Honeysuckle & Leather (Angie & Fern #1)

I look at his face, and I know I am alive.

I’m not so sure about him, though. I mean, look at him. Leaning against the bar like he’s in a GQ photo shoot—hip jutting out just so, pursing his lips so they are a tad bit more plump and pink, shoulders down, neck twisted half-cocked to the right so his jaw looks even more square. He’s been staring at some mean-looking white leather man with long stringy hair since we walked in.

He should be staring at me! This is my best dress, the one that practically guarantees I’ll get laid. Not that I thought I would need it, but it’s always good to pack extra ammo. He dragged us here to New York City on our winter break, promising “all that the Big Apple has to offer,” and I was naive enough to swoon. He didn’t mean Broadway shows, gourmet restaurants with famous chefs, or horse and carriage rides through Central Park, though. He meant gay leather bars.

I have to admit: he is pretty. I could totally see him on my arm for our family Christmas photos, or at the epic Hamlin family Thanksgiving cutting the turkey and handing around slices of pie. Clearly that was me getting ahead of myself, and any and all of those little future fantasies were knocked out of my head the first night he got here and he dragged me to the meat-packing district to go to—his words!—”somewhere fun.” Then he spent all night drooling and staring, sucking up rum and Cokes, his perfect bubble-butt ass glued to the wall, too scared to actually talk to anyone.

Next to him, I am so animated, so vibrant. He’s pretty, sure, but c’mon—David is made out of stone, he’s no fun at a dinner party.

“I am really partial to Monet’s early work, though,” I’m saying, referring to our trip earlier to MOMA, but I’m not even paying attention to myself. He is posing and trying to eye-fuck every man in leather in this place, especially that one with the stringy hair. He’s not paying one penny of attention to me, but I figure one of us should be saying something, even if it’s not him.

The only white wine they had was some shit blend that is mass-produced in California, and it tastes like watered down sweet tea that’s gone bad. I drain my glass in a thick gulp so I don’t have to taste it, and announce, “I’m going to the bathroom.”

He nods, only registering me when I twist the bar stool and hop off of it, skittering away from him. Everyone in the bar notices me. My skirt is perfectly too short and my tits look amazing in the plunging neckline of this wrap dress. The sky blue color of it makes my eyes look so deep and sparkling. This dress works on every man I’ve ever been with—well, except for the gay ones. They’re easy to pick out: they’re the ones who don’t look as I switch my ass when I walk by.

I don’t really have to pee, I’m just bored as fuck. There are two bathrooms, but neither of them are gender-specific, probably because this bar doesn’t exactly get a lot of female patrons. The dark wooden door is so thin, it feels like I could knock it down if I tapped it with my Jimmy Choo strappy sandal, it’s hinges groaning in protest as I push it open. The mirrors are filthy, the walls are slate grey but covered in graffiti, all sorts of “suck your cock $5″ kinds of notes that I find quaint. I find two square inches of the mirror that aren’t covered in Sharpie writing or stickers and wipe off all my lipstick, then pull the shade of Shiseido red from my pocketbook and reapply.

That’s when I see someone watching me. She’s leaning against the wall behind me, her head bent back just enough that her throat is exposed. Her blonde curls fall around her shoulders, looking perfectly placed. I wonder who her stylist is. She’s wearing a tight fuchsia dress with a pencil skirt, and the thinnest black leather belt high around her waist. It has a small bow that is strategically off-center. The neck is high, the arms sleeveless. I can’t see how long it is or what shoes she’s wearing from my glimpses at her in the bathroom’s filthy mirror. She has a small leather vest on, one that is more like a holster than a vest. Her arms are crossed over her chest.

Lips pursed, I focus, painting the red back on my mouth and pressing my lips together, touching the edges to get the lines just right.

“What are you doing in a place like this, sweetheart?” she says, and her voice is much lower than I’d imagine. Thick and syrupy and it makes me bite my lip.

“Not enjoying the company, that’s for sure.”

She raises one perfectly arched eyebrow. “Oh?”

“Oh, I didn’t mean you.” I cap the lipstick and make eye contact through the mirror, my back still to her. “I mean, that boring dope I came in with.”

“Ah, him.”

“I have half a mind to ditch him. Just can’t quite … I’m not sure how. We’re sharing a hotel room up the street.”

“Uh huh.”

“We’re not from here.”

“No shit,” dripping with sarcasm.

I take a deep breath, opening my pocketbook and sliding my lipstick back in place while turning around. The dress goes just past her knees. Her calves are sculpted and delicious. Her shoes are tall wedge peep-toe heels, black and shiny like the belt. I breathe in again.

“What’s your name, sugar?” She asks.

“Angie.”

“Angie, how nice to meet you. I’m Fern.” She reaches out her hand and her fingers are long and thin, her nails short and square with an impeccable French manicure. I slide my hand into hers and it fits perfectly. She squeezes and I feel faint.

“Well, Angie, I hate to be the one to break it to you, but that boy of yours took off about thirty seconds after you came in here.”

I blink. “What?”

“He left. He went running out the door as soon as Master Wes left.”

“He WHAT?!” That son of a bitch! He’ll never get a date on our small campus again. And just wait until I tell his mother.

“Oh don’t worry. Master Wes is experienced and safe.”

“That’s not exactly what I was worried about.” I cross my arms and leaned back against the sink, pouting a little. That bastard.

Fern closes the distance between us, crisscrossing her ankles with each step. “Tell you what. Why don’t you let me buy you some dinner.” It’s not really a question. She puts her arm around my shoulders, holds her hand up to caress my other arm. Her touch is soothing, sweet, hypnotic. I can smell her perfume, something like honeysuckle and leather. I have the urge to nuzzle my face into her breasts. “I’d be glad to deliver you to your hotel whenever you’re ready. But until then, I think I can offer you some markedly improved company.”

I continue to sulk, but mostly for effect. This is turning out to be way more interesting than I’d planned.


Featured image from Crash Pad Series Episode #123, Kathryn Dupri and Lily Cade.

The Study Date

Here is number 4 of 5 of the 2008 Sugarbutch Star stories! In case you need a reminder of the the Sugarbutch Star contest is reader-submitted outlines of fantasies which I then turn into full-length smut stories. I plan to run the contest again in August. Read up on the past stories at Sugarbutch.net/sugarbutch-star-contest.

This submission comes from Green-Eyed Girl – yes, the Green-Eyed Girl.

Sugarbutch Star: Green-Eyed Girl
THE STUDY DATE

I push her back against the door of the classroom the second she closes it, catching her jaw by surprise, my hand over her mouth. “Is this what you wanted? You want me up against you like this?”

Corinne’s knees go weak and her eyes widen, looking up at me softly under her short red hair which curled around her chin in a blunt bob, the bangs across her forehead making her look like a model from the thirties. Her ivory blouse is loose and silky against her skin, a bit fallen to one side, showing the edges of a lace camisole.

I bet she’s already wet.

“You’ve been trying to get me alone all semester. Did you think I didn’t know what you wanted, when you asked me to study with you after class?” I speak softly against her neck, let her feel my breath, hot, against her skin.

Corinne can’t speak. She had been taking up all the air in the room every day in our evening literature class, feisty and talkative, and I’ve finally caught her unprepared. I like the way she keeps glancing at me, then glancing around the room, at the windows, at the door, the small individual desk-chair sets in messy rows, as if she isn’t sure she wants to be here, now that she created this situation.

“You like the way I feel, don’t you?” I bring my hand to her waist, to the curve of her hip, to the front of her thighs, running it up her belly, to her breasts.

She gasps. Nods slowly. I let my fingers find the hem of her black pencil skirt and start tugging it up her thighs. She looks surprised and shifts her weight, her heels of her black pumps clicking on the hard classroom floor. She squirms and whimpers a little behind my hand. She’s breathing heavier and I have to let her have her mouth again in a moment.

“Getting shy now? I thought you knew who you were playing with.” Her skirt is tight and it’s hard to get it to move along her legs with just one hand, I don’t want to rip it or stretch it out, but I’m getting impatient. I push my hand between her thighs and spread my fingers to get her to open them, shove at the fabric. She sucks air in through my fingers, brings one hand to the wrist that is holding her mouth and the other to my shoulder, my chest, almost like she’s pushing me away but she’s not, she’s leaning into me. She wants more.

She sets her jaw, gets her footing, spreads her legs, locks my eye contact. Getting bolder. Caught off-guard for only a moment, she’s regaining that fierce self-resolve I’ve been fantasizing about for months: how I would unravel it, thread by thread.

I move my hand up her skirt for a surprise of my own: no panties. Her cunt is not shaven but trimmed, I can feel the soft hairs around her lips before I explore the inner contours with my fingertips. I want to plunge in. I want to catch her between my hand and the wall, feel her from inside, see how she shudders when she comes, if she can stay upright against this wall, right here.

I let up with my hand over her mouth and feather touch my fingers to her lips, red and full, her mouth gently parted, breath sliding in and out, hot, it’s getting warmer in here, I’m starting to sweat. I can feel it at the nape of my neck, on the small of my back. I’m in my favorite deep red tee shirt and broken-in jeans, but none of the windows are open and it was warm today. Temperatures are rising fast.

