A Love Letter to Femmes
Posted on April 1, 2009 in in praise of femmes | 20 Comments
Maria See put the original call out for the Femmethology literally years ago, and ever since I first saw it I knew I wanted to contribute something to this unique anthology on femme identity. But what? I didn’t feel like I could necessarily speak from a place of authority on What Femme Is, there are hundreds – thousands! – of versions of femme, and no matter what I know about femme or how many femmes I’ve interacted with, I am an observer, a witness of femme, I don’t feel like I create it myself.
So what would I write?
I wrote a few pieces, brainstormed, but nothing I really loved. Nothing really got to the heart of what I was trying to say, which was … what? I wasn’t sure.
But it hit me on the very last day the editors were accepting submissions, and I sat down and wrote this Love Letter in one long sentence, and spent the rest of the day editing and polishing. I’m not going to reproduce the text here (you’ll have to buy the book for that) but I will present you, here, with a recording of me reading the love letter that appears in Visible: A Femmethology Volume Two.
Hope you enjoy it.
[display_podcast] Sorry, the podcast plugin seems to have broken – you can’t hear the piece in the browser anymore, but you can still download the mp3.
Thanks very much to Audacia Ray for recording and producing this mp3!
In case you missed it, see more information about the Femmethology here.
Kicking off the Femmethology blog tour!
Posted on April 1, 2009 in giveaways!, in praise of femmes, swag | 33 Comments
I’m honored to kick off the April Femmethology blog tour! There are four important things in this post, it’s kind of a long one – here’s the breakdown so you don’t miss anything.
- Information about Visible: A Femmethology, a two-volume set of books which is out now!
- A giveaway! Comment to win a copy of the Femmethology!
- Information about the Femmethology release party in New York City, Wednesday April 29th
- Continue on the April Femmethology blog tour by visiting these other great sites. Visit Ellie Lumpesse tomorrow!
And coming up shortly, I’ll be posting an mp3 of me reading my essay, Love Letter, which is included in the Femmethology Volume Two.
Visible: A Femmethology (March 2009)
www.femmethology.com
Order Volume 1 and order Volume 2 through the fabulous Homofactus Press.
Femme–an identity that has caused controversy, celebration and ridicule–is now the topic of a two-volume set from Homofactus Press and editor Jennifer Clare Burke titled Visible: A Femmethology. Femmethology calls the LGBTQI community on its own prejudice and celebrates the diversity of individual femmes. Award-winning authors, spoken-word artists, and totally new voices come together to challenge conventional ideas of how disability, class, nationality, race, aesthetics, sexual orientation, gender identity and body type intersect with each contributor’s concrete notion of femmedom.
Femmethology giveaway!
Comment on this post with one fabulous thing that you love about femmes and I’ll pick one random winner.
What’ll you win? A copy of Visible: A Femmethology Volume Two, which includes my piece, Love Letter. AND in addition, EITHER a copy of Volume 1 OR any other erotica book my writing is in – such as: Best Lesbian Erotica 2006, 2007, or 2009. Look about halfway down on my “Shop” page or in the sidebar (—->) for the complete list.
The books will be sent to me and I’ll autograph them for you, then send them on.
Winner will be chosen at random tomorrow morning, so you have today to enter by leaving a comment.
Come join us at the book release party in NYC!
Visible: A Femmethology
New York City Release!
April 29th, 7pm
Bluestockings, 172 Allen St. in the Lower East Side
Featuring contributors: Ryn Hodes, Sinclair Sexsmith, Sassafras Lowrey, Cameron Whitley, Leslie Freeman, J.C. Yu, Hadassah Hill, & Miel Rose
Visible: A Femmethology is a two-volume anthology edited by Jennifer Clare Burke and published by Homofactus Press of personal essays from over fifty contributors who explore what it means to be a queer femme. Award winning authors, spoken-word artists, and totally new voices come together to challenge conventional ideas of how disability, class, nationality, race, aesthetics, sexual orientation, gender identity, and body type intersect with each contributor’s concrete notion of femmedom.
