Posts Tagged ‘in praise of femmes’
It’s happening right now! Well not quite right now, since it’s earlier in New York City than it is over in Oakland, on the other coast where the sun sets over the water just like it’s supposed to.
The hashtag for the conference is #femme2010 if you’d like to follow along on Twitter.
How do you like that collective noun, by the way? An extravagance of femmes? Not bad really. There’s a fascinating collective noun site connected to Twitter so that when you tweet your suggestion for the collective noun with the hashtag #collectivenoun it gets automatically updated and counted on the site. Plus, you can “like” other people’s suggestions (which also goes to Twitter). So what say you—what’s the best collective noun for femmes? Tweet it, or leave it in the comments. And check them out as they come in.
Okay, enough of that. You’re dying to know what the femme book is for today, right? Since we’ve got the Butch Voices regional conferences to count down to now, in NYC (September 25), Portland OR (October 1-3), and LA (October 8-10), I figured I’d do a butch/femme joint anthology.
- Brazen Femme: Queering Femininity edited by
Chloe Brushwood Rose & Anna Camilleri (Arsenal Pulp Press; 2003)
- Femme: Feminists, Lesbians and Bad Girls by Laura Harris and Elizabeth Crocker (Routledge; 1997)
- The Femme’s Guide to the Universe by Shar Rednour (Alyson Books; 2000) (And did you see? Shar has launched a blog How Great Sex Made Me a Good Mom and is now on Twitter as @SharRednour)
And there’s Glamour Girls: Femme/femme Erotica by Rachel Kramer Bussel (Harrington Park Press; 2006) and With a Rough Tongue: Femmes Write Porn by Amber Dawn and Trish Kelly if you’re into erotica. Which, you know, you might be.
So now that I’ve recited pretty much every femme book that I know of and think are worth knowing, let’s get back to today’s feature. The Persistent Desire: A Femme-Butch Reader edited by Joan Nestle, published by Alyson Books in 1992. It looks like it’s out of print, but you can probably still get it used in various places, like Powell’s online or, of course, Amazon (but only if you have to. Don’t you want independent bookstores to stay in business?).
The description of The Persistent Desire from Library Journal is as follows:
This anthology of stories, poems, and nonfiction accounts pays homage to a host of femme and butch lesbian relationships that have flourished over four decades. The narrators recount their experiences, describing how they met, how they took care of one another, and how they tried–or defiantly tried not–to fit in. The selections themselves bubble with passion and pain. Some dive beneath the surface to explore the varied meanings of gender roles, but most describe highly ritualistic manners of dress, hairstyle, and gesture that at times left the protagonist open to ridicule. In collecting these pieces into one volume, Nestle has made sure that the integrity and diversity of femme-butch relationships will not be lost. She has included narratives from women of many backgrounds and ethnic groups and from outside the United States.
This book was for me, as it was for many people, eye-opening, validating, breathtaking. I found it while I was still trying to articulate my own butch identity, and come into my orientation of dating femmes, and it blew past most of my doubts as if doing 80 on a motorcycle. I wanted to be part of that, I felt so connected to it. It changed the way I thought about myself and the way I thought about femmes.
It’s dated now. It was published almost two decades ago, and it reflects a different era of thought about gender identity and alignment assumptions. And while the trans movements were alive by then, much has happened on that front in the past 18 years since it was published and much transgender theory has affected gender theory deeply in wonderfully deliciously complicated ways.
We’re really due for an update.
And how about that, one is just on the horizon! Partners and butch/femme couple Ivan E. Coyote and Zena Sharman have been working on an anthology titled Persistence: All Ways Butch and Femme (see the connection to the first anthology’s title? Smart!) that is due out from Arsenal Pulp Press soon. Not sure what the exact date of publication is yet, but you can be certain I’ll be mentioning it here again. It looks like Ivan just picked up the postcards for the book from her publisher the other day, so it must be coming fairly soon! I will report back as I know.
There are more books, especially more butch/femme books, and more books just on butch identity by itself (look for more of those featured on the upcoming Fridays as we countdown to the Butch Voices NYC conference). I’ve made a new section in my Amazon Store exclusively for butch and femme books, so if you’re curious what else is out there, that’s a good place to start. And if you’ve got suggestions for what I missed, I’m glad to hear ‘em!
UPDATE! Persistence: All Ways Butch And Femme has a webpage on Arsenal Pulp Press, a description, and is due out in the spring of 2011. Isn’t that cover great? It’s done by Elisha Lim, who also has a book of her own newly out from Alyson, 100 Butches, Volume 1.
If you see Zena at the Femme Conference, she supposedly has postcards for Persistence, so that’ll give you an excuse to say hi. She’s aka “The Silver Fox” because (guess) of her hair, so that should narrow it down for ya.
(Don’t you just love the Internet? I do. Thanks, Arsenal, for answering those questions.)
“When I finally realized that I didn’t want to be a butch, I wanted to sleep with a butch, a whole new world opened up before my eyes.” —Lesléa Newman, from the Introduction: I Enjoy Being a Girl
The Femme Conference 2010: No Restrictions in Oakland is just one week away! And in honor, Sugarbutch is counting down to the Femme Conference, featuring some important femme books that I highly recommend if you haven’t read them already. Femme is part of an ever-evolving, big, knowable lineage, and if you love this identity in any way—if it’s yours, or if it is the gender to whom you are oriented, or if you appreciate it—you should know where it comes from, where it’s been.
