Posts Tagged ‘books’
I finished More of This World Or Maybe Another by Barb Johnson recently for the monthly queer book group I’ve been in for almost five years, and it was phenomenal. At April’s meeting we all agreed it’s one of the best books we’ve ever read in book club—even the usual folks who hate all the books or don’t generally like fiction really enjoyed it.
It is incredibly well written. I was at times in awe of her sentences. It’s a collection of short stories, but they are all linked with the same characters, switching perspectives and sometimes decades to show the interconnectedness of a small southern community in New Orleans.
It is at times violent and heartbreaking. The abuse is awful. A child is forced to slaughter a pig and I found that part unreadable, because it was so well done. The lovely relationship between Delia and her partner is so real. I kind of miss these characters, now that I’ve finished the book.
I have much to do today, so I must cut this short and get to it. Just want to encourage you to pick up a good book over the weekend, be it this one or another.
Oh, one more quick bit of news: The Publishing Triangle’s annual award ceremony was last night, you can check out all the winners over on their website if you need more recommendations for good stuff to read. Wish I’d attended but my week was too busy (it’s free and open to the public!). Lambda Literary’s award ceremony is coming up on May 26th and I wouldn’t miss it, I was a judge this year and I just interviewed Val McDermid for the program (!!). I’m especially excited to meet Amber Dawn who wrote Sub Rosa.
Pick up More of This World or Maybe Another at your local independent bookstore, or over on Amazon if you must.
I won’t lie: Cunt: A Declaration of Independence, Inga Muscio’s first book, changed my life. In fact, when I got Rose: Love in Violent Times in the mail last week, it made me want to pick up Cunt, and I started talking about it even as I was reading Rose. Kristen picked up Cunt this week (can you believe she’s never read it? I would have gifted her a copy two years and four months ago had I known that, I just assume everyone has) and has enjoyed reading it on her morning subway commute (and then I get to hear the stories later—love that).
While Kristen has been reading it this week, she remarked on how dated it seems, and I realized that it was published 13 years ago. Not only that, but it’s a very western American perspective, which struck me from reading Rose, how western Muscio’s voice and perspective is. It makes me a bit nostalgic, to be honest, and homesick, missing the culture on the west coast.
Rose is a bit different. Just released by Seven Stories Press, they describe the book with this question: “Rose breaks new ground in answering a fundamental question in most feminist and antiracist writing: how do we identify, witness, and then recover from trauma—as individuals, as families, as communities, and as a country?” I love this, it is fascinating and deep and hits on many of the things that I’m interested in exploring, especially around queer and gender stuff, but Muscio tackles larger (primarily US-focused) questions of war, rape, and abuse. I found it hard to read, because it was so direct and descriptive in the wrong-doings that surround us in this (western, US) culture. Of course, that’s also precisely the point, so though it was difficult to read, it was also quite successful.
I wish I could say that those questions of witnessing and recovering from trauma were addressed, though I think the “love” section of this book was a bit lacking. Maybe I just read it too quickly, maybe I wasn’t taking it to heart the same way I took in the “violence” section. I do think it’s important to participate in the healing process, not just for myself but for the culture, and Rose did a great job of inspiring more hard work towards those lofty goals, which I appreciate.
I’d be less inclined to pick it up again, however. Not like I am inspired to pick up Cunt or even Autobiography of a Blue-Eyed Devil, Muscio’s second book. Still, all of her books are worth reading, and I adore her style and tone. But Cunt is the one I go back to again and again. As soon as Kristen’s done with it, I may just re-read it myself, it’s been a few years.
Rose: Love in Violent Times by Inga Muscio was sent to me by Seven Stories Press to review. Pick it up at your local independent queer feminist activist bookstore, or directly from the publisher, or order it online from Amazon, if you must.
I was a judge this year (can I reveal that yet?—I won’t tell you what for until I know for sure) so I’ve been reading reading reading many books in the past few months. I read a lot anyway, but this has been a crunch. It was exciting to have a part in choosing the best ones.
