, watching that flash of fear come up through you: would I do it? Mark you, take you, own you like that? Not this time. Not yet. There’s more, so much more, to come.

Your hand in mine while I held you down and spread open your chest, blade to skin, I remember it was the fourth slice that brought the first beads of blood, your mouth open and swollen under mine, ankle turned around mine, entwined as we opened together.

Could you feel how I split open with your tongue on the pulse of me? Could you feel my heart in your palm when you curled inside me? (Go get a glove. A small one, for you.) Messy, red, bleeding out, nonetheless translucent and whole, and tastes like sugar when it touches your mouth.

When you touch my mouth you taste like fall. Like falling. Like I’ve fallen from whatever I thought I was reaching for and find myself at the mercy of gravity. I couldn’t keep my mouth off of you. I didn’t have to. Most of the bruises happened the last day, though there were a few in the afternoons before. But these, I didn’t hold myself back for, even though you squirmed and hissed through your teeth and gasped and cried out. I loved watching them bloom on your skin, marks so deep you could see the impressions of my crooked teeth.

I wanted to hurt you, and I did. My fists contract around you, hips shift and switch and I want to throw you up against walls, push you down to the floor, drag you by your hair. (Not enough of that yet. Just wait. I want to scare you.) Punch you. Use my knuckles. Leave bruises. I pulled your belt out from your jeans and the leather in my hands made my shoulders and cock ache. What are you going to do with that belt, you whispered. So eager, aren’t you. I hadn’t decided yet. Curl it around your wrists, around your throat. Snap it at your skin. Which is what I did, eventually, rolling the buckle and letting it fall from my hands onto your body. Oh the growl that comes up from somewhere low and dark in me. Then there were the boxing wraps, something to protect me as I threw. You took it so well, so nice and good. Every time I got heavy you tensed, shouted into the hotel sheets, braced yourself against the bed. Relax, I kept telling you. I’m going to keep hitting you one way or the other, you may as well relax. I can tell you want it. I can feel how wet you are on my thigh.

Another time I pulled out a glove and fucked you, watched you come, held you down, got you off five, ten, a dozen times, before I started really hurting you. Pain is easier to take when the pleasure comes first, and I’d learned from the first day that you get worked up and need release. Such whimpering, such desperation, I couldn’t tell if I should back off or go harder, but now I know: harder. More. You can take so much. After your eyes got starry and your smile got lopsided, I started in on the punching, the biting, the slapping. (It stings, you said. Take it, I said. You like it. And you whispered back, I do like it sir. I know you do.) Shoving your face with my open palm. Knuckles against your jaw bone.

Spitting onto my fingers and between your legs as I steadied myself to slide inside.

It was when I said my sweet boy and you said thank you … thank you … thank you (breathing out that missing word with your mouth shaped around it) that something in my chest cracked open. I didn’t know I was looking for you, didn’t know I was missing you, but now you are here and I’m not sure how I could have not seen this you-shaped space in my life before. I want to throw open my arms and show you the full body embrace you are invited to come into.

Maybe you should tell me what your limits are, you said. I can’t imagine anything you would ask for that I would deny you, I said.

Later you said fuck me sir fuck me sir fuck me and I spread my forearm across your sternum and what else could I do but everything you wanted.

I’m yours.

And you’re fucking mine.

Featured image from Indie Porn Revolution.

“Pick a hole. You know what happens next.”

Content warning: This story contains Daddy/boy play, lots of ownership/possession, force, and some humiliation. Everything depicted is between consenting adults, intentional, and previously negotiated to be well known that this is what we want to play with. The whole thing is based on an actual morning text message exchange with rife, and edited to make it more of a story.

I wake him slow in the morning. Light comes in easy through the blinds, gold on his skin and the bed. Our limbs are tangled as they often are while we sleep together. He is in small little boy briefs and nothing else, which is what I prefer he wears while he sleeps, and one of our rules is to respect my preferences and execute them to the best of his ability. (The flip side of that is that it is my responsibility to suss out my preferences, and to make them clear and known. It’s quite vulnerable, and transparent, more than I am used to being. And good practice.)