Not in New York City? Check the Femmethology events page to see if there’s a release party in your area. They’ll be in Vermont, Vancouver BC, Atlanta, & more!
Follow the rest of the Femmethology April blog tour with these great sites:
4/1. Sugarbutch Chronicles
4/2. Ellie Lumpesse
4/3. Queer-o-mat
4/4. CyDy Blog
4/6. Catalina Loves
4/7. cross-post: The Femme’s Guide and Femme Fagette
4/8. Daphne Gottlieb
4/9. Bilerico Project
4/10. Screaming Lemur: Femme-inism and Other Things
4/13. The Femme Hinterland
4/14. Bochinche Bilingüe: Borderlands Writing and The Vagina Adventures
4/15. Dorothy Surrenders
4/16. Miss Avarice Speaks Her Mind
4/17. The Femme Show
4/19. Sexuality Happens
4/20. Queer Fat Femme
4/21. Sublimefemme Unbound
4/22. Tina-cious.com and Jess I Am (butch-femme couple day!)
4/23. FemmeIsMyGender
4/24. The Lesbian Lifestyle
4/25. Femme Fluff
4/26. Weldable Cookies
4/27. The Verbosery
4/28. A Consuming Desire and Creative Xicana
4/29. Queercents
4/30. en|Gender
And last but not least, visit www.femmethology.com for all sorts of information about the books. Order Volume 1 and order Volume 2 through the fabulous Homofactus Press.
in praise of femmes: the architecture of identity
Posted on September 5, 2008 in in praise of femmes | 34 Comments
This is what I learned at the Femme Conference.
Oh, the Femme Conference. I have so much to say about what happened there, both personally and in relation to this gender work. Oh yeah, and I have some hot stories to tell y’all, too.
First: THANK YOU, everyone who donated money to help me attend. I was able to go because of this website. I may not have gone otherwise because I really can’t afford to travel. Thank you.
The theme of the conference was The Architecture of Femme, and as such many of the panels explored the construction, deconstruction, and reconstruction of femme identity. As my background is in social theory and social constructionism, I tend to come from the place that says femme is constructed primarily physically, on the body, that all gender is performative. This means through symbols of femininity – shaving, long hair, skirts/dresses, heels, jewelry, makeup, etc.
One of the major themes I’ve come across in running Sugarbutch is femmes who feel invisible – that they are not read as queer because lesbians are not feminine, femininity is a constructed gender role within the heteronormative paradigm, and the perceived notion that a femme is really either bi or straight.
This misconception has to do with physical symbols of gender, and required alignment of sexual orientation and gender.
The first keynote speaker at the conference, Leah Lakshmi Piepzna-Samarasinha, said: femmes are not invisible, you don’t know how to look.
And this is point number one that I want to make. I’ll pause here to let that sink in for you.
Femmes are not invisible, the lesbian community just doesn’t know how to look.
That deeply resonated with me. I feel I’ve been trying to say that to femme friends and lovers for some time now – “well, I found you, didn’t I? Do you not go to the clubs, do you not get dates? Of course you’re queer.”
I know it’s not this simple, really – I know there is much difficulty when someone is not recognized by their own community because they are being true to their own sense of gender. That’s not an easy contrast to reconcile, and I don’t move through the world that way so I can’t really speak to the daily experience of what that’s like.
Before the conference, I started a conversation about femme eye candy – remember this? I’ll get back to that in another post more fully, but the relevance is that Muse & I were discussing requesting photos along with some text about how the femme in the photo queers femininity – how her femme-ness is coming through in any particular way that indicates that she’s femme, not straight.
[TO BE CLEAR: this is NOT be about proving queerness whatsoever. I am working on the details of how to write this up, and will explore this much more in-depth in another post soon.]
The point is to use the femme eye candy as a visual lexicon of physical symbols, as an attempt to notice any emerging patterns and begin to record the physical markers of femme identity.
