Posts Tagged ‘butch/femme’
In my bedroom. We both knew we only had a few hours until she would leave, back to her city, an hour and a half drive away.
I didn’t waste time. Pulled her by her hair toward me and thrust my tongue in her mouth. Moved her around, hands hard and thick on her torso. Pressed against me. She feels good in my arms.
I stripped her and left my office clothes on, for now. I was already hard packing (not with Silky but with Rick, I broke my Silky again), and hard, and wanted to fuck.
I pushed her back on the bed easily. Kneed her legs apart and pressed my cock up against her, bare, through my slacks. Kissed her, hard, felt her body under me.
I pulled back after a minute and lifted myself up. “Take my dick out,” I ordered softly.
She did. Unbuckled, unzipped, palmed it in her hand, let out a low satisfied hum of pleasure when she touched it. I tightened my harness, lowered myself back on top of her, kissed her neck. “I want to fuck your mouth.”
She arched in response, but whispered, “But I want you to fuck me.”
I almost laughed. Her desire handed to me on a silver platter, I took it gratefully. “No.”
“Please, baby, I need it, I want you to fuck my pussy.”
I do like the way she begs. I nearly acquiesced, but said “no” again, pulled back to shift to my knees on the bed. Took her hair in my fist as she bent in front of me. “Do it real pretty, and I’ll fuck you.”
She lowered her lips to my cock and kissed. Swallowed. Lapped with her tongue, ran it along her lips. I didn’t stop with the talking. “Baby, you suck it so good. That’s so pretty in your mouth, suck it deeper, yeah that’s it, good girl.”
I pulled her up to kiss me a few times, mostly so I could feel how her lips and tongue get swollen and wet when she sucks me off, and so I can have that moment of thrusting her head back down to my cock, pushing on the back of her skull.
She started taking it deeper, deep as she could, nearly the whole thing, kept it there while her throat contracted around it and she fought her gag reflex, then pulled up and kneeled.
“Do it again,” I said, and she looked up at me, mouth open tongue thick, and lowered her mouth back down, sucking me all the way again. “Deeper. Good girl. Take that cock in your throat. Swallow it. Good, that’s so good.”
And again she came up for air.
“Do that one more time,” I said, caressing the back of her head, “and I’ll fuck you.”
She quivered a little, I could see it ripple through her back, and then she did: brought her mouth down on my cock once more, took it deeper this time, pretty, so pretty, so far back in her throat.
When she started to resist I pulled her up by her hair, shifted next to her, put my hands on her hips and turned her over to her back, slid between her legs again.
She was so wet I barely needed lube. “Oh, you liked that, huh.”
“You like my cock in your mouth.” My hand on it, putting it in place.
“You like to suck it. You like when I fuck your pretty mouth.” I guided it in, hard, and started fucking her sweet but steady, deep. She moaned. Tried to say “yes” but it came out in a slur.
“I like it too. I like my cock in your mouth, I like how you suck it. You get me so hard, I just have to fuck you.” I continued, cock thrusting in and out as I took her wrists in one hand, held her down, kissed her jaw and neck. “I like it in your pussy too.”
“Yeah, yeah, yeah, put it in my pussy. Fuck my pussy hard.” She shifted her hips up and back and I thrust an inch deeper, reached around her thigh to get a nice grip on her ass.
Somehow, she was set off and kept a steady stream of words at my ear, every time I thrust harder into her I’d get a nice reward of her lovely voice saying dirty things: oh yeah baby just like that, fuck me hard, you know how I like it, you know how I love your big dick in my pussy, put it in me, harder baby, fuck me, fuck me hard, and when she gets closer it becomes ooh baby you fuck me so good, you fuck me so good, baby that feels so good, so good, you fuck me so good, baby, baby –
And somewhere in there I lost it. Blurted “I’m gonna come” as it started happening. Groaning, harness against clit, thrusting my cock deep in her; I don’t even know what I do exactly when I come like that because I’m so unpracticed at it that my body goes and releases and moves and I’m not sure what I’m doing.
She wrapped her arms and legs around me, held me close as my breathing evened and my pulse calmed. Read More
I got an email recently from a femme looking to relocate, but not sure where yet she’s going to go. Here’s her note:
I’m a young femme looking to relocate to a new city, and I want to go somewhere with a large diverse lesbian community that is very friendly to the butch-femme dynamic.