Her tongue is swelling in her mouth. She swallows, watches my face, I can tell my features are getting more shadowy as she’s started giving over. I tease her lips with my fingertips and slide inside her mouth and her cunt at the same moment, two fingers each, she’s wet and warm and strong and tight.

Shuddering just barely, she leans her shoulders against the wall and tilts her pelvis toward me, an offering.

You can have me.

I know.

Slow and deep, filling every inch as I move inside her. She opens and blooms between my hands, reaching into her as though I could pull some jewel out from her core, as if excavating a mine.

Show me those precious things you hide inside.

Corinne swells, clit and tongue; I wet my thumb to thrum against her. I’m holding her up and back with my hands, she’s pressing her weight into me, opening deeper. Her desire rises and I think she’s going to come, she tightens so strong around my fingers and sucks me in deep, I can barely move either hand inside her, but she doesn’t, she gasps, goes limp, releases, leans her head against the wall and opens her mouth, opens her eyes, slides them sideways to look at me. Swallows a few times.

I slide my fingers out of her beautiful tight body. We both catch our breath.

I wipe my hands on my jeans and run my fingers through my hair which is falling in my eyes. She rolls her shoulders forward and her knees together shyly, then straightens up, pulls at the hem of her skirt, and takes four swift steps over to the teacher’s desk in front of the chalkboard still covered with notes from our lit class and from the day’s use, ghostly outlines of letters.

Her hard heels against the floor click, click, click, click, and she balances perfectly on the thin tapered heels, effortless (or so it seems to me) black straps buckling around her ankles. Much too fancy for some night university class. She regains her poise and she is all grace, all pressure and granite.

Turning to look at me, she shifts her hips side to side as she works her skirt up her thighs and bunches it around her waist, watching my face as I try not to stare, then she turns, and bends over the desk with her elbows on it.
I don’t make a move. I barely breathe. I let my hungry gaze take in the curve of her ass, her pussy laid out for me, wet and open, her asshole pink, the lines of her shapely legs.

This girl knows what she wants. I love that.

She glances back over her shoulder at me hesitantly, a little shyly. I can see her wondering if she’s made a mistake, been too bold, or if I’ll give it to her.

Of course I will.

My brown loafers click too, but softer than hers, the leather warn down and smooth. I don’t go slow this time, easily shoving three fingers into her, hard enough to tip her forward farther over the desk. Her mouth opens with a quick “ah!” but she takes it. I grip her hip and slide out easy, slick, she’s so wet, so wet and easy, she guides me in and out, takes it hard, rocks against me.

In a flash she reaches down between her legs with her left hand and lays deeper onto the desk, breasts against the cool slick top of it. She lets out a moan as she flicks her clit and tightens around my fingers. I slow down, deepen, expand my fingers to fill her more. She gasps, yeah ohhh yeah yeah and I grin. There’s that tongue of hers working again.

I’ve got her perfectly at hip height and wish I had a cock with me – how was I to know she’d accost me like this? – her ass is luscious and I want to take a bite of her cheek, leave a bruise, wet my fingers and work them into her ass as I plunge my cock into her cunt. Maybe she’ll let me do this again. My free hand travels up, pulls her blouse free of her skirt and finds her nipples, one and then the other, smashing my hand between her and the desk as I keep thrusting and she keeps rubbing her clit, I’m closer to her and can hear her gasping, her hair is falling in her face and she is deliciously disheveled.

“Oh god oh god,” she mutters. No need to involve him, I want to reply, and bite my tongue thinking this is the most holy thing I’ve done in weeks, I can feel her expanding and enlivening under my fingertips, can feel her chest sweeten and swoon as her heart beats red and strong. The buttons on her blouse are popping open and her skirt is all twisted, her hair swings next to her cheeks and ears, red as the flush on her forehead and between her legs.

I want to keep her here, poised, open, fine-tuned and sailing over waves of breath and pulse. Here, it is nothing but bliss and beauty and possibility and healing, nothing but filling the cracks and broken-down machines that are our bodies, that run us, both her and I, I’m flooded with it too, she’s spilling out of herself and into me and I catch it, drink it, push myself inside her deeper to spill and capture even more. I love this part, this dance, this exchange, when we are no longer separated, one big electrical circuit, raising energy from our own bodies, flowing through us, picking up speed and momentum and density and purity as it travels between us.

But of course it doesn’t last. Like all moments of ecstasy, it is short-lived: it spills over and explodes and she comes, hard, gasping and thrusting back against me, pushing her clit so hard I can feel it inside, knees shaking, one of her feet lifting off the floor as she slides her body nearly all the way over the desk.

Her cries quiet, but I notice they bounce around the bare, hard classroom; I wonder if anyone has heard.

I’ve pressed hard against her as she collapsed and after a moment I disentangle, breathe, feel my own body attached to my own hand, contain myself again. She hums with pleasure and pushes herself up from the desk, pulls and twists her tight skirt back into place, sits on the desk and crosses her legs to rebutton her blouse and smooth her clothes. Her ankles touch and kiss, shoes barely held onto her slender feet, just a few fine straps and buckles.

She runs her fingers through her hair, tucks it behind her ear, in a gesture so sweet I stop what I’m doing and reach for her, slide my hands around her waist and she brings her arms around my neck as we kiss, soft and sweet and slow, tender, and I realize we hadn’t done this yet, am I so professional about my fucking that I don’t even kiss anymore? The kissing is the best part. I sigh into it and she grins, I feel her mouth move up at the corners.

“So,” she says, pulling back arms length from me, eyes sparkling. “No cock?”

I laugh, a low puff of air. “Caught me a bit unprepared, I guess.”

“Mmmm.” Corinne doesn’t press it.

I do. “I’ll bring it Wednesday. We are going to have to, you know, ahem, study, again, before the final on Monday, after all.”

She’s amused, still grinning. “I’ll be sure to wear a skirt,” she says, and kisses me again.

Soon-to-be Tricenarian

Tomorrow, April 3rd, is my 30th birthday.

And I gotta say, I am WAY ready for it. Buh-bye to my ridiculously hard finding-myself 20s. My self is FOUND, okay? I know where I’m at, and I am really excited to be here.

So: gosh, what am I going to do for my this fabulous dirty thirty birthday?

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Well, to start, I’m going to give away a few New York City Sexblogger 2009 Calendars. Even though Dacia’s got April (her birthday month too), I’m Mr. August (that would be the hottest month, y’all), and though calendars only have a short shelf-life in bookstores, it’ll be good for another 8 months. Tune in tomorrow for more details on how to win one.


Second …

Remember what I did last year? I requested photos of fabulous shoes (you know the kind: strappy sandals that lace up the ankle), as birthday cards. So: if you feel so inspired, sometime in the near future, send me a photo – or post it on your blog – of some fabulous shoes and a little birthday wish. Let me know about it (email me [aspiringstud at gmail.com] or comment) so I can take a look. I’ll feature my favorites here on this site.

I had dreams of throwing a big birthday bash, but I’m putting that off until later this year. I also had dreams of getting 30 blowjobs for my 30th birthday … I’m still thinking about that one.

The Girl in the Red Dress

The Girl in the Red Dress

At first I’m trying to ignore her. I have my latest review book, Best Lesbian Bondage Erotica; I have my iPod on to some soothing lofi mix Muse made for me; I have lube in my pocket for a quick jerk-off session before we arrive in New York. I need all the sanctuary and release I can get before returning to that hyper-stimulating city.

But she’s making a big show of her many bags, heavy, designer luggage, and she – being tiny petite thing – seems unable to slip them all into the overhead luggage rack.

The only other person in this car is a man in the back who has been snoring since I got on. I think about telling her to just leave her suitcases on the seat next to her, but her jaw is set, her sensuous mouth twisted in a sneer, and as she begins to climb onto the train seat to reach the rack better, I sigh and, reluctantly, get up to help her.

“Please. Let me,” I say, sliding behind her and putting my hand on her waist to guide her out of the way, then taking the heavy suitcase out of her struggling grip and nudge it onto the metal rack easily. She’s got a great ass in those tight jeans. Her eyes are wide, then she drags her gaze along my arm to my face. I watch her watch me. She looks like Penelope Cruz, all dark hair and big pools of dark liquid eyes.

“Um,” she says. “Thank you.”

“Don’t mention it,” I answer, a bit dismissively, now offering my hand so she can get down. The train doors buzz and are about to close, we’ll be in motion shortly. I pick up her other bags and one by one put them up into the rack above her seat. She takes off her thin white sweater and sets it with her handbag next to her, and watches me.

I groan a little with the weight of the last one. She notices. “Thanks again,” she says, and I detect a slight accent, French maybe, though she looks Spanish. Her words are a little airy, already pulling Vogue Milan out of her purse and turning her attention to it, a tiny sideways glance at me to see if I’m still standing next to her, waiting for my good-dog biscuit.