DEFINE: Markers: physical details which indicate that the person is using their fashion and style to construct a queer identity. Examples of usage: Femme markers, butch markers, queer markers, hippie markers …
I have some ideas about what these markers might be – vintage and pinup clothes, hyper-femininity, high contrast, for example – and I must thank Sam and Maggie from Toronto who did a wonderful workshop at the conference on the construction of femme identity through fashion and style, where many of my thoughts on this were refined.
The discussion at the workshop quickly went from “what are some of the femme markers” to “what are ways that femmes construct identity besides through physical markers?”
I kept thinking about these things throughout the weekend at the conference: the markers, and the ways femme is constructed besides markers.
Five things stand out greatly from the discussions as ways to construct femme:
- In contrast to butch – the classic in some ways, the stereotype in others. We all talk about how butches lend visibility and how different a femme is perceived and treated alone verses with a butch. The conference brought up the issue of femme history, too, and how hard it is to find femmes, and one of the ways to do so is to find the butches’ visible queerness and search for their partners.I think this is an incomplete, problematic, and outdated construction of femme identity generally, but it is relevant historically and it still applies at moments. Plus, for some of us our own sense of identity is so greatly magnified when in contrast to our particular desire orientation – I am not just a butch, for example, but I am a butch who loves, desires, and partners with femmes, and that is also a key component to my identity.
- In community – Maggie, the beautiful dancer and wicked smart femme behind the Femme Show (who has a wonderful girlfriend, I was disappointed to hear, as I developed quite the crush on her over the conference) spoke of how when she is in queer spaces, she expects that she should be read as queer. It should just simply be a given. It is not a given that the feminine girl at dyke night is queer, because the lesbian community is still closed off to the ideas that feminine girls are lesbians. I mean, in some ways that is being shattered – maybe that’s one good thing the L-Word has done for the lesbian communities – but in practice, many many queer women still don’t recognize femmes.(I could also speak to how this is probably engrained in butches especially, in butches who are attracted to femininity, from a young age, because we do tend to go for the straight girl or the L.U.G.s and end up getting our hopes up and our hearts broken when she, inevitably, leaves us for a guy, because, well, she’s straight. I still watch butches go through the realization that femmes exist – that femininity exists in a queer context – and wow that sure can be a revolutionary realization. But this is another topic to discuss later, too.)
- Through language - Someone commented to say she has no particular physically queer markers, and in fact she prides herself on that, and would rather constantly construct her queer identity by constantly coming out verbally. But even if a femme does see herself as using many queer fashion and style markers, there is still always an element of constructing identities verbally and through language.This brings up one other idea, which is that I think all of these ways of constructing femme identity happen for everyone, that it isn’t just one or another, that some are stronger for some femmes than others, that there are many different combinations of them that make up each unique femme expression of each person.
- Through fashion and style and through markers. There are hundreds – thousands probably – of ways to construct femme through physical feminine presentation. The conference was amazing that way, to see as many different representations of femme as there were femmes in attendance. I loved seeing the similarities, the differences. There was such an amazing array from the fanciest drag-queen femme to the pencil-skirt-and-glasses femme to the pinup girl femme to the punk rock femme to the tomboy femme to the sundress-and-cardigan femme.And the SHOES! Oh good lord, I could write an entire post on the shoes at the femme conference. (Swoon.)Honestly, I never cared for fashion until I began discovering, uncovering, and creating conscious and intentional butch/femme gender understandings. I wish I had a better grasp on fashion and the history of fashion sometimes, some folks were saying very interesting things about the evolution of women’s clothing options during the conference.
- Through theory – feminist theory, gender theory, power theory, BDSM and kink theory, postmodern theory, historical contextual theory. The intellectualizing of my own gender has been a key component to constructing my own gender identity, and this resonated strongly at the conference.
I’m going to have to work on the butch version of this idea, the ways butch identity is constructed, though I imagine it is in many ways similar: in contrast to femmes, in community, through language, through markers, through theory. But perhaps there’s more to add, perhaps butch and femme are constructed differently? Ill keep thinking on that; please do add your two cents if you’ve got ideas on this topic.