He shifts as I wake, getting out of bed to pee, drink water, and put my dick on. When I come back, he curls into my armpit and shoulder, snuggles his cute little boy butt up against me, pulls my arms around him tighter and sighs. Still drowsy and not really waking yet. He could cuddle for hours.

I let my mind wander to what I’ll do to him, getting hard. He is soft and warm against me. I slip the tip of my finger into his mouth and he suckles in his sleep. Sucking and then drifting into sleep slowly, pausing, then sucking again.

“Good morning, little boy. it’s not time to get up for school yet, but Daddy wants that ass of yours just for a little while. You’ve been wriggling against me all night.”

“Ohhh. Daddy …”

“I like the way all my soft warm skin feels. When I wrap around you all night and you writhe and press, you get me so hard. Feel that, little faggot? You get Daddy hard. Pick a hole, little one. You know what happens next.”

Five Blow Jobs

I.

After the workshop. I haven’t had enough of you (will I ever get enough of you) and strip you bare, glove my hand, slide two fingers inside you, sideways on our huge bed. The lamplight is different than the bright white of this room during the day, more warm, orange-yellow-gold and more full of shadows, and the shadows and the gold fall onto your skin like paint. In the car on the way back I couldn’t resist (can rarely resist, it’s so hard to resist when part of our dynamic is built around taking what I want) and slide your small fingers into my mouth. You miss the exit. Your fingers are blunt and I trace your jagged nails with my tongue, suck the salt from the pads, taste the day on your skin. I pull your wrist down to your pelvis and take two fingers in my mouth again when my two fingers are inside you, gently pressing, not a lot of motion, and I start to suck you off. Up and down your fingers like a cock. I hold your g-spot and feel it quiver in my fingers. I let your fingers out of my mouth so you can touch your clit, and keep my tongue on the back of your hand. You shudder and convulse against my mouth, your cunt grips my fingers. You slide your fingers back in my mouth, eager, and I taste you, just a little, at the tips, and I do it all over again.

II.

On the side of the bed, but you’re not supposed to be coming that day, and you do. It sneaks up on you in a moan, but before you can really come you stop yourself, blurting out, “fuck!” again, and it’s the second time you’ve come without permission, and you’re in trouble. You back off and look at me shyly; I am laughing at your distress, you just feel so bad for defying the rules, and the guilt is more than enough punishment. I can feel how bad you want to please me. I am enjoying this too, too much: your attempts to do things just right and your scrambles to fix it when you are so happy, so pleased to be serving me, servicing me, kneeling before me, my cock in your throat. It’s enough for you to see that look on my face, that ecstasy you’re causing, that overwhelming lust and adoration as your tongue hits the head so soft and slow as you suck it down, which makes me want to pulse and shoot, makes me feel my balls (as if I had them) contract and swell, cocked and loaded. You move back toward my dick with your lips parted and I push you away. “No—I think you’re done sucking my cock. You lost that privilege when you came without asking. Down. Kiss my boots.”

III.