The Lammys award ceremony will be held Thursday, May 26, 2011 at the School of Visual Arts Theater in New York City (333 W. 23rd St), followed by a private after-party nearby. I’ve attended the last two years (and wrote about them both for CarnalNation.com), and I’ll be attending again this year. It’s such a pleasure to show up and be familiar with so many of the books and authors, so many of the presenters and judges, and to feel like I’m really part of the queer literary community.
(And next year, I’ll have my own book out!)
I encourage you to look through these great lists and pick a couple to read, even if you don’t usually read queer stuff, even if you don’t care about the awards, just to show your support. I still have quite a lot more I would love to read, I haven’t read any of the poetry this year, and there are many that I haven’t Here’s a couple of my favorites—out of the ones that I’ve read, anyway—that I highly recommend.
Written by Amber Dawn, a queer femme (among other signifiers—she says, “when I say “myself” I mean a queer, kinky, femme, survivor, Canadian small-town born, poor, sex-worker, feminist with a strong passion for experimental artwork and transgressive identity-based art making” in this interview with Shameless Magazine), Sub Rosa published by Arsenal Pulp Press in 2010 is a masterpiece I couldn’t put down.
It’s creepy and odd and confusing and strange, but touching and smart and beautifully crafted. Oh there were so many sentences that made me stop reading just to sigh at the beauty of their simple and elegant construction.
I read it in two days. It’s kind of hard to describe, since it has a bit of world-building and you just kinda have to dive into it in order to understand it. But that is the style of some of my very favorite books (The Sparrow, The Time Traveler’s Wife)—a book where the reality pretty much follows all the same rules as this one I live in, but there are a few key twists which make it able to better comment on the state of things. I love that.
Arsenal Pulp Press’s description is as follows:
Sub Rosa’s reluctant heroine is known as “Little,” a teenaged runaway unable to remember her real name; in her struggle to get by in the world, she stumbles upon an underground society of ghosts and magicians, missing girls and would-be johns: a place called Sub Rosa. Not long after she is initiated into this family of magical prostitutes, Little is called upon to lead Sub Rosa through a maze of feral darkness, both real and imagined―a calling burdened with grotesque enemies, strange allies, and memories from a foggy past.
So perhaps that will give you an idea. It’s creepy, don’t say I didn’t warn you, but it’s worth it. And Amber Dawn’s style is amazing, I will gladly pick up anything else she writes.
2010 was the first year I was pretty diligent about using GoodReads to record what I’ve been reading, and it tells me I read about 50 books in 2010—I think that’s not quite right, but I’m going to try to be even better about it this year. In fact, I’ve made it a “goal” on GoodReads to read 100 books—given that I’m reviewing lesbian erotica for Lambda Literary Foundation, editing two books, am a judge for a literary contest, and my monthly book group, and just that is more than 50 books, I think I can make it.
Looking over the books I have listed on GoodReads as read in 2010, these are the ones that stand out. Not all of these are queer explicitly, though queer novels remain my favorite thing to read. And not all of them were published in 2010.
All are linked to Amazon for research purposes, but please do order and buy them from your local independent bookstore—Support booksellers! Support local culture!
In alphabetical order, because it’s hard to compare:
Aud Torvingen trilogy: The Blue Place, Always, & Stay by Nicola Griffith. I remember when Stay came out while I was working at the bookstore in Seattle (where I worked for almost 5 years as a bookseller), many people recommended it to me, saying I would like it. I think they assumed I would like it because I’m queer and it has a queer protagonist, but whatever. I (mistakingly) thought it was science fiction, and wasn’t so inclined to pick it up, but I finally picked up The Blue Place a few years ago (GoodReads says I read it in June 2009) and I was impressed. Well, first I kind of hated Aud Torvingen, the know-it-all, independently wealthy, accomplished-at-everything ex-cop turned private investigator who was trying to get her life together. But the end of the first book is so heartbreaking and good, I couldn’t just leave the characters suffering, so I had to read the other two in the series. I got hooked. And they just kept getting better. Easy, deep reading that I got lost in. I would read all of these again from the beginning.
