Posts Tagged ‘films’

Open Thread: Empowering Femme Sources Needed

January 17, 2012  |  journal entries  |  12 Comments

Here’s another question from the Ask Me Anything inbox, and I hope y’all might be able to help me out.

Dear Mr. Sexsmith,

As a new Femme, your blog has been VERY helpful. I am frustrated by, although I completely understand, the focus on femme invisibility. While it’s absolutely true, I need a more empowering story for myself.

As I spend more time with butches and listen to Ivan Coyote’s “To all the kick ass, beautiful, fierce femmes out there,” I have begun to think of femmes as modern day Robin Hoods. We femmes take power (given freely) from those who have it and help to redistribute it to those who have been denied it … sometimes by changing the way the world sees queer, sometimes by simply being changing/challenging how the world sees the person we are with, always by being purposeful about the way we see ourselves and how we accept and carry and use the power and privileges that are granted to us as we walk in, between, and among worlds.

Are there other empowering femme stories out there that I should know about?

—Kim

I humbly submit my own piece, A Love Letter To Femmes, to possibly add to your arsenal, which was published in Visible: A Femmethology Volume II.

I thought I published the whole thing on Sugarbutch but can’t seem to find it; if you follow this link you can download the mp3 of me reading it (thanks Dacia for recording it all those years ago, remember that?).

There are many femme books that I recommend, mostly ones that I have in my Amazon a-store, the classics of the femme canon. Persistence: All Ways Butch and Femme, A Persistent Desire, Brazen Femmes, Femmes of Power, Visible: A Femmethology Volumes I & II, The Femme’s Guide to the Universe, The Femme’s Mystique (that I mentioned in that Femme Invisibility & Beyond post) and more I’m sure.

I’d love some help here: What femme sources do y’all recommend? What was instrumental in coming to your femme identity or feeling a part of the femme world? What was part of your femme history? What should every new femme read?

Review: Taxi Volume I (DVD)

October 12, 2011  |  reviews  |  2 Comments


Syd Blakovich & Justine Joli in Taxi Volume I

Finally getting around to telling you about Taxi, which is a web series as well as now two released DVDs. I watched the first volume DVD by myself a while ago and never wrote it up, and Kristen and I watched it last night. I remembered being impressed by it, that it was hot and sensual, and upon the second watch-through I agree with myself about that assessment, but it was so … very … slow. The scenes were longer than necessary and not heavy enough. But don’t get me wrong, they are beautifully filmed. They just could be a little (ahem) tighter, quicker paced. There is absolutely no introduction to the two characters and why they’re fucking in a taxi, though the web series page gives a little bit of backstory about the two. That might’ve been good to read before I watched the scenes.

It features some of my favorite porn stars: Madison Young, Jiz Lee, Syd Blakovich, Justine Joli, and a few newcomers who appear to me like a real-life couple, who were all excellent. There was a lot of your-turn-my-turn sex in the Volume I DVD, and while I’m sure that’s great for some folks, it was a little too switchy. I don’t really care who is topping and who is bottoming, but most of the time I’d like them to make a choice about it, even if it’s only for these five minutes. Many of these scenes went back and forth which felt a little distracting.

I would’ve liked to see more cocks, more rough-and-tumble, less sensual skin touching. But hey, don’t I say that about most of the porn? Taxi is well done, and I’m looking forward to seeing Volume II, or watching the rest of the series online—that three-way DP scene with Nic Switch, Madison Young, & Jiz Lee looks pretty delicious, for instance.

Taxi Volume I was sent to me from Girlfriends Films to review. Thanks!

Black Swan. Just, Wow.

December 3, 2010  |  reviews  |  3 Comments

The new film Black Swan opens today.

When the trailer came out and Dorothy Snarker wrote about every detail, I was intrigued. When Kottke posted the international Black Swan movie posters, I was impressed.

And then I was offered a ticket to the screener in New York a couple weeks ago, and I can’t wait to see it again.

Here’s the trailer, if you haven’t seen it.

So, a couple quick things about the film. I’m not going to go on & on about my analysis of it, you should just see it. Though you should know that it’s kind of a horror movie, definitely has some gore, and lots of suspense. They do an amazing job of showing the glamour and beauty of ballet while also juxtaposing the damage that kind of work does on the human body, the reality of starving (or being bulimic), of broken toenails from pointe shoes, of the competition and near-impossible stress the work demands of a body.