Two specific questions for you, at the end of this looooong summary of what I learned at the Femme Conference about the architecture of femme:
- What are some other tools with which you construct your identity, femme or otherwise?
- And what do your markers look like?
in praise of femmes: hair & shaving
Posted on August 28, 2008 in in praise of femmes | 36 Comments
Thanks, all, for your thoughtful responses and life stories about butch hair in the last post.
Here’s a few of my thoughts about femmes and femininity and hair, and then I’ll ask some questions and open it up to whatever you’d like to say about the subject.
I want to distinguish here between options and personal preference – I talk a lot on this site – especially in terms of femmes and femme identity – about what I like, and I want to make it clear that those are usually my personal preferences, and I’m not trying to say that I think that’s what all femmes should be or that femmes who are not like that are not valid or are not “real” femmes or any of that crap. I hope that’s not how it comes across.
So, let me first say this, about my basic philosophies on hair: hair is a personal choice. It is also a major marker on the physical body used to distinguish gender differentiation in contemporary culture. Short hair on men, long hair on women; shaved legs and underarms on women, hairy men. This of course was not always the case; it used to be seen as very masculine for men to grow their hair long. Hair presentation, length, and social conformity are based largely on culture.
In my (unofficial, limited) cultural observation in the recent years, these differences are just getting more pronounced, although with the inclusion of gay male culture in mainstream men’s fashion, the rise of beauty products for men, the addition of “manscaping” and the metrosexualizing of fashion and beauty, beauty standards for men and masculinity are on the rise. It is not unusual for hetero/cis-women to expect their hetero/cis-men to keep their chest hair under control, to get eyebrow waxes, to keep their hair groomed.
But just because the beauty standards for men are raising doesn’t mean it’s okay for us to keep unobtainable beauty standards for women – or for anyone, for that matter. Honestly I believe we’ve got to turn the beauty culture inside out on our own personal journeys into our own gender identities, whatever flavor they may be, whatever area of the gender galaxy, to really examine what the culture dictates and unlearn the compulsory standards that can be exhausting, unobtainable, and even harmful to our bodies.
What the body does is natural, normal, acceptible, sexy – where hair grows, the stretchmarks, the veins that show through the skin, the moles and freckles, the thickness of the muscles or the tendons or the thigh or the waist or the hair. All these things are beautiful, and real.
And, in my humble opinion, are also turn-ons: the celebration of the beauty of the human body.
If you’ve never explored the potential damage and compulsory standards of beauty culture, take a look at:
- The Beauty Myth: How Images of Beauty Are Used Against Women
by Naomi Wolf – a bit dated now, and well critiqued, but still holds many core concepts that I believe can be very transformational
- Survival of the Prettiest: The Science of Beauty
by Nancy Etcoff – Undoes some of the cultural critiques of the beauty myth and argues for a scientific basis of valuing beauty; interesting counter in the nature-vs-nurture debate
- Female Chauvinist Pigs: Women and the Rise of Raunch Culture
by Ariel Levy
- The Body Project: An Intimate History of American Girls
by Joan Jacobs Brumberg
- Killing Me Softly
, Jean Kilbourne – This video tends to be shown (over & over) in women studies courses in colleges, and there’s a reason why: it can be really eye-opening to see what the culture of beauty dictates for women through advertising. Kilbourne has other videos that are also wonderfully critical of alcohol, tobacco, and thinness. They’re hard to find since they’re educational films, but your library might have them.
- Any other recommendations?
So: once we start undoing society’s standards, and treating every possible option as valid and valuable for different reasons in order to make a true choice, we can start exploring what it is that we personally prefer. What turns us on, how our bodies feel the most sexy, what the soft animal of our body loves.
My initial thoughts about femme hair always go to the hair on your head, and the ways it’s worn. Being that I am very attracted to femininity, I do like long hair generally, though I know plenty of femmes who totally rock the chin-length cuts or the boycuts, I’ve even known a few with shaved heads.