Long slow aftercare. I let the beating settle into your body—the belt, my hands, the restraints on your ankles and wrists. After some time on the bed I move us to the chair so you can sit on my lap. You wrap around me, sink down. You quiet and calm and I ask, “Ready to suck my cock again?” You say yes, quickly, in a whisper, and kneel between my knees. I loosen the harness and touch my clit under it while you suck me down. (You’re not supposed to come today, still; one of us may as well.) “Good boy,” I breathe as I watch your mouth, tongue, lips, my cock down your throat. I let you guide it. I let you slide it however deep you want. I push a little, because that’s what I do, but mostly I just concentrate on the feeling and the sight. I almost come but it’s too much, I get overstimulated and don’t have the right angle so I get up and take my jeans off, my socks and shoes and briefs, and spread my legs wider, get a better grip under the harness. You start in again and I imagine what your mouth would feel like. I know every inch of it, know every ridge of the roof and every tastebud on your tongue and every valley of your teeth with my fingers and my tongue, but fuck how I wish I could feel those with my cock. We are making do with what we have and you are an expert at sucking me down, swallowing, and I think about how I’d get tight and build up pressure, ready to shoot. You moan around my cock and I feel it in my pelvis and I feel you squirt on my ankle and foot, you’re straddling my leg. “Ohh fuck you’re in trouble,” I manage. You whimper a little, give me those eyes, those sweet little boy eyes like you would do anything for your daddy, you’re sorry, you didn’t mean to, you couldn’t help it, and it doesn’t take long before I’m over the edge for you, coming in your mouth, yelling out and curling my spine and feeling how I’d shove and come to the back of your throat. I breathe, my body stills. You sink down onto your belly and put your tongue to my foot, clean it off, suck my instep. With your head still down low, you say, “Am I still in trouble?” and I laugh.

IV.

You walk over to me with your cock on, hard and thick and fitting you, jutting out from your hips. “Can you stand?” I ask. You nod. I sit on the edge of the bed. You let me feel it, with my hands and along my lips, my jaw, getting to know its new contours. I put my tongue on it, kiss it, and you shudder. I like feeling how hard you are in my mouth. I can’t take it as deep as I think I can, but I try, again and again, wanting you so far inside.

V.

You start on your knees at the end of the bed after I have kicked you, hit you with my belt, after I told you to pick a number and you picked three, after you took more than you thought you could, after you crawled for me, after my hands in you at the edge when I said come on and shoot that load for your daddy, little faggot and I shove in, impatient and hard, to the back of your throat. You gag. I keep going. I hold you by the hair and work my hips so it goes in and out of your mouth. You gag again. I keep going. I stand over you and you rise up a little higher and I keep fucking your mouth. I wrap my hand around your throat. I pinch your nose closed and shove in. You look up at me, pleading, in a rare moment of eye contact. I don’t let up until I count to ten. I take my dick out and let you breathe and do it again. Count to ten. Sometimes I hold my breath with you, but I always let mine go before you do. I fist your hair and shove in deep. My hips shake against your mouth. Come on, little boy, take it, that’s right, that’s how I like it, fuck, yeah, give me that pretty little mouth, take it deeper, you can do better than that, fucker, do it, suck it down, yeah that’s right, nice. You stumble back a little and my fist holds you up.

Featured image courtesy of Crash Pad Series

Under the Desk

Disclaimer: This story includes some Daddy/boy lines and dirty cocksucking. Read it through at your own pleasure.

The first day I get back from the business trip, I call you into my office every hour on the hour for something. Water with ice and lemon. Print these documents and collate. But the requests get more interesting as the day goes by.

“Kneel for ten minutes in the corner.” I point without looking up after you enter the room. I don’t have to explain the parameters of kneeling, as you know the position (butt off your ankles, hands behind your back) and what you’re supposed to do (meditating on the concepts of submission and being owned). You’ve done this before, frequently. I don’t ask you to hold a piece of paper to the wall with your nose (this time).

You leave, and I call you back fifty minutes later. “Under the desk,” I tell you, my jeans already unzipped.

“That’s right. That’s good, baby.” And you choke me down and sputter thank you with big watery helpless eyes. I groan and push your head back down.

“Uh huh. I know you like it. You beg for it an thank me after, little one. But this isn’t for you. Just for me. Daddy needs this. Do it right. That’s good. Fuck. Good boy.” You start swelling up and moaning with each cool sucking breath. I know you want it. I know this is what you’re for, and so do you. I shove it in, feeling myself tighten, that delicious pressure building from deep.

