Posts Tagged ‘video’
Here’s the official video for the track the title comes from, “Wrecking Ball:”
Rebecca Drysdale, actor & comic whom you might know from The Time Traveling Lesbian series on AfterEllen or the L Word Serenade, has released her own It Gets Better song & video, and it’s fantastic. Take a look.
I’m still reeling from all the Sideshow amazingness last night, will have more of a recap/update soon.
Meanwhile, here’s an amazing new piece by Ivan E. Coyote at Speak Up! on 4/10/2010.
Yes yes yes ditto to all of that. What a pleasure to hear.
I know, I know: I already reviewed Sugar High Glitter City! What am I doing mentioning it again?
Well, it’s worth mentioning twice. Because holy crap, Shar and Jackie. Swoon. I wish they would make some more porn.
But also, Hot Movies 4 Her (which powers the video-on-demand Sugarbutch queer porn affiliate site) JUST added Sugar High Glitter City to their repertoire. Lucky you! That means you can buy some minutes, check out each of the scenes, and only pay for the minutes you watch—so instead of making the DVD $30 investment (or whatever it is, jeez porn is expensive) you can watch the first few minutes (or the middle few minutes) of each scene and decide whether it’s worth it to see the whole scene. Or fast forward when you’re not into it.
Here’s the HM4H writeup about the porn:
Sugar High Glitter City
Studio: S.I.R. Productions Directors: Jackie Strano & Shar Rednour
It’s the future. Sugar is outlawed. Cane-addicted dykes stop at nothing to get it – even selling their own bodies! The dynamic dyke team of SIR Video slams the dykespoitation genre into fast-forward with this sticky-fingered belly-crawl through Glitter City’s underworld of sugar-pimps and sandy hos. Fabulously diverse cast and multiple dyke sexualities crunch to the center in this fast-paced futuristic farce. Urban-encrusted glam, gutter-glitter lust, and candy-coated sleaze.
And if you click on over to the VOD site you’ll see some of the photos from each of the scenes, too. That first scene—the threesome with two butches and a femme, where Jackie is talking dirty the whole time? Holy crap I love that one. I think I studied it about eight or so years ago when I had a VHS copy of it in order to learn how to talk that way. She’s one of the best dirty talkers in porn I’ve ever seen.
Actually, speaking of dirty talk, S.I.R. Productions also has a “Talk Dirty To Me” film, which I’ve still never seen, but that I hear HM4H will be adding to their collection in the near future. Will most certainly watch that as soon as I can, and report back to y’all how it is.
I’m not one who tends to read bestsellers. In fact, when I do pick up—and like—a bestseller such that I actually want to carry it around with me and read it, I am often way embarrassed to be seen reading it on the subway. As if I am one of those people who only read popular books.
But of course, sometimes bestsellers are bestsellers for a reason: they are very, very good. I would argue for the Harry Potter series, and for The Time Traveler’s Wife (though against the Twilight series).
What made me pick up Eat, Pray, Love by Elisabeth Gilbert, aside from my sister‘s strong recommendation, was her talk on creativity from the TED lecture series.
I’ve probably watched this four times now, and a new part of it sinks in every time. This really jives with many of my conceptions about creativity works, and I really appreciate the shared responsibility of creation. YES.
So I picked up Eat, Pray, Love. And … it’s beautiful. Seriously. I hesitate to call it One Of My Favorite Books because who knows, I haven’t finished it yet, maybe it’s just speaking to me at a particular time about a particular thing and everything is just so resonant and perfect right now.
Maybe the best thing to do with favourite films and books is to leave them be: to achieve such an exalted position means that they entered your life at exactly the right time, in precisely the right place, and those conditions can never be re-created. Sometimes we want to revisit them in order to check whether they were really as good as we remember them being, but this has to be a suspect impulse, because it presupposes is that we have more reason to trust our critical judgement as we get older, whereas I am beginning to believe that the reverse is true. —Nick Hornby, Shakespeare Wrote For Money
I had it out from the library, and I ordered my own copy from paperbackswap.com (my current guilty pleasure, though I suck at getting to the post office to do the mailing-out part). I’m looking forward to reading it again, and marking it up.