I wrote once upon a time about how much I love it when femmes wear their hair up, and specifically the idea that “a woman’s hair is for her husband.” I wrote, “I know there are deep problems with this idea of a husband owning a wife’s hair, but I love the idea of it being so sexual, such a turn on, when a femme lets her hair down, that it’s private, saved for me and me alone.” And that’s just it exactly.
About body hair on femmes … honestly, my personal preference is basically bare. Very little hair, everywhere. I find shaving sexy, I find the rituals of beauty sexy (when they are done with intention and sexual connotations especially). I like to shave my lover’s legs, actually. That’s a scene I haven’t played out in a long time, but I find that intensely erotic.
I do have some guilt about liking the reproduction of traditional femininity. I know I could write pages about how it’s not compulsory, it’s resistance, celebratory, and intentional, but still sometimes I wonder if what my block is that I wouldn’t find hair particularly attractive. But I suppose I can attempt to justify this by saying that I absolutely think it should be culturally acceptible – I hate that it’s dictated as necessary by the beauty rules – but that my personal preference is skin, skin, skin. Is that because of the dominant cultural beauty rules? Yeah, probably. I can’t escape it, I was raised in it, I live in it every day. But I recognize that it exists, what it means, how it operates, and I fully support people who reject that rule and who prefer to have their hair wild and free, or trimmed and neat, or completely bare. All options should be valid.
So, now you:
I know you’ve already got a ton of things to say about femme body hair, but here’s some questions to get started:
If you’re in the transfeminine area of the gender galaxy:
- Do you shave, wax, pluck, shape? Underarms, legs, thighs, stomach, chin? Why or why not?
- What was your process in coming to do the hair sculpting and
- How do you make choices about your hair? Based on sexual preferences? Cultural standards?What your lovers like?
- How do you keep your pubes? Trimmed, waxed, shaved, au naturale?
- What comes to mind when you see women who don’t shave?
- Do you sexualize shaving or body hair removal?
If you are someone who tends to date transfeminine folks:
- Do you have personal preferences when it comes to hair on the femmes you date?
- Do you sexualize shaving or body hair removal?
- Do you prefer hair on her head worn a certain way? Do you tend to be attracted to very specific hair cuts, styles, colors?
I’m also very curious about folks who live outside of the US – clearly my perspectives are very US-centric, and I’m not really sure what gets culturally dictated or compulsorily reproduced in other places. I have impressions, but being an outsider to culture in other places, I won’t presume to speak on it.
Please do elaborate however you’d like. And thank you, for reading and for your comments, I really like that we’re conversing here more and more, getting input from all kinds of people who live in all kinds of ways.
telling her what to wear
Posted on July 28, 2008 in in praise of femmes, theory | 16 Comments
I have in the past thought it kind of funny that girls would ask me to tell them what to wear. My feminist/analytical brain would pipe in with interpretations of beauty, insecurity, self-worth – but I really don’t see it that way anymore.
I see it as part of the larger conversation of gender as a fetish, as a performance, as a subversive display of sexualized gender presentation. And I see it as a very specific toppy/bottomy play, more specifically butchtop/femmebottom play.
It has also at times made me uncomfortable when girls wear things – or buy things – specifically for my tastes. I do have a couple particular enjoyments when it comes to femme clothes & shoes, and it is quite a gift when girls work to dress up for me.
I’m not sure why it’s hard to accept. Possibly because it’s hard for me to accept gifts in general, that giving is easier for me than receiving (I am resisting the connection here to my top identity, though I’m sure you already went there). Possibly also it is hard for my desires, and for me, to really be seen, heard, witnessed, acknowledged, because if I never let you know what I really want, you can never withhold it from me.
But my heart is more open than that old wound and lesson, generally. I like to practice revealing myself. I like to practice being vulnerable, I do find great strength and connection there.