Broken Open: How Difficult Times Can Help Us Grow by Elizabeth Lesser. I’ve been a little obsessed with books about healing and trauma the past few years, and I ran into this in a bookstore and picked it up from the library right after. Frequently my favorite books in about this kind of thing take a very Buddhist perspective (like When Things Fall Apart, Radical Acceptance, and When the Past Is Present), and while I love that, I also know that until I had a pretty strong base in Buddhist philosophy, I didn’t quite understand what they were talking about, and I found them difficult to read. Not this one, though. Broken Open talks about trauma, loss, grief, and healing from lots of different perspectives, weaving in stories and techniques from her workshops over the years. Very readable and very inspiring.
Enlightened Sexism: The Seductive Message that Feminism’s Work is Done by Susan J. Douglas. It’s not out in paperback yet, so I’ve still got the hardback copy from the library and have renewed it about 25 times now. I keep thinking I’ll get to a full review of it on Sugarbutch, and so I should go back and look through my notes and dog-ears to figure out exactly what I want to say. So here’s the paragraph version: I have thought about this book often since I read it. The descriptions of the 1990s especially made me realize I grew up in a unique time, full of the closest we’ve gotten to the manifestation of the feminist and gender equality movements, and the 2000s have brought plenty of backlash—but in a more subtle, twisted way than the backlash of the 1980s and early ’90s. Now, the backlash makes feminism look like it is outdated. Feminism? Pshaw, who needs that, women are equal now! But through various examinations of entertainment, celebrity, films, TV, and other pop cultural artifacts, Douglas argues that it’s far from over. It changed the way I am looking at feminism, and gave me some new ways to talk about what’s going on now. Now excuse me, I want to go re-read it.
Lynnee Breedlove’s One Freak Show by Lynn Breedlove (Manic D Press, 2009). Just, awesome. I’m a fan, but I had no idea Breedlove is so funny! And readable, and smart, and clever. I identified with many of the struggles within the queer communities about gender, and loved the bits about cocks and sexuality. It was more than I expected, and made me feel like Lynnee is my buddy. I was able to be there when Lynn won the Lammy for in the Transgender category last year, and it was a thrill to hear a few of the best lines in the book delivered in person. My full review is up on LambdaLiterary.org.
Gender Outlaws: The Next Generation edited by S. Bear Bergman & Kate Bornstein (Seal Press, 2010). Things have changed since Kate Bornstein’s book Gender Outlaw, and this is the updated proof of the celebration and liberation that’s happening within the trans landscape right now, and the proof of how much further we have to go, and what else we need to work on. I would put this on my “required reading” list, and I bet a lot of other people out there would too. It’s a beautiful anthology. I especially love Bear and Kate’s introduction, which is a conversation via internet chat. My review on Sugarbutch and my companion piece, Ten Ways I am a Gender Outlaw.
Manhood for Amateurs: The Pleasures and Regrets of a Husband, Father, and Son by Michael Chabon. A personal account of gender and masculinity insights throughout life, with illustrations of various relationships—friendships, marriage, kids, parents. I really love his writing, he has such a beautiful way of constructing a sentence, and I was really moved by his descriptions of feminism. Though maybe I shouldn’t be, I was surprised to find a straight white cis man writing so eloquently about gender dynamics and providing insight into so many of the difficulties that are imposed upon us in gender roles, and I think his accessibility brought these concerns to a lot of people since this book was published. It’s a great starting place for examining masculinity in more depth (which is one of the things I hope to do this year, and I have about five books waiting for me).
Mating in Captivity: Unlocking Erotic Intelligence by Esther Perel. I didn’t expect to like this one as much as I did—I thought it would be pretty elementary, but it had some great insight into American culture and relationships. Perel is not American, and that outsider perspective was at times really interesting and useful. Of course, it is 99% heterosexual, and when she tries to include queer couples it doesn’t really account for any sort of difference in culture, but glosses over the difference and goes right to “all relationships have their difficulties, doesn’t matter if you’re gay or straight,” which I get, but I think there’s a little more to it than that and it’s a little bit of a privileged position to be able to dismiss the queerness as just a personality trait akin to liking sports or being into cooking. Nevertheless, the tips and consciousness around building a long term relationship that remains sexual are important, and I’m glad I read it. My full review on Sugarbutch.