“No boy, not for you. Don’t come, son. You better not. Little slave boy. I need you hard. Don’t fucking do it. Just suck it. I’m almost there. I need you to take a little more for me. Just … a little …” I groan and we feel the tremors move through us both. It would be easy for you to come when I do, but you hold yourself tight and let it pass over and around you.

When I’m done, you’ve swallowed every drop.

Your lips are swollen, throat still contracting and a little raw. You’re hard, but your boxers are dry. Good boy. I grab your package roughly as my breathing evens out. “Good boy. I like you like this. On edge all day. Hard for Daddy. Maybe I’ll let you, later.” I zip up my fly and kiss you, fisting your hair before turning back to my desk. “God, you’re good. Go get me a glass of water.”

And you do. Quickly, quietly, beaming all the way.

Featured image courtesy of Indie Porn Revolution

Curfew (Excerpt)

In early May, I posted a request for donations to help me get on my feet and keep me writing, and promised a special smut sponsor story if you donated $25 or more.

That was more than a month ago, and I finally sent the story. It’s a dirty Daddy/boy story with force play, consensual nonconsent, ass fucking, dirty talk, and age play (all characters are over 18 and playing consensually).

The special bonus smut story is a little late. I got all inspired and touched and eager to write after your slew of donations (thank you, thank you), and life is still getting in the way of writing here regularly. I’m trying to polish the “business” that I have apparently started, and I haven’t quite been able to implement all I need to yet. So that’s still … and blah blah blah I’ve said that a dozen times. Sinclair, repeat after me: I’m writing more smut. I’m writing more smut.

Without further ado:

Excerpt from “Curfew”

      “Please, Sir. Don’t be mad. Am I in trouble?” You touch my thighs gently with your hands, a request, making clear, open eye contact. Your lips tremble a little.

      You’re not in trouble, not really. But I’m mad and hard, and there you are. Who’s going to stop me? You’re my boy, after all.

      “Take it out.”

      You hesitate. “Sir, I have to … I just want to go to bed.”

      I fist your hair, the length on top I make you keep long enough for me to grab. “Now,” I hiss in your ear, “Or don’t you want to be able to breathe while you do it? Don’t make me pinch your nose shut, boy.”

      You swallow. I can see your neck move from how I’m pulling your head back. Exposed. If I had my knife on me I’d slide it right to that ripple under your jaw, see if I could make the faintest of red appear. If I had to.

    So that’s a little taste of that. Much more to come.

    Whatever I tell you to do

    Before the door is even all the way open, I’m on you, slamming your upper back against the wall in the hallway. I’d been waiting for you. Heard your car outside and keys in the lock. Stayed half-hard all day, waiting for this moment where I could catch you off guard and suddenly, make demands and put forth my needs, use your body.

    By way of a welcome home, I growl, “Hey, little boy.”

    You whimper and melt into the wall, your knees sinking already, keys still in your hand. I shove you aside and close the door, keeping my forearm across your collarbone. Maybe you try to say hi Daddy, sometimes you do that, you’re supposed to reply audibly to me when I address you, but maybe your mouth says it without any sound behind it, maybe I’m keeping your voice clutched in my fist at your throat right now. You don’t need it. All you need to do is what I make you do.

    I take a step back. “Strip.” I say first.

    You do. I watch. You hang your jacket and slide your tee shirt over your head. Kick your chucks into the small pile of shoes in the hallway and unbuckle your belt. Click your keys back on to your keychain. The heavyness of the objects in your jeans pockets pull them to the floor without much effort and you let them slide off and step out of them. I stroke my cock, thick and hard already, through my jeans.

    When we woke this morning I didn’t get the time I wanted to play with you. Didn’t get to slide inside you and sink into that place where our bodies pull and push in synchronicity, simultaneously out when you’re in, up when you’re down. I don’t understand how it is that we compliment each other so well, but we do. I pulled your hand under the elastic waist of my boxers and made you jerk me off while I whispered stories into your ear, my arm around you, hand gripping your arm or shoulder or whatever I could reach. Jerk it, boy, yeah like that. Harder. Just a little more. That’s just right. But you had to go to work. And I had work to do, too, though my work has less of a clock-in-clock-out factor.

