Stone Grief (Kai & DJ #3)

By the time I ease two fingers into DJ’s ass, they already have tears streaming down their cheeks, crying in that silent release way that I’ve only seen a handful of times in the years we’ve been together, but that always means something big is going on. I breathe in, slow my fingers down, and wait. Present. Attuning to each of the smallest movements DJ’s body communicates.

“Don’t stop,” they whisper. “Just keep going.”

They make small sips of eye contact, but are mostly having their own experience. Their body shivers, sometimes from their head to their toes, sometimes left to right, rippling like a chill is going through them. I recognize that release, too. They have been so tight, so tense, their body all locked up for months now. I’m so grateful for the request to fuck them tonight. I’d do anything to help them through this.

Their back hole is tight but pliable, and they relax deeper into my hand as I slowly, slowly use my fingers to massage their insides. It feels like I’m unlocking something, that something has been clenched and is now letting go.

I’m completely unaware of the play party going on around us. There are people up on St. Andrew’s crosses, bent over spanking benches, on massage tables, tied to the wall with the eyebolts that are scattered all around this space. We are in the back corner. I snagged the sling as soon as we got here, after we checked in and made it through the socializing space where the cold pizza, nuts, and mixed veggie trays were laid out already for anyone needing a snack after or during their play. DJ is lying back in it comfortably, body completely supported, swaying slightly with the pressure of my hand against their hole. Their legs are up in the sling’s stirrups, permanently hung there for better access.

We could have done this scene at home, but DJ wanted to come here. Not necessarily to be witnessed, though the exhibitionism is something some folks at play parties seek. It is more that they wanted a place to have a big experience, a big release, that was safe and known and comfortable. Plus, they wanted to be in a sling. It’s the best place for them to receive.

DJ isn’t stone, exactly, but kind of stone-ish. I don’t fuck them very often, and almost never strapped on, though they do suck me off sometimes. They don’t have trauma about getting fucked exactly, they just don’t like it very much. It’s not the best way to get them off, I know—it doesn’t turn them on nearly as much as topping, or fucking with their own cock. But I do get to use my hands on them sometimes, especially after we’ve been going for a while and they have fucked everything out of me that they possibly can but are still hungry—that’s when I know it’s time for me to beg to suck them off, and to offer to use my hands if they want me to, which they almost always do. I think it took them a long time to receive while still being in charge.

Like tonight. They’ve been planning this all week—decided what toys we’d bring, packed the bag, made the arrangements, drove us here. They even told me what to wear (jeans and a crisp white tee shirt, often my uniform when we’re out in public anyway, but it was nice to know that they like it). DJ specifically requested a night for release and catharsis, but I probably won’t do any impact play or anything. I suppose we’ll see if they need that or not.

“Keep going,” they whisper again. I move my fingers a little faster and their asshole relaxes around them. They nod, eyes squeezed shut, tears still coming. Their hands grip the chain of the sling and they rock their pelvis a little, swaying the swing. I focus. I keep breathing. I nearly start crying myself with the emotion pouring off of them like heatwaves, I can practically see it. It’s been bottled tight inside of them ever since we got the call that DJ’s aunt, the one who had practically raised them, died suddenly of a stroke.

They are usually pretty good at handling their own emotions. I wouldn’t be with them for this long if they weren’t. But this kind of grief … only people who have gone through it really know what it’s like. My best friend was diagnosed with cancer and died when I was 20 and I lost my shit for a few years after that. It took me a while to even realize what was going on, it just felt like my life was suddenly falling down around me. DJ hasn’t lost anyone this close before, just relatives and occasional community acquaintances. I know it’s their own process and there’s only so much I can do, but I want to support and be helpful when I can. Especially when helping involves adoring their body, which I love to do anyway.

They arch their back in the sling, press their hips further into me. Their body is shuddering, shoulders shaking—maybe they are starting to really cry, those heaving sobs that are rarer still.

I don’t say anything. I don’t know what to say. It isn’t about words now, this is just about their body, the emotions stored in their thick muscles, the tenderness of their brown skin. I use my fingertips to caress them, then rest my palm on their chest, their heart. I can feel them crying through my hand. They press against me harder, and I move my two fingers a little more furiously. Their mouth opens, they cry out a little, sadness and grief and release and pleasure all mixing, still squeezing their eyes shut, face scrunching up in frustration and fury.