And don’t forget that this film is directed Darren Aronofsky, the man behind “Requiem for a Dream” and “The Wrestler.” That should give you a sense of the level of creepy emotionality behind this film (if you’ve seen either of those).

The queer blogs are all painting it as though there’s this huge rivalry between Lily (Mila Kunis) and Nina (Natalie Portman), and the trailer certainly does a lot to back that up. But it isn’t about that so much as it’s about Nina against herself. About coming into her own sexual power, about striving so hard to be perfect that she’s lost her passion and delicious gusto, and is losing her bite, her teeth. Well, I don’t want to ruin it or anything, but she gets it back. Nina’s restraint through the beginning of the film is practically frustrating—but the release and climax is all the more satisfying.

I read a quote about the depth and bredth of female experience that this film portrays, and I really have to agree:

Using loaded code words — from “WHORE” scrawled on a mirror to the suffocating “mother” character, and infantilizing endearments like “sweet girl” and “little princess” to the domineering father figure who blatantly eroticizes her — the film is a hotbed of symbolism and Freudian psychology. Phrases “letting go” and “live a little” are spoken repeatedly. Jealousy, transcendence, paranoia, lust, the decay of the body, fragile self-esteem, self-mutilation — it’s like an early Liz Phair record in its interest in showing the fascinating breadth of the female experience.

And the conceit of the white swan and the black swan—reflected both on stage and off in the costuming of Portman and Kunis (who has black wings tattoed on her back)—provides a perfect visual and thematic metaphor for the warring factions of fear and desire inside a scared girl’s fraught relationship with her body. (Aronofsky explicitly referenced Roman Polanski’s “Repulsion,” David Cronenberg’s “The Fly” and Michael Powell and Emeric Pressburger’s “The Red Shoes” as cinematic touchpoints.)

Despite the fact that the film was written by three men (Mark Heyman, Andres Heinz and John McLaughlin) and directed by another, Aronofsky said that they sought input from nearly a dozen professional ballets dancers, active and retired, to inform the world and the girls’ relationships. He also noted that there were aspects he filtered into his directing from watching how his wife, Rachel Weisz, approaches performing. One also suspects that there was a bit of a meta motivation in casting Winona Ryder in the role of the aging ballerina pushed aside to make room for Portman’s character as the new star.

Portman’s performance is a marvel in that so much of the camera work is done directly in her face. A potent transformation she makes during the story is remarkable, and this will surely do her the twin favors of shortlisting her for an Oscar and erasing any remaining memories of her participation in “Star Wars.” Well, that, and the scenes of her masturbating and having sex with Mila Kunis.

For a graphic sex scene the actresses, who are friends in real life (Portman suggested Kunis for the role of her rival, Lily) suggested that a couple of drinks would help grease the wheels, so to speak. A bottle of tequila was procured for the occasion, and though a day and a half were blocked for the sequence, Aronofsky, feeling guilty, took a half day away and moved on.

from Darren Aronofsky talks about making a ‘disturbing’ ballet film

There are plenty of other things to watch and read about this online if your curiosity is piqued, like the music video trailer and the featurette. And I am a little bit in love with the clutch Natalie carried to the New York premiere on November 30th. But—$1330 for a purse? Really? Even if it is a first edition of Lolita, I don’t think so. I’m told by my trusty Twitter friends that Rebound Designs on Etsy is the first to do those book clutches, and those prices are way better (and great to note with the holidays coming up).

I’m not an expert on these things, but everybody seems to be Oscar buzzing around this film, and I can see why. Natalie Portman is amazing in it. So restrained, controlled, precise. The control and precision of her facial expressions alone, wow.

If you see it, let me know what you think?

Chains and Containment in “Black Snake Moan”

October 26, 2010  |  reviews  |  4 Comments

A few weeks ago, when one of my oldest and dearest and favorite-est friends, BB, was in town visiting, Kristen and BB and I had a night at home and sat down to watch a film. Having recently discovered the joys of both Paperback Swap and Swap A DVD, I have some DVDs that I haven’t seen in quite a long time, if ever.

Black Snake Moan was one of them, and we decided to put it on.

I saw it once before, as had Kristen, and I remembered liking it. But putting it on, I was nervous. What if it wasn’t feminist enough? What if they thought it was exploitive and weird? What if I thought it was exploitive and weird?

It sure doesn’t seem like a feminist, conscious film on the surface—it seems fucked up, about gender, race, and sexuality. Why would I want to see that? Why would I like that? But it’s more complex than it seems.