News from the Femme Conference this week: the Femme Conference Schedule has been announced, and in addition to Kate Bornstein’s keynote, Moki Macías, a queer femme organizer and community planner in Atlanta, will also be doing a keynote.
And the Conference is only one week away!
It was the first book on femme identity that I came across, and I picked up a copy at Powell’s when I was in Portland in July. Re-reading parts of it is kind of like re-reading my own journals from ten years ago, so familiar are the words and perspectives. So I’m particularly fond of this book because of the nostalgia, because of how formative this collection was for me.
One description says, “A fascinating and insightful look at the world of femme identity within the lesbian community. Written by femmes, former femmes, future femmes, femme wanna-bes, femme admirers, and of course, femmes fatales, The femme Mystique explores what it means to be a femme and a lesbian in a society that often trivializes the feminine.”
Coming out into communities which were ruled by queer femmes (well, at least, they sure seemed to be from my perspective), I think I’ve been a little blind to the ways that the queer scenes can trivialize the feminine, but as a women studies student and as someone who is simply aware of sexism and misogyny in this world, obviously that is entirely true and relevant. It continues to surprise me. Like, the doctor at the queer health clinic gave you a pregnancy test, even after you told her you were gay? Really? That just doesn’t even make any sense. But hey, that doesn’t mean it doesn’t happen.
The more recent anthologies are much higher quality, I think, both in the choice and arrangement of the essays and the quality of writing, but every once in a while there is a serious gem. Some folks have criticized this as being repetitive, which I also do understand, but that also speaks to how common and communal these perspectives on queer femme identity are. You’re likely to recognize some of the authors—Chrystos, Tristan Taormino, Kitty Tsui—but there are plenty more I’m not familiar with. The book is peppered with photographs, many of them very clearly 1980s versions of femininity (press on nails, lace, extensive makeup) which is interesting, that femme can be so closely tied to female fashion trends. There is a lot of identity alignment assumptions in this collection—a lot of women talking about cooking, cleaning, “traditionally female” activities. It’s interesting how much we as a culture have broken that in the last fifteen years, even.
Even though the women in these photos are probably in their 20s and early 30s, which is my age, they seem so much older … probably because my brain automatically does the calculation: “If they are 25 in 1990, they are 12 years older than me and are now in the early 40s.” It takes some intentional undoing to think, these people in these essays, in these photographs, are my age, and were at that time figuring out the same things I am now figuring out.
Though it’s not my favorite collection, it is a classic, and was very important to me personally (and to many, I’m sure, since it was one of the first collections on femme identity). I also really recommend Lesléa Newman’s essay collection Out of the Closet and Nothing to Wear, which is a collection of the femme column she wrote for many years. More information about Lesléa Newman can be found over on her website, lesleanewman.com. (Did you know she also wrote Heather Has Two Mommies?)
Have you read this? What did you think?
And also … are you ready for the Femme Conference!? I can’t wait to hear all about it on Twitter and other blogs! Who’s going to be writing about it? Who’s going to be live-Tweeting? Keep me updated, please!
The Femme Conference 2010: No Restrictions in Oakland is two weeks away! And in honor, Sugarbutch is counting down to the Femme
Conference, featuring some important femme books that I highly recommend if you haven’t read them already. Femme is part of an ever-evolving, big, knowable lineage, and if you love this identity in any way—if it’s yours, or if it is the gender to whom you are oriented, or if you appreciate it—you should know where it comes from, where it’s been.
I met Ulrika Dahl at the Femme Conference in 2008, and was excited to get my hands on this lovely book when it came out. It features profiles and essays about femme identity, photographs of femmes with all sorts of varieties of presentation, and discussions of what femme is like in different contexts. It’s a beautiful book, almost a coffee table book, that you can flip through and stare at all the beautiful photographs of femmes. Or you can delve deeper into the text for complex depictions of queer gender identity.
From the synopsis:
What is femme? French for woman? A feminine lesbian? A queer girl who loves to dress up? Think again! Going beyond identity politics and the pleasures of plumage, “Femmes of Power” captures a diverse range of queerly feminine subjects whose powerful and intentional redress explodes the meaning of femme for the 21st century. “Femmes of Power” features both every-day heroines and many queer feminist icons, including Michelle Tea, Virginie Despentes, Amber Hollibaugh, Itziar Ziga, Lydia Lunch, Kate Bornstein and Valerie Mason-John. “Femmes of Power” unsettles the objectifying “male” gaze on femininity and presents femmes as speaking subjects and high heeled theorists.
The Femme Conference 2010: No Restrictions is happening in Oakland, CA in just three short weeks. There’s still time to register!
I attended in 2008 in Chicago and it was a pretty amazing experience. I took away so many conversations about identity development and expression, about visible physical markers and femme fashion. I would love to attend again, maybe next time.
Recently, I was chatting with a femme friend who was in from out of town about being in leadership or facilitator positions within this gender world, and how many baby femmes and baby butches feel lost and alone when they’re coming to these identities. “I always tell them, read your history!” she said. There are lots of books out there, actually, that discuss the same things we are going through. Sure, they might be a little dated; sure, we might have a better sense of how to break identity alignment assumptions than those writing thirty years ago. But we do not have to reinvent the wheel: much of this work has already been done for us, and even has already been recorded and written about.
So, as a countdown to this fantastic conference, I’m going to feature a couple of different femme tomes that are really important in the heritage of the femme world—or that have been to me. If you haven’t read them, I highly recommend it.
The first, and most recent publication about femme identity (as far as I know) is the two-volume set Visible: A Femmethology edited by Jennifer Clare Burke and published by Homofactus Press.