Missed Her by Ivan Coyote (Arsenal Pulp Press, 2010). It wasn’t until I was telling a friend about the book that I realized that “Missed Her” is often mistaken as “Mister” in speech. What can I say about Ivan? She’s a masterful storyteller. She and I grew up in a similar region, and her tales about her childhood and her extended family feel so familiar and nostalgic and articulate in such a beautiful way. I love the descriptions of her new relationship love. I will continue picking up every book she puts out, and I’ve never been disappointed.
Mr. Benson by John Preston (Cleis Press, 2004). How is it possible that I did not read this book until last year?? I can’t believe I missed it. And now that I’ve read it, any time I mention it to queer folks—especially ones older than me—they all know about it, and know it well. So: It is a gay men SM novel first published as a serial in 1979, and then in full in the early 1980s. It’s from a time before the AIDS crisis. More good stuff on John Preston over at GLBTQ encyclopedia, if you want to know more context. The book is dirty and full of power and strength and dominance. The actual storyline is a little boring (I just wasn’t as invested in the human trafficking/exploitation part as I was in the beautiful D/s scenes), but the book does need something to keep it going. Apparently the book was so popular that there were both “Looking for Mr. Benson” and “Looking for Mr. Benson?” tee shirts all over in the ’80s, though of course they are not around now, at least not that I could find. I handed the book to Kristen as soon as I was done and she zoomed through it, then had a “Looking for Mr. Benson?” tee shirt made for me for winter solstice. It prompted me to think a lot about how I play with dominance, especially in my domestic life with Kristen, and we have talked about it frequently while trying to iron out difficulties between us in that play. And who knew piss play could be so awesome?
Origami Striptease by Peggy Munson (Suspect Thoughts Press, 2006). I’ve had this one on my shelf for a few years, not sure where I picked it up but I didn’t know much about it. I started reading it and was hooked: It is so ethereal, so surreal, at times it reads like poetry. The intention and clarity behind the word choices are so specific. It reminds me of Rebecca Brown or Jeanette Winterson, two of my favorite authors. I love getting lost in words and images like I did while reading this. Looks like it’s a little bit out of print now, which is too bad. Maybe the publisher still has it directly.
The Sealed Letter by Emma Donoghue. Historical fiction that recounts a divorce trial in the 1860s. I’m not so in to historical fiction, though on occasion I find it fascinating—particularly when I find it relevant, which, for the most part, I don’t find the genre, but I have found some of the recent books, like Sarah Waters’s novels, with lesbian content. I read this one for my book group, and I was skeptical—it took a while to really get into it. The first half of the book is elaborate descriptions of the two women’s friendship, and the details that lead up to the divorce, then the divorce trial happens for another 1/3 of the book (which I found terribly dull, though my lawyer friend thought was fascinating)—but the very end made it worth it. Though I was a bit triggered by all the psychological manipulation one of the characters continues to exhibit, I have still been recommending this quite a bit. It’s pretty fascinating to hear about the politics of marriage, family, cheating, and legality from 150 years ago—really not that long ago, but it exposes some of the ways we have directly evolved from those cultural standards.
Sometimes She Lets Me: Best Butch Femme Erotica edited by Tristan Taormino (Cleis Press, 2010). Call me biased if you like, because I have a story in this book, but this is my favorite erotica collection to come out for a long time. Not only because it’s butch/femme, but also because the stories are just good. Editor Taormino had a decade worth of Best Lesbian Erotica collections to pull from, and she picked the best of the best of the best, in my opinion. Plus, there aren’t very many explicitly butch and femme erotica anthologies, so I’m glad we’ve got one more. This one is still on my nightstand. My review on Sugarbutch.
