Posts Tagged ‘gender’
The Femme Conference 2010: No Restrictions in Oakland is two weeks away! And in honor, Sugarbutch is counting down to the Femme
Conference, featuring some important femme books that I highly recommend if you haven’t read them already. Femme is part of an ever-evolving, big, knowable lineage, and if you love this identity in any way—if it’s yours, or if it is the gender to whom you are oriented, or if you appreciate it—you should know where it comes from, where it’s been.
I met Ulrika Dahl at the Femme Conference in 2008, and was excited to get my hands on this lovely book when it came out. It features profiles and essays about femme identity, photographs of femmes with all sorts of varieties of presentation, and discussions of what femme is like in different contexts. It’s a beautiful book, almost a coffee table book, that you can flip through and stare at all the beautiful photographs of femmes. Or you can delve deeper into the text for complex depictions of queer gender identity.
From the synopsis:
What is femme? French for woman? A feminine lesbian? A queer girl who loves to dress up? Think again! Going beyond identity politics and the pleasures of plumage, “Femmes of Power” captures a diverse range of queerly feminine subjects whose powerful and intentional redress explodes the meaning of femme for the 21st century. “Femmes of Power” features both every-day heroines and many queer feminist icons, including Michelle Tea, Virginie Despentes, Amber Hollibaugh, Itziar Ziga, Lydia Lunch, Kate Bornstein and Valerie Mason-John. “Femmes of Power” unsettles the objectifying “male” gaze on femininity and presents femmes as speaking subjects and high heeled theorists.
I can’t resist posting this. Kelli Dunham, comic, former nun, friend of mine, and nerd extraordinaire, posed a question on her Facebook page about what genderqueer folks do when needing to pee at Penn Station: go into the woman’s room, and get yelled at? Or brave the men’s room’s grime and row of urinals?
In response, a friend of hers suggested she write a catchy song, and voila, she did. Here’s the whole explanation, and the song, in the video:
If you’d like to see her live, she’s got a show coming up with Cheryl B. (who you may know as my co-host from Sideshow), Katie McCabe, Elizabeth Whitney, and Lea Robinson, aka the Famous Lesbian Comedy Roadshow* (*famous lesbians not included) at Stonewall Inn this Tuesday, July 6th. It’s the DIRTY FILTHY RED HOT SUMMER SHOW, clearly not to be missed.
“‘Cowboy’ is a calling, a vocation, not a gender,” starts the book Lesbian Cowboys: Erotic Adventures by Sacchi Green and Rakelle Valencia, published by Cleis Press. And the first review of it I saw online (which now of course I can’t find) said, “This book has nothing to do with gender.”
But of course, I have to disagree. It has everything to do with gender.
I know what they both mean, though—they mean men and women, they mean cowboy does not necessarily mean a cisgender man. But this collection of erotica is full of genderqueer cowboys, dykes, crossdressers, even possibly a trans guy, though the characters in these stories never identify themselves as such, partly because some of the stories are period and set in a time when this language didn’t exist. Possibly also because the authors, or even the characters themselves, do not have this kind of language.
None of the stories came across as particularly smart about gender theory or politics or identity, but all of them have specific life experience of what it’s like to be different, masculine and a “woman” in a man’s world and a man’s profession, or feminine and a woman in a man’s profession. There are femmes and butches, women who pass and those who don’t want to, women who feel the need to prove themselves capable despite their gender, trans male characters who go by he and him as his chosen pronoun, even a leather “phallus” strap-on in a scene in a brothel.
I am quite fond of “The Hired Hand” by Delilah Devlin, which is sexy and tense, about a woman who comes looking for work at a ranch and proves she is just as capable as any man would be. In many of the stories, I like the tough American accents, vaguely southern but also just western, I like the descriptions of the landscapes and rodeo circuits, the mountains and connection to the land.
It’s a lovely collection, and if you like gender play (and butches or masculine women) in general, there aren’t a lot of lesbian erotica collections exploring those dynamics, and this is definitely one of them.
And, as an exciting side note, this collection won the 2010 Lambda Literary Award in the Lesbian Erotica category!
“Excuse me, could you pass me my penis?”