Visible: A Femmethology is a collection of personal essays from over fifty contributors who explore what it means to be a queer femme. Award winning authors, spoken-word artists, and totally new voices come together to challenge conventional ideas of how disability, class, nationality, race, aesthetics, sexual orientation, gender identity, and body type intersect with each contributor’s concrete notion of femmedom.
Though the book launched more than a year ago, the book’s website still has some very valuable stuff, including a large list of contributors, if you’d like to look up some inspiring writers, and mini-interviews with them about what it means to be femme.
The cover was a bit controversial, when it came out, but there are some male authors in this book who explore their femme identity, so I can understand that they intended to show that femme is not something that exclusively belongs to cis women.
I’ll admit, I’m a little biased with this book, because I have a piece in Volume II called A Love Letter to Femmes. Dacia recorded it for me last year, when the book was coming out, so there’s an audio recording of me reading it, if you’d like to hear it. But even if I didn’t have a piece in it, the collection is a great read and will I think inspire any femme to feel less alone. Most of the focus in this anthology, probably because of the title, Visible, is on the invisibility of femme identity and the ways that, particularly, straight folks assume femmes are also straight. I have my own thoughts about invisibility, mostly about sovereignty and the outsider complex that many of us feel, but regardless of my own opinions, I know visibility is something that pretty much all femmes feel at various times, so it’s an important thing to study and bring light to and discuss.
Order the two volumes directly from Homofactus Press (if you’d like the small indie press to get the most benefit), from your local independent queer feminist neighborhood bookstore, or, if you must, from Amazon.
I’m still reeling from all the Sideshow amazingness last night, will have more of a recap/update soon.
Meanwhile, here’s an amazing new piece by Ivan E. Coyote at Speak Up! on 4/10/2010.
Yes yes yes ditto to all of that. What a pleasure to hear.
G at “Can I Help You, Sir?” asked about femme invisibility recently, and the topic has gone around the gender/queer blogs a bit, with some great posts and thoughts.
First, and probably most obviously: I am not femme. So I am writing from a perspective of having dated and known many femmes in my life, but I do not experience visibility directed at me, but through stories and my witnessing. I am only an indirect, at best, expert on this. But these are my thoughts on femme invisibility, i.e. femmes not being recognized as queer because of their gender presentation.
This is a real thing. Femmes everywhere and from all parts of my life have told me this. One of my first femme mentors, Tara Hardy, has multiple poems about femme identity, one of which quotes: “I no longer get sad if they ask me at the door if I know it’s dyke night: I get mad. I mean, how much pussy do I have to eat before you let me in the club?”
And early on, I knew I was attracted to femininity, knew I wanted to date femmes (though I wasn’t quite sure how). The revelation that there are gay women who like to be feminine, and that I don’t have to chase straight women who will, probably, by definition, leave me to date men, was a relief. But I know that that’s not so easy to grasp for many people.
At the Femme Conference in 2008, Leah Lakshmi Piepzna-Samarasinha said in her keynote address, “Femme invisibility is bullshit. You just don’t know how to look.” And I wanted to stand up and scream FUCK YEAH, because sometimes when femmes say “I feel so invisible” I want to say, but I SEE YOU! But I know I don’t always, not every single time, and I know I don’t make up for the other thousands of people who don’t see you, or for the discrimination and rejection from the queer communities that seems to continue, despite that femmes are a very significant part of queer communities.
One of the bottom-line issues about femme in/visibility, for me, is that it is a form of gender discrimination. When someone refuses to recognize a femme as queer, that person is saying, straight women are feminine, dykes are not, therefore your gender presentation trumps anything that might come out of your mouth about how you identify or who you are, and I am more right than you are about your identity. The sex-gender assumption is too strong and too fundamental for many people to be allowed to be overridden.
And gawd if that doesn’t get my boxers in a twist.
Especially since, let’s be honest, I fetishize the theorization of gender a little bit (or, um, maybe a lot), so the verbal explanation of gender and sexuality that femmes are pretty much required to do (because the sex-gender assumption is so strong) is all the more hot to me, and even sometimes MORE valid than the androgynous or rejection of femininity presentation of many other dykes and queers. Because, I mean, your strappy sandals are really hot, don’t get me wrong, but if you can’t use words to talk about femininity and sexuality and dykeness and a claim to queer culture and an acknowledgment of the complications of living in a culture which heteronormatizes femininity, are you going to get my blood pumping? Probably not. The femininity without the intention behind it is less appealing – to me, personally – than the ability to explain it.
From what I can tell, the issue of femme invisibility is at least threefold: visibility to straight folks, visibility to queer folks, and visibility to femmes themselves.
Passing: In/visibility to the Straight World
Not being seen as queer and recognized as radical by straight folks is a common complaint I hear from femmes. There is an added burden of constantly having to come out verbally, constantly having to remind the folks around you that you are queer, constantly having to deflect and defend yourselves against unwanted straight male attractions, since in this culture the display of femininity is presumed to be for the attraction of men, men’s gaze, men’s sexual advancement. It is seen as an invitation to being hit on, in fact. A girl out on the town and all dressed up in heels, dresses, lipstick, must be trying to “catch a man.” Of course, this isn’t true. Whoever this girl is, she could be wearing those things for all kinds of reasons, for her boyfriend, for her friends, for herself, for her wife.
And this is constant. Walking down the street, catching a cab, on the subway, at work, at a party, at a play, at a concert, in a bar – everywhere a femme goes, her femininity is assumed to be for men and to attract a man.