Toybag Guide to the Taboo by Mollena Williams (Greenery Press, 2010). I’m a fan of Mollena‘s work in general, and when I saw her at the Lesbian Sex Mafia for her workshop Taboo Play and Working Through Extremes in early 2010 I admired her even more. This book is kind of the written version of her workshop, with many of the same stories and philosophies about what it’s like to be exploring the “taboo” sides of sexuality, like incest play, bestiality, force, and race play, and it is thoroughly thoughtful. Obviously Mollena has been thinking about these things for a long time, and it shows with her respect, care, and detail.
Follow my author profile over at GoodReads if you’d like to see more of the books I’m reading.
So let’s hear it: What were YOUR favorite books of 2010? What are you reading right now? What else do you recommend that I read?
Seal Press recently released a much needed addition to queer identity narratives in the anthology Dear John, I Love Jane: Women Write About Leaving Men for Women edited by Candace Walsh and Laura Andre.
What do you think of when you think about a coming out story? Typically in this culture, the main character of a coming out narrative tends to be a teenager, either pre-teen or late teens, someone who either has always been a bit different or is suddenly hit with the sexual revelation that they might be gay. Despite that coming out as a teenager seems, to me, to be actually a somewhat recent phenomenon, and that people coming out even ten or fifteen years ago were more likely to be college-age rather than high school age, which I would largely attribute to the rise of the Internet and the vast amount of information easily accessible by just typing “gay” into a search engine or, at this point, speaking one word into a search program on a smart phone, there is still a significant lack of literature available about people who come out later in life. Though the coming out process continues to happen younger and younger, the dominant stories are still about people in their tumultuous twenties, which is frequently when we formulate and articulate our adult sexual identities, often for the first time.
But what about someone coming out in their late thirties, forties, fifties? What about someone who has spent most of their life heterosexual, married and raising kids? Often, these stories are not reflected in queer literature and culture. We tend to value and legitimize the folks who express that we “always knew” that something was off about us, queer identities that started giving hints in childhood and were full-on signs by our adolescences.
Which is why this anthology is a much needed addition to the body of work on queer identity; we have so few stories about what it’s like to form these identities later in life. In this book, “later in life” is defined quite broadly, as some of the participants are still quite young and have, in my mind, had fairly typical coming out experiences.
While I was reading through these essays, I felt that it was important to keep in mind that they are personal reflections about the authors’ own experiences, and while there is great value in telling those stories, and this book is beginning to fill a neglected gap, they are not necessarily radical or particularly theoretical, and in fact perpetuate many stereotypes about lesbianism and gender in particular. In fact, the consistent commentary on gendered lesbian stereotypes in so many of the essays made me wonder if those stereotypes were a reflection upon the editors’ beliefs. Perhaps the reader was meant to assume that these were former stereotypes that the narrators held, and that their understandings have deepened and become more complex, but none of the essays directly addressed the vast inaccurate outsider observations toward the lesbian communities and none of the essays directly took on any sort of understanding of how complex gender identity and expression is in the queer and lesbian worlds.
I know that a complex understanding of gender is a lot to expect, and that I am particularly critical of representations of gender that are heteronormative and perpetuating stereotypes, but I was disappointed in the consistent portrayal throughout this book. I do think it is an important to add to the dominant paradigm of coming out and coming to queer identities, and certainly it gives a solid base on which others can now build. But I am cautious in recommending it, since I think it perpetuates more stereotypes than it challenges.
I had the pleasure of reading at Kathleen Warnock‘s New York City literary series Drunken! Careening! Writers! on Thursday night in celebration of the new release from Cleis Press, Best Lesbian Erotica 2011, in which I have a story.
Kiki DeLovely, Xan West, Charlotte Dare, D.L. King, Theda Hudson, and I all read excerpts from our pieces included in this year’s book, and Kathleen read from her introduction (and was her all-around amazing hostess self).
It was a blast of an event. It’s become a little bit of a holiday tradition, since BLE always comes out around this time of year and Kathleen has hosted the official New York City kickoff for quite a while, for as long as I’ve been in New York anyway. Kathleen always jokes, “Pick one up for grandma. Perfect gift.”