Yesterday, I came across this:
So I saw it during my last week at the Ashram, I was reading through an old text about Yoga, when I found a description of ancient spiritual seekers. A Sanskrit word appeared in the paragraph: ANTEVASIN. It means, ‘one who lives at the border.’ In ancient times this was a literal description. It indicated a person who had left the bustling center of worldly life to go live at the edge of the forest where the spiritual masters dwelled. The antevasin was not of the villagers anymore-not a householder with a conventional life. But neither was he yet a transcendent-not one of those sages who live deep in the unexplored woods, fully realized. The antevasin was an in-betweener. he was a border-dweller. He lived in sight of both worlds, but he looked toward the unknown. And he was a scholar.
—Eat, Love, Pray by Elisabeth Gilbert, p203
And oh my god that word is just so … potent. Perfect. I immediately saw it as an elaborate cursive tattoo over my collarbone or on my upper arm. That’s my word.
Then I started thinking: this is everybody’s word. That’s why this book is a crazy insane-o bestseller. Everybody thinks they live on the borders. Nobody thinks they fit in. And, sure enough, when I searched for “antevasin” online, many of the results are from personal blogs saying, “I recently read a book that described the word and I felt like it was describing me,” and “In one of the many books I am reading at present I came across a word and an idea that really resonate.” (Funny how they don’t necessarily identify the book. Or perhaps it’s just obvious enough that they don’t have to.)
Maybe not everybody thinks they are at the borders, not fitting in. Maybe there are some people, like my girlfriend claims, who know they are the status quo and average and buying in to pop culture and like it that way. I guess it’s mostly just that “my people”—the queers and the misfits and the artists and the writers and the thinkers—are the ones who surround me, and of course we all tend to have this deep, deep belief that we never fit in, that we probably never will, and that we’re straddling multiple worlds, being border-dwellers.
But I guess my question is … if the majority of us are the ones who think we don’t fit, aren’t the ones who ‘fit’ actually in the minority, making them, by definition, not fit?
And also … how do we truly, deeply, believe that we do in fact fit, perhaps not into a problematic hierarchical oppressive society like this one, but in our own communities, in our own subcultures, in our own families, in our own lives, in the larger universal human family? I really do believe that we all belong, we are all valid, we are all just where we are meant to be: right here.
Bitch Magazine has a good post about the film, and I’m supposed to be running my last minute errands and getting ready to go away with Kristen for the weekend, so I can’t spend a lot of time fixing this post.
I did think the film’s perspective was a little questionable … Sounds like there might still BE a movie, but it’s clearly got a secondary agenda: aside from being sponsored by Dockers to some degree or another, it’s attempting to police masculinity as something fixed, limited, and engrained, and puts absolutely no value on the range of accepted masculine expression.
Man, this Dockers campaign is making the rounds, huh? I’ve got lots to say about it. But ack, I gotta go! I’ll be away for the weekend, but don’t worry, I have a couple posts set in my absence, so there will still be Sugarbutchery for you to read. Be back Tuesday.
A new film on masculinity, An Emasculating Truth, has just released the trailer. I have some skepticism about the perspective that this film takes, based on the clips in the trailer, but I am looking forward to seeing it.
Seems like there are a lot of people writing and thinking about intentional, radical masculinity these days! Or perhaps it’s just that I’ve stepped up my noticing of it, so it seems like there’s more. It’s a big, significant issue, and I like that there are more perspectives on it all the time.
Because I’ve been talking about ass sex lately, and because I’ve never posted this, and because the queer activism of October is sometimes a bit weighty, here’s The Wet Spots doing Do You Take It.
Warning: this will probably get stuck in your head. But don’t worry, you can always think of Cher and it’ll be gone.
Buck Angel, the FTM transsexual porn star known as “the man with the vagina” (who has given his permission to be included in the Top Hot Butches list as #62), has started a new show called BUCKING THE SYSTEM where he is taking all sorts of gender and sexuality questions.
The video is also interpreted in ASL by Elayne Angel, who I believe is Buck’s wife and also a master piercer. In fact, I have entertained the idea of traveling to her in order to get a triangle piercing (do I have to warn you? that link is NSFW), which is a kick I get on every year or two. I would really like one, but the healing time (which probably means no strap-on sex) and the things that could potentially go wrong have been preventative so far. I hear she pierced Dacia recently. Also, I want to read her new book.