And lately, I’ve had much better language, palette, for my particular desires. This website has helped that tremendously, as has playing with multiple girls over the past two years. I’ve been actually trying to notice and articulate when I find myself aroused into a state of desire; to be mindful of when my internal butch cock stirs and to ask why, to take note of the answer.
So when a girl asks me what kind of femininity display I like, I try to tell her. I explain – without pressure or expectation – what really does it for me, what gets me going, turns my crank. Underlying this conversation is also both of our acknowledgment that femininity – and indeed masculinity – is performed for the purpose of attracting and turning on your partner/lover/date.
And taking it a step farther by telling her what to wear is a step saying, this is how to turn me on. This is how to drive me wild all night. This is how our clothes are tools for flirting, this is how gender is subtle cues and clues and a language for sexuality.
It is a top/bottom game, if looked at this way, and I see it as very empowering to a bottom (you know, assuming being told what to wear is a game she likes playing, and doesn’t feel like it is controlling or patronizing or condescending behavior).
So, where is a bottom’s power? At least in these two places: 1) in enticing desire, and 2) to (actively) giving her power over to her top. In enticing desire, she turns on her top to the point of excruciation, to the point of bottomless desire and power. And when she gives over of her power, she places her power on a silver platter and presents it to her lover on her knees.
(This is why power play is deliberate: the bottom gives her power to the top, the top does not take it without permission. Unless, you know, that’s part of the scene, in which case there is still some sort of underlying permission, some level of giving freely.)
So: I (as a butch top) tell you (as a femme bottom) what to wear on our date (a short skirt, bare legs, strappy sandals, something white). You give power to me by giving up your own choice in what you wear, by obeying a request of mine (something that always turns me on), and by wearing something enticing that follows an aesthetic I particularly enjoy.
This is perhaps where power and surrender for the top and/or bottom gets blurred. Who has the power here? She does – the bottom – because all night I am uncomfortable and turned on because I got what I wanted, writhing at the sight of her in those lovely clothes, turned on by our gender and power foreplay. And then comes a turning point in the night where I stop feeling so reactive and (have to) surrender to the power she’s giving me, to the power and sexual energy I feel building. I give over to it, let it flow through me, let this be a way to tap into my particular well of it.
I love these kinds of power exchanges. I love the push-pull, giving in, giving back, empowering each other to feel sexy, desired, wanted, powerful, beautiful.
[ What I'm really trying to say here is: I have a blind date with a girl who sent me a wonderful photo of her in strappy sandals, and this was my complicated reaction. ]
in praise of femmes: fishnets
Posted on July 13, 2008 in in praise of femmes | 9 Comments
Some meditations on fishnets, and femmes:
Alison spoke of fishnets once upon a time, and well, speaking of fishnets … it got me thinking. I have a bit of a fetish.
I have a thing for legs anyway, which is why I try not to surf sites like Sock Dreams at work, because it really does get me hot & bothered in the way that porn does. Photos like this one of the raw-edged fishnet are so very erotic to my gender-fetish brain … I’m not sure exactly what it is about fishnets, but they are just so sexualized in this culture. They’re practically fetish gear, except that they can be worn by women to offices, to fancy parties, to the opera, as dress-up, and it’s also totally appropriate. Maybe that’s it – they can be good-girl stockings, can be fancy and seen as totally normal and even some sort of traditional femininity, but they can also be so dirty, in such a delicious way.
Then there’s that little criss-cross that the net actually does, and the way that garters – if you’re using them, and oh, that’s an entire other bit of lingerie to be in praise of – tug on the net and show just a little bit of strain in holding them up. The way that the stocking gets pulled, which is so very visible on nets where the little diamond shapes get pulled. I like the subtle force there. I like the subtle strain.
I think it might be also why I like corsetry and lacing and the criss-cross ribbons that are on some lingerie, too – it’s an implied little bit of bondage, this implied ribbon that I could use to restrain your wrists or ankles, that I could use to tie your knees up and back.
Plus there’s the idea that perhaps with just one little tug, the whole thing will unravel, and leave you bare.