It’s my favorite erotica series. The quality is always amazing, and the 2011 edition is no exception. I think Kathleen said there are contributors from six different countries this year! I had to mention it in my recent Cliterotica: Lesbian Erotica Roundup for Lambda Literary Foundation, regardless that I have a story in there it’s an incredible anthology.
Here’s the description:
Edited by Kathleen Warnock, Selected and introduced by Lea DeLaria. In Best Lesbian Erotica 2011, women find love and lust in all the right places – kitchens, cars, dance clubs, dungeons, and even a flowerbed. This year’s guest judge is the anything-but-shy Lea DeLaria, the multi-talented writer, stand-up comic, singer, and actor. She has selected work from some of the best-known writers of lesbian erotic fiction as well as debuts of startling new talents. A 1958 Mercury Park Lane rides like a sexual time machine in D.L. King’s “Walk Like a Man.” In Betty Blue’s “The Garden of Earthly Delights,” a lost boi encounters a firespirit on a romantic celestial plane. In Kiki DeLovely’s “The Third Kiss,” a woman discovers it’s not a good idea to tell your crush your dreams about her – unless you want them to come true.
Remember Erin Bried’s first book, How To Sew A Button: And Other Nifty Things Your Grandmother Knew? This week she releases her second book, How To Build A Fire: And Other Handy Things Your Grandfather Knew. One of those things might be just right for that person on your holiday gift list you haven’t bought anything for yet, hmm?
Here’s the description:
As members of the Greatest Generation, our grandfathers were not only defined by the Depression but also by their heroic service to the country in World War II. Courageous, responsible, and involved, they understand sacrifice, hard work, and how to do whatever is necessary to take care of their loved ones. They also know how to have a rollicking good time.
Sensible, fun, and inspiring, How to Build a Fire offers a rare glimpse into the hearts and minds of grandfathers near and far by sharing their practical skills and sweet stories on how to be stronger, smarter, richer, and happier. Inside are more than one hundred essential step-by-step tips for fixing, leading, prospering, playing, and hosting, including how to
• buck up and be brave in the face of adversity
• play hard and break in a baseball mitt
• bait a hook and catch a big fish
• look dapper and tie a perfect tie
• get a raise and earn more
• write a love letter and kindle romance
• change a flat tire and save the day
• stand up and give a sparkling toast
• play the harmonica and make your own music
Loaded with charming illustrations, good humor, and warm nostalgia, How to Build a Fire is the perfect handbook for guys or gals of any age. The first of its kind, this collection of our grandfathers’ hard-earned wisdom will help you build confidence and get back to what’s really important in life.
I haven’t had a chance to read it all yet, really, but it’s so much fun to flip through.
October and November have kind of gotten away from me, with three conferences and four college gigs and an erotic retreat and travel to three states and a new workshop, and oh yeah that whole new butch project thing. So I haven’t really been keeping up with the “Friday Reads” series I was trying to start, but I’ll just pick up where I left off, how about that.
Good timing, too, because Cleis Press, one of my favorite publishers, is having a winter holiday special: 20% off everything in stock!
We would like to extend a special invitation to Cleis Press & Viva Editions friends, family and colleagues to take advantage of our 2010 Gratitude and Giving holiday special. This is our way of saying we’re incredibly grateful for your enthusiasm, talent and support! From now until December 31st, we offer you and your network (your friends, family, coworkers, colleagues and neighbors) a 20% discount on all titles. Enter special offer code GG on your web order to receive your discount.
Here’s the fine print: Order as many or as few books as you like. Order as many times as you like. Offer good on any book in stock at time of ordering. Order through our web sites to receive discount. Must enter special offer code GG to receive discount. Cannot be combined with any other offer.
So hey, I have some recommendations for books you can pick up, if you don’t already have ‘em. And who knows, maybe somebody on your holiday gift list would like some books too, hmm?
Books Which Include My Work:
Many of these aren’t explicitly queer, but the sex is delicious and sensuous and sweet and brilliant, the power dynamics are amazing, the writing is impeccable. So file these under Classics You Should Read:
And last but not least, here’s some notable Queer Titles that I’m not in, but that I’ve read and are excellent:
I know you could probably just order all of these on Amazon, but the publisher and authors benefit greatly when you get ‘em from the source. All of these I highly recommend belong in your personal library.