    I like missing you. That low pull of longing, of want, is enough to keep me focused and productive when otherwise I might be wallowing. I like wanting you. Always better than having too much and craving space.

    I get my most important tasks done and pause through the day to fantasize, just enough to keep me hard but not enough to get off. I want to be wanting when you get here. Maybe the second or third time I do this, the vision forms to take you before you’ve even walked in the door. These scenes come to my mind almost fully formed sometimes, like a film I’m watching rather than something I’m creating. When I wonder what next to do, I just watch and listen for a minute, and it shows up.

    You drop your tight white boy briefs next to your jeans and as you’re straightening up, looking at me shy with just a slight shiver in your shoulders, I lock the door behind you and I’m ready. “Down.”

    You drop effortlessly, in one fluid movement, and I push your mouth to my zipper before you’re even situated. You lean into my hips and bite at me through my jeans. I lean against the wall and relax forward into your mouth. It’s a relief to have you home. It’s a relief to have your mouth here, wherever I put it. It’s a relief to have that control, a relief to know you’d do it, whatever it is, whatever I told you to do. I don’t need to execute that ability constantly—the knowing that it’s there is relief enough, most of the time.

    Except sometimes, when I need to feel you supple and soft, feel you harden when you get it right and fall into the job I set for you to do. Just this. This is all you need to do right now, your mouth your tongue right there, your body relaxed and giving in, giving over, always giving it up to me.

    You hum a little through your throat and I feel it vibrate against my cock. I feel the weight of the day, of the work, of the hate mail navigated and the dozens of hustling emails I sent with pleas, draining out of me. I pull up from the earth when I breathe in and try to feel myself empty, ohllowed out, able to be filled. You press the palm of your hand gently against my cunt, just enough for me to feel the pressure. Support, something solid for me to lean into. You catch the head of my cock in your mouth through my jeans and suck just enough for me to swoon. I unbuckle, unzip, pull it out while your hand kneeds my lips swollen and hanging like balls.

    You suck me down slow and easy, slide it in, each inch slow until I’m all the way in your throat. “Swallow it down, my good boy, you know how I like it.” The thought of shooting, emptying out right here, pressed deep down into you, makes me shudder. I breathe into it and that rhythm, that rhythm takes me, moves me forward, the rhythm that starts in that bowl in my hips like a quake and starts moving me almost involuntarily, and I slide a little deeper into your throat and you open, open, open.

    We writhe and rock and move together for a while. I let the pressure keep building, that pressure that started early this morning before you had to go to work, before we peeled ourselves out of the soft jersey sheets and made coffee and got dressed and were responsible. Or maybe it started when we met, or maybe it started long before we met, maybe it’s just something I have, that craving, that desire for taking and takedown. I watched you go out the door and felt that growl of want, not yet satisfied. What will satisfy me? Even when I get “enough” it isn’t exactly enough, it’s only temporary. I always want more. And you always give more.

    “Enough,” I pull out, immediately feeling the lack, the emptiness where I used to feel held. “Hands and knees. Crawl.” I walk to the bedroom and strip, lay out the waterproof sex blanket over the sheet. I almost switch to the bigger cock but decide I want to fuck his ass, so I’ll keep this one on instead.

    You’re breathing hard when you get to the doorway. You like crawling. Makes you feel controlled, it’s not something you would do without being ordered to. It makes you tremble and swell. I can see how you are pinkening between your legs.