Here’s the basic premise: Rae (Christina Ricci) has an extreme sexual appetite. Rae’s boyfriend, Ronnie (Justin Timberlake) is off to the army and while they usually keep each other sane and balanced, she is losing her control and getting in dangerous situations, such as getting completely intoxicated, half-naked, and then beat up by a guy she occasionally sleeps with. Lazarus (Samuel L. Jackson), whose wife just left him for his younger brother, finds Rae unconscious on the road near his house and brings her inside, attempting to nurse her back to health. She, though, has all sorts of night terrors, which cause her to run around and scream—while pretty much still unconscious—so he chains her to the radiator. But when she comes to, two days later, he doesn’t unchain her, but decides she’s not healed yet.

I know, I know: I want to start yelling, NON CONSENSUAL! You can’t do that! But the thing is … she’s out of her mind, a little bit. I know it sounds like shaming a woman because she likes sex, but frankly I don’t think that’s what’s behind this. It isn’t that she likes sex too much, it’s that she is destroying herself through her pursuit of sex, which is clearly depicted as compulsive, and absolutely not something she is choosing from an empowered place.

Ricci is bone-thin in a very unattractive way, she looks so strange sometimes, so unlike her for this role. I wanted her to come over so Kristen could feed her baked goods and get a little bit of that glow back. But she plays the role amazingly—I even read a critique that said it was the highlight of her acting career. And Jackson is genius! I love the scenes where he’s playing the guitar and singing, the blues just dripping off of him. Healing music, no doubt.

All through the re-watch I kept thinking, why is this okay? Why is this not totally fucked up? Because it seems like it should be, on the surface—but it’s not, and I love this film. Maybe it’s because it’s so well written? Or well acted? Or well crafted, in general? I could go on and on about the layers of this film and the dozens of ways you could interpret the character’s actions (the Christian angle; the sex is bad angle; the men as savior angle), but really what I want to do is encourage you to see it for yourself, if you like to think critically about consent, feminism, character, and kink.

And oh yes, it is kinky. All the stuff with the chains, well …

I love the way she becomes attached to that chain. There is a part, after she regains consciousness but before she’s healed, where she consents to stay. Where she kind of doesn’t want him to take the chains off. And another part (in that photo, above) where she comforts herself with the weight and restriction of the chains, in part to get through her own triggers, and to break the automatic reactions in which she’s been stuck.

I would argue that hits on exactly what she needs: containment. Not in a repression kind of way, no, but in the tantric sense, that she is all energy and river and no riverbank. (Interesting, though, how she is able to be that container for Ronnie, as stated from the very beginning of the film when he says she saved him, onto the last scene.)

Plenty more happens in the plot after that: Lazarus teaches her things about life and living, she confronts some demons (including her mother), we get some abstract insight into the things that have been haunting her, and she seems to come to a stronger, more capable place. Personal growth, healing from trauma, and breaking through her own samskara: makings of a good film, if you ask me.

And, the chains …

Well, Kristen liked the chains. She has a thing for metal, more than I do I think (I’m more of a leather guy myself—not that I’m opposed to chains). I had, I remembered, received Metal Wrist and Ankle Cuffs from Sextoy.com that I’d never reviewed, nor had we, in fact, ever even used them.

I thought it might be time to break those out.

Yeah, so that was a good idea.

That image is from Griffin Leather & Metal, not the actual cuffs that came in my set. Mine are not nearly as gorgeous as these, but that’s basically how they’re set up. And the photo on the box that mine came in is pretty awful, it is something that would have steered me clear of buying it.

But in fact, it’s very much worth having around.

They’re relatively cheap, but they’re sturdy, and they don’t feel like they’re going to break (unlike some of the other bondage toys I’ve occasionally reviewed). The chains could be a little shorter, especially the chain connecting the wrist cuffs to the ankle cuffs, but that also might be because Kristen is kind of short, so perhaps with someone a bit taller they would be the perfect size.

The product description reports:

Nickel plated heavy duty locking wrist and ankle cuffs. Includes 4 keys. Wrist size up to 7 inches and ankle size up to 10 inches. The chain connecting wrists is 3.5 inches and the chain connecting ankles is 17 inches. The chain connecting ankles and wrists is 16 inches.

Those dimensions don’t seem quite right (longer connection between the feet than from the feet to the hands?), but that’s what the website claims.