I’ve spent much of my life in LA, a city with nary a handsome butch to be found! And when I lived briefly in San Francisco, there were many cute butches but few other femmes, and I was always “read” as straight. It would be ideal to live somewhere where I could find both femme friends and a butch partner.
Some cities I am looking into: Seattle, Portland, Brooklyn, and Boston.
I can speak to Seattle and Brooklyn, but none of the others really. So I figured I’d ask you all: where do you live? What’s the butch/femme culture like in those cities?
Chime in regardless of where you live – I’d love to hear about the cultures outside of the US, too.
Some questions to consider:
- Are there lesbian-specific bars, or nights at the gay bars? More than one? Are some of them more known for being butch/femme than others?
- Are there butch/femme social groups?
- Is it gender-forward and inclusive of many expressions?
I don’t know exactly where I first heard it, but somewhere I read once: men want to feel powerful, and women want to feel beautiful.
Now: calm your “oh my god social construction of genderrrrr!” self and let’s start with some further clarification. Women feeling beautiful, in this expression, is also actually a source of power; and men feeling powerful, here, actually means “feeling physically strong.” At least mostly. Agreed?
So really, it’s saying that men want to feel strong, and women want to feel beautiful. These are two – of many – major sources of power based in the physical body.
I know this is a cliche. I probably read it in the context of gender deconstruction and the socialization process of gender. I know this goes along with conventional, normative, often damaging gender role assumptions that value men for their physical strength and women for their physical beauty.
And as much as I am aware that those concepts are socially constructed, I also have seen the ways that they are played out and real for many, many people. So maybe we’ve internalized the values of the culture. This is one of the problems with social constructionism in general – if something is created socially, then in theory it can be uncreated socially, right? But just because something is done socially – rather than biologically, say – doesn’t make it any less real or “authentic” or deeply ingrained in many of us.
And this gendered source of physical power is amplified, I think, in butch/femme culture, where we go inside these roles with purpose to explode them, exploring the socialization and de-essentializing traits said to be inherent in biology. Is it as easy as explaining that we are continuing to internalize the compulsory mutually exclusive gender paradigm? I don’t know, maybe. Certainly that probably accounts for (to pick a completely arbitrary number) 45% of it. But there is something else in there, something deep-seated underneath in me that swoons and grows and stretches its wings and feels so greatly alive when she whispers, “you are so strong, so strong” like she did last night.
And I remembered all the times I gazed in awe at her beauty (every time I see her) and remember the ways she swoons to be seen, femme and whole and holy, and I wondered if I should be saying more about strength and less about her physical attractiveness. Am I just buying into what the culture tells us we should be or say or value?
[ Yet - oh I do tell her I value her other qualities (don't I? Yes). The depth of her calm understanding and respect feels like such a gift each time I encounter it. I fear it could so easily go the other way, yet she has the connection to the world at her core which means she values others' experiences. And she's strong enough in herself to know that my feelings are not about her, and to accept that with grace and clarity. And then there's her wonderful good moods, her energy, her interest in keeping the spark lit behind her eyes. Her deep ability to feel, to observe, to respond. Her analytic skills, and how she can dissect things into pieces (while still respecting the whole!) and look at how it all fits together. There is much more to her than her beauty, heaven knows I know this. ]
And yet: in the deeply intimate moments, this is what comes out of my mouth: pretty girl, pretty girl. you are so gorgeous. I love the curves of you – here, and here. your skin glows so beautiful in the morning light.
And in that moment last night, when she commented on my strength, my heart swelled and burst like a wave cresting, and the inner cavern of my chest was smooth as a sandy beach, just for a minute, perfectly even, soft, made up of a thousand tiny grains, the breakdown of everywhere I’ve ever been.
I don’t know why it matters so much that I am seen as strong. But it does, it does.
BIG thank you to both of them for helping me out! Round of applause, please!
The focus remains on butch/femme portraits and photos and images. Please continue to submit pictures of you, your sister, your girlfriend, your wife, your gang, your crew, your best friends, your ex, your teachers, your mentors, your lovers.