I retreat back to my aisle seat. We are facing each other, opposite sides of the train. She is absorbed in her magazine. I put my feet up and crack open my book, start reading through the bondage stories. She takes out a compact and lipstick and fusses with her mouth, repainting, touching her fingertips to the edges of her lips, then wipes microscopic flecks with a tissue. I don’t watch her, but she periodically sweeps her eyes over to me. I rest my hand on my neat little package as I read through the story by Toni Amato, “A Girl Like That:”

She’s the kind of girl who brings out the worst in me. Coming on all hip and cool and all into sex, rubbing some part of herself all up against me every chance she gets. I’m not saying all the things my people taught me about women are so great, but I’ll tell you what, where I come from, that kind of girl is called a cock teaser.

It’s like there’s this small thing, like those stars they talk about, those White Dwarves, sitting deep and low in my belly, and this girl comes along, doing her number, and that son of a bitch just goes nova.

She makes the worst part of me want to do the best it knows how to teach her a thing or two about fucking.

I’m stroking my cock unconsciously through my jeans when I notice someone looming next to me, and it’s her, she’s returning from the bathroom with a clutch in her hand, I didn’t even notice her get up. The girl smiles, almost, and pushes past as though I am taking up the entire aisle, or maybe to show off her gorgeous ass in those tight, tight jeans.

The train lurches and opens its sleepy doors, the man in the back of our train car is moving at half-speed and makes his way off the train.

We’re alone.

She notices too. She’s looking out the window but keeps stealing glances at me. The conductor comes through and says nothing to either of us, just takes the small pieces of paper on our seats, the remnants of our tickets.

I go back to my book. I finger the bottle of lube in my pocket and think this would be a good time to go rub one out, then get absorbed in a story about a dyke cop who is passing as male in a straight club, picks up a girl and takes her, handcuffed, out to her truck. I nearly reach my hand into my pants.

“Um, excuse me?”

She’s standing, still in her seat but leaning forward over the seat in front of her, facing me, ass tipped to the side, front of her button down revealing creamy skin, long dark hair swinging. She smiles when I look up, flashes me an intentional smirky pose that she has practiced in the mirror – her seduction look. “Would you help, I have to … I need … something from that bag.” She glances up at it.

I put my book down and tug at my jeans to cover my hard-on. Clear my throat. “Sure.”

I get up and move toward her. She kneels and reaches for it, her back to the aisle as I come up behind her and reach up.

“This one?” My mouth is close to her ear.

“No, not – yes, that one,” she says as I touch the smaller suitcase. She reaches up to help me, bending slightly forward, as we both ease the weight of her bag down onto the seat. And I swear she rubs right against me, pushing back, just a little. Maybe I’m imagining it. Yeah, sure Sinclair; you just happen to have a boner and this girl offers up her ass on a silver platter.

I back off. Return to my seat. Again.

“Um, thanks!” she calls.

I toss a half-smile over my shoulder. “Don’t mention it.” She pulls a bundle of fabric out of her bag and I don’t watch. I don’t pay attention. I can’t see it. I shouldn’t be watching, but I am. It is slinky and red. She finds a few other bits and tucks her hair behind her ear, gathers an armful of clothing, makes her way toward me, down the aisle, to the bathroom at the back of the car.

She’s in there a while. I try to concentrate on my book, to not wonder what she is doing, what she’s slipping into, who she’s meeting when she gets off the train, not to imagine being that somebody so filled with lust and permission that I’d fuck her right on the platform, couldn’t even control myself long enough to wait until we went to dinner, drinks, a show, whatever it is she’s dressing up for. My breath is quickening and my hands are starting to do that aching thing where they are pulsing with grip, wanting to hold push grab press punch slap.

She makes her way back to her seat like the aisle is a runway, like she’s coming in for a landing. Each step deliberately placed. Legs precisely angled and separated and her gait is sharp, strong. Her red dress swings from her hips, past her thighs, to her knees. A few bracelets jangle from one arm, simple and slim. She’s pulled her hair up high on her head, into some sort of ponytail, then twisted around itself in a beautiful knot.

I watch her as she closes the distance to her own seat. I don’t drool. I am not drooling. I try not to drool at the sight of her ankles, her calves, the hints of the backs of her knees as her dress swings. I wipe my mouth. Her ankles cross just slightly, which makes her hips curl and switch like a figure eight. Like a come-hither finger.

I swallow. Breathe in. And quickly open my book, flustered, and turn it to the page I was reading as she slides onto the train seat and I snap out of my spell.

Of course – of course – I am too zealous and the book slides out of my hand, skittering out into the aisle. I take a sharp breath in and some spit goes down the wrong way, I start to choke, cough, loudly, as I jump up to retrieve the book.

Oh good lord. I get ahold of myself. Straighten up, book in hand. Clear my throat. I don’t look at her. I can’t see her. I am sure I am five shades of crimson and I steal a glance her direction, she’s covering her mouth, that perfect smirky smile, eyes dancing, looking away from me. Obviously she saw everything.

Fuck.

I resettle. Book in lap, adequate breath in lungs. I sneer to myself. Re-open the erotica. Do you have to be so obvious? I yell at myself in my head. You dumbass. Real smooth, Sexsmith.

She’s going through her open case next to her, I can see her arms moving but can’t see what she’s doing. Then suddenly she’s up, out of the seat and back in the aisle, pads down toward me as if she forgot something.

I catch a whiff of her perfume as she walks by. Dizzying, intoxicating. The swish of her skirt. I watch her little toe-heel trot down the aisle. My body acts without my mind and I reach for her. My hand on her hip. Lightly at first, but then she doesn’t pull away and I grab her harder. Both hands and I stand, pull her toward me, her back to me, and she is still. I can’t see her face but I can feel her breath through my hands, she’s holding it. Surprised. Waiting.

I lift her skirt in the back to reveal her perfect ass. A work of art. A combination of genetics and squats and hundreds of hours at the gym. She knows it. She’s bare under her red dress, no panties, no stockings. Perhaps that’s what she forgot. I can’t resist, I palm the apple of her ass, caress the flesh, spreading her cheeks and opening her slit.

She lets out her breath, finally, and it comes with a breathy moan, just a little.

And I’m gone. The slightest noise from her lips and all I can feel is what it’ll be like to be inside her, to feel her body curl around my arm and buck and thrash and grasp as she comes. I’ve got to feel it. Got to make her.

I press against her back. Her neck is bare, hair up, and my mouth is just at the corner of her jaw, below her ear. I reach around her and pin her arms to her sides, pressing her back to lean against me, and she arches, thrusts her hips up, feels the cock behind my fly. She lets her head lean back against me, lets me take her weight.

“Bend over.” Right next to her ear. Barely audible.

I release her from her hold. She turns her head just a bit and her face is quizzical, open, lustful, a tad resistant. I run my hand up under her dress firmly, continue to drag it up her back, then press, hard, on her shoulder blades, bending her over the train seat in front of her.

“I said bend over.”

Faster now. Unbuckle and unzip. The dress pushed up to her waist, one hand on her lower back to keep her hips tipped up to me. Her asshole is dark pink, a burst between her cheeks, perfectly smooth, and her ass is perfectly round, my thighs are already quivering and hips pulsing, so ready to fuck.

I grab one of the condoms I always keep tucked into the inner pocket of my bag. Roll it on. Spit into my palm, and again, lube up my cock. Spit again at my two fingers and shove them at her hole.

I hear her gasp – “ah” – just once – and she glances back over her shoulder, eyes heavy-lidded and dark. I push on her upper back again.

“Head down.”

Her body shudders at my voice and gives in. A ripple of submission through her backbone and I feel to my toes the way it makes every hair on my body stand up, clench, awaken.

Cockhead at her asshole, I enter her easily, so smooth. So tight. The resistance of her ass is just more friction and tension between us and I want to tear into her. Split her apart. Harder now. Faster and she’s taking it so well, “so good baby,” I whisper to myself, fuck it’s so good. She keeps her legs strong and pushes back against me. It’s not enough lube and I remember the bottle in my pocket and laugh to myself. What kind of pervert am I to carry lube on the train?

I pull out and squirt it right on my dick, smear it, and ease back into her.

Oh yeah, give me that ass. Give it to me.

The girl in the red dress has her arms braced against the seats, bracelets jangling. We hit a rhythmic sliding stride and she brings her forearm down in front of her, leans forward, brings her other hand between her legs. Immediately I feel her knees weaken and press together, back arch and spine curl and oh it’s beautiful. I bring my hand up her spine to her shoulder blades, then her neck, take a handful of hair and keep her steady. She pulls against me, not to get away, but to heighten sensation. Struggling has such varying degrees. She doesn’t want out, she wants more.

I take grips on her hip and hair. Slam against her hard, pull out slow. Slick where my cock is fat inside her, swelling and eager. Resistance and tension. She tips even further forward onto the seat until she’s held up by it, lifted at the waist, hand furious between her legs, thighs pressed so hard together, on her tiptoes straining up and tipping forward more, further, until she lets one foot come up off the floor and bend at the knee, toes curling.

She is starting to let go, really let go, become undone at the seams, and she can’t keep the tension in her muscles so she stops resisting my hand in her hair, my palm against the flesh of her ass, holding her cheeks apart, fingers gripping her hipbone. But I don’t let go, I just hold her stronger, tighter, take her a little deeper as she opens, opens deeper, opens hard, and every hinge in her body loosens, I feel it from inside pulse and ripple and again, and again, until she is gasping, chest heaving, crying out, gasping for air. And I ease up, slide in slow, press hard and sweet against her as orgasm fades, shudders, and her body rebuilds itself anew.