This is something NOBODY wants to say, especially not in a men’s bathroom, especially not in a women’s bathroom, especially not in ANY bathroom to any stranger whatsoever. And if you, like me, have used those lovely cute little soft packers to have that extra weight and bulge in your undies, you may have experienced that little phenomena that happens when you pull your pants down and they roll and tumble right out of their nice little packed spot and … onto the floor.
Oops. Man that sucks. Not only do I not want to put it back in my pants before cleaning it (bathroom floors, ew) but now I might have to either ask someone in the next stall to pass it back to me, or go in there and fish it out myself.
(I don’t think I’ve actually ever lost my packer in a public restroom. But I will totally admit to having had that nightmare, and even the occasional jiggle when I am trying to piss makes me nervous as hell.)
Point is: I love packing straps! I’ve had the cock sock for many years now, it was an easy cheap investment for like fifteen bucks that makes me feel sooo much better about wearing a packer. The Mr. Right packing strap is out there, too, but only really works with Mr. Right, which is a little bit hard for me personally to pack with (see my review here), I like the squishier packers, they’re more comfortable.
I was kind of skeptical. It attaches with velcro to the front of your underwear, and that seems a little weird. I want my packer to feel like it’s attached to me, not to my underwear. And I wasn’t sure the velcro would be enough—is just a regular underwear elastic enough for velcro to grab onto?
Turns out, yes. It doesn’t go anywhere when you just give the velcro a little press. I tend to use not the smallest (mini) but the small soft packer, and it was pretty easy to get into the pouch and is comfortable to wear.
I think I prefer the other packing strap called the Cock Sock a little more than I like this one, just because I prefer that it’s attached to me and not to my underwear, but then again sometimes if I’m already dressed and decide that I want to pack it is kind of a pain to get it on (either I have to stretch out the elastic to pull it over my jeans, or I have to undress. Annoying), and with this Packing Pouch I can just slip it in whenever I think of adding it to my outfit. Both are easily hand washable, and while I can’t say how long the Pouch is going to last, I know the Sock has lasted for quite a long time and it seems that the Pouch is slightly higher quality material. Hm, it’s a toss up, I’m not sure which one I like better.
Definitely worth trying if you like to pack, and if you use the soft packers.
The Great LGBTQ Photo Show
June 16th to July 10th, 2010
Opening reception Tuesday June 15th, 6-8pm
Leslie Lohman Gallery
26 Wooster St (btwn Canal/Grand) in New York City
G at “Can I Help You, Sir?” asked about femme invisibility recently, and the topic has gone around the gender/queer blogs a bit, with some great posts and thoughts.
First, and probably most obviously: I am not femme. So I am writing from a perspective of having dated and known many femmes in my life, but I do not experience visibility directed at me, but through stories and my witnessing. I am only an indirect, at best, expert on this. But these are my thoughts on femme invisibility, i.e. femmes not being recognized as queer because of their gender presentation.
This is a real thing. Femmes everywhere and from all parts of my life have told me this. One of my first femme mentors, Tara Hardy, has multiple poems about femme identity, one of which quotes: “I no longer get sad if they ask me at the door if I know it’s dyke night: I get mad. I mean, how much pussy do I have to eat before you let me in the club?”
And early on, I knew I was attracted to femininity, knew I wanted to date femmes (though I wasn’t quite sure how). The revelation that there are gay women who like to be feminine, and that I don’t have to chase straight women who will, probably, by definition, leave me to date men, was a relief. But I know that that’s not so easy to grasp for many people.
At the Femme Conference in 2008, Leah Lakshmi Piepzna-Samarasinha said in her keynote address, “Femme invisibility is bullshit. You just don’t know how to look.” And I wanted to stand up and scream FUCK YEAH, because sometimes when femmes say “I feel so invisible” I want to say, but I SEE YOU! But I know I don’t always, not every single time, and I know I don’t make up for the other thousands of people who don’t see you, or for the discrimination and rejection from the queer communities that seems to continue, despite that femmes are a very significant part of queer communities.
One of the bottom-line issues about femme in/visibility, for me, is that it is a form of gender discrimination. When someone refuses to recognize a femme as queer, that person is saying, straight women are feminine, dykes are not, therefore your gender presentation trumps anything that might come out of your mouth about how you identify or who you are, and I am more right than you are about your identity. The sex-gender assumption is too strong and too fundamental for many people to be allowed to be overridden.