Portrature – especially self-portrature – was actually a big piece of my own personal identity development, and I think it’s really important to see ourselves reflected, to be able to study photos of myself and say, is that what I look like? really? as I was discovering and uncovering and creating and re-creating my own aesthetic.
I was just looking at some old photos this weekend and found some after I’d cut my hair all off (in 2000) but before I was claiming butch, when I was dying my hair red and still wearing lipstick. I found a photo of me with a daisy chain crown, and no I am not kidding. It was a trip to look through the photos, watch my hair change as my haircuts started getting more and more butch, after I stopped dying it red and stopped wearing low-cut shirts, when I started figuring out what I really wanted my gender to be, what my soft animal body really loved and how I felt most comfortable, most like myself.
As butches and femmes, we don’t see ourselves in popular media, except usually as a stereotype or a (usually unflattering) archetype. I mean we don’t even see lesbians reflected in popular media all that often, let alone queers or genderqueers or butches and femmes – which is partially why we consume and watch and love just about any film that has lesbian characters, just about any book with lesbian characters, just about any crappy TV show with lesbian characters (*cough*L Word*cough*), because we are so starved to see images of ourselves reflected back to us, some semblance of recognition or some flash of similarities between our lives and the lives of the stories we watch and consume.
Aside from the validation of seeing queer eye candy, there’s also the personal revelations of just figuring out what your body looks like, how others might see us externally – shifting the gaze from seeing out through our eyes to seeing what our eyes look like from outside. It’s powerful, and brings, I think, a greater self-awareness and, hopefully, self-confidence.
Speaking of self-confidence: what I said before about requiring comments on Queer Eye Candy still holds true. I don’t write for comments, I don’t expect people to comment on my own things (though I of course appreciate it), but the photos that are sent in are often from people who are not used to having a web presence, are not used to revealing themselves for a queer audience to consume and judge.
Putting images of yourself out there like this is vulnerable. Scary: What if I’m not butch enough? What if I’m not femme enough? What if I’m not really hot? Come on, all of us think that when we see images of ourselves posted.
This is not a “hot or not” project – this is more of a project a la Malcolm Gladwell’s Blink – what does your brain do when you first glance at the queer eye candy photo? Do you think “hubba hubba, omg hot!!”? WRITE THAT. Do you think “holy crap I have that same shirt! I wonder if it looks that good on me?” WRITE THAT. Do you think “Oh good lord, I would marry her on looks alone”? (That’s Bevin’s line I shamelessly stole.) GO FOR IT.
This is about building self-confidence through appearance. About celebrating the myriad of ways that butch and femme get represented through visual styles and identity.
So: Submit photos. Comment on photos. And you will make this top very, very happy.
From the Queer Eye Candy mission statement:
You might be afraid of us, but you don’t know who we are.
We’re hot, we’re fierce, we’re vulnerable, we’re beautiful, we’re in love, we’re horribly ugly, we’re scared, we’re tender-hearted, we’re dog mommies and daddies, we’re parents, we’re children, we’re neices and nephews, we’re married, we’re bachelors, we’re rednecks, we’re blue-collar, we’re construction workers, we’re political pundits, we’re musicians, we’re drag performers, we’re community organizers, we’re angry, we’re activists, we’re just us.
Let’s show off who we are. Let’s show those who don’t know what we look like, let’s show off who we love and who we spend our time with, let’s show off our joyous communities and our heartaches and our hardships and our work and our play and our joy.
Let’s celebrate ourselves, just as we are.
The Girl in the Red Dress
At first I’m trying to ignore her. I have my latest review book, Best Lesbian Bondage Erotica; I have my iPod on to some soothing lofi mix Muse made for me; I have lube in my pocket for a quick jerk-off session before we arrive in New York. I need all the sanctuary and release I can get before returning to that hyper-stimulating city.
But she’s making a big show of her many bags, heavy, designer luggage, and she – being tiny petite thing – seems unable to slip them all into the overhead luggage rack.
The only other person in this car is a man in the back who has been snoring since I got on. I think about telling her to just leave her suitcases on the seat next to her, but her jaw is set, her sensuous mouth twisted in a sneer, and as she begins to climb onto the train seat to reach the rack better, I sigh and, reluctantly, get up to help her.