It’s the hint of bareness that is so much more sexy than the bare revealing itself. There’s really something to that idea of leaving something to the imagination.
And then the skin. Because the thing about fishnets, which is not true of other stockings, is the bare skin that is exposed. I can feel these tiny spots of smooth under the pads of my fingertips, the direct contact is intoxicating. You’re not actually protected by these nets, not actually held in or hidden, your skin is revealed, fishnets aren’t about control-top or nude tinting or hiding, they’re about decoration, about texture.
And oh the implied force of it all. Because fishnets rip, they get holes, they just beg to be destroyed. The stockings are layer I can (possibly, maybe, if permitted, if our relationship allows it) rip through in order to expose your skin bare, use a sharp blade against your skin and pop through the tiny tied nets, use my teeth and pull until I hear the ripping.
In praise of femmes: trust
Posted on June 9, 2008 in in praise of femmes | 17 Comments
I’m going to attempt a new series of writings in praise of femmes. This is the first officially, but it follows in line with in praise of stretchmarks.
This past weekend and some amazing time with Penny (more on that later) has me thinking about trust and femmes. I wrote recently in a dramatical moment, “I just don’t trust femmes anymore” – with immediate caveats and retractions – and I want to expound.
It is femmes that I perhaps trust the deepest. The way I am received – not just cock-and-cunt, not just my fist inside the muscular bowl between your legs, but all of me: when my strong hands weaken and flutter, when I cry, when I laugh too loud, when I give up give in let go, when I feel my power slipping and you put it right back into place with a gentle flick of your wrist.
It is within your embrace that I make the most sense. Callie was the first femme I ever dated, the first relationship where my affections were returned tenfold (before that, I’d loved a femme, my best friend, for years, but that was tragedy. After that, The Ex, who I thought was more femme than she was and that caused constant tension between us).
I know who I am around you. My carefully manufactured, deliberately manifested masculinity suddenly has a purpose, a function, a use, and it excites you, makes you cry out and give in and let go, turns you on. My gestures are held by you, witnessed, caught gently and cradled, and oh my god thank you for that.
Thank you.
Thank you.
Thank you.
This dynamic runs deep in me. Who knows why – nature, nurture, socializing, fetish. I need it, ache for it, me a teenaged pretty-boy (you say), you a powerful goddess. And you must know I never use words like goddess to describe women (too cliché, too overused) but yes that really is what I mean here: magical, strong, miraculous, seductive, creational.
I was made against you. I can think of a couple of you specifically against whom I break and become myself: Callie. DateDyke. Muse. Strong enough to catch me, strong enough to let me sharpen myself against you.
And it is this power that scares me, that now brings these feelings of mistrust. Because I love this dynamic so much, fetishize it even, it touches deep primal nerves in me. I become carried by it and have trusted it – the dynamic – more than I trusted the person. I let her use her femme-ness to get what she wanted, I let her use beauty, seduction, soft skin and flirty submissive eyes. I watched it, I even knew what was going on, and I let it happen anyway.
I know better now, I guess, I hope. I should pay attention to the red flags of constant “conflict,” I shouldn’t have gone to Mexico, I should’ve been more honest, I shouldn’t have fucked her if I didn’t have the aftercare in me.
I’ve said it before – it is one of my greatest flaws: I trust what people tell me. I am convincible.
There really are charms that only femininity, only femmes, only queer femmes who know how to treat sugarbutches like me, possess. Charms that unravel me deeply, that pull me apart. When it’s good, it clears out the cobwebs, shines light into every dark corner, exposes all the cracks and flaws and structures that hold me up, and then, even, fixes them, or attempts to. I am made more whole, more complete. When it’s bad, I have been destroyed foundationally, or attempted to be. Piece by piece picked off and explained in a new way that suited her. My dick in a mason jar under a sink, punished. My every action her fist closed tight around.