And gawd if that doesn’t get my boxers in a twist.
Especially since, let’s be honest, I fetishize the theorization of gender a little bit (or, um, maybe a lot), so the verbal explanation of gender and sexuality that femmes are pretty much required to do (because the sex-gender assumption is so strong) is all the more hot to me, and even sometimes MORE valid than the androgynous or rejection of femininity presentation of many other dykes and queers. Because, I mean, your strappy sandals are really hot, don’t get me wrong, but if you can’t use words to talk about femininity and sexuality and dykeness and a claim to queer culture and an acknowledgment of the complications of living in a culture which heteronormatizes femininity, are you going to get my blood pumping? Probably not. The femininity without the intention behind it is less appealing – to me, personally – than the ability to explain it.
From what I can tell, the issue of femme invisibility is at least threefold: visibility to straight folks, visibility to queer folks, and visibility to femmes themselves.
Passing: In/visibility to the Straight World
Not being seen as queer and recognized as radical by straight folks is a common complaint I hear from femmes. There is an added burden of constantly having to come out verbally, constantly having to remind the folks around you that you are queer, constantly having to deflect and defend yourselves against unwanted straight male attractions, since in this culture the display of femininity is presumed to be for the attraction of men, men’s gaze, men’s sexual advancement. It is seen as an invitation to being hit on, in fact. A girl out on the town and all dressed up in heels, dresses, lipstick, must be trying to “catch a man.” Of course, this isn’t true. Whoever this girl is, she could be wearing those things for all kinds of reasons, for her boyfriend, for her friends, for herself, for her wife.
And this is constant. Walking down the street, catching a cab, on the subway, at work, at a party, at a play, at a concert, in a bar – everywhere a femme goes, her femininity is assumed to be for men and to attract a man.
(This is also, in fact, one of the reasons femme-ness is subversive, and feminist: it re-creates femininity not as a tool to catch men, but as an authentic mode of expression for onesself and for queerness, disrupting this idea that femininity is “natural” for women.)
This is also called “passing,” and though I have had femmes tell me they like that they get to hear what people say when they don’t know someone gay is listening, I think generally passing carries with it a great burden, not privilege. The burden is that of constantly coming out, constantly having to argue with folks, constantly having to defend one’s orientation as gay when the sex-gender assumption does not line up.
There is also, as some femmes have mentioned to me, the problem that, after coming out verbally to someone (especially a man who is attempting to hit on you), you are sometimes in more danger than you were before, or than someone masculine- or androgynously-presenting is, because the person feels “tricked.” (I’ve written about this before, a little.) This defense is often cited in trans hate crimes, also – this notion that the trans person was presenting some other way than how they “really” are, therefore the hater was “duped” in some way.
Honestly, I don’t know what femmes can do about this particularly, aside from continue to come out. We – if I may speak for queer and gender and feminist activists – are trying to reach the straight world, we are trying to raise visibility and disrupt the idea that femininity is an invitation, but that is going to take some time. I hope there can be some assurance, regardless, that femme femininity is valid and not intended to be a tool of attraction for everyone, but for whomever it is you choose for it to be for. You can’t choose who sees you when you walk down the street – you put yourself out there in a semi-public domain and you can’t pick who you interact with on a daily basis. But you can choose what those interactions mean. And here, you just have a more advanced sense of this sex-gender assumption than they do. You are right. They are not.
Recognition: In/visibility to Queers
The second issue here is the visibility of femmes to queer communities. This, I think, is more personal and more of a vulnerable topic, since femininity (and expression of gender), to some degree, indicates desire and sexual signaling, and when those symbols of gender are not recognized as being symbols of attractiveness or attraction, that can be incredibly invalidating and disheartening.
It is a vulnerable process to put oneself out there, to make oneself available for rejection, to get dressed up for an event, to walk in and think, “my people!”, only to have them not recognize you as one of them. It hurts. It is a constant struggle.
It’s also frustrating to be hitting on people you are interested or attractive to and to have them not recognize what you’re doing as an invitation, or to resist or be skeptical of the validity of the invitation.