“Please. Let me,” I say, sliding behind her and putting my hand on her waist to guide her out of the way, then taking the heavy suitcase out of her struggling grip and nudge it onto the metal rack easily. She’s got a great ass in those tight jeans. Her eyes are wide, then she drags her gaze along my arm to my face. I watch her watch me. She looks like Penelope Cruz, all dark hair and big pools of dark liquid eyes.
“Um,” she says. “Thank you.”
“Don’t mention it,” I answer, a bit dismissively, now offering my hand so she can get down. The train doors buzz and are about to close, we’ll be in motion shortly. I pick up her other bags and one by one put them up into the rack above her seat. She takes off her thin white sweater and sets it with her handbag next to her, and watches me.
I groan a little with the weight of the last one. She notices. “Thanks again,” she says, and I detect a slight accent, French maybe, though she looks Spanish. Her words are a little airy, already pulling Vogue Milan out of her purse and turning her attention to it, a tiny sideways glance at me to see if I’m still standing next to her, waiting for my good-dog biscuit.
I retreat back to my aisle seat. We are facing each other, opposite sides of the train. She is absorbed in her magazine. I put my feet up and crack open my book, start reading through the bondage stories. She takes out a compact and lipstick and fusses with her mouth, repainting, touching her fingertips to the edges of her lips, then wipes microscopic flecks with a tissue. I don’t watch her, but she periodically sweeps her eyes over to me. I rest my hand on my neat little package as I read through the story by Toni Amato, “A Girl Like That:”
She’s the kind of girl who brings out the worst in me. Coming on all hip and cool and all into sex, rubbing some part of herself all up against me every chance she gets. I’m not saying all the things my people taught me about women are so great, but I’ll tell you what, where I come from, that kind of girl is called a cock teaser.
It’s like there’s this small thing, like those stars they talk about, those White Dwarves, sitting deep and low in my belly, and this girl comes along, doing her number, and that son of a bitch just goes nova.
She makes the worst part of me want to do the best it knows how to teach her a thing or two about fucking.
I’m stroking my cock unconsciously through my jeans when I notice someone looming next to me, and it’s her, she’s returning from the bathroom with a clutch in her hand, I didn’t even notice her get up. The girl smiles, almost, and pushes past as though I am taking up the entire aisle, or maybe to show off her gorgeous ass in those tight, tight jeans.
The train lurches and opens its sleepy doors, the man in the back of our train car is moving at half-speed and makes his way off the train.
She notices too. She’s looking out the window but keeps stealing glances at me. The conductor comes through and says nothing to either of us, just takes the small pieces of paper on our seats, the remnants of our tickets.
I go back to my book. I finger the bottle of lube in my pocket and think this would be a good time to go rub one out, then get absorbed in a story about a dyke cop who is passing as male in a straight club, picks up a girl and takes her, handcuffed, out to her truck. I nearly reach my hand into my pants.
“Um, excuse me?”
She’s standing, still in her seat but leaning forward over the seat in front of her, facing me, ass tipped to the side, front of her button down revealing creamy skin, long dark hair swinging. She smiles when I look up, flashes me an intentional smirky pose that she has practiced in the mirror – her seduction look. “Would you help, I have to … I need … something from that bag.” She glances up at it.
I put my book down and tug at my jeans to cover my hard-on. Clear my throat. “Sure.”
I get up and move toward her. She kneels and reaches for it, her back to the aisle as I come up behind her and reach up.
“This one?” My mouth is close to her ear.
“No, not – yes, that one,” she says as I touch the smaller suitcase. She reaches up to help me, bending slightly forward, as we both ease the weight of her bag down onto the seat. And I swear she rubs right against me, pushing back, just a little. Maybe I’m imagining it. Yeah, sure Sinclair; you just happen to have a boner and this girl offers up her ass on a silver platter.
I back off. Return to my seat. Again.
“Um, thanks!” she calls.
I toss a half-smile over my shoulder. “Don’t mention it.” She pulls a bundle of fabric out of her bag and I don’t watch. I don’t pay attention. I can’t see it. I shouldn’t be watching, but I am. It is slinky and red. She finds a few other bits and tucks her hair behind her ear, gathers an armful of clothing, makes her way toward me, down the aisle, to the bathroom at the back of the car.
