Posts Tagged ‘video’
Ever since I got Ellis’s newest album Right On Time I’ve had it playing over and over. I like to listen to it at the gym (along with the Bryan Adams anthology) because I can crank it in the headphones and hear every word, every note. Somehow she has captured every emotional state that I’ve been going through lately on that album, and I’m continually surprised by her eloquent writing.
When I ordered Right On Time I got a note back from Ellis thanking me. I kind of assume she does this with everybody, though I can’t guarantee she’ll send you a note too, maybe she just happened to have some extra time on her hands right then. So I emailed her back and we corresponded a little, which is what led to her mini-interview on Butch Lab, which I’m so happy to have there. I’m keeping a watchful eye on her summer tour schedule—I hope she’ll be somewhere in the Northeast that I can easily attend.
I just ordered her Scrapbook 2-disc set which includes a DVD and an mp3 CD with her entire backlist (64 songs for $40!). I used to have a couple of her early albums, but I’m not sure what happened to them, they disappeared in one of my moves. I’m excited to hear the other albums, can’t wait to get to know all of those other songs of hers.
Here’s one from Right On Time that I’ve been obsessing over lately, listening to a lot and trying to keep in mind while things sometimes feel tumultuous.
(She adds another verse in this live version … “Let’s pretend we’re smaller than / the ants under the grass” but these lyrics are for the album version.)
Close to You
let’s pretend we’re taller than
the highest part of everest
giants with a lions roar
but lighter than a bird
and we build upon our shoulders
buildings high into the sky
and we look out of our windows
wishing we could fly
I want to be close to you
to know how close we are
I want to be fearless
in the face of love
and not be afraid of falling apart
each day there’s a sunrise
beauty I can barely see
if I saw it all my heart would fill so full
I couldn’t breathe
I want to be close to you
to know how close we are
but I cover up my heart
afraid I am weakening
I have ways to escape when things get hard
here we are
the way it is
the sun, the rain
how things are always
let’s pretend we are at the end of our lives here
all our troubles that seemed so big
have all disappeared
when we are deep in the shadows
bringing light into the dark
I will reach for you till the end of me
when I can’t tell us apart
’cause I want to be close to you
to know how close we are
I want to be fearless
in the face of love
and not be afraid of falling
I’m falling apart
I just received a copy of the newest erotica anthology, Gotta Have It, which includes my work, this time it is The Dirty Things She Says which is a piece in a lot of dirty talking dialogue that’s only about two pages long. All the pieces are extra-short, which is why they’re called “sudden sex” stories in the title—they’re short-short stories, which in my opinion make the erotica extra-condensed and hotter than usual. Not nearly as much wading through character and plot. And personally, I like that kind of thing in erotica.
Well, I mean, I still think the literary elements are important, but generally I think people spend way too much time being sure to establish those things in an erotica story. Most of the time, why are we reading the erotica? To be turned on, to get off. Of course, that’s just my opinion—plenty of other people really want to have context and plot and non-sexual build-up. But have you ever read Micro Fiction, or another short-short anthology? It’s a brilliant example of how literary you can be in very, very few words, embedding plot and character into every phrase, having each sentence hold two or three or four levels of meaning for the story. I still find them fascinating.
And the good stories in this anthology do that, too.
It includes some of my favorite erotica writers, including Cecilia Tan, Kiki DeLovely, Teresa Noelle Roberts, Rachel Kramer Bussel, Kristina Wright, D.L. King, and Maria See, and I’m sure once I read through it I’ll have a few more favorites to add to the list. So, I know what I’ll be doing this weekend.
Rachel Kramer Bussel edited this anthology (I haven’t mentioned that yet), and put together another one of her brilliant and fun book trailers for it, this one including video or audio of many of the contributors reading a piece of their own story.
Lots more information about Gotta Have It is over on Rachel’s Gotta Have It official book website, including a copy of her introduction, the table of contents, the author’s short bios, and announcements about readings.
Cleis Press, who published this anthology (and who publishes all of the best erotica anthologies, in my opinion, and I don’t just say that because they’re putting out my forthcoming lesbian BDSM anthology), has a special going on: “To celebrate this February 14th, receive 14% off all orders! Enter discount code HEARTS14 on your web order to receive your discount.” So pick up Gotta Have It over at www.cleispress.com, or at (or order it from) your local independent bookstore (assuming you want them to be around next year).