And I’d like to tell you all about what we did when we played with them, but the truth is, I can’t remember the details. I don’t know how it started exactly, I don’t know how it ended. I don’t remember how I put them on her, but I do remember holding on to the chain, choking up on it so she couldn’t move. I remember telling her to get up and walk to the other side of the bed so she could look in the mirror. I remember watching her touch herself for a while, while I watched. And I may have snapped a few photos.

You know, maybe.

The Metal Wrist and Ankle Cuffs were sent to me for review from Sextoy.com. Pick up the Metal Wrist and Ankle Cuffs or other bondage toys from sextoy.com, or your local queer feminist sex-positive independent shop.

I’m still thinking about this film sometimes, even now, two or three weeks later, and looking forward to watching it again.

I’m not going to write a blow-by-blow account of the film and all the complex, phenomenal moments (like, “You’ll have to ask the chef.” “Paprika.” And everything about the characters of Miss Angie and Ronnie both), or an elaborate argument on why it might border on offending my feminist sensibilities, but doesn’t actually. I’ve enjoyed the extensive conversations I’ve been having with Kristen about the film since we saw it, and I’m looking forward to seeing it again.

Have you seen it? What did you think?

If you haven’t, perhaps you’d like to watch the trailer for the film, and see if it’s something you’d try out. I was skeptical, but it is much more than what it seems. Read More

Best Anal Scenes in Queer Porn

May 10, 2010  |  essays  |  1 Comment

According to me, anyway. Essin’ Em and JD Bauchery also gave their opinions for Anal Week (which has extended longer than a week, but is still tagged, so it works. You don’t mind, do you?), but at this point, I’ve done enough queer porn watching and research to have gone through the scenes I wanted to and picked a list.

Warning: these photos are NSFW. I don’t post a lot of explicitly nude photos here, I know, I try to keep it at least kind of safe for work, but I just can’t resist putting some really great screenshots in this post, so you know what you’re missing, if you haven’t seen ‘em.

All screenshots were snagged by me through Hot Movies for Her, and reprinted only to promote the films.

1. Dylan, Jiz Lee, & Jo in The Crash Pad (Scene 1)
Directed by Shine Louise Houston for Pink & White

I have a special place in my queer-porn-lovin’ heart for the original Crash Pad. It’s the project that launched The Crash Pad Series online, and has raised the bar for queer porn production everywhere. Shine Louise Houston set up a wonderful premise—that there is this mysterious apartment called the Crash Pad, which you can acquire the key for, and go there to fuck—that has led to scenes that are real, not campy, not bogged down in falsified plot, but still capable of some twists and turns.

Like this one: Dylan & Jo are having a good time fucking in The Crash Pad until Jiz and Jiz’s date show up too. Jiz joins in, while her date watches, and the resulting threesome is hot. The Crash Pad also sets up the porn careers for Jiz, Syd, and Dylan, and thank goodness it did. Isn’t the world a better place because we get to watch these beautiful, skilled queers fucking? Absolutely.

2. Syd Blakovich & Jiz Lee in The Crash Pad (Scene 3)
Directed by Shine Louise Houston for Pink & White

Syd Blakovich (credited as Shawn) and Jiz Lee are popping off the screen with chemistry in this one. I’ve heard some of the backstory (some of it they explain in the bonus features of Superfreak), that they hadn’t had sex in a few weeks and weren’t sure if they were going to continue fucking, so this might be their last hurrah. Thankfully for us, it wasn’t, and they’ve gone on to making a ton of queer porn, with each other and on their own.

In this scene, they both look very boyish (boiish?), lean, and super-short hair, and the intensity is riveting. Syd’s rimming is pretty amazing to watch, as is Jiz’s squirting all over Syd, later.

3. Rozen Debowe, Syd Blakovich, Jiz Lee, & Donny in No Fauxxx Roulette (Scene 5)
Directed by Courtney Trouble for Reel Queer Productions

Yeah, it’s Syd & Jiz again—I want diversity in this list, but they are just in so much good porn! So: here we’ve got director Courtney Trouble (who runs No Fauxxx) in a great video collection of scenes. This one is my favorite by far (I don’t even remember the others in this film), I’ve watched it quite a few times. Rozen Debowe—who I think is so incredibly hot and who, I’ve heard, has retired from porn, and who I think should make more—approaches a bartender, spreads her beautiful long legs, and proceeds to get fucked by three butches. Or, three masculine-ish-queers, if they don’t identify as butch.