I pull out and let her rest. We are quiet a moment. I release my hand from her mess of hair and caress her neck gently, let my hand drape across her hips and thighs, even find her hand, wet and warm from her own liquid, touch her fingertips gently.

Her breathing calms. She sighs, once. Reaches up to brush her hair from her face and I stand, tuck my cock, zip up, run my fingers through my perfectly messy hair to assess the damage.

She stays where she is, leaning for support over the bench seat. I pull the skirt of her dress down over her hips with a shit-eating grin on my face and smack her ass once, a little harder than I meant to, but playful, and she gasps and tenses, then stands. Her makeup is smeared. Her face is still open and sweet from the release but it changes as she watches me. I gather my book and pocket bottle of lube and put them back in my bag, pick up my jacket and slide my arms into the sleeves.

She’s still watching. Eyes wide. Breathing.

“We’re here,” I say. The train is slowing and I can just make out the tunnels of Penn Station as we arrive in New York City. She blinks. Opens her mouth to say something.

I grin. Lord she’s cute. I kiss her cheek as I slip by her and remove her heavy suitcases from the overhead racks. I notice strappy black high heel shoes at her seat and my mouth waters.

Heaving the last of the bags down, I turn to her again. She’s still by my seat, now empty, one finger in her mouth, looking a little shy. I smile and nod, once, a goodbye-take-care-have-a-nice-night gesture, and turn to the door as the train comes to a full stop.

“Um!” she calls after me. I look back. “Thank you?”

I give her a long glance from her ankles up to her legs to her hips and belly and breasts, the disheveled red dress, hair tumbling from its neat design on her head. She’s stunning, really. Delicious.

“Don’t mention it,” I say, and step off the train.

Her Best Line

This is the first Sugarbutch Star 2008 story, the submission is from Eileen at A Place to Draw Blood Laughing.

Her Best Line

I’ve heard the New York City subway referred to as a “hotbed of sin,” and it’s true, New York has the most attractive people with their most attractive fashion at any given moment.

Tonight, I’m on my way to meet the guys, play some pool, drink more whiskey, share weekend conquest stories. Jesse’s got the night off and will join us later.

She gets on at 9th Street, I notice her immediately. Petite, dark hair, gold glowing skin, big dark eyes, a thin swingy white wrap dress tied at her hip, simple white sandals with a small kitten heel and four straps over her ankles. She sits across from me and doesn’t notice me, she’s absorbed in Murakami’s Wind-up Bird Chronicles.

She’s gorgeous. She crosses and uncrosses her legs slowly, deliberately. She’s got this smoky eye makeup on that makes her dark brown eyes even bigger, liquid and pooling and I haven’t seen her lower her lids and look up under her lashes, but I’d like to.

I wonder if she’s queer. Then I wonder if that matters. Sure it does – it’s more fun to sleep with a girl who knows how to treat a butch in bed. We’re strange creatures, to some, after all. I think what I often think when I see a gorgeous leggy girl, reading some intellectual book, in barely enough clothing: if she’s queer, man, all is right with the world. I keep an eye on her, watching her movements, the way she brings a fingertip to her mouth and laughs to herself, the way her eyes dart, how her palm flips as she turns pages. She leaves her legs uncrossed once and turns her ankle in slightly, an unconscious but slightly submission that makes my hands ache.

I turn up my iPod, attempting to stop staring. She slips me a tiny bit of eye contact, just a sip, and a sideways smile that says she’s known I was there all along.

Damnit.

I shift unconsciously, take my leg down from the seat in front of me and cross my legs, sit up straight. My cock shifted wrong in that maneuver and now it is digging into my inner thigh, but I can’t adjust it – how tacky to go poking at my junk when she’s watching. I can’t shift my position again yet either or she’ll know I am adjusting myself for her gaze. I’m starting to wince from the way the cock is pressing into me, dull pain that may be making a bruise. That’ll be attractive.

I try to look casual and stare out the window as the subway takes the Manhattan bridge into the city. She turns pages, crosses her legs again. I reach into my pocket and finger one of my cards with only my name and cell number, black text on a simple white background. Classic. Minimal. I don’t need adornment. Except maybe her.

At Broadway/Lafayette I adjust my cock – finally, finally – as she shifts and other passengers block our view of each other, then I move to stand above her, holding onto the rail. She doesn’t look up. The train pulls into the station and I place my card in her book. She looks up, startled, and I get that amazing view of her eyes, the one I was waiting for, peering under her long dark lashes, open and big and I could get lost in the way they shimmer. She sees me and blinks.

“In case you want to call me,” I say, then step off the train.

I’ve stopped sweating by the time I get to the bar. My cell rings while I order my first Jameson rocks.

“Hello?”

“Well, if it isn’t Sinclair Sexsmith.”

No caller ID. Could it be her? I gulp. Does she know me? It must be her. So soon? “Yes, who’s this?”

“Jane,” she says. “On the D train. I thought I saw you notice me.”

“… You were impossible to miss.”

I can almost hear her blush. “Are you busy tonight?” she says.

“Out with friends at the moment, but I could be free later,” I say.

“Good. Come out to the bar at 24th and 10th. 10pm. Alright?”

“… Alright.” Why would I argue?

*

The bar is nearly empty, low lights and a few single patrons at the dark counter, quiet. Some low music is coming from somewhere, soft and subtle and electronic. The bartender is polishing pint glasses and laughing low with a woman in red, candles reflected in the glass as she polishes.

“Hey,” I say as I approach the bar, making eye contact with the bartender. “Can I get a Jameson rocks?”

She nods, but continues to wipe the glasses. I shoot her a puzzled look. She nods again – a gesture this time, I catch it, she’s directing me to look behind me.

I turn and she’s there. Jane. Same white wrap dress, same long legs and strappy sandals, same gorgeous dark eyes. She’s sipping a martini. A smile on her face like she’s amused. She has a second glass on her table: whiskey. On the rocks. Ready for me.

I take one, two, deliberate steps to her table. Place both my palms on it and lean over her, still standing, so she has to look up at me.

I tip my chin to the drink. “That for me?”

She swallows, holding back a smile like she’s the cat who got the canary, and nods. Almost nervous, but she’s covering it well. She’s so sexy with her tiny little movements, fingertips on the glass, looking at me shyly from the side. I don’t believe she’s queer. No, that’s not it – I don’t believe she’s the kind of femme who primarily sleeps with women. Yet. She picked me up, sure, but I’m beginning to fear I’m her experiment. Maybe she’s just a fan – but then again, so what? So maybe she knows what I like – am I being taken by the ways femme can undo me? Am I so preoccupied by her smooth legs (oh my hands on her ankles running up to her knees), her big eyes (looking up like she could swallow me), that I become willing? I’m a sucker sometimes. I’m skeptical. This girl clearly knows how to wield her power.

I keep eye contact for just a flicker, say “thank you,” sit down, and take a sip.

*

“I changed it,” she’s saying. “It’s my middle name, really. My grandmother’s. My mom is a second-waver, gave me one of those gender neutral names I always hated. But I never was a girly girl until I started dating butches.”

She leans in, as if telling me a secret. My second Jameson is melted ice and she’s halfway through her second martini. “I grew up a tomboy, I have three brothers. I mean, I was the bully on the playground! I begged my parents to let me play T-ball and little league like my brothers did. I was the only girl in the league, for a while. Others came after me. My first girlfriend in high school, we met on my softball team. I know, so gay.”

We laugh. I knock the ice around in my glass. High school girlfriend. Duly noted.

“I used to dress up for dances and stuff and get made fun of so much. ‘Hey, I thought you were gay!’ So I put my dresses away. Tried to fit into the lesbian uniform.” Jane shrugged, fingering the speared olives in her glass, leaned back again. “But, Sin, seriously – once I finally took my real gender out of the closet, it’s been adolescence all over again. New desires, new awakenings. I feel like a teenager.” The tip of her toes brush against my ankle.

“Is that so.” I lean in, catch her gaze; her eyes are alight.

“’Femme is knowing what you’re doing,’” she says, looking down into her drink, then giving me a penetrating stare. “Isn’t that how you say it?”

She’s quoting me. It’s hot. She gulps the martini, the liquid too much for her mouth, and chokes a little, sputters, then smiles and wipes her mouth with the back of her hand. My cock stirs.

“C’mon,” she says, and gets up.

*

Her place is nearby. It’s why she chose that bar – to interview me before taking me home. She planned the whole thing. Those were here best lines back there. She wants me, and she’s willing to work for it. I like that.

She locks the door behind us, positioning herself next to me, taking a few steps like it’s a dance and she’s leading so I follow, and then my back is against the door and she’s sighing and flipping her hair and waiting for me to kiss her.

So I do.

She tastes like cream. Smooth, just a tiny bit of thickness, mostly ease and softness. She waits for me to guide her. To show her how I like to be kissed. She doesn’t rush in and thrust her tongue, just makes herself warm, wet, open, available.

