Posts Tagged ‘music’
Maybe you remember that Ellis is Top Hot Butch #53 from the 2009 list. Maybe you’ve been a fan of her folk-rock guitar for a long time, maybe you even already have “Right On Time.”
But me, I had lost track of her work in recent years, I think the last album of hers I have is “Everything That’s Real” from 2001. And I’m thrilled to rediscover her work and to support this new album. And WOW is it amazing. I’m still playing the title track and track #7, “Without A Compass,” over and over. Do consider purchasing & downloading Right On Time—if you like this kind of music, you’ll like this new album.
Because I’ve been talking about ass sex lately, and because I’ve never posted this, and because the queer activism of October is sometimes a bit weighty, here’s The Wet Spots doing Do You Take It.
Warning: this will probably get stuck in your head. But don’t worry, you can always think of Cher and it’ll be gone.
I mentioned that last weekend marked six months that Kristen and I have been together … one of the things I did was to finally finish the lovesong mix that I’ve been working on for a and have felt particularly resistant to doing with her, exactly because of the ways that it is romantic and sometimes intense, but it made sense; we finally gathered enough songs to while. Mixes are one of those courtship things that I have often done too quickly in the past, make a whole CD, and it felt good to compile.
Just to further illustrate my reluctance to make a lovesong mix, the first draft of this CD was called “If Love Was a War, This Is How You Win,” a reference to the Feist song I chose, the lyric is “now I know I’m gonna win the war.” Kristen saw this title over my shoulder and was like, no. You can’t call it that. The second draft was called “Happy Through Rain or Whatever,” another lyrical refernece, this time to the Alice Smith song, and that too she wasn’t thrilled about. A Thousand Kisses, yes, romantic, but also a reference to the Mil Besos song by Patty Griffin.
Also: funny thing about the cover. I spent a few hours working on the image, searching for photos of famous kisses, finally using the Rodin sculpture. I printed everything up and got the CD and cover and insert all together … and was practically gagging with the sweet gross romanticness of it.
So I rebuilt the cover.
Ahh, so much better. Still a bit romantic, but no longer over the top. Whew.
So here’s the mix!
8tracks.com is a legal way to upload and share music in mixes like this (I found out about them through Bitch Magazine), so here’s the mix in its entirety. The only negative is that after you listen to it once, it has to shuffle the songs, so they’re out of order – and the order does mean something, in fact I spent a lot of time on the order, the precise space between the end of one song and the beginning of the next, so I don’t really love showing you the mix like this, but what can I do, seems like the best way to share music. (If you’ve got other suggestions, let me know.)
The Indigo Girls have a new album out on March 24th, Poseidon and the Bitter Bug. (What’s up with that title? I don’t get it.) It’s a two-disc set, one electric version and one accoustic version of all the songs. Still a fairly regularly-priced CD, and it’s an interesting idea. I’m a big fan of their accoustic stuff, but I know others who like the rockin songs more, so maybe it’ll be lovely to have the different sounds.
I’m sorry but, helloooooo Amy Ray. That is a fabulous photo – of them both! – and really the only reason I’m writing this review is so I can point out how freakin butch Amy Ray is. In fact, I saw her live with her band – her ALL-BUTCH BAND – back in October, and was completely blown away. Amy was playing with Kaia Wilson, Julie Wolf, and Melissa York (see a whole bunch more photos from their west coast tour from indigospike on flickr), and they sounded so amazing together. Amy’s newest album Didn’t It Feel Kinder is one of the very few CDs I’ve actually spent money on in the last few years, so I can’t recommend it highly enough.
Except, just one thing about the photo: the tie tip should touch the middle of the belt buckle. Not sure why Amy’s tie is so short, maybe that’s some styly thing I don’t know about?, but it looks a bit awkward to me. (What’s the tie-length rule when one’s shirt is untucked? Or perhaps that rule presumes an always-tucked shirt.)
Kristen and I listened to it on the way back from a small trip to Boston last week, and she said something I thought was interesting – something like, what’s the point of a new Indigo Girls CD, the entire point is that you know all the words and sing along.
I forget that they’re seen as such a sing-along band. I’m not one to sing-along at concerts – I’m more of the guy glaring at the singers usually, though not at Indigo Girls concerts: it’s true, there are just too many songs that everyone knows, and that is a part of it. Going to Indigo Girls concerts every summer was a big part of my identity development – it’s like an Ani Difranco concert, which I’ve come to call “the family reunion” because of all the dykes, as in “are you going to the family reunion this summer?” “Oh yes, of course, I never miss ‘em.” – seeing all those gay women in one place was like going to Pride or the Dyke March, made me feel more at home in my own skin.