In this screenshot, Rozen is on top of the bartender, Donny, Syd has a Pure Wand in her ass, and Rozen sucks Jiz’s cock. And, it gets better. Plus, they’re on a pool table.

4. Lorelei Lee, Princess Donna & Dana DeArmond in Superfreak (Scene 5)
Directed by Shine Louise Houston for Pink & White

Lorelei Lee and Princess Donna have done quite a bit of hot queer porn also, appearing in The Crash Pad Series and on various other sites. In this one, they’re joined by Dana DeArmond, and Lorelei is topped with some really hot anal, mostly with fingers and rimming. They’re sexy and clearly very skilled (though I have to kind of ignore all the whimpering of Lorelei and humming that the two top girls do. Maybe you like that kind of thing, I find it distracting). In some of the interview scenes, Donna and Lorelei say, “I wish we could’ve gone all the way,” in discussion of anal fisting. It’s illegal to show fisting on video, did you know? Not on the web, though, so you can find some great stuff in The Crash Pad Series.

5. Dylan Ryan & Trucker Cash in Roulette Dirty South (Scene 2)
Directed by Courtney Trouble for Reel Queer Productions

I couldn’t leave out my favorite porn couple! Dylan Ryan and her real-life partner Trucker Cash are so damn hot in this scene. I love the bright colors, the clothes they’re both wearing, that slightly rickety table that they fuck on, the way Trucker warms up her ass before taking out his cock and fucking her until she comes hard, shaking and swearing.

When Trucker unzipped and I saw he was packing the Goodfella, I thought, wtf? That cock is so small! But then, turns out it is a very good size for anal. Note to self.

6. Nicole Chatte & Peter Danger in Heartland: A Woman’s POV (Scene 1)
Directed by Madison Young for Reel Queer Productions

This last one comes from director and porn star Madison Young. She introduces the scene and explains that she found this couple because they’d contacted her online, and they agreed to be filmed.

I had a crush on Nicole the second she came onscreen. It’s filmed by Peter, I think—or, if not by Peter himself, than from Peter’s point of view of seeing Nicole, so we don’t get too many shots of him (too bad, cause he seems really hot and skilled, I’d like to watch him more), but I did like watching Nicole. It starts off with a beautiful blow job by Nicole, and leads into her getting fucked hard while she’s backwards in this beautiful worn-in leather chair. It’s a bit more amateur-ish than the others, but I especially love the way Nicole guides her lover, saying, “will you start out with the small one, then use the bigger one?” and then, later, “faster, go faster,” which Peter happily obliges. The scene is really sexy and goes on for a while, with various different positions. Nicole even asks Peter to fist her, at some point, but since that can’t be shown on the video, we don’t really get to see it.

Whew! Okay, that covers it, my current favorite anal scenes in queer porn.

While porn isn’t the best place to learn how to do a certain act, it can certainly be inspiring to watch and recognize how much pleasure everyone is having from the things they’re doing. It’s definitely been inspiring to me to try more.

Did I leave out YOUR very favorite scene? Which one looks like the one you’re going to rush out and watch right this minute (or, as soon as you can)? Got any must-see recommendations for me from Essin’ Em or JD Bauchery‘s lists that I haven’t included?

Casting Call: S.I.R. Productions

April 26, 2010  |  miscellany  |  2 Comments

I am quickly interrupting your Anal Week posts to tell you some very exciting news!

This note comes from the Femmepress Shar Rednour herself, who wrote to me to let me know that S.I.R. Productions—Shar and her partner Jackie Strano, the amazing butch/femme couple who brought you Sugar High Glitter City, Talk To Me Baby, Hard Love/How to Fuck in High Heels, and Bend Over Boyfriend—is casting for a new film!

Read on for the details, what S.I.R. is looking for, and how to contact Shar if, perhaps, you’re interested:

Hey Sugarbutch: thought you should be the first to know that over here on the west coast, [S.I.R. Productions is] casting for a new movie. We did a general call a couple of years ago to see who was out there and interested. We got some hot and fabulous people. But the time just wasn’t right for us personally to make a movie.

Now we are ready and randy to go.

NOW: specifically we need a super hot in love in lust butch femme couple. NO EXPERIENCE needed. not at all. Jackie and I really like to work with people who are hard-workers, fun, NOT wendy-whiners, way into sex and bodies and love and lust and truth and art and feminism and beauty. Furthermore we would love to take your fm virginity. in the end though virgins or pros, just in love and hot. You do NOT need to live on the west coast. I would love nothing more than to cast fabulous folks from anywhere.