They find my hand with theirs and squeeze, press against me. I stand a little closer, off to the side, to get a better angle. DJ brings their other hand down to their clit-dick and starts jerking it, not quite sobbing but body heaving, beginning to moan. I can’t tell if it’s pleasure or grief or both. The music pounds and I’m starting to sweat, I can feel it dripping on my neck. It’s good that it’s warm in here, easier to be naked that way, and those of us working hard really get a workout. DJ is still pawing hard at their clit, and their hole grips my fingers and I can barely move, so tight, every muscle in them gets so tight, their hips lifting even further, pressing against me, body twisted and contorted, face all torqued like something is in their mouth that they have to swallow. They fist my hand so hard it hurts.

Until … slowly, slowly, the sobs start to come. Then a wail, long and low. Body heaving. I keel forward to offer my body next to theirs and they gladly accept, wrapping their arms around me, pulling me closer to them, crying into my shirt for a good long while.

I still don’t say anything. I can’t find my words. But really, what is there to say? It’s not about me. It’s what they need. It’s the only thing they need right now, to be able to cry for as long as they need to without someone fussing about them. I don’t need them to feel better, or to stop, it doesn’t make me uncomfortable. I just feel honored that they want me here, that they let me do this for them. I know sometimes they prefer to release their feelings by themself.

DJ slowly pulls their arms through our tight embrace and wipes their eyes and face and nose on my tee shirt. I laugh a little. “Is that why you wanted me to wear white?”

They smile. “No,” they say, eyes downcast. “I just like it.” They sound small, but when they open their eyes and look at me, finally, softly, they are shining and bright, alive.


Featured image from Crash Pad Series Episode #98, Micah Riot and Papi Coxxx.

The hottest parts of the hottest parts of the stories: The Big Book of Orgasms

If you’re a fan of reading erotica—and chances are high that you are, if you’re following Sugarbutch—you probably know Rachel Kramer Bussel‘s work. She’s one of the most prolific erotica editors and writers currently curating and creating dirty books and stories for us to read and explore, and I’m a huge fan of her work.

She’s included stories of mine in a variety of her anthologies, and I’m in a brand new book of hers called The Big Book of Orgasms: 69 Sexy Stories which also features many of my favorite queer erotica writers, including BD Swain and Xan West.

The Big Book of Orgasms joins a few other “big book” anthologies of short-short dirty stories, including Girl Fever and Gotta Have It and Frenzy (the latter two I have stories in), and they continue to be some of my most favorite anthologies. They’re so easy to read. It’s like the “good parts” version of other erotica anthologies, where in this one, the writers only have a couple of pages to give you the point of the story, which is usually the hottest part of the story.

The hottest part of the story isn’t always the orgasm part (very often the tease is what does it for me, for example), but it’s definitely one of the hottest parts. So basically what I’m saying is, this book is the hottest parts of the hottest parts of stories. Amazing.

So next week, on Wednesday November 6th, I’ll be reading at the Polk Street Good Vibrations toy store in San Francisco, along with a handful of other contributors to the book, to celebrate the release of The Big Book of Orgasms!

Details:

bigbookThe Big Book of Orgasms: 69 Sexy Stories (Cleis Press) is editor Rachel Kramer Bussel’s latest and greatest erotica anthology. This climactic collection of pansexual short shorts are perfect for bedtime reading to a lover or on your own. Whether getting off from exhibitionism, voyeurism, hot wax, dirty talk or a very special pair of blue jeans, the characters in The Big Book of Orgasms go all out for the Big O. From vanilla to kinky, and everything in between, there’s something for all erotic readers here. At this special reading, Bussel will be joined by contributors Lily K. Cho, Malin James, Crystal Jordan, Donna George Storey, B.D. Swain, Virgie Tovar, Sinclair Sexsmith, Jade A. Waters and Xan West for an evening of steamy stories that’s sure to leave you hot and bothered.

FREE!
Time: 6:30 – 7:30pm
Where: Good Vibrations Polk Street Good Vibrations Polk St. store 1620 Polk Street (at Sacramento Street), San Francisco, CA 94109
http://events.goodvibes.com
https://fetlife.com/events/201391
https://www.facebook.com/events/186231794893318/

… The only problem is, I’m not entirely sure what to read. This book includes a story about Kristen, and traditionally, at book release parties, it’s customary to read the story that is included in the book. But I don’t think I can read a story about how good she is at sex and how much I loved fucking her, in public, right now. Maybe someday I can, maybe it’ll feel like fiction again, or like my own writing, but right now it just feels like ouch.