I let desire increase slowly. Start soft as I get a grip on her hips, her lower back cradled in my forearm, fingers eagerly pulling at the thin fabric of her dress. She lets it get stronger in me, slides her ankle against my calf as she wraps one leg around mine low. I start growling a little, that ravaging tone that is not quite a moan, but a hunger, building.

She arches her back, gasps, cries out, leans into me like she’s nuzzling, and starts laughing, delighted. “Fuck,” she says and looks at me, catches my gaze, then gets shy and looks down. She fingers my buckle.

“Unbuckle your belt?” she says. And I take it back – that’s her best line.

I do, swiftly, pulling the button open, popping the fly, taking my cock out as she kneels, knees wide and pelvis tilted like she’s already on top of me and easing down on something big.

She takes me in her mouth tentatively at first, just the head, wraps one hand around it, gauging the length. Can she swallow it all? She’s thinking. She laps her tongue, runs her lips down the shaft, then draws a breath and swallows me whole. It’s too much for her mouth and she makes a little gulping sound, choking a little. Her smoky eyes water and she looks up at me, keeping it in her mouth. I fight the urge to thrust in again. I can feel the tight O of her throat clenching and she tries to get hold of her gag reflex, then pulls her mouth off and puts her hand back. She rocks her pelvis a little as she sucks, the pretty white fabric of her dress between her knees is falling open and I want my fingers there, want to hear her gasp and oh and yes.

Goddamn she feels good.

She keeps hold of my cock at the base, keeps it pressed against me so I can feel everything. She works it good, pressure and speed and oh god I’m going to burst in her mouth. My hands in her hair, on the back of her head. Her gorgeous smoky eyes are smudged and she looks even more beautiful.

I love it when they start to dishevel. Makes me want to tangle her hair, pull at her dress, smear what’s left of her lipstick.

*

“Fuck me,” she whispers, a command, a request, a desperate need, as she pulls me on top of her on the bed and wraps her legs around the backs of my thighs. I drag my palm from her knee up under her dress and push it aside, tear at the tie and it falls away in one neat cascade of fabric. She nuzzles into my neck again, arms around my shoulders as she sucks my earlobe into her mouth and flicks it with her tongue.

I groan. Fuck. Exposing her skin I take her all in, tracing my gaze along her body, her curvy waist and small soft belly, round breasts, small but thick, a handful, cherry nipples and no bra. I catch one in my mouth and encircle the other with my hand. She arches her back, sighs a little, taking a breath in and leaning back, her mouth open, eyes closed, hands at my shoulders, gasping.

I lift up to kiss her. Her mouth supple again and she’s eager, open. I’m hard and a little fierce, desire honed and sharpened and ready. Her noises are muffled by my mouth.

I bring my hand to the back of her neck and take hold of a fistful of hair. A gamble with some girls, but Jane wants to be taken, I can feel it. She responds immediately, like a cat does to a stroke of its back, arching and curling into the touch of a hand. Eyes closed, she’s taking it in. A gasp and she’s still, waiting. I keep my grip. I drag my other fingers down the side of her body, gently, and her nerves are increased from the immobility. She shivers but does not squirm. Waiting.

My hand at her stomach, on top of her thigh, pushing her legs open. I smile. I’m smug in these moments, I can almost start laughing from the waves of power and dominance and pleasure. Go ahead, try me. Go ahead, give in. I’ll take you, I’ll catch you. I’ll make you. Come.

I cup her pussy with my hand and drag my fingers along her lips from on top of her sweet smooth panties, I can feel the outline and she’s swollen. She unhinges her hips and spreads them wide, but I need them together so I can slide her panties off. I twist and pull and toss them aside, pull her up by the wrists so I can push the dress from her shoulders, expose her fully.

My mouth on her clavicle, her skin sweet and smooth.

“Please,” she whispers, airy, her breath hot. “Please.”

I nearly laugh aloud, nearly chuckle, something strong moving deep in me, grinning and restraining myself. I push her gently back down, grab at my cock with my hand.

She reaches for it, lifts her head and shoulders and her stomach flexes. She licks her lips, looks at me. My eyes are on my cock, pushing at my jeans, peeling back the split around the zipper so it doesn’t obstruct. It’s a silicone cock, just boiled, and doesn’t need a condom. I find her cunt with two fingers, my thumb along the shaft, and she’s wet, eyes begging for it, waiting, mouth open, jaw tight, one hand behind her on the bed, grabbing at the blankets and waiting for me, breathing in, trying not to growl or scream or hit me, trying not to roll right off the bed and run with all the energy buzzing under her skin right now.

“So sweet,” I murmur, tip of my cock touching her cunt. “So, so sweet.”

She’s tight, I can feel her contract, thick, around me as I slide in. Slowly, slowly. I get to the base and extend my torso, she’s watching me and I capture her mouth in a kiss as I slide out. Softly, softly. She adjusts her hips. We are quiet. Sounds of breath and bodies. Her brown eyes are smokier than ever, big and open with flecks of gold that catch the light and I swear I can see myself reflected as she gives me the shyest smile.

“Oh – oh – fuck,” under her breath, she leans her head back and her neck is long, stretched, as I pull out quicker, slam back inside. “More –” she gasps, “more.” Right in my ear, a whisper. I shudder, work in her faster.

“Goddamn,” I mutter, a little breathless, my dick swelling and I can feel how she tightens. Her legs around my waist now. Pressing hard against me with resistance, friction.

She bites my shoulder. Claws into my upper back with her hands and I take a sharp breath in, like a splash of cold water, a sudden sharp sensation.

And it’s there again, that urge to laugh, to chuckle low as I regain my breath and control. I take hold of her hair again, position my arm across her chest so I’m holding her down and lift myself to my knees, legs apart and slid under her hips. I get the angle just right. Low and tight. A little room to wiggle and the strap of my harness is hitting my clit just right.

This goddamn girl is going to make me come.

She can feel the shift in me and her eyes widen, gaining a look of intensity, concentration, focus. So much effort, so much work, to let someone in, to trust a stranger to hold you up, even your dirty, dark, private places. I want to. I want to be able to catch her, I feel she’s falling into some other space and her stomach contracts, she clenches everything as I thrust in, and again, and again, until finally it is precisely right, that one perfect spot and pressure and we are both unraveled, bursting, shaking at the seams, simultaneously, all at once, then shuddering, shaking, gasping, reveling in each other’s bodies, and in our own.

“So,” Jane says after a moment, low murmurs in her throat, happy sounds of quiet satisfaction, satiation, saturation. “Indian or Thai?”

“Thai,” I say. My hand traces lazy circles on her hip, over her skin, delicate as lace.

She kisses me, soft again, supple and deep, and gets up to make the call. She doesn’t ask me what I want. She pulls on a robe that barely covers her ass and winks at me as she leaves the room. I tuck my cock into my pants and tidy my perfectly messy hair.

She returns to the bedroom with another whiskey rocks and a glass of white wine, replaces the phone on the nightstand and opens the curtain on her bedroom window, revealing a sliding glass door. She opens it and gestures to me; I follow. It is a lovely view of 10th avenue, a dozen floors up, and we watch the traffic. I marvel at the quiet when I am just above the city.

The quiet is a little long and I should say something. I open my mouth.

“So, Sinclair,” says Jane. “Where are you from?”

I grin, and take a sip of the whiskey, so smooth, and the mouthful goes down easy.

Telling Her What to Wear

I have in the past thought it kind of funny that girls would ask me to tell them what to wear. My feminist/analytical brain would pipe in with interpretations of beauty, insecurity, self-worth – but I really don’t see it that way anymore.

I see it as part of the larger conversation of gender as a fetish, as a performance, as a subversive display of sexualized gender presentation. And I see it as a very specific toppy/bottomy play, more specifically butchtop/femmebottom play.

It has also at times made me uncomfortable when girls wear things – or buy things – specifically for my tastes. I do have a couple particular enjoyments when it comes to femme clothes & shoes, and it is quite a gift when girls work to dress up for me.

I’m not sure why it’s hard to accept. Possibly because it’s hard for me to accept gifts in general, that giving is easier for me than receiving (I am resisting the connection here to my top identity, though I’m sure you already went there). Possibly also it is hard for my desires, and for me, to really be seen, heard, witnessed, acknowledged, because if I never let you know what I really want, you can never withhold it from me.

But my heart is more open than that old wound and lesson, generally. I like to practice revealing myself. I like to practice being vulnerable, I do find great strength and connection there.

And lately, I’ve had much better language, palette, for my particular desires. This website has helped that tremendously, as has playing with multiple girls over the past two years. I’ve been actually trying to notice and articulate when I find myself aroused into a state of desire; to be mindful of when my internal butch cock stirs and to ask why, to take note of the answer.

So when a girl asks me what kind of femininity display I like, I try to tell her. I explain – without pressure or expectation – what really does it for me, what gets me going, turns my crank. Underlying this conversation is also both of our acknowledgment that femininity – and indeed masculinity – is performed for the purpose of attracting and turning on your partner/lover/date.

And taking it a step farther by telling her what to wear is a step saying, this is how to turn me on. This is how to drive me wild all night. This is how our clothes are tools for flirting, this is how gender is subtle cues and clues and a language for sexuality.