She’s in there a while. I try to concentrate on my book, to not wonder what she is doing, what she’s slipping into, who she’s meeting when she gets off the train, not to imagine being that somebody so filled with lust and permission that I’d fuck her right on the platform, couldn’t even control myself long enough to wait until we went to dinner, drinks, a show, whatever it is she’s dressing up for. My breath is quickening and my hands are starting to do that aching thing where they are pulsing with grip, wanting to hold push grab press punch slap.
She makes her way back to her seat like the aisle is a runway, like she’s coming in for a landing. Each step deliberately placed. Legs precisely angled and separated and her gait is sharp, strong. Her red dress swings from her hips, past her thighs, to her knees. A few bracelets jangle from one arm, simple and slim. She’s pulled her hair up high on her head, into some sort of ponytail, then twisted around itself in a beautiful knot.
I watch her as she closes the distance to her own seat. I don’t drool. I am not drooling. I try not to drool at the sight of her ankles, her calves, the hints of the backs of her knees as her dress swings. I wipe my mouth. Her ankles cross just slightly, which makes her hips curl and switch like a figure eight. Like a come-hither finger.
I swallow. Breathe in. And quickly open my book, flustered, and turn it to the page I was reading as she slides onto the train seat and I snap out of my spell.
Of course – of course – I am too zealous and the book slides out of my hand, skittering out into the aisle. I take a sharp breath in and some spit goes down the wrong way, I start to choke, cough, loudly, as I jump up to retrieve the book.
Oh good lord. I get ahold of myself. Straighten up, book in hand. Clear my throat. I don’t look at her. I can’t see her. I am sure I am five shades of crimson and I steal a glance her direction, she’s covering her mouth, that perfect smirky smile, eyes dancing, looking away from me. Obviously she saw everything.
I resettle. Book in lap, adequate breath in lungs. I sneer to myself. Re-open the erotica. Do you have to be so obvious? I yell at myself in my head. You dumbass. Real smooth, Sexsmith.
She’s going through her open case next to her, I can see her arms moving but can’t see what she’s doing. Then suddenly she’s up, out of the seat and back in the aisle, pads down toward me as if she forgot something.
I catch a whiff of her perfume as she walks by. Dizzying, intoxicating. The swish of her skirt. I watch her little toe-heel trot down the aisle. My body acts without my mind and I reach for her. My hand on her hip. Lightly at first, but then she doesn’t pull away and I grab her harder. Both hands and I stand, pull her toward me, her back to me, and she is still. I can’t see her face but I can feel her breath through my hands, she’s holding it. Surprised. Waiting.
I lift her skirt in the back to reveal her perfect ass. A work of art. A combination of genetics and squats and hundreds of hours at the gym. She knows it. She’s bare under her red dress, no panties, no stockings. Perhaps that’s what she forgot. I can’t resist, I palm the apple of her ass, caress the flesh, spreading her cheeks and opening her slit.
She lets out her breath, finally, and it comes with a breathy moan, just a little.
And I’m gone. The slightest noise from her lips and all I can feel is what it’ll be like to be inside her, to feel her body curl around my arm and buck and thrash and grasp as she comes. I’ve got to feel it. Got to make her.
I press against her back. Her neck is bare, hair up, and my mouth is just at the corner of her jaw, below her ear. I reach around her and pin her arms to her sides, pressing her back to lean against me, and she arches, thrusts her hips up, feels the cock behind my fly. She lets her head lean back against me, lets me take her weight.
“Bend over.” Right next to her ear. Barely audible.
I release her from her hold. She turns her head just a bit and her face is quizzical, open, lustful, a tad resistant. I run my hand up under her dress firmly, continue to drag it up her back, then press, hard, on her shoulder blades, bending her over the train seat in front of her.
“I said bend over.”
Faster now. Unbuckle and unzip. The dress pushed up to her waist, one hand on her lower back to keep her hips tipped up to me. Her asshole is dark pink, a burst between her cheeks, perfectly smooth, and her ass is perfectly round, my thighs are already quivering and hips pulsing, so ready to fuck.