I understand the resistance, being on the other side of that equation, of a masculine-presenting person who has been taught over and over not to get caught up with straight women. I know a lot of butches and transmasculine folks who have a history of dating straight women, and the heartache of that inevitable loss is one we learn early. It is also dangerous – plenty of societal factors will jump in to police any attempts to “convert” a straight women to our lecherous queer ways, be it the girl’s boyfriend, friends, parents, or complete strangers, and because of the masculine presentation, the threat of violence is implicit or, sometimes, direct.
Not that this is an adequate excuse for the refusal to recognize femmes as queer, especially after a femme says “I’m queer” in some form or another.
I mean HELLO – butches and transmasculine folks and all of you queers and fucking everybody, while I’m on the subject – can we please just start to practice believing a feminine woman when she says she’s queer? Stop questioning her agency. Stop forcing her to defend herself. Stop being an ignorant idiot and realize that femmes exist and are real and valid queer identities. Any time you call a femme’s queerness into question, that is what you are doing.
Yeah so some of you might’ve had your heart smashed by a feminine straight girl in the past. I know. That sucks. You might be skeptical that you could get hurt again. Yep, okay, that’s valid. Entering into any relationship requires you to put yourself out there a little, and involves some risk. But regardless of her orientation, you might get hurt. Regardless of whether you marry this girl or date her for ten years or one year or just have a one night stand or just buy her a drink or walk away in one minute, she could hurt you. (No wait – she could reject you. You can choose whether or not that rejection is painful. But that’s a slightly different topic.)
Also: I’d like to put out there that, when in a queer space, it is okay to assume that the people in attendance are queer. Now, this does not mean that everyone is there for your own personal pleasure, and that it’s okay to blindly hit on anyone and everyone, so the “don’t be an asshole” rule obviously still applies. But if there’s a feminine person over by the jukebox at the dyke bar, it is more likely that she is gay than not. She still might not be – but if she’s in a dyke bar, and you are nice and thoughtful and polite and reasonable and respectful, it isn’t a problem to assume that she’s gay and to ask her if you can buy her a drink or tell her that you like her shoes. If she’s not gay, okay, depending on your goals of the evening (to pick someone up vs to converse with interesting people vs something else), be polite. If she is gay, that still doesn’t mean she’ll sleep with you. You might not be her type. She might be taken. You might be her type and she might not be taken, but she still might not sleep with you because for whatever reason, she doesn’t want to. Oh well! If you can, don’t take it personally, and move on.
Proof: In/visibility to Oneself
In the post Alphafemme wrote about femme invisibility, she touched on something very interesting:
It starts with not being able to see myself. That must be at the very root of it. As a little girl … I loved tea parties and dollhouses and dresses and patent leather shoes, I loved American Girl dolls and dress-up and imagining my future wedding. I was obsessed with … figure skaters and ballerinas. I fit snugly into my gender box. No questions asked. … it took me quite a long time to come out to myself. … There was no way I was gay. It just didn’t make sense. I was a girl. I was supposed to like boys. That was that. … Understanding of sexuality is so, so so tied up with gender. That’s really what makes femmes so invisible. To ourselves as well as to others. There often aren’t any outward signs that we digress from the norm. They’re all inward. And society tells us (all of us, not just femmes) all the time that the inward things? Are figments of our imagination. … So unless you look different, unless there’s some physical proof of it (whatever it is), there’s plenty of room for people to doubt you. And judge you. And feel justified in doubting and judging.
What a complicated, heartbreaking, turning-ourselves-inside-out that coming to a new identity process is. And when it is not marked by physical proof, when someone looks the same, there is no particular indication that Something Big Has Changed, so how do we know? By speaking of it, by talking about it, by documenting it in some form. Still, so much of the data we take in is visual, so even when our minds take in that something is different, if we don’t see the physical proof, it might not register the same way. I think this is also partly why the process of coming out as a dyke often involves things like cutting one’s hair off – which is the rejection of femininity and the association that femininity is performed for the attraction of men, yes, but also a physical marker that something has changed.
These are just things that are “true,” according to our culture: femininity is a tool for the attraction of men; dykes reject this and therefore don’t have to perform femininity; if you are a dyke, you also come to a more androgynous gender identity as part of your dykeness. Sexual orientation and gender presentation are so tied together – that is the sex-gender assumption in a nutshell.