(This is also, in fact, one of the reasons femme-ness is subversive, and feminist: it re-creates femininity not as a tool to catch men, but as an authentic mode of expression for onesself and for queerness, disrupting this idea that femininity is “natural” for women.)
This is also called “passing,” and though I have had femmes tell me they like that they get to hear what people say when they don’t know someone gay is listening, I think generally passing carries with it a great burden, not privilege. The burden is that of constantly coming out, constantly having to argue with folks, constantly having to defend one’s orientation as gay when the sex-gender assumption does not line up.
There is also, as some femmes have mentioned to me, the problem that, after coming out verbally to someone (especially a man who is attempting to hit on you), you are sometimes in more danger than you were before, or than someone masculine- or androgynously-presenting is, because the person feels “tricked.” (I’ve written about this before, a little.) This defense is often cited in trans hate crimes, also – this notion that the trans person was presenting some other way than how they “really” are, therefore the hater was “duped” in some way.
Honestly, I don’t know what femmes can do about this particularly, aside from continue to come out. We – if I may speak for queer and gender and feminist activists – are trying to reach the straight world, we are trying to raise visibility and disrupt the idea that femininity is an invitation, but that is going to take some time. I hope there can be some assurance, regardless, that femme femininity is valid and not intended to be a tool of attraction for everyone, but for whomever it is you choose for it to be for. You can’t choose who sees you when you walk down the street – you put yourself out there in a semi-public domain and you can’t pick who you interact with on a daily basis. But you can choose what those interactions mean. And here, you just have a more advanced sense of this sex-gender assumption than they do. You are right. They are not.
Recognition: In/visibility to Queers
The second issue here is the visibility of femmes to queer communities. This, I think, is more personal and more of a vulnerable topic, since femininity (and expression of gender), to some degree, indicates desire and sexual signaling, and when those symbols of gender are not recognized as being symbols of attractiveness or attraction, that can be incredibly invalidating and disheartening.
It is a vulnerable process to put oneself out there, to make oneself available for rejection, to get dressed up for an event, to walk in and think, “my people!”, only to have them not recognize you as one of them. It hurts. It is a constant struggle.
It’s also frustrating to be hitting on people you are interested or attractive to and to have them not recognize what you’re doing as an invitation, or to resist or be skeptical of the validity of the invitation.
I understand the resistance, being on the other side of that equation, of a masculine-presenting person who has been taught over and over not to get caught up with straight women. I know a lot of butches and transmasculine folks who have a history of dating straight women, and the heartache of that inevitable loss is one we learn early. It is also dangerous – plenty of societal factors will jump in to police any attempts to “convert” a straight women to our lecherous queer ways, be it the girl’s boyfriend, friends, parents, or complete strangers, and because of the masculine presentation, the threat of violence is implicit or, sometimes, direct.
Not that this is an adequate excuse for the refusal to recognize femmes as queer, especially after a femme says “I’m queer” in some form or another.
I mean HELLO – butches and transmasculine folks and all of you queers and fucking everybody, while I’m on the subject – can we please just start to practice believing a feminine woman when she says she’s queer? Stop questioning her agency. Stop forcing her to defend herself. Stop being an ignorant idiot and realize that femmes exist and are real and valid queer identities. Any time you call a femme’s queerness into question, that is what you are doing.
Yeah so some of you might’ve had your heart smashed by a feminine straight girl in the past. I know. That sucks. You might be skeptical that you could get hurt again. Yep, okay, that’s valid. Entering into any relationship requires you to put yourself out there a little, and involves some risk. But regardless of her orientation, you might get hurt. Regardless of whether you marry this girl or date her for ten years or one year or just have a one night stand or just buy her a drink or walk away in one minute, she could hurt you. (No wait – she could reject you. You can choose whether or not that rejection is painful. But that’s a slightly different topic.)
Also: I’d like to put out there that, when in a queer space, it is okay to assume that the people in attendance are queer. Now, this does not mean that everyone is there for your own personal pleasure, and that it’s okay to blindly hit on anyone and everyone, so the “don’t be an asshole” rule obviously still applies. But if there’s a feminine person over by the jukebox at the dyke bar, it is more likely that she is gay than not. She still might not be – but if she’s in a dyke bar, and you are nice and thoughtful and polite and reasonable and respectful, it isn’t a problem to assume that she’s gay and to ask her if you can buy her a drink or tell her that you like her shoes. If she’s not gay, okay, depending on your goals of the evening (to pick someone up vs to converse with interesting people vs something else), be polite. If she is gay, that still doesn’t mean she’ll sleep with you. You might not be her type. She might be taken. You might be her type and she might not be taken, but she still might not sleep with you because for whatever reason, she doesn’t want to. Oh well! If you can, don’t take it personally, and move on.
Proof: In/visibility to Oneself
In the post Alphafemme wrote about femme invisibility, she touched on something very interesting:
It starts with not being able to see myself. That must be at the very root of it. As a little girl … I loved tea parties and dollhouses and dresses and patent leather shoes, I loved American Girl dolls and dress-up and imagining my future wedding. I was obsessed with … figure skaters and ballerinas. I fit snugly into my gender box. No questions asked. … it took me quite a long time to come out to myself. … There was no way I was gay. It just didn’t make sense. I was a girl. I was supposed to like boys. That was that. … Understanding of sexuality is so, so so tied up with gender. That’s really what makes femmes so invisible. To ourselves as well as to others. There often aren’t any outward signs that we digress from the norm. They’re all inward. And society tells us (all of us, not just femmes) all the time that the inward things? Are figments of our imagination. … So unless you look different, unless there’s some physical proof of it (whatever it is), there’s plenty of room for people to doubt you. And judge you. And feel justified in doubting and judging.