I grab one of the condoms I always keep tucked into the inner pocket of my bag. Roll it on. Spit into my palm, and again, lube up my cock. Spit again at my two fingers and shove them at her hole.
I hear her gasp – “ah” – just once – and she glances back over her shoulder, eyes heavy-lidded and dark. I push on her upper back again.
Her body shudders at my voice and gives in. A ripple of submission through her backbone and I feel to my toes the way it makes every hair on my body stand up, clench, awaken.
Cockhead at her asshole, I enter her easily, so smooth. So tight. The resistance of her ass is just more friction and tension between us and I want to tear into her. Split her apart. Harder now. Faster and she’s taking it so well, “so good baby,” I whisper to myself, fuck it’s so good. She keeps her legs strong and pushes back against me. It’s not enough lube and I remember the bottle in my pocket and laugh to myself. What kind of pervert am I to carry lube on the train?
I pull out and squirt it right on my dick, smear it, and ease back into her.
Oh yeah, give me that ass. Give it to me.
The girl in the red dress has her arms braced against the seats, bracelets jangling. We hit a rhythmic sliding stride and she brings her forearm down in front of her, leans forward, brings her other hand between her legs. Immediately I feel her knees weaken and press together, back arch and spine curl and oh it’s beautiful. I bring my hand up her spine to her shoulder blades, then her neck, take a handful of hair and keep her steady. She pulls against me, not to get away, but to heighten sensation. Struggling has such varying degrees. She doesn’t want out, she wants more.
I take grips on her hip and hair. Slam against her hard, pull out slow. Slick where my cock is fat inside her, swelling and eager. Resistance and tension. She tips even further forward onto the seat until she’s held up by it, lifted at the waist, hand furious between her legs, thighs pressed so hard together, on her tiptoes straining up and tipping forward more, further, until she lets one foot come up off the floor and bend at the knee, toes curling.
She is starting to let go, really let go, become undone at the seams, and she can’t keep the tension in her muscles so she stops resisting my hand in her hair, my palm against the flesh of her ass, holding her cheeks apart, fingers gripping her hipbone. But I don’t let go, I just hold her stronger, tighter, take her a little deeper as she opens, opens deeper, opens hard, and every hinge in her body loosens, I feel it from inside pulse and ripple and again, and again, until she is gasping, chest heaving, crying out, gasping for air. And I ease up, slide in slow, press hard and sweet against her as orgasm fades, shudders, and her body rebuilds itself anew.
I pull out and let her rest. We are quiet a moment. I release my hand from her mess of hair and caress her neck gently, let my hand drape across her hips and thighs, even find her hand, wet and warm from her own liquid, touch her fingertips gently.
Her breathing calms. She sighs, once. Reaches up to brush her hair from her face and I stand, tuck my cock, zip up, run my fingers through my perfectly messy hair to assess the damage.
She stays where she is, leaning for support over the bench seat. I pull the skirt of her dress down over her hips with a shit-eating grin on my face and smack her ass once, a little harder than I meant to, but playful, and she gasps and tenses, then stands. Her makeup is smeared. Her face is still open and sweet from the release but it changes as she watches me. I gather my book and pocket bottle of lube and put them back in my bag, pick up my jacket and slide my arms into the sleeves.
She’s still watching. Eyes wide. Breathing.
“We’re here,” I say. The train is slowing and I can just make out the tunnels of Penn Station as we arrive in New York City. She blinks. Opens her mouth to say something.
I grin. Lord she’s cute. I kiss her cheek as I slip by her and remove her heavy suitcases from the overhead racks. I notice strappy black high heel shoes at her seat and my mouth waters.
Heaving the last of the bags down, I turn to her again. She’s still by my seat, now empty, one finger in her mouth, looking a little shy. I smile and nod, once, a goodbye-take-care-have-a-nice-night gesture, and turn to the door as the train comes to a full stop.
“Um!” she calls after me. I look back. “Thank you?”
I give her a long glance from her ankles up to her legs to her hips and belly and breasts, the disheveled red dress, hair tumbling from its neat design on her head. She’s stunning, really. Delicious.
“Don’t mention it,” I say, and step off the train.