It is a radical and subversive thing to occupy an identity that disrupts these social “truths.” It is hard. It is a constant battle. I think it does change, though, in two ways: we come to a more accepting, understanding place about our own identities, with a lot more sovereignty, so we don’t have to constantly feel defensive and at war with the world; and culture is changing, too. Culture is not a static fixed thing. Queer culture is advancing like mad. We are pushing the edges of it, calling into question the sex-gender assumptions in big ways. I think society is getting more accepting and understanding, as time goes on, and we do come to more solid places within ourselves, and we do get to know more and more people who are like us the longer we explore these identities.
A few more things …
Femme invisibility is gender discrimination based on the sex-gender assumption. It is not about you, it is about a culture-wide unspoken societal rule that says femininity is for the attraction of men and feminine women are straight.
Don’t take it personally. I know that’s more easily said than done, but I still think it’s true. There is not some magic femme symbol that, if you were wearing it, or if you were more gay, or “really” gay, they would have recognized it. This is their problem, not yours. There are many, many of us who recognize femme as a completely legit queer identity, as one of the cutting edges of queer identity in fact, and who know how difficult it is and how deep it runs. Your experience is valid, your orientation is valid.
Of course, femmes don’t always go through the process of invisibility. Lady Brett wrote a piece about the relative newness of invisibility in her life, and growing up a tomboy. There are so many ways to experience femme-ness and queer community involvement and recognition, and while claims to overarching truths can be called into question, our own experiences are always valid and real.
Chime in on this conversation, if you like. What do you think about femme invisibility? What has your experience of it been? What’s it like for you? How do you transcend these frustrating moments of invisibility, both to other queers, the straight world, and yourself? What have you witnessed in your femme partners or lovers or friends? How do you give a secret nod or wink to other queers?
If you live in Seattle, don’t miss the Mentor Showcase at Bent: A Writing Institute.
I studied at Bent for almost six years, when I lived in Seattle and was going to college at the University of Washington getting degrees in both Creative Writing and Social Change. I have been quoted saying that Bent taught me just as much, if not more, about writing than my entire undergraduate degree in creative writing, and Bent’s founder, Tara Hardy, has been one of my most influential mentors. So much of what I know about gender, sexuality, trauma, healing, artistic pursuits, and writing comes directly from my studies with Bent and Tara.
If you’re in Seattle, or passing through, I highly urge you to check out some writing classes or Bent performances.
“All of the LGBTIQ community should lift our ears to receive Leah Lakshmi Piepzna-Samarasinha,” says Bent founder, Tara Hardy. “Her vision stands to rearrange the ways we approach community, creating art, and loving. Every time I’ve heard her read I’ve come away new.”
Bent’s unique Mentor Showcase has become a fall tradition in Seattle. Leah Lakshmi Piepzna-Samarasinha, a queer Sri Lankan writer, teacher and performer joins a fabulous line up of Bent writers for this year’s annual Showcase. Piepzna-Samarasinha’s work explores the interconnection of systems of colonialism, abuse and violence. Bent is America’s only writing institution for queers.
Tara Hardy has once again assembled the comic, the tragic, the downright magical and wildly diverse Bent writers who join Piepzna-Samarasinha on the Museum of History and Industry stage November 13th and 14th. The annual Showcase production is a wonderful opportunity to experience great writing before it hits national tours. Each of the Bent writers brings a unique voice, history and insight to the stage. Now in our 8th year, the showcase has grown from a class in Hardy’s living room to become a highly anticipated and life-changing community event.