Here’s the official video for the track the title comes from, “Wrecking Ball:”
Rebecca Drysdale, actor & comic whom you might know from The Time Traveling Lesbian series on AfterEllen or the L Word Serenade, has released her own It Gets Better song & video, and it’s fantastic. Take a look.
I’m still reeling from all the Sideshow amazingness last night, will have more of a recap/update soon.
Meanwhile, here’s an amazing new piece by Ivan E. Coyote at Speak Up! on 4/10/2010.
Yes yes yes ditto to all of that. What a pleasure to hear.
I know, I know: I already reviewed Sugar High Glitter City! What am I doing mentioning it again?
Well, it’s worth mentioning twice. Because holy crap, Shar and Jackie. Swoon. I wish they would make some more porn.
But also, Hot Movies 4 Her (which powers the video-on-demand Sugarbutch queer porn affiliate site) JUST added Sugar High Glitter City to their repertoire. Lucky you! That means you can buy some minutes, check out each of the scenes, and only pay for the minutes you watch—so instead of making the DVD $30 investment (or whatever it is, jeez porn is expensive) you can watch the first few minutes (or the middle few minutes) of each scene and decide whether it’s worth it to see the whole scene. Or fast forward when you’re not into it.
Here’s the HM4H writeup about the porn:
Sugar High Glitter City
Studio: S.I.R. Productions Directors: Jackie Strano & Shar Rednour
It’s the future. Sugar is outlawed. Cane-addicted dykes stop at nothing to get it – even selling their own bodies! The dynamic dyke team of SIR Video slams the dykespoitation genre into fast-forward with this sticky-fingered belly-crawl through Glitter City’s underworld of sugar-pimps and sandy hos. Fabulously diverse cast and multiple dyke sexualities crunch to the center in this fast-paced futuristic farce. Urban-encrusted glam, gutter-glitter lust, and candy-coated sleaze.
And if you click on over to the VOD site you’ll see some of the photos from each of the scenes, too. That first scene—the threesome with two butches and a femme, where Jackie is talking dirty the whole time? Holy crap I love that one. I think I studied it about eight or so years ago when I had a VHS copy of it in order to learn how to talk that way. She’s one of the best dirty talkers in porn I’ve ever seen.
Actually, speaking of dirty talk, S.I.R. Productions also has a “Talk Dirty To Me” film, which I’ve still never seen, but that I hear HM4H will be adding to their collection in the near future. Will most certainly watch that as soon as I can, and report back to y’all how it is.
I’m not one who tends to read bestsellers. In fact, when I do pick up—and like—a bestseller such that I actually want to carry it around with me and read it, I am often way embarrassed to be seen reading it on the subway. As if I am one of those people who only read popular books.
But of course, sometimes bestsellers are bestsellers for a reason: they are very, very good. I would argue for the Harry Potter series, and for The Time Traveler’s Wife (though against the Twilight series).
What made me pick up Eat, Pray, Love by Elisabeth Gilbert, aside from my sister‘s strong recommendation, was her talk on creativity from the TED lecture series.
I’ve probably watched this four times now, and a new part of it sinks in every time. This really jives with many of my conceptions about creativity works, and I really appreciate the shared responsibility of creation. YES.
So I picked up Eat, Pray, Love. And … it’s beautiful. Seriously. I hesitate to call it One Of My Favorite Books because who knows, I haven’t finished it yet, maybe it’s just speaking to me at a particular time about a particular thing and everything is just so resonant and perfect right now.
Maybe the best thing to do with favourite films and books is to leave them be: to achieve such an exalted position means that they entered your life at exactly the right time, in precisely the right place, and those conditions can never be re-created. Sometimes we want to revisit them in order to check whether they were really as good as we remember them being, but this has to be a suspect impulse, because it presupposes is that we have more reason to trust our critical judgement as we get older, whereas I am beginning to believe that the reverse is true. —Nick Hornby, Shakespeare Wrote For Money
I had it out from the library, and I ordered my own copy from paperbackswap.com (my current guilty pleasure, though I suck at getting to the post office to do the mailing-out part). I’m looking forward to reading it again, and marking it up.
Yesterday, I came across this:
So I saw it during my last week at the Ashram, I was reading through an old text about Yoga, when I found a description of ancient spiritual seekers. A Sanskrit word appeared in the paragraph: ANTEVASIN. It means, ‘one who lives at the border.’ In ancient times this was a literal description. It indicated a person who had left the bustling center of worldly life to go live at the edge of the forest where the spiritual masters dwelled. The antevasin was not of the villagers anymore-not a householder with a conventional life. But neither was he yet a transcendent-not one of those sages who live deep in the unexplored woods, fully realized. The antevasin was an in-betweener. he was a border-dweller. He lived in sight of both worlds, but he looked toward the unknown. And he was a scholar.