What a complicated, heartbreaking, turning-ourselves-inside-out that coming to a new identity process is. And when it is not marked by physical proof, when someone looks the same, there is no particular indication that Something Big Has Changed, so how do we know? By speaking of it, by talking about it, by documenting it in some form. Still, so much of the data we take in is visual, so even when our minds take in that something is different, if we don’t see the physical proof, it might not register the same way. I think this is also partly why the process of coming out as a dyke often involves things like cutting one’s hair off – which is the rejection of femininity and the association that femininity is performed for the attraction of men, yes, but also a physical marker that something has changed.
These are just things that are “true,” according to our culture: femininity is a tool for the attraction of men; dykes reject this and therefore don’t have to perform femininity; if you are a dyke, you also come to a more androgynous gender identity as part of your dykeness. Sexual orientation and gender presentation are so tied together – that is the sex-gender assumption in a nutshell.
It is a radical and subversive thing to occupy an identity that disrupts these social “truths.” It is hard. It is a constant battle. I think it does change, though, in two ways: we come to a more accepting, understanding place about our own identities, with a lot more sovereignty, so we don’t have to constantly feel defensive and at war with the world; and culture is changing, too. Culture is not a static fixed thing. Queer culture is advancing like mad. We are pushing the edges of it, calling into question the sex-gender assumptions in big ways. I think society is getting more accepting and understanding, as time goes on, and we do come to more solid places within ourselves, and we do get to know more and more people who are like us the longer we explore these identities.
A few more things …
Femme invisibility is gender discrimination based on the sex-gender assumption. It is not about you, it is about a culture-wide unspoken societal rule that says femininity is for the attraction of men and feminine women are straight.
Don’t take it personally. I know that’s more easily said than done, but I still think it’s true. There is not some magic femme symbol that, if you were wearing it, or if you were more gay, or “really” gay, they would have recognized it. This is their problem, not yours. There are many, many of us who recognize femme as a completely legit queer identity, as one of the cutting edges of queer identity in fact, and who know how difficult it is and how deep it runs. Your experience is valid, your orientation is valid.
Of course, femmes don’t always go through the process of invisibility. Lady Brett wrote a piece about the relative newness of invisibility in her life, and growing up a tomboy. There are so many ways to experience femme-ness and queer community involvement and recognition, and while claims to overarching truths can be called into question, our own experiences are always valid and real.
Chime in on this conversation, if you like. What do you think about femme invisibility? What has your experience of it been? What’s it like for you? How do you transcend these frustrating moments of invisibility, both to other queers, the straight world, and yourself? What have you witnessed in your femme partners or lovers or friends? How do you give a secret nod or wink to other queers?
She looked so damn hot yesterday.
I don’t know what it was exactly. She was in an outfit I’ve seen, tight slim jeans, her girly black tank top with the silver star pattern, little yellow sweater with the clear buttons. Maybe it was her hair, she’s been letting it grow and it’s getting longer, almost to her chin, it’s thin so it’s starting to flip up at the ends. So. Fucking. Cute. Maybe it was the earrings, simple large silver hoops, the ones she’s worried are a cliche but I keep trying to assure her they’re classic, sexy.
Off hand, she said yesterday that I am obsessed with my hair. I said ‘obsessed’ was a bit strong, but I see her point. Maybe it’s not just my hair, either, but hair in general. Still, I don’t want to pressure her into doing things like growing her hair long because that’s what I like – I hope it’s okay for me to state my personal preference while at the same time accepting however she prefers to present. Because while it’s true, I do prefer long hair, even more than that I prefer her to make decisions based on her own wants and needs and personal expression, not on what I desire.
Still. Her hair was so much shorter when we met, nearly as short as mine is now; I’ve been growing mine too, going for that early Elvis look. I’d dye it blue-black like his but I really like the few strands of gray that are coming in at my temples.
I guess I really am obsessed with hair.
Point is: she looked so, so good. Fun, flirty. Femme.
We chatted on the couch after I got to her house. How are you, how’s your day, how’s your sister. Maybe it was that I hadn’t seen her in more than a day after spending many days in a row with her. I felt my appetite for her growing, bubbling up. At one point she tipped her head just slightly sideways, her hair doing this little flip on both sides, the lines of her silhouette so perfect, those big hoop earrings brushing her neck, and she gave me a little smile, eyes twinkling. If I’d been on a TV show, it would’ve cut to a shot of me, my spine becoming jelly, my hands to my face, crying OH GOD as I slide off the couch before springing up and throwing myself on her, wrapping around her and kissing her hard, my mouth wherever she’d let me put it, then the camera would snap back to the shot of us on the couch as we were before and nothing would’ve actually happened, just me, sitting there blinking, in awe, probably totally transparent and readable and ooey gooey in love. Am I so obvious? Moments like that I feel oafish, bull in a china shop, too big and awkward next to such grace and elegance, like I am certain how much she knows she’s got me wrapped around her little finger.
Oh and here I am being all dramatic and admirational again. Are you bored of this femme-worship yet? Three and a half years of Sugarbutch and I only love femmes more, I am only more certain of my orientation to them in such a specific way. Only three and a half years of Sugarbutch, but I met my first femme nine years ago, and I knew then … what? Something. The way she shocked me to life, lit up the night like a shower of sparks from fireworks.