Bent & Leah Lakshmi Piepzna-Samarasinha
Museum of History and Industry, 2700 24th Ave. E, Seattle, WA
Friday November 13 & Saturday November 14
Doors 7:00pm / Curtain 7:30pm
Leah Lakshmi Piepzna-Samarasinha Mentor Writing Workshop
Lifelong AIDS Alliance, 1002 E Seneca, Seattle, WA
Saturday, November 14
Tickets: Brown Paper Tickets
LEAH LAKSHMI PIEPZNA-SAMARASINHA:: Leah Lakshmi Piepzna-Samarasinha is a queer Sri Lankan writer, performer and teacher. She is the 2009-10 Artist in Residence at UC Berkeley’s June Jordan’s Poetry for the People program, a 2009 Sins Invalid performer and the co-founder and co-artistic director of Mangos With Chili. Her one woman show, Grown Woman Show, has toured nationally, including performances at the National Queer Arts Festival, Swarthmore College, Yale University, Reed College and McGill University. The author of Consensual Genocide, her writing has appeared in Yes Means Yes, Visible: A Femmethology, Homelands, Colonize This, We Don’t Need Another Wave, Bitchfest, Without a Net, Dangerous Families, Brazen Femme, Geeks, Misfits and Outlaws, Femme and A Girl’s Guide to Taking Over The World. She has performed her work nationally, in venues as diverse as the National Queer Arts Festival, La Pena, the Nuyorican Poets Cafe, Bowery Poetry Club and Asian American Writers Workshop to immigrant rights protests, queer youth center benefits and strike lines. She is finishing her second book of poetry and her first memoir, and is happy about the forthcoming publication of The Revolution Starts At Home: Transforming Partner Abuse Through Community Accountability, which she co-edited with Ching-In Chen and Jai Dulani, by South End Press in 2010.
BENT: Bent Arts, a non-profit organization, is the only queer writing institute in the nation. The mission of Bent is to promote and encourage written and spoken word among LGBTIQ people and in our communities. The concept and work of Bent began August 2000, in the living room of Tara Hardy, Seattle-based writer, performer, and Slam Champ. Since, Bent has grown to a full institute, having served over 200 students, offering a variety of weekly classes and local and regional performances.
MENTOR SHOWCASES: These annual spoken word showcases are a chance to see Bent students, whose works are generating much attention both locally and nationally, perform alongside a writer whose work they look up to and have chosen to honor. Moreover, they are a chance to bring underrepresented voices to our greater communities. The showcases are Bent’s largest annual fundraiser. There have been six other sold-out showcases and workshops since June 2003, with standing-room-only crowds and growing student rolls. The last showcase was housed at Piggot Hall at Seattle University, met with two packed nights and critical acclaim. In these prior showcases, Bent has honored queer writers and mentors: Kate Bornstein, D. Blair, Dorothy Allison, Buddy Wakefield, Juba Kalamka, Justin Chin, Michelle Tea, Ivan Coyote, and Sini Anderson.
This event supported by Poets & Writers, Inc. and GLAmazon
Part Two in a series of five. See also: Part One, Introduction
Beyond the Concepts of Yin & Yang
I was introduced to many new concepts at the 5-day tantra retreat I attended over the summer of 2009, but the one I’ve been constantly chewing on and talking about and sharing and using to analyze myself and others has to do with yin and yang.
Most of us are familiar with the concepts of yin and yang – and many of us who study gender may call bullshit immediately, saying it is a binaristic, dualistic system that does not account for the gray areas, just the black and white. But as much as postmodern theory wants to deconstruct the binary and create and celebrate a multitude of options, there’s a part of me that thinks outright dismissal of the binary is just unrealistic – we are bipeds, we have a long human history of constructing the world in twos, in binaries, in this-and-not-this. Yes, we need more than two options, do not get me wrong. Especially when it comes to gender, there are so many more expressions and experiences than ‘man’ and ‘woman.’ But that said, there is something basic about the binaries – light/dark, in/out, hot/cold – that is useful to structure the world around us.
Most of us are familiar at least in a broad way with the yin and yang concepts. Yin is receptive, dark, fluid; yang is penetrative, light, pointed. Yang enters, yin receives. Yang inquires, yin observes. Associating feminine and masculine with yin and yang is a challenge because I do not want to seem prescriptive – if you are feminine, you are not required to be yin, for example. Gender expression does not necessarily line up with these types of energy breakdowns.
Yin is traditionally associated with femininity, and yang masculinity. It’s probably clear why: the penis/vulva intercourse description inherent in the penetrative/receptive delineation easily dictates how the energies are divided. Together, yin and yang are called the Stabilizing Energies, as they need each other in order to be strong. Without something to hold, yin is empty; without somewhere to rest, yang cannot stand up by itself.
When broken down, yin and yang Stabilizing Energies are the Masculine Yang and the Feminine Yin.
The second type of energies, which was the part of this that is all new to me, are the Transformative Energies, which are the Masculine Yin and the Feminine Yang.