Head over to Cleis Press’s website and browse through their dozens of other titles. If you like reading about sex and gender, chances are you’ll find a book or two you’ve been coveting over there.
I adore Cleis, I’ve been following their catalogues for years and I frequently jump at their new titles. They’ve published many of my short stories in other anthologies, and I am thrilled to be working with them as an editor. It’s a new venture for me! And I hope it goes well.
There is definitely a lack of the dirty stuff out there—so many of the erotica anthologies I pick up lately have lacked kink. And hoo boy I’ve been reading a lot of erotica lately. Did you know I am now the lesbian erotica editor for the Lambda Literary Foundation’s recently relaunched website? True story. I’m doing a quarterly roundup of the current lesbian erotica, so I’ve been getting all sorts of fun packages in the mail, but unfortunately most of them are just awful and I really hope the authors intended the book to be a joke. But if I can’t tell, then it wasn’t exactly a successful joke.
I can’t wait to turn up the dirty stuff and stick it all out there in a book with actual pages that you can wank off to—that’ll be a nice change from cuddling up to your laptop in bed, or wanking off at your desk, hmm?
A note about the word “lesbian” … it is pretty much necessary to use that word in the publishing world. So it was kind of not negotiable. I don’t feel great about it, and while I don’t not identify as a lesbian, it certainly wouldn’t be my first sexual identity label of choice (I tend to call myself queer).
Ultimately, though, it is an anthology focused on female characters, but any and all gender expressions are welcome (and encouraged!) to be represented in this anthology—cis women, trans women, and genderqueer characters who identify with the lesbian community. I will absolutely consider stories with trans men in them, assuming they identify with the lesbian communities, but know that the publisher has the final say over the manuscript and I’m not too certain how they would treat that.
If you’re a writer, please do submit a story. You don’t have to be a published writer, you don’t have to have any credentials, what matters is the quality of your story. You’ve got a few months to come up with an awesome scenario and send it in to me … really looking forward to reading all the submissions.
Please forward this call widely.
Call for Submissions: Lesbian BDSM Erotica Anthology [Title TBA]
To be published by Cleis Press in fall 2011
Editor Sinclair Sexsmith is looking for hot, sexy, well-written stories about kinky sex between queer women, from bondage scenarios to power play to role play to sadism and masochism to sensation play for a new anthology of lesbian BDSM erotica. Looking for characters with a range of age, race, sexual experience, gender identity and gender expression: butch, femme, genderqueer, gender-non-conforming, dapper, and others will all be considered. Cis women, trans women, and genderqueer characters who identify with the lesbian community are welcome. Stories should have strong literary voice, characters, tension, and rising action. All characters must be over 18. Prose only will be considered, no comics, graphic stories, or poetry. For examples of what I am looking for, see Tristan Taormino’s collection Best Lesbian Bondage Erotica.
Payment: USD $50 and two copies of the book upon publication.
Deadline: January 1, 2011
Unpublished stories preferred.
How to submit: Send your story in a Times New Roman 12 point black font Word document (.doc) with pages numbered of 1,500 to 5,000 words to [email protected] Double space the document and indent the first line of each paragraph. US grammar required. If you are using a pseudonym, provide your real name and be clear under which you would like to be published. Include your mailing address and a 50 words or less bio in the third person. Publisher has final approval over the manuscript.
About the editor: Sinclair Sexsmith runs the award-winning personal online writing project Sugarbutch Chronicles: The Gender, and Relationship Adventures of a Kinky Queer Butch Top at www.sugarbutch.net. With work published in various anthologies, including the Best Lesbian Erotica series, Sometimes She Lets Me: Butch/Femme Erotica, and Visible: A Femmethology volume 2, Mr. Sexsmith also writes columns for online publications and facilitates workshops on sex, gender, and relationships. Find her full portfolio and schedule at www.mrsexsmith.com.