And I’ve never had it this good. I tell myself that every day: every day of this relationship I am grateful, so appreciative of every minute we have together. I’ve not known a bliss like this and I’ve never known it to last this long.
When Jesse was here, she had a brief little snag with Violet, some conversation where it wasn’t quite perfect, but she didn’t let it phase her or lose her unwavering faith in their relationship. “We’ve always been able to talk it through, whatever it is,” she said. And so far, Kristen and I have that too – not big explosive fights and feelings getting deeply hurt, but conversations of honesty and self-awareness and accountability and care. There are some things looming, a little, I’ve felt their weight lately, our differences and complications and inadequacies and places where we need more support, but we have always been able to talk things through, even if the journey is more illuminating than the destination, even if the only conclusion is, “well, now we know, that’s how we work, that’s my particular quirks and assumptions coming up against yours in our unique relationship way. We’ll just have to watch how this plays out.” We still come back together, appreciate each other, speak the deep truths. I feel like I am heard, always. And oh how important that is, what a relief to have it in my relationship, with her.
Dacia has a piece she’s read in public a few times lately which has the lines, “I write about the relationship I wish I was having,” and “I buy my own bullshit.” I’ve done that, here, in the past. I’ve written myself into love, used this site to woo and court. I haven’t wanted to do that with Kristen. It’s too precious, too real; I’ve learned from my mistakes, or rather, I am learning, I am trying to learn. That is a major reason why I haven’t written about her like I have others.
Plus, I’m all the more protective of my heart these days. How many heartbreaks is one heart made to withstand, anyway? I love writing about my relationships, but it can also be a crutch – I become obsessed with micro-articulating my feelings and emotional landscapes in writing, sometimes to my own detriment, overdramatizing and letting the articulation of the emotion be more important than the experience, the story, the audience, the effects.
I don’t want to do that anymore.
So I am protective of this relationship, as it has swelled and sometimes burst, its ups and downs. I haven’t chronicled it all here, preferring instead to articulate it to her as best I can. And there are things, snags, places between us which are murky and lurking a little for me right now, things that have come up and we’ve said “we should talk about that more later,” but now it’s later and I don’t even remember what they were, so that makes me all the more nervous. The unknown rather than the known. I should’ve kept a list, I keep thinking. But I’ve got to calm my nerves about this, not let it affect the really good highs inside of which we still so easily slip. So far, we’ve been able to talk through everything, and for now I’ll rest comfortable on presuming we’ll be able to do that in the future, too.
Yes, I was high when I reached out for her upper arm and pulled her onto my lap, and she’d just told me about how she’d done her homework this morning by playing with her ass while getting off, but that doesn’t mean that I wasn’t also in love, wanting to make love, wanting to be inside of her, drinking her in as I sucked her nipples into my mouth and left bite marks on her neck and shoulders. She cried out and I thought, someone should be videotaping this she is so goddamn hot.
In the bedroom we slipped off her clothes. “Take off your shirt.” I slid her tight jeans down her legs. She was in this matching bra and panties I hadn’t seen her wear before – she does wear the bra, a little white one with pink polka dots and pink satin bows, very femme, but the matching panties have layers of ruffles. I’ve never seen her in them.
I didn’t take them off.
“I want to see your ass. Turn over.” She does, gets on all fours. “Show it to me. Get down on your elbows.” She parts her knees a little and arches her back, I run my hand over her curves and feel the outline of her cunt and ass under the thin fabric. I let my fingers trail over her softly, slowly. My mind raced. There’s so much I wanted to do to her, with her. All that ass talk earlier made me want my fingers in her there, to get out the little plug I’d brought to leave at her place (her further homework), wanted to plow her ass hard and make her scream. I won’t do that, yet, of course, it’ll take some time to work up to it. I wanted her to stay on her knees, ass in the air, while I gripped her hips and fucked her slow and hard. I wanted her on her knees, mouth full of spit eyes looking up at me as she sucked me down.
But most of all I wanted to be close, pressed against her, kissing her, wrapped around each other. So I strapped on, peeled off her pretty bra and panties, told her to turn over, slid inside, and got lost in her, got lost in the way we wind around and hold each other. We barely spoke, just felt each other, just took it all in with our bodies.
There were a few times I slowed down, savored her, looked at her, but the vibration was so strong between us, I
couldn’t didn’t want to stop. Sometimes I wondered if I should, if her hips were okay, if she needed more of a break, but I kept getting so close and ultimately was able to come inside of her for the first time in a long time, I was glad I didn’t stop. (I don’t know why I haven’t been coming lately. I broke out the Spartacus harness I’d retired hoping that would help. It did, apparently.)
Later, she said, “I thought you were going to stop … but you didn’t. That was good.”
Yeah, that was good. And I’m glad she said that. Always affirming to know I wasn’t pushing her. I want to push her, I want to have that kind of power and trust and knowledge and skill, but that has to be earned, that has to be worthy. I want to do so much more with her, to her, want to take her to all sorts of dirty places and cradle her and worship her and honor her and fuck her and smack her around and force her and hold her and let go with her and trust her.
There’s time. It’s been almost a year, but I know enough to know that we’re in this. And that we’ll keep building, and exploring, as this keeps getting deeper and stronger.
Maria See put the original call out for the Femmethology literally years ago, and ever since I first saw it I knew I wanted to contribute something to this unique anthology on femme identity. But what? I didn’t feel like I could necessarily speak from a place of authority on What Femme Is, there are hundreds – thousands! – of versions of femme, and no matter what I know about femme or how many femmes I’ve interacted with, I am an observer, a witness of femme, I don’t feel like I create it myself.