The Feminine Yang is also called spanda or shakti in tantra, the equivalent of ‘life force.’ But not life force in an ommmmm prana/breath way – more like a violent life force, the ripping open of legs and cunt to push a baby to be born. The spontaneous expressions of joy and energy that overcome us. A lava flow, a rushing river of rapids. Pure force, pure energy, intense and wild.
Her counterpart is the Masculine Yin. He is the riverbank to her river. He is the container, the thing that keeps her safe. But not in a controlling, overbearing way (that is perhaps indicative that the masculine yin in someone is imbalanced or poorly developed) but in the way a father coaxes a wild child to redirect their energy, like martial arts, taking the opponent’s force and deflecting it, using it against them. The Masculine Yin is a firm, nurturing hand, the container in which the feminine yang can rest and grow and feel safe. Without the container, she is explosive, sometimes wild. She needs the gentle guidance to be transofrmative.
Though these qualities are associated with gendered words, they are by no means prescriptive or restrictive, and in fact tantra presses that everyone needs to have a balance of all of these energies, and even has some methods by which to develop the areas where one is weaker.
Because, well, this is my personal online writing project (a.k.a. “blog”), I am going to take a minute to explore these four categories and how they relate to me and especially my evolving masculinity.
Feminine Yin – Growing up the child of two feminist hippies, and discovering things like Ms. Magazine, wicca, and feminism as a teenager, gave me a very strong base in the feminine yin. I did not grow up a tomboy like many transmasculine folks, I wore dresses and skirts and makeup (much to my feminist mother’s chagrin) in my teens. When I did begin taking on masculinity, my respect for femininity stayed steady and firm and did not really change – what changed was only my own presentation. I still saw a lot of value in the caretaking qualities of the feminine yin. In fact, perhaps more than feminism (which, one might argue, sometimes values the feminine yang over the feminine yin), my base with the feminine yin comes from my mother, who is an early childhood educator and extremely receptive, sometimes to a fault. And while there are some ways I could improve my feminine yin receptivity (i.e. sexually – though I’d rather have a different kind of sex, more on that later), for the most part my issue here is that I am too receptive, too hyper-sensitive, too eager to take in the world around me. I don’t necessarily have a deficit, then, but I do perhaps have an overabundance.
Masculine Yang – I have spent at least the last five years very intentionally developing my masculine yang. That is the energy that more than any others was left out of my family, so I didn’t know intuitively how to reproduce it, and the examples in culture are generally negative, overbearing, misogynistic, even dangerous. I took a lot of time learning how to penetrate, how to be inquisitive, how to investigate, how to externalize my desire. I even moved to arguably the most masculine yang city in the United States – New York. So much forced learning happens here, at times painfully. I don’t think New York creates problems so much as it exacerbates and explodes what is already there, and in my case, New York would not let up, would not let me turn away, and I had to develop and strengthen my masculine yang to keep myself safe and whole. I feel good about the changes I’ve made – I was clearly lacking some masculine yang, and I think I’ve adopted it in ways that are strong and stabilizing, not necessarily in offensive, violating external ways.
Masculine Yin – When I first heard about this concept, this is the one that clicked. Oh. Fuck. That’s what I need. In fact, that’s what I’ve been trying to develop recently, for a few years now even, though I never had a specific name for it. The funny thing is, I am very skilled at being a container and holding space in many aspects of my life – I would say this site does a lot of that, for example: creating a safe space for people to come and interact and explore complicated, personal ideas. I do it in my sex life all the time, pushing the girls I sleep with to a bigger, deeper release, and then holding them through it and bringing them back to a place of safety and care. This happens with Kristen especially quite often; I feel blessed and privileged that she trusts me that much, and that she’s willing to let me guide her through some of these dark, complicated, occasionally painful places, and as our sexual relationship continues to deepen I think we’ve both been able to explore the ways that I contain her and hold space for her experience in bed in bigger ways. And yet … and yet. I can’t seem to do this for myself in the ways that I want to. I sometimes get frightened of my own capacity for “big-ness” and hold back because I’m not sure I can contain it. I need to have better corral over many aspects of my life (my paperwork, my clutter, my calendaring, my obligations) and I know I need a firmer, heavier hand to come along with gentle strength and say no, no, no, to more things than I do now.