So what do I read?

Options are … well … I could read a different piece, something about rife or something more fictional. I could read someone else’s story from the book. I could write to Rachel and ask her what she recommends. I’m not sure what the best option is, for this one.

Suggestions?

And while you’re at it, if you’re in or nearby to San Francisco, why don’t you come see me read, and get a copy of the book signed by some of the amazing contributors? It’s been a while since I’ve had an erotica reading, I’m looking forward to it.

Outside the Boxes: Celebrating the Queer Body Erotic in Philadelphia March 1-3

boxesI’ve been working with The Body Electric School since 2000, since I was just barely out and hadn’t even slept with a girl yet, since the year after I left my high school boyfriend of six years right before I had an abortion and decided that was how certain I had to be in order to become the me I was meeting in dreams.

Body Electric changed and formed and forged my adult sense of both sexuality and spirituality. It has interwoven the two of those things, my callings and my desires, my body and my understanding of god, such that I can almost not untangle them anymore—my sexual explorations are a way to deepen my spirituality and sense of energy and self on the planet, my love of and relationship with the planet is a way to fuel my relationships with and energetic exchanges with (read: fuckfests) other people.

Since I got involved almost thirteen years ago, the work has been divided into “men’s workshops,” “women’s workshops,” and “men and women’s workshops.” But the teachers that I’ve been learning from and am coming up under—Alex Jade and Lizz Randall, namely, who are both queer and genderqueer, Alex being on the dandy masculine side of things and Lizz being a femme—along with my friend and butt buddy (long story) Amy Butcher, the coordinator in San Francisco, and I have all decided that we want to bust open the binary gender system within BE, create more room for trans and genderqueer folks to be able to be included in this work, and to start doing more work with those populations.

And voila, the Outside the Boxes: Celebrating the Queer Body Erotic workshop was born.

It is based on the Celebrating the Body Erotic (CBE) workshop model, which is a finely honed workshop that builds on itself from very gentle interaction on Friday night to an intense community experience on Sunday afternoon. It is a clothing-optional workshop where some erotic touch is invited and possible. Everything is done with deep consent, with lots of checking in with one’s self and lots of trust that the others in the workshop are doing that too, and the work is deeply trauma-informed, meaning that we know and expect that we hold a lot of trauma in our bodies, and when we are working specifically on our bodies and our genitals and our relationship with them, we know many things come up. Feelings of shame, fear, being threatened, memories. Lots of things that we may have the ability to actually bring up in a safe enough container that we can let it go. That, to me, is part of the essence of the healing.

But, the integration of new gender policies into the larger Body Electric School has been very hard. The organization is majority run by gay men and serves gay men, probably 80% of the workshops are men’s workshops, and yes, that pretty much means cis men.

We are trying to change this.

The women’s teams have made the decisions to go forward with the women’s workshops as including ALL WOMEN, all trans women regardless of body or surgery or whatever, and all people born female who can bring our female or women-identified parts into the circle. There will be an ALL MEN’s workshop coming soon, hypothetically, that BE is working on. And as we are offering more “mixed gender” workshops, like the Power, Surrender, and Intimacy workshop I’m doing in New York this fall, we are making it “all genders” instead of “mixed,” and inviting anyone with a body to come.

And of course, there’s the Outside the Boxes workshop. It (or another CBE or equivalent) is a prerequisite for any of the more advanced or intermediate workshops. It gives an amazing introduction to how this work is done and what we do with it. It teaches all sorts of basic tools, like consent and breath, and encourages deep embodiment.

I am so in love with this work. I have been working so, so hard to bring this work to my people—you genderqueer trans queer genderfluid gendernonconforming folks whom I adore and whom I am dying to be in erotic circles with. Please come. There are still spaces available in this workshop, though we are going to cap it at 24 to keep it a manageable and good size. Please come. I know it’s expensive, but it is worth every dollar and probably more, and we made it a sliding scale so that we can get as many people there as possible. Please come. Prove to the Body Electric School that this work is worth it, is lucrative, is needed in the world, and is received when we offer it. Please come.

Dear universe, please send a full, abundant, explorative group of people to explore this work in Philadelphia in March. I cannot wait to meet them all. I want more colleagues on this path, and I want more playmates, and I want more support as I pursue this work. I believe so deeply in the power of this to heal us, and I know that my people need this healing as much or more than anybody. It is my calling. I know it’s important in the world. Please send abundance. Love, Sinclair.