I still remember the first time I watched the video for Closer to Fine, my mind blew a bit. I couldn’t stop watching Amy’s delicious swagger and it definitely took me a while to figure out that I wanted to be her, not do her.
Take a listen to many of the songs on Poseidon and the Bitter Bug over at Indigo Girls.com so you can start memorizing the lyrics. Read Tina’s review here and leave a comment (on her blog! not mine!) to win a copy of it, if you like.
Here's the new music video for queer rapper MC Fine called "Created Equal." It's a fantastic take on precisely why measures like Proposition 8 are oppressive.Read More
Inner Princess, three butch women celebrating their inner princesses, is playing a show on December 11 at Sugarland in Brooklyn with Bitch and some other folks. myspace.com/innerprincess or innerprincessmusic.com for clips, photos, and more information.Read More
I posted a sexmix last year, in August, but I’m constantly revising my playlists. This is the current sexmix tracklist.
This is not, however, the music I put on for a day of sex – I’d rather have a few albums on shuffle. The current favorites are Me’Shell N’degeOcello’s Bitter, as much Morphine as I have on my hard drive (especially the albums Like Swimming, Yes, and Good), and Chris Isaak’s album Heart Shaped World.
Here’s the sexmix:
- Come – Kinnie Starr
- All Your Way – Morphine
- Sexual Animals – Sarah Fimm
- Right Now & Right Here – Keren Ann
- Sweet The Sting – Tori Amos
- Wrong To Love You – Chris Isaak
- Slow Like Honey – Fiona Apple
- Beautiful – Meshell Ndegeocello
- Volcano – Damien Rice
- You Look Like Rain – Morphine
- Alright – Kinnie Starr
- Grace – Jeff Buckley
- Tear You Apart – She Wants Revenge
- Counting Bodies Like Sheep To The Rhythm Of The War Drums – A Perfect Circle
- Forty Six & 2 – Tool
- Sexyback – JT
- In Tha Mood – Esthero
- Satisfy – Meshell Ndegeocello
- Swing It Low – Morphine
So, lay it on me: what would you add? What’s your favorite music to fuck to? What’s the best seduction music? What tracks just need to be on this list?
I offered up answering any question that was asked today – you can still ask a question until, oh, let’s say, midnight tonight. These are some of the answers, posted as they’re coming in.
1. muse asks: what is your archetypical, eroticized gender-performance-y, fuckable femme outfit, from head to toe, outside in?
First: nothing too tight, I prefer movement in the fabric. Especially in skirts. Something form-fitting can be lovely and fun, yes, but I so prefer the hint of thigh that comes from the swing in the fabric.
So, this is a bit fancy, the dressed-up going-out showing-off outfit. Funny how much I feel hesitant to get super specific, because I love oh-so-much the display of femme in its many forms. But if we’re talking about archetypical, eroticized, most fuckable gender performance, (gulp) here it is:
Hair – up. I don’t care how, but pulled up off the neck. For one, I love to see the lines of the neck and jaw (very sexy), but also, I want to be the one who rips your hair down, later. I remember watching Ally McBeal as a teenager and being so overwhelmed by Nelle Porter (Portia De Rossi) and the way she wore her hair – she only ever wore it up in the office, but she would sometimes take it down when she was out in the bar after hours. It was so, so powerful and sexy. I also remember reading an erotica story (S Bear Bergman’s piece called “Silver Dollar Afternoon” Best Lesbian Erotica 2006): “I fall in love with her when anyone asks her why she doesn’t wear her beautiful long hair all the way down and she says, with just a hint of coolness: “A woman’s hair is for her husband,” which makes me remember every time she has unpinned her hair for my delighted eyes and even if I’m not quite a husband I still shiver in my blue jeans without fail.” I know there are deep problems with this idea of a husband owning a wife’s hair, but I love the idea of it being so sexual, such a turn on, when a femme lets her hair down, that it’s private, saved for me and me alone.
Dress – or skirt, but something like this flirty hourglass dress from White House Black Market – not necessarily this exact dress (I’m not crazy about the bold pattern, though I can see how it’d work) but this type of shape of skirt, maybe even a little longer, below the knee, not necessarily above. Not necessarily strapless either, I just couldn’t find a good example of what I’m trying to describe other than this one. (Anyone know if there’s a particular name for this kind of skirt?) Layers of skirt are pretty fantastic, too – muse keeps making fun of me for a comment I made, something like, “but oh, it’s nice to be buried in crinoline.”