Feminine Yang – I’m not sure I trust my feminine yang. I feel it bubbling up in me sometimes, but I’m not sure I – or the world or my partner or my friends or my community – can hold the bigness and chaos that I fear will spill out of me. At the tantra retreat, for example, when I was thinking beforehand about my intention and what I wanted to get out of it, I really wanted to leave my New York crazy life behind, to forget my to do list and the million things that were weighing on my mind, and really find some deep calm and be able to be present in that new delicious space. That, however, wasn’t a problem at all – the whole world and my whole life dropped away from me as soon as I entered the beautiful zen center hot springs space, and I stepped into a deep calm and sense of self that was just under the surface. The challenge, however, was with what came out of that deep calm – this overwhelming power and strength and WHOOSH that sometimes took my breath away. I always felt like I had to back off from it, to not indulge or give in to it, but to contain and control it. I don’t think I ever quite let it out. So I do need more practice with this one, definitely.
If I think about it, it seems to make sense that in a butch top/femme bottom sexual relationship the butch top would occupy more external, explosive yang and that the femme bottom would take in the receptive, containing yin. But in our case, she is feminine in both ways, in both the reception and the explosivity, and I am masculine in both ways, in the penetration and simultaneous containing. I think this is at times one of the frustrations of our sex life, one of the ways it limits us, because I’d like to be able to be more explosive and big in the feminine yang, and for her to be able to hold me through her own masculine yin. We’ve had this conversation, we’ve discussed it in depth and it continues to come up as we explore all sorts of other things, and as I explore my evolving masculinity.
How I Need To Grow
One of the tantra teachers on the retreat shared with me this story, when I went to her specifically about the Masculine Yin, saying, that. Yes. That is what I need. How do I get that?
She said that as her masculine side was pretty weak when she began this work, and specifically did some rituals to strengthen it. At some point, after a ritual, she was so heavily embodied in the Masculine Yang that she felt like she would just fuck anything that moved. She immediately went back to her teacher and said: “help! I am definitely embodying masculine yang, but it feels like I am an out-of-control teenaged boy! How do I control and contain this? What happens between the ages of sixteen and thirty, for men, in their masculine development, that they can handle this wild energy?”
Her teacher said: we grow our balls.
That was such an A-ha! moment for me. Yes, of course: Masculine Yin is all about balls, and, as a dyke, I have a particular aversion to balls, and most of my strap-on cocks don’t include them.
Balls are the literal counter-weight to the cock, the thing that keeps the cock grounded and balanced and in check.
I know my Masculine Yang. I feel pretty good about the ways I occupy it, too. But as my masculinity is evolving, I need to move into a more adult, grounded, Masculine Yin sense of masculinity, and I think if I could embody that more completely and wholly, my masculinity would feel better, and I would feel better.
The next part of the My Evolving Masculinity series is Part Three: “Daddy”, to be posted in the next week.
Buck Angel, the FTM transsexual porn star known as “the man with the vagina” (who has given his permission to be included in the Top Hot Butches list as #62), has started a new show called BUCKING THE SYSTEM where he is taking all sorts of gender and sexuality questions.
The video is also interpreted in ASL by Elayne Angel, who I believe is Buck’s wife and also a master piercer. In fact, I have entertained the idea of traveling to her in order to get a triangle piercing (do I have to warn you? that link is NSFW), which is a kick I get on every year or two. I would really like one, but the healing time (which probably means no strap-on sex) and the things that could potentially go wrong have been preventative so far. I hear she pierced Dacia recently. Also, I want to read her new book.
I haven’t actually seen a lot of Buck’s porn films, though I’m curious – my impression is that it’s mostly gay male porn, not very lesbian, and while I appreciate the, erm, gusto, with which gay men have sex on camera, it’s not what I tend to turn to when I want to get off. But he’s got many, many of his videos over on the Sugarbutch VOD through Hot Movies For Her and I look forward to taking some of them for a spin.
Did you catch Buck on episode #124 of the Savage Love podcast earlier this year? I was impressed with what he had to say about gender and sexuality. I’m looking forward to this Bucking the System series. Subscribe to Buck’s YouTube channel or follow @BuckAngel on Twitter.