Are you buzzing? Are you intrigued? Get in touch with me, even if you aren’t sure if you’ll do it or not. I can tell you more about it. I want to give it to you, want to give you this gift of this work. Are you feeling called? Listen to that place beyond the “oh I can’t make that happen logistics logistics” “ugh it’s too expensive” “I don’t know I’m so scared!” chatter, and see if it’s time.

Here’s the details on the workshop. Please share this widely with friends and folks you might know near Philadelphia!

Facebook event

Qcbe postcard 2013 rev

Your gender. Your body. Your energy. Your beautiful self. How often has the world tried to force you into the gender binary, asked you to assure it that your pronouns matched what it saw rather than what you felt, required that your genitals conform to expectations, demanded that you deny the complexity of all that is you?

What if you could come into a community in which all expressions were possible? Where gender, sexuality and expression were aligned according to your truth? Where no one assumed what parts would go where? Welcome to Out of the Boxes: Celebrating the Queer Body Erotic!

Come explore your erotic potential through the mind, the body and the heart using conscious breath, movement, process work and massage. Awaken the erotic energy that lies within all of us. Through a queer tantra lens, explore archetypal masculine and feminine energies and the myriad ways they can be expressed. Break down silos of gender and sexuality.

This workshop focuses on the entire body and is conducted in a container that is playful, safe and reverential. Using carefully designed experiential embodiment practices participants will:

  • explore the innate wisdom of your body
  • expand awareness, sensation and pleasure through conscious breath, movement, touch, and communication, where each person’s choices and rhythms are honored
  • learn how to more deeply tune in to your body, mind, heart and spirit
  • to receive more fully from yourself and others, and to give without losing yourself
    learn to give and receive full-body massage and to focus on the healing potential of sensual/spiritual energy
  • learn from your own and others’ unfolding, and feel awed witnessing and supporting our uniqueness and commonalities

Out of the Boxes: Celebrating the Queer Body Erotic is a 2 1/2 day workshop (Friday evening, all day Saturday and Sunday), often clothing-optional, for those who are ready to vigorously explore new levels of feeling and aliveness, both within themselves and within a community of queers. Space is limited, so please register early.

NOTE: Couples are welcome to attend Out of the Boxes: Celebrating the Queer Body Erotic and have the option of working together or with the other participants.

WORKSHOP FEE: $250-495. This workshop offers a sliding scale fee dependent upon personal financial circumstances. We believe the work is important and those who need it be considered. Please contact the Coordinator to discuss.

March 1-3, Philadelphia, PA: contact Sinclair Sexsmith, mrsexsmith@gmail.com
October 11-13, Oakland, CA: contact Amy Butcher, bayarea@b-e-school.com

Register on the Body Electric website.

The Act of Creating Something

“Initially, I entered the field of writing through a desire to heal, but what’s been surprising is that while sowing my own transformation, my work seems to aid others’ healing,” Tara Hardy says in GO Magazine’s 100 Women We Love. “And what a privilege to be part of people healing themselves. Call me a zealot, but I believe this is a central opportunity offered by the act of creating something.”

Yeah. That.

Meditating on that today, sitting with it, swishing it around in my mouth to get every last flavor burst. I’m losing sight of my goal, my intentions, in doing this work a little bit these days. I struggle to find the right words. My life is so full, always so much going on … but I am so called to this, this writing, this way of working out my world, this way of making sense of what’s around me. The Internet and communities online are so rapidly changing, I can’t keep up, though I am trying. I’m moving toward more coaching and one-on-one work with people, and doing more workshops and teachings, but I want to keep up my writings here. I know—and Kristen is constantly reminding me—that the only way through is through, but still I struggle with being stuck.

So thanks, Tara, for that quote, and reminding me that there is a “central opportunity offered by the act of creating something”: that it aids others, as well as my own, healing.

I’m thrilled to see Amber Dawn, Miss Indigo Blue, Patricia Manuel, Jessica Halem, Sassafras Lowrey, and Shanna Katz—in addition to Tara Hardy—and other folks in my communities on the GO magazine hot 100 list this year. Congratulations.

letting go

I set a few goals for myself this past Memorial Day weekend, including: spend time with myself, finish the “unputdownable” (and I use that in a tongue-in-cheek way – have you noticed the upswing of use of this term in publishing lately? I think it’s rediculous, personally) book I started, clean up the apartment, go to the park and throw the frisbee around.And, perhaps most importantly: to go through the boxes underneath my bed.