I haven’t actually seen a lot of Buck’s porn films, though I’m curious – my impression is that it’s mostly gay male porn, not very lesbian, and while I appreciate the, erm, gusto, with which gay men have sex on camera, it’s not what I tend to turn to when I want to get off. But he’s got many, many of his videos over on the Sugarbutch VOD through Hot Movies For Her and I look forward to taking some of them for a spin.
Did you catch Buck on episode #124 of the Savage Love podcast earlier this year? I was impressed with what he had to say about gender and sexuality. I’m looking forward to this Bucking the System series. Subscribe to Buck’s YouTube channel or follow @BuckAngel on Twitter.
2009 Feminist Porn Award Nominee.
Madison Young is looking for one last fling before walking down the aisle and she finds it with the very sexy Ariel X. Ariel seduces Madison into a world of rope bondage, foot worship, SM and Anal orgasms.
Madison’s day of penance includes a tight bondage crucifixion, an inverted one legged suspension in which she is cleansed with holy water, flogging, anointment with burning hot candle wax, and communion fed on a squirting strap on cock.
Stars: Madison Young, Claire Adams, Ariel X, Selina Raven
Directed by Madison Young
Produced by Blowfish Video
Watch Madison Young’s Bride of Sin here.
I’ll be featuring great films by Tristan Taormino, Madison Young, Buck Angel, No Fauxxx, Bleu Productions, Pink & White, and more, over at VOD.sugarbutch.net from here on out. I’m supposed to review some flicks for HMFH soon too, starting with Post Apocalyptic Cowgirls by Maria Beatty. (That film’s fencenets are inspiring.)
All the episodes of the 1994 short-lived one-season series My So-Called Life are on Hulu.com, and I spent the last few weeks watching through them in my down time. I’m the same age as Angela Chase (and nine days older than Claire Danes) and now that I’ve watched it again I remember the show vividly. I wasn’t sure I’d remember it, but it turns out there are some episodes I can practically recite by heart. Like Pressure and all those scenes in the boiler room? “The whole world is separated into kissing … and not kissing … kissing … and not kissing.” “My lips feel used, but, like, in a good way.”
I miss these characters now that I watched through the 19 episodes. I have lots to say about the parental relationship, Graham’s masculinity, the character arcs and some of the slightly more experimental attempts at episodes, the infamous lean by Jordan Catalano (“you’re so beautiful, it hurts to look at you”), Jordan’s masculinity … oh there’s so much.
But what I want to write on here, real quick, is Ricky, and his finale.
If you haven’t seen it, revealing that Ricky is gay is not giving anything away. You’ll know from the first episode. The other characters know, too, but they never say it directly. Sometimes they say Ricky likes boys, sometimes Ricky confesses a crush, but he never comes right out and says it. There’s some talk of Ricky being put up at Pride House after he is kicked out of his house (presumably because of his sexuality) by his aunt and uncle, who raised him. But he never comes out and says it.
Until the very last episode, in this exchange with Delia, a straight girl. Earlier in the episode, it goes through the grapevine that Delia has a crush on Ricky, eventually getting back to him. He says (I’m paraphrasing), what if this is my chance? What if this is my chance to be normal? What if this is my chance to have a normal life? And he decides to ask her out.
The embedded video is below. I couldn’t get a clip of just the one part, sorry. I do urge you to watch the series from the beginning – if you watch this whole clip it’ll give some things away! This is the last episode, after all.
This clip starts at 34:58.
Ricky: Delia? Um, maybe we should um, go somewhere sometime.
Ricky: You know like, to a movie, or something.
Delia: I’d like that.
Ricky: Because um, I really think we’d be … good together.
Delia: Okay … but, you’re gay, right?
Ricky: Well, you know, I …
Delia: Oh I’m sorry!
Ricky: No, it’s okay.
Delia: That came out so rude.
Ricky: I try not to um … I don’t like uh … yeah, I’m gay. I just don’t usually say it like that.
Delia: How do you usually say it?
Ricky: I don’t usually say it. I’ve actually never said it, out loud.
Delia: Wow. I feel kind of honored.
I’m pretty sure I actually teared up and said awwwwww! to my computer screen, because, come on, that is such an awesome way to have dealt with this moment. Ricky struggles so much with fitting in, with feeling like he belongs, with finding somewhere that he’s accepted, and his struggles just kept breaking my heart over and over. And I just love how this was done. So much acceptance, so much care.