It is a top/bottom game, if looked at this way, and I see it as very empowering to a bottom (you know, assuming being told what to wear is a game she likes playing, and doesn’t feel like it is controlling or patronizing or condescending behavior).

So, where is a bottom’s power? At least in these two places: 1) in enticing desire, and 2) to (actively) giving her power over to her top. In enticing desire, she turns on her top to the point of excruciation, to the point of bottomless desire and power. And when she gives over of her power, she places her power on a silver platter and presents it to her lover on her knees.

(This is why power play is deliberate: the bottom gives her power to the top, the top does not take it without permission. Unless, you know, that’s part of the scene, in which case there is still some sort of underlying permission, some level of giving freely.)

So: I (as a butch top) tell you (as a femme bottom) what to wear on our date (a short skirt, bare legs, strappy sandals, something white). You give power to me by giving up your own choice in what you wear, by obeying a request of mine (something that always turns me on), and by wearing something enticing that follows an aesthetic I particularly enjoy.

This is perhaps where power and surrender for the top and/or bottom gets blurred. Who has the power here? She does – the bottom – because all night I am uncomfortable and turned on because I got what I wanted, writhing at the sight of her in those lovely clothes, turned on by our gender and power foreplay. And then comes a turning point in the night where I stop feeling so reactive and (have to) surrender to the power she’s giving me, to the power and sexual energy I feel building. I give over to it, let it flow through me, let this be a way to tap into my particular well of it.

I love these kinds of power exchanges. I love the push-pull, giving in, giving back, empowering each other to feel sexy, desired, wanted, powerful, beautiful.

[ What I’m really trying to say here is: I have a blind date with a girl who sent me a wonderful photo of her in strappy sandals, and this was my complicated reaction. ]

This Is How I Want You Next

In lingerie like tonight. Black stockings, seamed. Strappy sandal heels. Fresh red predicure. Pushup bra.

But unlike tonight: hair tight up off your neck. A clip would be good, chopsticks would be better. A wrap-around dress with no buttons, only ties.

Greet me at your door like this. Have my drink ready – you know what it is. Be ready to bend over for me. Be ready to get on your knees. Be ready to say please in that lovely aching way you do – with desperation, longing.

jenny shimizu, strappy sandals, and me on the radio

I’ll be on Sirius OutQ Radio for The Diana Cage Show tonight at 10pm EST. You may know of Diana from such fabulous things as books like Box Lunch, Girl Meets Girl: A Dating Survival Guide, or formerly editing the fantastic dyke sex magazine On Our Backs. And now, she blogs at OurChart.

Get a 3-day trial for OutQ radio – news, interviews, and music for the queer community 24/7 – online at SiriusOutQ.com. Listen in tonight to hear me ramble about really good sex with Penny, dating, being an aspiring stud, butch identity politics, and who knows what else.

Jenny Shimizu is also scheduled to be on the show tonight, and I hear Diana promised to wear strappy sandals for me. It’s also nearly a hundred degrees in New York City – it’s gonna be fun.

Femme Outfits, Fantasy, and more Q&A

I offered up answering any question that was asked today – you can still ask a question until, oh, let’s say, midnight tonight. These are some of the answers, posted as they’re coming in.

1. muse asks: what is your archetypical, eroticized gender-performance-y, fuckable femme outfit, from head to toe, outside in?

First: nothing too tight, I prefer movement in the fabric. Especially in skirts. Something form-fitting can be lovely and fun, yes, but I so prefer the hint of thigh that comes from the swing in the fabric.

So, this is a bit fancy, the dressed-up going-out showing-off outfit. Funny how much I feel hesitant to get super specific, because I love oh-so-much the display of femme in its many forms. But if we’re talking about archetypical, eroticized, most fuckable gender performance, (gulp) here it is:

Hair – up. I don’t care how, but pulled up off the neck. For one, I love to see the lines of the neck and jaw (very sexy), but also, I want to be the one who rips your hair down, later. I remember watching Ally McBeal as a teenager and being so overwhelmed by Nelle Porter (Portia De Rossi) and the way she wore her hair – she only ever wore it up in the office, but she would sometimes take it down when she was out in the bar after hours. It was so, so powerful and sexy. I also remember reading an erotica story (S Bear Bergman’s piece called “Silver Dollar Afternoon” Best Lesbian Erotica 2006): “I fall in love with her when anyone asks her why she doesn’t wear her beautiful long hair all the way down and she says, with just a hint of coolness: “A woman’s hair is for her husband,” which makes me remember every time she has unpinned her hair for my delighted eyes and even if I’m not quite a husband I still shiver in my blue jeans without fail.” I know there are deep problems with this idea of a husband owning a wife’s hair, but I love the idea of it being so sexual, such a turn on, when a femme lets her hair down, that it’s private, saved for me and me alone.

Dress – or skirt, but something like this flirty hourglass dress from White House Black Market – not necessarily this exact dress (I’m not crazy about the bold pattern, though I can see how it’d work) but this type of shape of skirt, maybe even a little longer, below the knee, not necessarily above. Not necessarily strapless either, I just couldn’t find a good example of what I’m trying to describe other than this one. (Anyone know if there’s a particular name for this kind of skirt?) Layers of skirt are pretty fantastic, too – muse keeps making fun of me for a comment I made, something like, “but oh, it’s nice to be buried in crinoline.”

Shoes – You already know this one: the ribbons around the ankle fucken kill me. They don’t have to be too slutty, as some have told me that shoes like these are – the shoes Missy beautifully modeled are much more subtle and tasteful. (I’ve seen a few girls wearing this type of shoe around lately, but I cannot find them online – any help with links?) Strappy sandals work too. I prefer a couple inches of heels, though honestly, it’s more about how the sole of the shoe – the heel – fits in my hand.

Underneath – bare legs with some of those soft, thin thin thin panties that practically feel like skin, or a garter belt & stockings of any damn variety (preferably without undies). Those panties Belle modeled with the lacing up the back was also particularly impressive, but to tell the truth, aside from a thigh-high stockings of any sort, a garter belt, or freshly shaved bare legs, the details of the lingerie are often lost on me. I prefer simple lines, things that show off the curves of the body. I’m not crazy about bows or lace, but hey, anything can be fun – and everything is so pleasing, by the time we’re at the point where my hands have removed the rest of this lovely outfit.

2. green-eyed girl asks: Is there something that you have really wanted to do sexually but haven’t yet? What is it?

Two things come to mind – tantra, and some of the heavier topping skills. For example, I’d like to learn how to throw a singletail, I’d like to learn how to do play-piercing, I’d like to play (more than I have) with knives.

Both of these things require a longer-term lover who I deeply trust, and honestly, I’ve never actually had someone I could do that with.

3. saintchick asks: Can you please list a new & improved sex music mix? I know that you are dying to update it. Also what perfume is to be worn with above said outfit?

I’ll have to tell you about my updated sexmix from home later, but I off the top of my head: I’ve distinguished between a “sexmix,” which is usually really damn hot songs about sex or which sound like sex (Sexual Animals by Sarah Fimm, that techno French Kiss song, Sexyback – yeah, I said it) and a mix of songs that I want to fuck to, which are often much more subtle, and about crooning voices and excellent rhythm. Right now, my fucking mix technique is a shuffled playlist of many different albums, including Me’Shell N’degeOcello’s Bitter, as much Morphine as I have on my hard drive, and Chris Isaak’s album Heart Shaped World.

I’ll show you my revised sexmix later.

Perfume – I don’t have a specific preference to one scent. Everybody is so distinct, and even the same perfume smells different on two different people. But I do love a signature scent, so whatever you find and like, wear it – every day, continuously, for a long period, like a year at least. Then, eventually, even if you no longer wear that perfume, if I smell that perfume again, it’ll remind me of that time period. I love that creation of sense memory.

I’m not crazy about getting a mouthful of perfume while kissing your neck; not sure if there’s a better place to apply it (behind the ear?) or not – we should ask a perfume expert about this. Some girls do tend to do this more than others – or perhaps their perfume just tastes worse. Sometimes it unfortunately can be quite the buzzkill.

4. leo asked: i have a question about butch identity. you’ve written so eloquently about the concerns you faced in reconciling feminism and your gender identity, and especially about rejecting misogyny as a necessary element of masculinity. but you’ve also written that you wanted to throw up (i think?) when someone first called you butch. was that all about feminism? if not, what other feelings (positive or negative) and concerns have been central to the development of your sense of butch identity/female masculinity? did it frighten you at all, apart from the feminism issue, or was it love at first sight, or some combination?

See ask me anything: about butch identity.

5. Mm asks: How does one (or more appropriately two) keep passion from waning in a long term monogamous relationship? It’s been done, but how?

6. Dosia asks: What would you say is the best way for a girl to approach a hot butch in a bar/at a dyke march/behind the counter in a cafe/in class? How do we make those connections — not just for sex, but for friendship? Hell, it doesn’t have to be specific to butch/femme dynamics, how does it work, this meeting other queer women?

7. Cyn asks: Do you have a day job and what is it? Yes – sadly, Sugarbutch doesn’t support me (yet). I work as a graphic designer at a finance firm in Midtown Manhattan, so I commute into the city with the nine-to-five office crowd, in my almost-blending-in business casual.