NEXT: we are collecting resumes and contact info for people who want to be in our next movie in general. again. NO EXPERIENCE necessary. What we have always done is putting puzzle together-finding the people who really fit a role in the script.

We are casting for a dyke movie and we always are on the lookout for the next Bend Over Boyfriend 3, so tell your freaky-deaky het friends.

And last but not least, I am the wife to Jackie Strano the C.O.O. of Good Vibrations and they are casting as well for Pleasure Ed. I help them out when I can too, passing on a contact that I like or think is appropriate. They are looking for super hot couples with one person who G-spot ejaculates.

So please, Sugarbutch, can you tell your peeps to email SharRednour [at] comcast.net, or befriend me on Facebook, with a note telling me you are interested in casting..

Anything for you, Shar. Hey peeps: want to be in a porn film? Are you a butch/femme couple in love and lust, or do you know one?

And Shar … if you ever want to swap for an evening, I know, ahem, Kristen’s got a mad crush on Jackie.


Shar & Jackie from March, 2004 (D. Ross Cameron/The Oakland Tribune)
via Flickr

Anal Scenes in Queer Porn with JD Bauchery

April 26, 2010  |  essays  |  2 Comments

I’ve been compiling and asking around about the best anal scenes in queer porn, and I’ve got a bit to report.

If you’re one of those folks who thinks that lesbian porn is generally oriented toward men as viewers and producers, I encourage you to think again. Yes, there is plenty of bad lesbian porn, but the amount of queer and feminist porn that is getting made these days is a bit mind-boggling. Personally, I can’t keep up. I’ve got a long list of films to watch that I still haven’t seen, and directors like Courtney Trouble and Madison Young and producers like Good Releasing keep making films faster than I can keep up.

I asked JD Bauchery over at Hot Movies 4 Her for some of her personal recommendations for butt scenes in queer porn, since she is WAY more of a pro at queer porn than I am.

And here’s what she recommends:

Which of these have you seen? Any in particular that you recommend?

Review: Roulette Dirty South (DVD)

January 21, 2010  |  reviews  |  No Comments

It didn’t take me long to watch Courtney Trouble’s new film Roulette Dirty South, I ripped it open the minute I got it in the mail from the production company, Reel Queer Productions. I’ve been looking forward to it since I heard Dylan Ryan was back with her real-life boyfriend Trucker Cash (since they made one of my favorite scenes of all time). And when I saw the trailer, I was thrilled:

Looks dirty, edgy, colorful, and fun—and it is. The film also stars April Flores (aka Fatty D) and Trouble and Pepper Sox, with fantastic music (as you hear in the trailer, Courtney Trouble has a great ear for these things—she was just nominated in the 2010 AVN Awards for Best Music Soundtrack for her former film Speakeasy) by Yes Please, Flexions, Jenny Hoyston in California Lightening, and Tami Hart. Roulette Dirty South also introduces a few other new performers (I particularly liked Charlie’s long brown hair all over her face while giving a blow job. Yes, very nice image).

I mostly watched this for the scene with Dylan and Trucker. I also really liked Pepper Sox—she was damn hot when she got fucked (I will have to find her other scenes. I think she’s Courtney’s partner?). I would watch Dylan’s scene again, Trucker fucks her ass toward the end of it (oops! I don’t mean to give it away) and I definitely liked that, but I doubt I’ll rewatch the rest of the scenes. Not quite my style. Still, the film is gritty and vibrant, and I’m glad to have seen it.


Dylan Ryan & Trucker Cash, photo by Courtney Trouble

Review: The Crash Pad Series: Volume 5 (DVD)

December 2, 2009  |  reviews  |  No Comments

Another quick little DVD review, this one of The Crash Pad Series: Volume 5 which is just now released by Blowfish.

cpv5It is no secret that I am a big, big fan of The Crash Pad Series. Shine Louise Houston and Pink & White Productions have raised the standards in porn film making so high, I think the porn industry in general will be struggling to catch up for a while. (In fact, Kristen and I just sat down to watch a couple films that a particular unnamed (unmentionable) company sent me to review recently, and I was slack-jawed in awe of just how bad bad porn can be. Holy. Crap. No wonder most people have such awful associations with porn, if things like THAT are what they think of or see!) Shine has spoiled me, big time – I expect the porn that I watch to be respectful, hot, full of desire and chemistry, smart, skilled, diverse, queer, and beautifully filmed … I know that sounds like high standards, but blame it on The Crash Pad! They DO that, constantly!