My bed is up on risers, partly, I admit, because I like higher beds (better angles that way) but also partly because in my former three-hundred-square-foot-apartment-with-no-closets, I needed storage space. So when I moved in, much of those boxes that I didn’t have time or space or appropriate fixtures to unpack ended up shoved under the bed. Some of them, like boxes of old journals and boxes of photographs, will probably stay down there, or stay in ‘storage’ in general, but others I knew I needed to go through.

This is what I found:

  • Two boxes of clothes, including three sarongs, sarong pants, two Ani Difranco tee shirts, four spaghetti-strap tank tops with things like “cunt” and “fruit” on them, two Alix Olsen tee shirts, my letter sweater from high school, a sweatshirt from my pre-school (that was a gift after I left home, not from when I was actually in pre-school), and the blue “diesel dyke” jacket I used to wear nearly every day

  • A small shoebox of stuffed animals, small ones, that I’ve collected or been given over the years

  • Two boxes of CDs. This is a problem, actually, because I don’t have any CD storage unit anymore, and I’m not really sure what to do with the hundreds of CDs I have. I should probably go through them and rip them into digital music and get rid of them, at least half of them or so, the ones that I don’t really care to have, but my desktop computer is on its last legs, and needs a serious upgrade, so that has to happen first.

  • Hats – five baseball caps, one cowboy hat, one top hat from halloween years ago. I don’t really wear hats.

  • Two boxes of electronic chords and gadgets, including two (dead, I think) CD players, a landline phone (will I ever need one of those again?), CAT cabling, various power chords for who-knows-what devices …

  • Three shoe-boxes, what I tend to refer to as “memory boxes,” containing things like ticket stubs for concerts, movies, and plays; birthday cards and letters; notes from friends and lovers; notes-to-myself scraps of paper when I didn’t have my journal with me, likely scribbled at concerts, at museums, or bars; photographs; nametags or laminated passes for when I was a volunteer for theatre or film festivals … you get the idea. All sorts of scrapbook-type bits of paper, things I wanted to remember that I did.

Why do I save these things?, I asked myself. Partly, it’s for exactly this experience of going through them, remembering those fun events and moments of my life that were significant. I consolidated those three shoeboxes of memories into one larger hat-box sized box, and it overflowed a little, so I went through some of it, throwing enough of it away that it would fit. I’m kind of sad to throw them away, actually, because that act of going through the box is exactly the reason to keep it. But will that stuff ever be of value to anyone but me? Does that matter? I’m not much of a scrapbooker, but I suppose I could be, or perhaps I should be, if I want to keep all of this … stuff. Is that necessary, though? Do I need to keep my ticketstub for Ocean’s 11 and Border/Clash and Ami Lagendre’s dance performance from 2002? If I can’t remember that I went, were they really all that significant?I also ran into all kinds of notes from past loves, really sweet cards and thoughts and moments from those relationships. Why do I hold on to those things? Do I really want to go back to them, relive them later? I only feel sad, they make me ache a little. Do they really have a purpose, is there a need for them in my life? I’m not sure. I can’t really think of why I might need them. But somehow, I can’t quite let go of them either.

My impulse is to organize all this data, take the fragments and put them chronologically into a book, a scrapbook, and construct a life from them. I guess that’s what I always thought I’d do with them. But do I really want to spend time doing that? Obsessing over and organizing my past? What would that really do? I’d end up with a book, a creative scrapbook of some of the things in my life that mattered. Who would look at it, besides me? Would I even look at it?

I took some of the boxes down from the shelf in my closet, too. There is still more work to do with the boxes under my bed, but I compiled a few boxes, sorted through half the clothes, have two boxes now to give away or donate (if I can ever figure out how to do that here in Brooklyn).

a kite who let go of the string

One last thing about letting go: I don’t do it. Especially not with someone new.

Sometimes I can lose myself in a good fuck, sliding inside a girl like there is some sort of salvation inside, if I could just get deep enough, but I don’t allow myself to be entered, not that deeply, not enough to give someone else salvation. Perhaps I’m not built that way. It too often feels like invasion.

So when fingers inside me found a place lodged thickly, took my cervix between swirls of fingerprints … I wasn’t really sure what to do with myself.