Who is your fav band/musical artist? I am a very big Tori Amos fan (at perhaps some points in my past the word “fanatic” may’ve been more appropriate). My top artists (according to Last.fm) are Tori Amos, PJ Harvey, Patty Griffin, Ani Difranco, Morphine, KD Lang, Ingrid Michaelson, Jack Johnson, Joshua Radin, Melissa Ferrick, Imogen Heap, Kinnie Starr, Regina Spektor, Holly Williams, Erin McKeown, the Beatles – and that about covers it. I’m a bit of a music collector, though, and in fact have over 10,000 tracks in my iTunes library recently.

What is your fave dyke/queer blog? I’ve been reading Pure as the Driven Slush by Heather Corinna for years, and have had a crush on her for at least as long. She’s femme, partnered with a guy for the past few years, and completely brilliant. She doesn’t update much anymore but she’s still one of my top queer blogs ever. I aspire to write like Mark Morford’s column (he’s queer, isn’t he? I’m pretty sure. If he’s not, he’s an honorary queer). Those are blogs I’ve been reading for years – more recently, I particularly enjoy Dorothy Surrenders and Lesbian Dad. I don’t read many good gay boy blogs – any recommendations?

Why, as a butch, do you … post butch eye candy on your site? Do you know/believe most of your readers to want/desire butch eye candy? The butch eye candy is, at least in part, about my own ego, because femme readers fawn over the lovely butches, and I breathe a sigh of relief in the validation and desirability of displays female masculinity. Yes, the majority of my readers (or, at least, the majority of the readers who are in contact with me) are femme-identified in some way (perhaps I’ll do a survey one of these days), and they do seem to appreciate the eye candy.

The reasons I started featuring eye candy, though, are specific: there was a particularly nasty thread on New York Craigslist a while back bashing butches – and all masculine-leaning lesbians – and so, posting photos of the butch aesthetic started as a way to celebrate the displays of masculinity. Eye candy got such great feedback, though, that I pursued it, turning it into a regular feature. I especially liked when my straight female audience started emailing me all hot-&-bothered under the collar, saying how hot the eye candy photos are … my response is twofold: “Yes! That’s right!” and also, “Hey wait! There’s not enough butch to go around, we’re for the femmes, dammit.”

8. Duck asks: Could you explain how the remaking of femininity has been “successful?”

Man, these are good questions! I’ll keep working on the answers, didn’t have time to do any writing tonight. Will post these tomorrow.

another round of birthday wishes!

Wow! Birthday wishes are still coming in, four days after my birthday now. I’m honored by your thoughtful photos, indulging a fetish (or maybe two) of mine. What else are birthdays for, if not some indulgence? Thanks.

birthday - peach
Sexy cute red shoes from Peach!

birthday - muse
Strappy sandals from Muse

birthday - lolita
Ooh la la boots from Lolita (sir)

birthday - tonguetied
Tongue-tied blue (who just had a blogiversary! Mine is coming up at the end of April) attempts to one-up my own hairy legs with this shot … perhaps I’ll have to post one of my own to retaliate.

birthday - colleen
Sexy shoe shopping from Colleen

just what I wanted

I’ve been busy, the last few days! My birthday this year consisted of red velvet cake, prosecco, a queen, the film 21, dinner & drinks, dinner & drinks, and dancing! I feel oh-so-blessed to have great friends & community around me.

29 is going to be a fabulous year!

Thank you, everybody, for the lovely birthday wishes, in print & in someecards & in photographs of your fabulous accessories. I guess I didn’t make it clear, but any shoes or hats or glasses or belts or bags are welcome – or hell, any photos for that matter. A few folks have mentioned that they’re going to send me photos, but haven’t yet – if you’d still like to, please do! I’ll post ’em in a second roundup.

Without further ado … thank you:

birthday - ladybrett
Lady Brett Ashley, who also does drag
and hinted at sending another photo … yes please!

birthday
“My Vintage Puma Romas, My favorite belt – D&G Seatbelt
(yes, real men wear pink), Prada Sunglasses –
and being butt naked when taking the pic.” – Marcello

birthday - sam 2 birthday - sam1
“I’m not a huge fan of the strappy sandals, I much prefer boots and heels.
And another one of my favorite accessories, jeans” – Samantha

birthday - greeneyedgirl
Delicious silver heels from Green-eyed Girl

birthday - curvydee
“In honour of this auspicious occasion,
a rare event indeed – me in heels.” – Curvaceous Dee

birthday - avarice
Cutie heels from Avarice

birthday - einstein
Last but not least, Molly found this one!

another year around the sun


Pussy’s Black Ribbon -Ties, originally uploaded by pussyinboots.

It’s true, today’s my birthday. I’ve turned 29.

So I’ve got a little birthday request. If you feel so inspired, take a nice shot of your lovely strappy sandals and send them on to me with whatever birthday wishes on the image.

As much as I love this image of ribbon ties (man o man, they are my favorite kinds of shoes) above that I found on Flickr, it’ll be all the better when the legs are belonging to some fabulous queer femme. I can imagine them wrapped around my waist a little better that way, mmm …

Butches, bois, & other folks – I don’t mean to exclude you from the shoe fetish fun! Take a shot of your motorcycle boots, your Madden loafers, your favorite Birkinstocks, your cuff links, your tie – whatever you feel inspired to do. I guess it’s a call for accessory shots more than shoes.

Post ’em on your own blog, or email them to me & I’ll round ’em up and post ’em here.

I don’t know why the wrapping around the leg and ankle heats me up so damn much … it just does. Delicious.


Donate to RAINN & let ‘em know I sent you – add  “GBBMC2008: Mr. Sinclair Sexsmith” in the information box. (Why?)

the universe received the memo …

… that Sinclair is single again, and dating. Spring is hovering just around the corner, and New York as a whole can feel it. The girls are already pulling out their swishy skirts, bouncy hair, strappy sandals. I notice. Man, do I notice. I try not to stare.

All that cliche shit is true about spring – fertility, rebirth, lust. The newness of those baby-green leaves are raw and luscious enough that sometimes I just want to bite them right off the tree. Destroy them with my mouth. Mmm.

At the last minute, I’m going to the Body Electric workshop that starts tomorrow (in fact, I need to leave in about four hours). I have some very particular intentions going into it, especially about the things that I’m holding on to. I want to let go. Leave it all be. Wipe the slate clean. (Et cetera, et cetera, ad infinitum.) I want to decline politely to the world’s human messes, to learn to say ‘no, thank you.’

My other intention is to bring the masculine butch boyishness again. It was a huge revelation for me last time, especially in a womyn-goddess-yoni kind of sacred sexuality space. But I learned so much. I need to take that with me again.

This is brief, I know; unfortunately, my schedule is only looking to be more packed in the near future. I will do my best to keep updating. Meanwhile, got any more butch eye candy to send me? I’m nearly out. C’mon, you/your girlfriend/your wife/your best friend/your lover/your favorite crush wants to be some Sugarbutch eye candy, I know you do.

Regular Sugarbutch writings will resume on Monday.

High heels lead to a stronger pelvic floor

I love heels. Stilettos, kitten heels, boots, even wedge heels. I love how they enhance the S-shape of a woman’s body.

Growing up in a feminist household, it was ingrained in me early on that high heels are bad for women’s feet and hips, that they cause shinsplints and hip problems and weak knees and all sorts of things. It took me a long time to come to my own acceptance of liking high heels on femmes … even having a bit of a strappy sandal fetish, I might say.

Diana Cage and I were talking last night on her radio show about my turn-ons, and I mentioned heels, though not without the caveat of the feminist knowledge of how damaging they can be to a woman’s body.

But, Diana told me about a recent study where wearing high heels actually improves the muscles on a woman’s pelvic floor, thus making her, you know, tighter.

I looked it up. From the BBC – High heels “may improve sex life”: An Italian urologist and “lover of the sexy shoe” did a recent study which showed that women who wore a 2″ heel or higher had as good posture as those who wore flat shoes, and also showed “less electrical activity” in their pelvic muscles, which are not just useful in the organs of the body (like the bladder) but also in increased sexual satisfaction and performance. “This suggested the muscles were at an optimum position, which could well improve their strength and ability to contract. The pelvic floor muscles are an essential component of the female body.”

Probably most of us have heard of PC muscle exercises, “Kegels,” as they’re called, to strengthen the pelvic floor – same idea. It makes sense that heels would improve these muscles, when I think about it … and I think it’s another subconscious way that heels sexualize a woman’s body.

This also reminds me of an exercise we did in the Body Electric Celebrating the Body Erotic workshop last fall, the mulabhanda pelvic lock, or root lock, in which you keep your pelvic muscles tightened and breathe in a particular pattern. It was surprisingly difficult and incredibly hot.

I’m sure it’s still possible to damage your body by wearing heels constantly, this can’t undo all the other potential damage. But I’m also glad to know that there is some physical good that comes from wearing heels.