So what would I write?
I wrote a few pieces, brainstormed, but nothing I really loved. Nothing really got to the heart of what I was trying to say, which was … what? I wasn’t sure.
But it hit me on the very last day the editors were accepting submissions, and I sat down and wrote this Love Letter in one long sentence, and spent the rest of the day editing and polishing. I’m not going to reproduce the text here (you’ll have to buy the book for that) but I will present you, here, with a recording of me reading the love letter that appears in Visible: A Femmethology Volume Two.
Hope you enjoy it.
Thanks very much to Audacia Ray for recording and producing this mp3!
In case you missed it, see more information about the Femmethology here.
I’m honored to kick off the April Femmethology blog tour! There are four important things in this post, it’s kind of a long one – here’s the breakdown so you don’t miss anything.
- Information about Visible: A Femmethology, a two-volume set of books which is out now!
- A giveaway! Comment to win a copy of the Femmethology!
- Information about the Femmethology release party in New York City, Wednesday April 29th
- Continue on the April Femmethology blog tour by visiting these other great sites. Visit Ellie Lumpesse tomorrow!
And coming up shortly, I’ll be posting an mp3 of me reading my essay, Love Letter, which is included in the Femmethology Volume Two.
Femme–an identity that has caused controversy, celebration and ridicule–is now the topic of a two-volume set from Homofactus Press and editor Jennifer Clare Burke titled Visible: A Femmethology. Femmethology calls the LGBTQI community on its own prejudice and celebrates the diversity of individual femmes. Award-winning authors, spoken-word artists, and totally new voices come together to challenge conventional ideas of how disability, class, nationality, race, aesthetics, sexual orientation, gender identity and body type intersect with each contributor’s concrete notion of femmedom.
Comment on this post with one fabulous thing that you love about femmes and I’ll pick one random winner.
What’ll you win? A copy of Visible: A Femmethology Volume Two, which includes my piece, Love Letter. AND in addition, EITHER a copy of Volume 1 OR any other erotica book my writing is in – such as: Best Lesbian Erotica 2006, 2007, or 2009. Look about halfway down on my “Shop” page or in the sidebar (—->) for the complete list.
The books will be sent to me and I’ll autograph them for you, then send them on.
Winner will be chosen at random tomorrow morning, so you have today to enter by leaving a comment.
Come join us at the book release party in NYC!
Visible: A Femmethology
New York City Release!
April 29th, 7pm
Bluestockings, 172 Allen St. in the Lower East Side
Featuring contributors: Ryn Hodes, Sinclair Sexsmith, Sassafras Lowrey, Cameron Whitley, Leslie Freeman, J.C. Yu, Hadassah Hill, & Miel Rose
Visible: A Femmethology is a two-volume anthology edited by Jennifer Clare Burke and published by Homofactus Press of personal essays from over fifty contributors who explore what it means to be a queer femme. Award winning authors, spoken-word artists, and totally new voices come together to challenge conventional ideas of how disability, class, nationality, race, aesthetics, sexual orientation, gender identity, and body type intersect with each contributor’s concrete notion of femmedom.
Not in New York City? Check the Femmethology events page to see if there’s a release party in your area. They’ll be in Vermont, Vancouver BC, Atlanta, & more!
Follow the rest of the Femmethology April blog tour with these great sites:
4/1. Sugarbutch Chronicles
4/2. Ellie Lumpesse
4/4. CyDy Blog
4/6. Catalina Loves
4/7. cross-post: The Femme’s Guide and Femme Fagette
4/8. Daphne Gottlieb
4/9. Bilerico Project
4/10. Screaming Lemur: Femme-inism and Other Things
4/13. The Femme Hinterland
4/14. Bochinche Bilingüe: Borderlands Writing and The Vagina Adventures
4/15. Dorothy Surrenders
4/16. Miss Avarice Speaks Her Mind
4/17. The Femme Show
4/19. Sexuality Happens
4/20. Queer Fat Femme
4/21. Sublimefemme Unbound
4/22. Tina-cious.com and Jess I Am (butch-femme couple day!)
4/24. The Lesbian Lifestyle
4/25. Femme Fluff
4/26. Weldable Cookies
4/27. The Verbosery
4/28. A Consuming Desire and Creative Xicana
This is what I learned at the Femme Conference.
Oh, the Femme Conference. I have so much to say about what happened there, both personally and in relation to this gender work. Oh yeah, and I have some hot stories to tell y’all, too.
First: THANK YOU, everyone who donated money to help me attend. I was able to go because of this website. I may not have gone otherwise because I really can’t afford to travel. Thank you.
The theme of the conference was The Architecture of Femme, and as such many of the panels explored the construction, deconstruction, and reconstruction of femme identity. As my background is in social theory and social constructionism, I tend to come from the place that says femme is constructed primarily physically, on the body, that all gender is performative. This means through symbols of femininity – shaving, long hair, skirts/dresses, heels, jewelry, makeup, etc.
One of the major themes I’ve come across in running Sugarbutch is femmes who feel invisible – that they are not read as queer because lesbians are not feminine, femininity is a constructed gender role within the heteronormative paradigm, and the perceived notion that a femme is really either bi or straight.
This misconception has to do with physical symbols of gender, and required alignment of sexual orientation and gender.
The first keynote speaker at the conference, Leah Lakshmi Piepzna-Samarasinha, said: femmes are not invisible, you don’t know how to look.