    I pull you up by the chain around your neck (“Up. Come on.”) and onto your stomach on the bed. Your open mouth is against the mattress, biting at the jersey sheet, arms twisted to hold you, ass up, legs splayed open, back curled. You know what’s coming. My thumb against your back hole and you moan and open even further. Your hole is so pretty and shades of rose (sometimes I really understand why erotica stories call it a “rosebud”) and I want to plunge in. I squirt lube right onto your hole, a generous line up my cock, and press . The head is the biggest and thickest, so pronounced on this particular cock, but you push back against me and moan Daddy Daddy and I can do it, we do it together. I go slow even though I want to plunge. I want to feel myself buried to my balls in you. Falling into you. But I restrain, and the tension between what I want and what I do feels palpable. I lean forward, hold my weight off of you while I slide in. Take a bite of your shoulder as my chest melts against yours, still holding my hips up. Slow, slow. Wait. And then you whimper and I feel your skin against the front of my hips and we’re there.

    I sink against you. You hold me up.

    Open Relationship Mini Interview with Sassafras Lowrey: “I live the queer life I’ve always dreamed of”

    Sinclair’s note: This concludes the open relationship mini interview series! I’m debating if I should do more of these mini-interviews, and I might. I’m thinking one about breakups or transitioning relationships, one about healing, one about long term relationships, one about D/s and protocol … Alright so I’ve got plenty of ideas.

    Sassafras Lowrey, pomofreakshow.com

    Note: I personally use the term “poly” to talk about my relationship(s) not “open.” Additionally possibly useful information – I’ve been in a primary partnership with my partner for coming up on 9 years. Our relationship has always been poly. I came out into a community where poly relationships were very much the norm. Every “serious” relationship I’ve ever been in has involved 24/7 D/s, and my partner and I were already very poly experienced when we got together.

    1. What insight about open relationships would you share with your younger self?

    I think the biggest piece of advice I could ever give my younger self would be to spend less time worrying about what other people think, or trying to create what I thought I should want, as apposed to what actually felt good to me. What I mean here is I have at times felt pressure to enact being poly in certain ways (dating, sex etc.) because of queer cultural pressures that normalized or privileged certain kinds of interactions or relationship dynamics when the reality is I’ve never been happier or felt more fulfilled than I have in my D/s leather focused relationships which is at this time as a general rule non-sexual.

    2. What has been the hardest thing about navigating your open relationships, and how have you overcome that?

    I suppose I’ve already talked about this a little bit above. I think the biggest challenge for me has actually had very little to do with my relationship(s) and everything to do with the queer culture relationship norms that I found privileged sex, and specific dating focused types of romantic connection. I consider myself Leather oriented as apposed to sexually oriented. My primary partner/Daddy and I have been together for nearly 9 years. Ze has a wonderful girlfriend (a “good egg” I call her) and they have been together for upcoming 2 years. Previously ze has dated other people, and I have been involved with others as well. My partner and I live in a 24/7 Daddy/boy D/s dynamic and are (at this point and for quite some time) happily non-sexual with one another – a fact which shocks/horrifies/confuses many queer folk.

    On top of that, I have a complicated relationship to sex/dating/relationships. As a general rule I am fairly uninterested in that type of connection to other people though I have dated and/or hooked up with folks in the past. Generally I find it particularly rewarding to date the books that I am writing, and very intimate though entirely non-sexual relationships with my leather/queer family.

    3. What has been the best thing about your open relationships?

    One of the best things about being poly and having non-normative relationship structures has been the ability to live the kind of queer life I’ve always dreamed of. We create the rules for our life, building the kind of relationship(s) that are fulfilling and engaging for us, knowing that for each person that will take a different form. My partner and I are better together as a couple/family because of the connection we have to others in our lives – for my partner that looks like romantic “grown-up” relationships, and for me that primarily looks like the way I engage with my queer/leather family. Because we are poly and don’t expect the other to meet all of our needs be they emotional/intellectual/creative/sexual/etc. We are able to hone and focus our relationship on what is best about who we are to each other. In our case, that means that we create a beautiful home together sharing the ups and downs of daily life, we support one another creatively, and at the core of our relationship is the playful, whimsical magic of our Daddy/boy dynamic.