You can get subscriptions to The Crash Pad Series website, or you can purchase the compiled DVDs by volume. This is the fifth DVD, and though it isn’t the one I would recommend if you’ve never seen The Crash Pad before, it’s got some very interesting scenes and one in particular that I would definitely watch again.

Here’s the description:

The Crash Pad Series: Volume 5 returns to the titular no-holes-barred sex space that caters to an ever-changing group of sexually voracious dykes, femmes, butches, and bois (and even the occasional lucky bio-guy) under the ubiquitous secret surveillance of a mysterious voyeur played by director Shine Louise Houston. This installment features five scenes of wall-to-wall sex, including some dripping candle play, a little bondage, tattooed beauties, strap-on fucking and sucking, and other sundry delights. One standout scene features Kuma (a trans leather daddy with a shaved head and goatee) topping the curvylicious Julie Warren with a pair of floggers, some lashing canes, and an extremely hot choking strap-on blowjob sequence. The final scene has the always-enjoyable Shawn fucking a guy, something of a novelty in the Crash Pad series, though Mickey Mod isn’t averse to sucking Shawn’s big strapped-on cock when the time comes. She rides him vigorously and later rubs one out over his face while he jerks off beneath her — a good time is had by all. The Crash Pad series continues to set the standard for queer indie kinky excellence.

And, though that description of the five different scenes is pretty thorough, here’s my take on ‘em:

Scene 1, August and Stacy Staxxx, features hot wax and some switching. Scene 2 is the porn debut of the Essin’ Em we all know and love, under the name Scarlett Chaos, with the cute toppy boi Rex – make note of Essin’ Em’s fabulous femme red heels that she leaves on, I liked that. Scene 3 features Red and Cyd Loverboy, who are both pretty genderqueer and boyish and I liked the top/bottom dynamic here especially.

Scene 4, however, was exceptional. It features Kuma and Julie Warren, who appear to have a fairly strong daddy/girl thing going on, and definitely seem to have played with each other before. There is a beautiful two-handed flogging, and some lovely caning that made me wince (and also made my inner sadist grin). I liked the sadism and masochism in this scene, more pain than sex really, though Kuma does wield a cock very very well. I loved the skill, and I will watch this one again.

The last scene, 5, features everybody’s favorite queer porn star Syd Blakovich in a scene with cis guy Micky Mod. Interesting, and unusual for The Crash Pad Series, but it is very queer and very well done, and clearly they are both enjoying each other.

It’s not my favorite of The Crash Pad Series, but it is quite good, always beautifully filmed, and interesting.

Buy The Crash Pad Series: Volume 5 and other volumes at Blowfish or your local independent feminist queer-friendly sex toy shop.

Sugarbutch Hits 1,000,000! Champion DVD Giveaway!

October 15, 2009  |  journal entries  |  84 Comments

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If you don’t know about the queer indy porn flick Champion by Pink & White Productions, I bet you haven’t been spending much time around the queer/porn blogosphere lately, because it has quickly risen to the top of many all-time favorite lists. I wrote my own review of Champion back in January 09 if you’d like to see how I enjoyed it.

If you haven’t seen this, you’re missing out.

And now’s your chance! Because see, Sugarbutch’s visitor counter hit 1,000,000 last week. One million! Can you believe it? Stat counters aren’t exactly rocket science, I think that number is probably give-or-take-a-thousand, but still, to see it roll over to seven digits was kinda mind blowing.

Thank you, for visiting, for stopping by, for reading whatever it is you’ve read here on Sugarbutch, for your comments and emails, for clicking through on the reviews or the affiliate links, for clicking through the advertisers, for coming back, for sharing these links with your friends or lovers or girlfriends or wives or boyfriends or mistresses or whomever you might send them to. Thanks for reading. Thanks for thinking about these things. Thank you.

So I’m doing a very special giveaway, thanks to Babeland: the Champion DVD itself. All you gotta do is leave a comment (with a valid email address) and give me one piece of feedback about Sugarbutch, either something you like or something you don’t like or something you wish I did more often or something you miss that I used to do or something I’ve never done or a question you have or a comment about the process or how you found this site or ANYTHING.

I’ll pick ONE single winner at random on Monday morning.