Posts Tagged ‘good releasing’
I’ve had these two DVDs sitting around for months now and finally had a chance to watch ‘em.
The first is Crash Pad Series #6, the continuation of the DVD releases of the Crash Pad’s online queer porn empire, crashpadseries.com. This one features Carson, Casey Grey, Cyd Loverboy, Dylan Ryan, James Darling, Jiz Lee, Princess Donna, Ray, Tina Horn, Syd Blakovich.
I particularly love Tina Horn’s scene in this one, she’s hot and funny and having a great time while not taking herself too seriously. And there is a reason she is famous for her ass—it is gorgeous, oh my Gaga.
Good Releasing has taken over (limited?) release of the Pink & White films, which I’m happy to see. Crash Pad, and Pink & White in general, are hugely cutting edge in the world of porn, but it can’t hurt to get a signal boost from the Good Releasing folks.
I’m really behind on the Crash Pad series! Clearly I should make more time to keep up with the amazing short films (but there are so many). Crash Pad #6 was nominated for the 2011 Feminist Porn Awards—as was Roulette Toronto, the next flick I’m going to mention.
Roulette Toronto features April Flores, Jiz Lee, Dia Zerva, Dylan Ryan, Courtney Trouble, Tina Horn, Drew DeVeaux, Judy Minx, Scout, Lascivia Liberty, River Turner, and Wordman—and many of these stars are my absolute favorite.
The scene with Trouble and Judy Minx is sultry and edgy and hot, with saturated color and sexy sensation play. The trio of Drew DeVeaux, Jiz Lee, and River Turner is in a dance studio where they all get to show off their moves, before moving on to every possible combination. April Flores and Dylan Ryan get it on femme-style, complete with high heels and April’s amazing bright red hair.
And the music! Queer and dirty radical goodness. It is an impressive collection of scenes from director Courtney Trouble (as if we’d expect anything less of her).
And if that description isn’t enough, here’s the trailer. Do I have to warn you that it’s NSFW?
We haven’t had a #pornparty in a while … do y’all miss it? If I did another one, would you come? What if it was free to tune in and watch that film at that particular time? Would you join us? Are you interested in that continuing?
Crash Pad Series #6 and Roulette Toronto queer porn DVDs were sent to me from Good Vibrations for review. Check out more sex toys, vibrators, and other lovely items at your local feminist queer sex-positive sex toy shop, or online at goodvibes.com.
Want to join us?
If you’d like to join in on the conversation, even if you don’t have a Twitter account, you can follow the conversation we’re having with the hash tag #pornoparty—so if you join in, please include that hash tag on your Tweets so we can see your comments!
If you don’t have the film, don’t worry—you can do the video-on-demand thing and watch it over at Hot Movies For Her. If you sign up for a new account, use the discount code SugarButch (not sure if the caps are required or not, that’s how they set it up, even though the B is not capitalized) for 20 minutes free. It’s only 90 minutes long, so it’s a start!
I’m sure there’s a way to live-update the Twitter feed on a post, and I’ll look into it tomorrow and see if I can make that easily happen, but you might have to just go check Twitter tomorrow. It should be fun!
Good Porn: A Woman’s Guide by Erika Lust, translated by X.P. Callahan. Seal Press, June 2010
It’s difficult for me to critique this book: Lust consumes porn in similar ways that I do, and we have a similar history with viewing porn, so most of my responses to this consist of, “yeah, so what?” It’s not new information to me, nor would it be to anyone who is aware of the ways that the porn industry is rapidly changing to include more female directors, more perspectives from and by and about women, and more woman-oriented pornography.
Really we’re talking about films here. Porno films, from kink and gonzo to erotic documentaries: Lust writes about ‘em all.
If you’re a woman who doesn’t like porn, or who has seen some porn and thinks that it is all the same, icky, unrealistic, performance-y, useless, and not even sexy, this is a great guide to finding directors, stars, and content that you may enjoy. There is a world of new porn available, even in the last five years, and if you can suspend your judgment for a bit to open up to the new materials that Lust describes, you might be greatly rewarded, discovering some new ways to explore your own sexuality through finally some videos of sex that are actually made for your consumption.
I can’t imagine that readers of Sugarbutch—or Carnal Nation, where this review will be cross-posted—will find this new information, however. In my experience, most of the readers understand this new world of porn films, as I might argue that both Sugarbutch and Carnal Nation are part of that new world, perhaps on the fringe, as we don’t produce video content, but as cultural commentary, certainly.
So who needs to pick up this book?
Those women who, though they have already made up their minds about something, are willing to be surprised. Women who believe that porn could possibly be good, that the definition of porn is not “exploiting women” but that the industry has had a lousy history in the hands of repressed men who will sell any act of a penis pounding a vagina to make a quick buck, and that if women or queers or respectable men were making porn, it could be better. It possibly could be interesting, even. Women who believe that it is not porn itself that is the problem, it is not taking video of people having sex, enjoying their sexuality, and getting off that makes porn bad, it is the perspective and the industry in which most of these videos have been made that is problematic. And look—there is a whole industry and perspective popping up, thanks to the feminist movements, queer movements, and the rise in sexual information, sex education, and the Internet.
Ah yes, the Internet. It’s a challenge to write about the Internet in a book. Books are somewhat fixed documents, the Internet changes all the time. Long lists of web addresses in books are not so appealing, since they aren’t hypertext and I can’t click on them, and I have to be really inspired to actually go look up the URL on my computer from a book. Plus, I spend a lot of time online, reading information about sexuality, keeping up with the feminist- and queer-positive directors of porn, and following the new big releases from Blowfish or Good Releasing, so the information in Good Porn wasn’t new or shiny or opening my mind in any major (or minor) way. I was hoping Lust would tell us more about the worlds of women’s porn in Europe, since she’s Swedish and in fact this book is translated into English for it’s release on Seal Press, but there was very little content and description of films that I wasn’t previously aware of. It seems that the major impetus for this new women-centered porn world is here, in the US.
If you need some convincing that porn for women is real, happening, and, yes indeed, valuable, check out what Lust has to say on the subject. But if you are already part of this world, while I recognize that it’s good, solid information and important to write about, it may not keep your interest.