It is good I am strong. I come from a strong family who gets along, a queer lineage of kisses, teachers who respected and taught me, who sheltered me and pushed me hard, who said I was worth something, who said we all are, who said stories of marginalized groups and communities must be told, who said I could and should change the world, who said I could do anything, who encouraged me to come alive, who said they liked what I had to say. And I have this place – this personal writing project I refuse to call a “blog” because it is so much more than that, it is revolution, it is community, it is self-awareness and witness and a very lighthouse.
I have built up these tools around me so I don’t fall prey to this problem of trusting femmes. It is because femmes are who I love, who I partner with, for whom I deeply ache that they are capable of such unraveling. If I partnered with butches it would be a problem trusting butches, if I partnered with straight boys or trans women or blondes or tennis players it would be a problem trusting them. And perhaps this is why women as a whole – and femininity – are seen as untrustworthy, sneaky, manipulative in our culture: because men – hetero men – are the ones who partner with this, and men are the ones who have held the pens to write our histories, to write their great love stories, which have involved many broken hearts and many malicious women, because love is scarce and precious and delicate.
Femmes are not untrustworthy. Femmes are who I trust the very most, with whom I make the very most sense, with whom I am more myself than anywhere else.
I am scared, and skeptical, about what it may mean for me to trust, to explore, especially around the specific ways that I can lose my head in this dynamic. It’s new to me, and it affects me deeper than any relationship ever has – I’ve never lost myself so completely in a lover before. So now comes the fusion: the combination of the intense, passionate sexual dynamic that comes with gender play, and the knowledge of relationship tools that I have been collecting and building upon since I began dating fifteen years ago (half my life, now. Amazing). I have the support, the community, the friends, the knowledge, the inner strength.
So.
Bring it on.
in praise of femmes: stretchmarks
Posted on March 20, 2008 in in praise of femmes | 27 Comments
Stretchmarks are one of the most gorgeous features of the body.
I like scars and beauty marks too – all tell the history of where the body has been, what it has been through. These are not things we are born with, but things that are painted upon the naked canvas of us as we grow and change and develop and blossom.
I love skin. Who doesn’t? The body’s largest organ, home of countless nerve endings, housing the sensations we all crave, touching and being touched, sensations from sandpaper to silk, from friction to feathers.
On women’s bodies, we tend to get them in delicate stretched lines around the edges of our breasts, and over our hips. Two of my favorite places to grip and take palm-fulls of flesh for stability and movement, two of the most sensitive curves of the body, ripe and ready to be directed, pushed, persuaded, maneuvered.
Stretchmarks record the pulling of skin over muscle and bone, remembering the change in the curve of the body. Oh, that is so beautiful. Sometimes I can feel these tiny indentations in skin where the turgidity changes, just a small ridge to the fingertip where there is a slightly lighter pigmentation to the eye.
They so often follow the curves of the body more intricately, more delicately, more beautifully than any tattoo or cutting, because the body itself made them.
Sometimes they run in such gorgeous lines [original here] around a curve that they look like the mouth of a river, they look like a tributary, stunning, the way a river hugs the earth, the way the skin stretches around bone, around sinew and muscle, around experience, around knowledge, around growth.
top 10 things I love about femmes
Posted on August 28, 2007 in in praise of femmes | 7 Comments
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Strappy sandals, roman sandals laced up the ankle, legwarmers, flowery skirts – the legs, the legs, the legs
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The moments of subversion when I expect gender to be aligned with compulsory femininity, and I am surprised
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Delicate jewelry, fingernail polish, pierced ears, garter belts, purses, glasses
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The way she walks in high heels
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The under-the-eyelashes fuck-me look
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The feminine curves of cleavage and the clavicle
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The struggles with not being visibly out, which also brings the privilege of hearing what people say when they don’t know someone queer is listening
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Holding the door open, holding your umbrella, ordering for you, pulling out your chair, that moment when you take my arm, carrying your heavy burdons, cradling your delicacy …
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The examination, overhaul, and eventual reclamation or rejection of “traditional femme hobbies”
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When a boy actually turns you off … but I turn you on
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