Shoes – You already know this one: the ribbons around the ankle fucken kill me. They don’t have to be too slutty, as some have told me that shoes like these are – the shoes Missy beautifully modeled are much more subtle and tasteful. (I’ve seen a few girls wearing this type of shoe around lately, but I cannot find them online – any help with links?) Strappy sandals work too. I prefer a couple inches of heels, though honestly, it’s more about how the sole of the shoe – the heel – fits in my hand.
Underneath – bare legs with some of those soft, thin thin thin panties that practically feel like skin, or a garter belt & stockings of any damn variety (preferably without undies). Those panties Belle modeled with the lacing up the back was also particularly impressive, but to tell the truth, aside from a thigh-high stockings of any sort, a garter belt, or freshly shaved bare legs, the details of the lingerie are often lost on me. I prefer simple lines, things that show off the curves of the body. I’m not crazy about bows or lace, but hey, anything can be fun – and everything is so pleasing, by the time we’re at the point where my hands have removed the rest of this lovely outfit.
2. green-eyed girl asks: Is there something that you have really wanted to do sexually but haven’t yet? What is it?
Two things come to mind – tantra, and some of the heavier topping skills. For example, I’d like to learn how to throw a singletail, I’d like to learn how to do play-piercing, I’d like to play (more than I have) with knives.
Both of these things require a longer-term lover who I deeply trust, and honestly, I’ve never actually had someone I could do that with.
3. saintchick asks: Can you please list a new & improved sex music mix? I know that you are dying to update it. Also what perfume is to be worn with above said outfit?
I’ll have to tell you about my updated sexmix from home later, but I off the top of my head: I’ve distinguished between a “sexmix,” which is usually really damn hot songs about sex or which sound like sex (Sexual Animals by Sarah Fimm, that techno French Kiss song, Sexyback – yeah, I said it) and a mix of songs that I want to fuck to, which are often much more subtle, and about crooning voices and excellent rhythm. Right now, my fucking mix technique is a shuffled playlist of many different albums, including Me’Shell N’degeOcello’s Bitter, as much Morphine as I have on my hard drive, and Chris Isaak’s album Heart Shaped World.
I’ll show you my revised sexmix later.
Perfume – I don’t have a specific preference to one scent. Everybody is so distinct, and even the same perfume smells different on two different people. But I do love a signature scent, so whatever you find and like, wear it – every day, continuously, for a long period, like a year at least. Then, eventually, even if you no longer wear that perfume, if I smell that perfume again, it’ll remind me of that time period. I love that creation of sense memory.
I’m not crazy about getting a mouthful of perfume while kissing your neck; not sure if there’s a better place to apply it (behind the ear?) or not – we should ask a perfume expert about this. Some girls do tend to do this more than others – or perhaps their perfume just tastes worse. Sometimes it unfortunately can be quite the buzzkill.
4. leo asked: i have a question about butch identity. you’ve written so eloquently about the concerns you faced in reconciling feminism and your gender identity, and especially about rejecting misogyny as a necessary element of masculinity. but you’ve also written that you wanted to throw up (i think?) when someone first called you butch. was that all about feminism? if not, what other feelings (positive or negative) and concerns have been central to the development of your sense of butch identity/female masculinity? did it frighten you at all, apart from the feminism issue, or was it love at first sight, or some combination?
5. Mm asks: How does one (or more appropriately two) keep passion from waning in a long term monogamous relationship? It’s been done, but how?
6. Dosia asks: What would you say is the best way for a girl to approach a hot butch in a bar/at a dyke march/behind the counter in a cafe/in class? How do we make those connections — not just for sex, but for friendship? Hell, it doesn’t have to be specific to butch/femme dynamics, how does it work, this meeting other queer women?
7. Cyn asks: Do you have a day job and what is it? Yes – sadly, Sugarbutch doesn’t support me (yet). I work as a graphic designer at a finance firm in Midtown Manhattan, so I commute into the city with the nine-to-five office crowd, in my almost-blending-in business casual.
Who is your fav band/musical artist? I am a very big Tori Amos fan (at perhaps some points in my past the word “fanatic” may’ve been more appropriate). My top artists (according to Last.fm) are Tori Amos, PJ Harvey, Patty Griffin, Ani Difranco, Morphine, KD Lang, Ingrid Michaelson, Jack Johnson, Joshua Radin, Melissa Ferrick, Imogen Heap, Kinnie Starr, Regina Spektor, Holly Williams, Erin McKeown, the Beatles – and that about covers it. I’m a bit of a music collector, though, and in fact have over 10,000 tracks in my iTunes library recently.