—Eat, Love, Pray by Elisabeth Gilbert, p203
And oh my god that word is just so … potent. Perfect. I immediately saw it as an elaborate cursive tattoo over my collarbone or on my upper arm. That’s my word.
Then I started thinking: this is everybody’s word. That’s why this book is a crazy insane-o bestseller. Everybody thinks they live on the borders. Nobody thinks they fit in. And, sure enough, when I searched for “antevasin” online, many of the results are from personal blogs saying, “I recently read a book that described the word and I felt like it was describing me,” and “In one of the many books I am reading at present I came across a word and an idea that really resonate.” (Funny how they don’t necessarily identify the book. Or perhaps it’s just obvious enough that they don’t have to.)
Maybe not everybody thinks they are at the borders, not fitting in. Maybe there are some people, like my girlfriend claims, who know they are the status quo and average and buying in to pop culture and like it that way. I guess it’s mostly just that “my people”—the queers and the misfits and the artists and the writers and the thinkers—are the ones who surround me, and of course we all tend to have this deep, deep belief that we never fit in, that we probably never will, and that we’re straddling multiple worlds, being border-dwellers.
But I guess my question is … if the majority of us are the ones who think we don’t fit, aren’t the ones who ‘fit’ actually in the minority, making them, by definition, not fit?
And also … how do we truly, deeply, believe that we do in fact fit, perhaps not into a problematic hierarchical oppressive society like this one, but in our own communities, in our own subcultures, in our own families, in our own lives, in the larger universal human family? I really do believe that we all belong, we are all valid, we are all just where we are meant to be: right here.
Bitch Magazine has a good post about the film, and I’m supposed to be running my last minute errands and getting ready to go away with Kristen for the weekend, so I can’t spend a lot of time fixing this post.
I did think the film’s perspective was a little questionable … Sounds like there might still BE a movie, but it’s clearly got a secondary agenda: aside from being sponsored by Dockers to some degree or another, it’s attempting to police masculinity as something fixed, limited, and engrained, and puts absolutely no value on the range of accepted masculine expression.
Man, this Dockers campaign is making the rounds, huh? I’ve got lots to say about it. But ack, I gotta go! I’ll be away for the weekend, but don’t worry, I have a couple posts set in my absence, so there will still be Sugarbutchery for you to read. Be back Tuesday.
A new film on masculinity, An Emasculating Truth, has just released the trailer. I have some skepticism about the perspective that this film takes, based on the clips in the trailer, but I am looking forward to seeing it.
Seems like there are a lot of people writing and thinking about intentional, radical masculinity these days! Or perhaps it’s just that I’ve stepped up my noticing of it, so it seems like there’s more. It’s a big, significant issue, and I like that there are more perspectives on it all the time.
Because I’ve been talking about ass sex lately, and because I’ve never posted this, and because the queer activism of October is sometimes a bit weighty, here’s The Wet Spots doing Do You Take It.
Warning: this will probably get stuck in your head. But don’t worry, you can always think of Cher and it’ll be gone.
Buck Angel, the FTM transsexual porn star known as “the man with the vagina” (who has given his permission to be included in the Top Hot Butches list as #62), has started a new show called BUCKING THE SYSTEM where he is taking all sorts of gender and sexuality questions.
The video is also interpreted in ASL by Elayne Angel, who I believe is Buck’s wife and also a master piercer. In fact, I have entertained the idea of traveling to her in order to get a triangle piercing (do I have to warn you? that link is NSFW), which is a kick I get on every year or two. I would really like one, but the healing time (which probably means no strap-on sex) and the things that could potentially go wrong have been preventative so far. I hear she pierced Dacia recently. Also, I want to read her new book.
I haven’t actually seen a lot of Buck’s porn films, though I’m curious – my impression is that it’s mostly gay male porn, not very lesbian, and while I appreciate the, erm, gusto, with which gay men have sex on camera, it’s not what I tend to turn to when I want to get off. But he’s got many, many of his videos over on the Sugarbutch VOD through Hot Movies For Her and I look forward to taking some of them for a spin.
Did you catch Buck on episode #124 of the Savage Love podcast earlier this year? I was impressed with what he had to say about gender and sexuality. I’m looking forward to this Bucking the System series. Subscribe to Buck’s YouTube channel or follow @BuckAngel on Twitter.