And this is point number one that I want to make. I’ll pause here to let that sink in for you.
Femmes are not invisible, the lesbian community just doesn’t know how to look.
That deeply resonated with me. I feel I’ve been trying to say that to femme friends and lovers for some time now – “well, I found you, didn’t I? Do you not go to the clubs, do you not get dates? Of course you’re queer.”
I know it’s not this simple, really – I know there is much difficulty when someone is not recognized by their own community because they are being true to their own sense of gender. That’s not an easy contrast to reconcile, and I don’t move through the world that way so I can’t really speak to the daily experience of what that’s like.
Before the conference, I started a conversation about femme eye candy – remember this? I’ll get back to that in another post more fully, but the relevance is that Muse & I were discussing requesting photos along with some text about how the femme in the photo queers femininity – how her femme-ness is coming through in any particular way that indicates that she’s femme, not straight.
[TO BE CLEAR: this is NOT be about proving queerness whatsoever. I am working on the details of how to write this up, and will explore this much more in-depth in another post soon.]
The point is to use the femme eye candy as a visual lexicon of physical symbols, as an attempt to notice any emerging patterns and begin to record the physical markers of femme identity.
DEFINE: Markers: physical details which indicate that the person is using their fashion and style to construct a queer identity. Examples of usage: Femme markers, butch markers, queer markers, hippie markers …
I have some ideas about what these markers might be – vintage and pinup clothes, hyper-femininity, high contrast, for example – and I must thank Sam and Maggie from Toronto who did a wonderful workshop at the conference on the construction of femme identity through fashion and style, where many of my thoughts on this were refined.
The discussion at the workshop quickly went from “what are some of the femme markers” to “what are ways that femmes construct identity besides through physical markers?”
I kept thinking about these things throughout the weekend at the conference: the markers, and the ways femme is constructed besides markers.
Five things stand out greatly from the discussions as ways to construct femme:
- In contrast to butch – the classic in some ways, the stereotype in others. We all talk about how butches lend visibility and how different a femme is perceived and treated alone verses with a butch. The conference brought up the issue of femme history, too, and how hard it is to find femmes, and one of the ways to do so is to find the butches’ visible queerness and search for their partners.I think this is an incomplete, problematic, and outdated construction of femme identity generally, but it is relevant historically and it still applies at moments. Plus, for some of us our own sense of identity is so greatly magnified when in contrast to our particular desire orientation – I am not just a butch, for example, but I am a butch who loves, desires, and partners with femmes, and that is also a key component to my identity.
- In community – Maggie, the beautiful dancer and wicked smart femme behind the Femme Show (who has a wonderful girlfriend, I was disappointed to hear, as I developed quite the crush on her over the conference) spoke of how when she is in queer spaces, she expects that she should be read as queer. It should just simply be a given. It is not a given that the feminine girl at dyke night is queer, because the lesbian community is still closed off to the ideas that feminine girls are lesbians. I mean, in some ways that is being shattered – maybe that’s one good thing the L-Word has done for the lesbian communities – but in practice, many many queer women still don’t recognize femmes.(I could also speak to how this is probably engrained in butches especially, in butches who are attracted to femininity, from a young age, because we do tend to go for the straight girl or the L.U.G.s and end up getting our hopes up and our hearts broken when she, inevitably, leaves us for a guy, because, well, she’s straight. I still watch butches go through the realization that femmes exist – that femininity exists in a queer context – and wow that sure can be a revolutionary realization. But this is another topic to discuss later, too.)
- Through language - Someone commented to say she has no particular physically queer markers, and in fact she prides herself on that, and would rather constantly construct her queer identity by constantly coming out verbally. But even if a femme does see herself as using many queer fashion and style markers, there is still always an element of constructing identities verbally and through language.This brings up one other idea, which is that I think all of these ways of constructing femme identity happen for everyone, that it isn’t just one or another, that some are stronger for some femmes than others, that there are many different combinations of them that make up each unique femme expression of each person.
- Through fashion and style and through markers. There are hundreds – thousands probably – of ways to construct femme through physical feminine presentation. The conference was amazing that way, to see as many different representations of femme as there were femmes in attendance. I loved seeing the similarities, the differences. There was such an amazing array from the fanciest drag-queen femme to the pencil-skirt-and-glasses femme to the pinup girl femme to the punk rock femme to the tomboy femme to the sundress-and-cardigan femme.And the SHOES! Oh good lord, I could write an entire post on the shoes at the femme conference. (Swoon.)Honestly, I never cared for fashion until I began discovering, uncovering, and creating conscious and intentional butch/femme gender understandings. I wish I had a better grasp on fashion and the history of fashion sometimes, some folks were saying very interesting things about the evolution of women’s clothing options during the conference.
- Through theory – feminist theory, gender theory, power theory, BDSM and kink theory, postmodern theory, historical contextual theory. The intellectualizing of my own gender has been a key component to constructing my own gender identity, and this resonated strongly at the conference.
I’m going to have to work on the butch version of this idea, the ways butch identity is constructed, though I imagine it is in many ways similar: in contrast to femmes, in community, through language, through markers, through theory. But perhaps there’s more to add, perhaps butch and femme are constructed differently? Ill keep thinking on that; please do add your two cents if you’ve got ideas on this topic.
Two specific questions for you, at the end of this looooong summary of what I learned at the Femme Conference about the architecture of femme:
- What are some other tools with which you construct your identity, femme or otherwise?
- And what do your markers look like?