Top 10 things I love about femmes

  1. Strappy sandals, roman sandals laced up the ankle, legwarmers, flowery skirts – the legs, the legs, the legs

  2. The moments of subversion when I expect gender to be aligned with compulsory femininity, and I am surprised

  3. Delicate jewelry, fingernail polish, pierced ears, garter belts, purses, glasses

  4. The way she walks in high heels

  5. The under-the-eyelashes fuck-me look

  6. The feminine curves of cleavage and the clavicle

  7. The struggles with not being visibly out, which also brings the privilege of hearing what people say when they don’t know someone queer is listening

  8. Holding the door open, holding your umbrella, ordering for you, pulling out your chair, that moment when you take my arm, carrying your heavy burdons, cradling your delicacy …

  9. The examination, overhaul, and eventual reclamation or rejection of “traditional femme hobbies”

  10. When a boy actually turns you off … but I turn you on

Gender Is A Sex Toy

My favorite part of last night was the way she said please. Please, please, like a whisper, or a prayer. At the bar, she told me was disappointed I hadn’t emailed her back.

“Ah,” I said. I didn’t have a good excuse. But when I discovered she’d be at this party I made note, and made sure to be there.

“I kind of want to go talk to her,” I told my friend, who I’d arrived with.

“Do it, chickenshit,” she said, “just go do it, no big deal … ” and proceeded to say something else supportive, made to boost me up, but I got distracted: she walked up to me, put her hand on my arm, and said, “Sorry to interrupt …” Oh no, no problem. We were only talking about how I should go talk to you, anyway.

I told her I’d Googled her after we met. She was embarrassed. She had Googled me as well, made a reference to the video of my spoken word she’d found.

I told her I’d been up to my knees in gender theory this week, trying to uncover and then articulate the reasons why butch and femme were subversive. I asked if she identified as femme – I would put her in that vague category, red strappy sandals, silver hoop earrings, but I know some people hate being categorized.

“I suppose I look femme,” she said, “but I don’t think I really act femme, and I certainly don’t fuck like a femme.”

We got interrupted, but I wanted to ask her what she meant. Or rather, I didn’t want her to tell me, I wanted to find out. I took it to mean that she’s not a “pillow queen,” which most would say derogatorily when referencing a femme in the bedroom. And that is a moment where butch/femme is operating under the assumption as a reproduction of the heteronormative paradigm, and not necessarily a re-visioning of the compulsory gender hierarchy.

And this also reminds me of another point I haven’t yet discussed during this gender conversation – what I believe gender is and what kind of role it should play in my life. (More on both of these soon. There’s so much to say and explore about gender.)

Another friend of hers said she wasn’t so into gender. “I hate it when it takes girls like three hours to get ready,” she said. “I’d rather spend two and a half hours enjoying your company, and half an hour getting ready.”

“I can get that,” I said, “but I also want to acknowledge how much fucking effort it takes to be femme. It isn’t just roll-outta-bed, tussle-the-hair-with-product like it is for us” – I indicated myself and the friend – “it takes a lot more work. And I gatta say, I love what that work creates. It’s an art form, a creative expression. And, not to sound egotistical, but I also kind of see it as for me, something to get my attention, get me going, and I love that – love that I’m worth that effort.”

“Plus,” I added, “I can enjoy her company while she’s getting ready, can’t I?”

Clearly, this was the foreplay.

“So,” she said later, after we’d been sharing life stories, still drinking pints at the bar, “when are you going to kiss me?”

Then my hand on her cheek. Soft lips, and oh she tasted fantastic.

I felt oh so rude, having pretty much completely ditched my very good friend and a gaggle of other queer girls (some of whom I knew, and others of which seemed fantastic! I wanted to meet them, hand out, socialize! So easily distracted by the hot girl … ), but I didn’t let that stop me, and we took a cab to my house.

We were both tipsy. She looked at my bookcases, went through my iTunes (Animaniacs, Gretchen Wilson, Dolly Parton, Garrison Starr … and I discovered that my sexmix is seriously outdated. Seriously. I should’ve just put on Morphine. It was laughable, honestly). And then we were naked, in my bed.

“Lube?” she asked.

“I’ll get it … ”

“No, let me. Where?”

“In the toolbox, under the bed.”

“The toolbox. Of course.”

I leaned over to pull it out. She fisted me easily, though it was too much to sustain for very long. But oh it is sometimes so lovely to be filled, stretched.

Later, fingers not enough, I said: “Can I get my cock out yet?”

“Oh god yes. Please.” That please again. The way she whispers it. Makes my stomach contract as if punched.

I like the way she moved. The way her body curved, the way she wasn’t shy but would put herself where she wanted to be. I would probably call her more of a top, though we didn’t discuss those identities. And it made me realize – or perhaps remember – that I don’t really surrender well. My impulse is to take, to overpower, to do the throw-down. I have a harder time as the one being thrown down. Not sure why. There are certainly times that I can let go, give in, get fucked – but honestly, if I hadn’t made her come yet, I feel distracted by the want of that, the desire to do so.

Given the option of me getting off and not her, or her getting off and not me, I would be much more satisfied with the latter. I get such satisfaction out of making girls come.

It was hard to get her off. “We’ve learned a valuable lesson about alcohol,” she said. “Four beers is too many?” I asked. “Four beers was what it took for me to ask you to take me home,” she answered, “so it was necessary.”

[Another tangent: I actually find that I rarely get off – or get her off – the first time I’m with a girl. There’s a learning curve to discovering her body and what she likes. Which is yet another reason why I’m not so good at one-night stands, I like to build that understanding, that communication, between our bodies.]

Pillow talk consisted of our favorite books. The Sparrow by Mary Doria Russel, Time Traveler’s Wife by Audrey Niffenegger, and Crush by Richard Siken, I said. I talked about sci-fi and fantasy, her genres. What I liked and disliked. She said she had one in particular I needed to read. This means I just may see her again.

I walked her to the subway at two am to wait with her because I knew it’d be a while before the train came. As we walked, I switched sides with her so her heels wouldn’t get caught in the sidewalk subway grate, and it was a beautiful little gender dance, gender connection, my brief protection of the ways she presents her sexuality and desire through her gender.

I really love those moments. Gender is such a sex toy.

for a good cause

So, the Masturbate-a-Thon is this weekend – Saturday, in fact. Why have I completely missed that May is (annually!) Masturbation Month? Usually I am well aware of this fact ahead of time. I have in fact participated in the Masturbate-a-thon three times in the past. I’d love to do it again.Also? On the Masturbate-a-Thon webpage is a fabulous little musical ditty by the Wet Spots: “masturbation, it’s okay, we all get to do it in a special way …” which then goes on to describe the different ways various animals masturbate … porcupines, a lioness, a spider monkey …

The Wet Spots – a “sophisticated sex comedy” duo – are somewhat infamous now from their YouTube video Do you take it (in the ass)?, so I was happy to run across their webpage & their other work.

But. Back to the subject at hand: masturbation.

I’ve actually been feeling somewhat scared & traumatized about masturbation lately. Don’t get me wrong – let me explain. Not to get too into my own private … um, practice, but I usually don’t really have any hangups or issues or blocks when it comes to getting off. I just do it, it’s pretty easy (I do know what I like, after all) and that’s that.

But lately? Since the breakup. I just haven’t been able to do it. Haven’t been “in the mood”, no, which is fine, I’m not rushing it, but sometimes I guess I kinda have been in the mood, or at least, I’ve been at home alone for multiple hours, which in a usual case scenario would involve me getting off, at least once.

But now … when I get turned on, I think of her. I still have so many bodily memories of her, of us together, especially when it comes to sex, which is where she was at her most raw, and where I was at my most … perfect. Everything snapped right into place. Jigsaw pieces. I knew exactly how to read her, how to respond to her body, her eyes, her movements, how to shift myself, how to take, how to give. I’ve never had anything like that, I miss it.

It’s hard to write that, actually. Hard to feel that grief well up in my chest. Impossible to feel it, when I’m also simultaneously trying to get off.

Her fantasies wove themselves deep in me. She tapped into so many things that I wanted, so much of my desire. It’s hard not to think of sexy things when getting off, and sexy things, right now, for me, are, well, her.

I’ll unlearn that, right? I’ll find other women attractive again, someday, somehow?

I used to walk down the street and just swoon, fall in love with every third girl, and it’s summer now, god, the strappy sandals and swirly skirts and bare legs … I have been so easily influenced by the sidewalk parade of femininity the last two summers I’ve spent here in New York City.

But this time? Barely. An occasional redhead catches my eye. An occasional perfectly shaped ankle, or swishing skirt. I even worry that if – when – I get back into bed with a girl, I’m going to freeze up, thinking of her (or saying her name, lord).

There really is a very small, small percentage of the population to which I am attracted. Femme women, yes, but even more specifically: poise. Legs. Posture. The way she looks when nobody’s looking at her.

I guess this comes back to a new resolution of mine, which is to date myself. For a year, approximately. I will be in an open relationship with myself, which means I am free to date other people too, but I am going to be my primary partner. I am going to focus on my needs, emotionally, creatively, sexually. I am going to take myself out to fancy dinners on occasion, to films, to museums, to days in the park. If there’s one thing this relationship has taught me it’s that I am good – good – at seduction, at courtship, and I am going to turn my own charms inward and see if I can sweep myself off my feet.