And she said let go … just let go.

And her voice sent me soaring, like a kite who let go of the string. I discovered what the blue sky felt like on my tail. Wrapped it around me.

Let go … just let go.

And my body bowed, enough to feel pulled tight, bone against muscles against skin. I often use the phrase “to the edge of my body” to describe what my consciousness does when I’m fucking. Like any physical activity – running, yoga – what I mean is that I am no longer balled up in the back of my mind but rather am just as conscious in my little toe as I am in my lips and my chest.

I get so lost in my head sometimes. Reuniting with my body feels heavenly. Holy. And through sex it feels sacred. To quote a favorite poet of mine, “this is the sweet glory reason for a body in the first place.”

It takes a lot of work for me to get off. Don’t get me wrong, I love it when someone goes down on me – in fact that is my favorite way to come. Well. That, and having a blow job. And while fucking a girl with a strap-on, which sometimes, I can actually do, if I get the angle right. But most of the time, I get tired of trying so hard and whomever is between my legs gets tired and I let it go before I actually get off.

When I am patient enough to let it happen, the intensity of orgasm is unparalleled. So unlike anything I can do for myself. Though I – like many of us, I imagine – am fairly skilled at getting myself off quickly, I have yet to master getting myself off thoroughly. Or thickly.

I don’t have the right phrase for it. It’s the difference between a single pulse-and-release of an orgasm and having my spine shudder and tear open, like I can feel every drop of water that made me, every molecule buzzing and humming and spinning around singing, opening …

Okay, without waxing poetic here, I’m not sure how to describe these two orgasms in my body.

One: A single pulse, sometimes lasting for a few seconds. Most often, a contraction and release that happens once, a tightening of my muscles originating in my cunt, a tensing throughout my body. Then it’s over, and my cunt is sensitive, clit so sensitive she doesn’t want to be touched. This is what happens when I lay down, read some erotica, jack off. Or when I don’t get much forplay. Or when I just don’t care.

Two: A slower build. Lots of mini-peaks of pleasure on my way up to The Big One. Like earthquake tremors. And when it finally happens I’m clenching everything: fists teeth thighs, not realizing I’m strangling this lovely person going down on me. Tightening and trying to remember to breathe, for ages, minutes even, my entire body coiled tight and pressing so hard against anything I can find – the headboard wall pillows mattress, pressing my arm over my eyes (I always do this, not sure why, I think it must be an impulse to be blindfolded, block out the light). And there is a plateau here where I could stay for moments, full minutes, as though my body was a string and the tongue on my clit is plucking it softly back and forth, vibrating. And I’m just shimmering.

This is the place I wish I could stay. Sometimes, I can.

My mouth is inevitably open here. Open in an OH, eyes squeezed shut, or not, trying frantically to watch, gain eye contact, see lips tongue electricity sparking from between my legs.

But then it all breaks, and I scream with the intensity, often yelling, crying out, noises bursting from me accidentally. What happens in that moment? I think there’s one more muscular contraction/vibration before the tension breaks and sometimes, there’s such release that I cry.

This is not to say that there aren’t orgasms in between, certainly there are.

This is not what happened on Saturday night, but it could have. I wasn’t really going to allow myself to get taken in that deeply that night. But this was the first time in years – four years, maybe five – that I have felt on the verge of one of those orgasms. Felt the possibility of that orgasm existing in my body again.

(Thank you for that.)

I am still getting used to feeling sexy again. I have always, since before I can remember, been so sexual, so experimental, that to have that absent in my life was like losing my life-force, losing my creative drive, losing my pulse.

Last night I saw a poet who reminded me why I am alive. Why I am here. Why I am interested in voices that bounce off of ceilings, in microphones, in ink scrawled on paper or backs of hands or napkins or any available surface.

Today, I am broken. Hit square in the chest with a rubber mallet, bruised plum-purple and crackling at the edges. Sore in my joints and stomach and neck. As though I ran a marathon yesterday. As though I had marathon sex all night.

But really, my heart is opening. Peeking out into the world again. And I’m so, so sad today, seeping a little, soggy and sore.

Because one of the things I realized at that party, making skin-to-skin connections, is that my life is interesting. I do interesting things with my time. And I really want to share that with someone – with people, with friends.

And that, even moreso perhaps than the number two orgasm, is what has been missing from my life and from this relationship that is still ending every day.