What is your fave dyke/queer blog? I’ve been reading Pure as the Driven Slush by Heather Corinna for years, and have had a crush on her for at least as long. She’s femme, partnered with a guy for the past few years, and completely brilliant. She doesn’t update much anymore but she’s still one of my top queer blogs ever. I aspire to write like Mark Morford’s column (he’s queer, isn’t he? I’m pretty sure. If he’s not, he’s an honorary queer). Those are blogs I’ve been reading for years – more recently, I particularly enjoy Dorothy Surrenders and Lesbian Dad. I don’t read many good gay boy blogs – any recommendations?
Why, as a butch, do you … post butch eye candy on your site? Do you know/believe most of your readers to want/desire butch eye candy? The butch eye candy is, at least in part, about my own ego, because femme readers fawn over the lovely butches, and I breathe a sigh of relief in the validation and desirability of displays female masculinity. Yes, the majority of my readers (or, at least, the majority of the readers who are in contact with me) are femme-identified in some way (perhaps I’ll do a survey one of these days), and they do seem to appreciate the eye candy.
The reasons I started featuring eye candy, though, are specific: there was a particularly nasty thread on New York Craigslist a while back bashing butches – and all masculine-leaning lesbians – and so, posting photos of the butch aesthetic started as a way to celebrate the displays of masculinity. Eye candy got such great feedback, though, that I pursued it, turning it into a regular feature. I especially liked when my straight female audience started emailing me all hot-&-bothered under the collar, saying how hot the eye candy photos are … my response is twofold: “Yes! That’s right!” and also, “Hey wait! There’s not enough butch to go around, we’re for the femmes, dammit.”
8. Duck asks: Could you explain how the remaking of femininity has been “successful?”
Man, these are good questions! I’ll keep working on the answers, didn’t have time to do any writing tonight. Will post these tomorrow.
The video for “I stole your wishes” features Abby and Amanda, the lesbian couple who make up the Ditty Bops – and I’ve never seen Amanda looking more butch! She’s sporting a tux here, with Abby in a sweet white dress. I usually would put them in the lesbian twins category as far as gender goes, they tend to be quite similarly dressed.
I don’t have the new album Summer Rains yet, but I hear the album packaging is fantastic, and features Amanda – nude – in the lyrics book. That might entice us to actually go out and buy it, instead of downloading, eh?
A 23-year-old British woman recently had a chance to look at her own heart on display, part of The Heart exhibition at the Wellcome Collection in London.
She had the heart transplant at Papworth Hospital, Cambridge, three months ago after a diagnosis of cardiomyopathy, a potentially fatal condition in which the heart walls stiffen. Her first reaction on seeing the old heart was disgust, but later she described the experience as slightly surreal. She said: “Because it was mine, I was like, wow, that’s my heart. I just couldn’t stop grinning. It’s odd to think that I stood here alive, and that was part of me once upon a time.”
- From the London Times Online, 9/1/07
This is the mix for DateDyke, which she (thank the heavens!) received yesterday. I made an elaborate cover (including that photograph and quote, above) and insert, with a few sentences on why I chose each song, but which are kind of special for her, so I won’t include that here.
Here, however, is the tracklist to the new year 2008 mix called how much my heart can take:
- 1. Electric Light – PJ Harvey
2. Wicked Game – Giant Drag
3. Preparedness – The Bird & The Bee
4. Sexual Animals – Sarah Fimm
5. Love Me Like a Man – Bonnie Raitt
6. Closer to You – JJ Cale
7. Warm – Kinnie Starr
8. One Big Love – Patty Griffin
9. Please – Tristan Prettyman
10. Headlock – Imogen Heap
11. If I Was Your Man – Joan Osborne
12. Tear You Apart – She Wants Revenge
13. Yr Love – The Butchies
14. The Fear You Won’t Fall – Joshua Radin
15. Did I Imagine You? – Dot Allison
16. Sweet The Sting – Tori Amos
And if you’d like to download these songs, I stuck ‘em up at YouSendIt, tracks 1-7 and tracks 8-16. YouSendIt allows 100 downloads of each file, so if you get to the file and you can’t download it, let me know in the comments and I will reupload with a new URL. … Though maybe not until after Miss DD is on her way back to Seattle on Tuesday. I might have better things to do this weekend than upload mp3s. Maybe. Just sayin’. I’m sure you understand.
9 hours, 45 minutes.