I can’t figure out how to shut the door or turn on the light, but then finally I push hard enough, flip the latch, and the tiny airplane bathroom illuminates. I want to slam my body around inside of it, test the boundaries of this little room, force myself to expand to the confines of the space.
Really, I want to feel anything other than the way my heart is bursting in my chest, thickening, pulse quickening and I can feel the pump of my blood pressure in my veins from neck to ankles.
I rip open the fly of my jeans and shove my hand under my briefs. My clit (that she calls my dick and oh I love how she engenders me) is half-hard and has been all week that I’ve been next to her. I roll it in my fingers, remove my hand and spit onto my fingertips, then replace it and start jacking off.
Anything but what I feel.
My cunt swells fast, opens, and I remember, easily, the feeling of fullness, the moment her fist pushed through and swallowed into me. The soft soft kissing of her lips on my dick, on my lips, as she moved her tongue so sweet and slow. I remember my own legs splayed, thighs to the bedspread as she kept me poised on her tongue for an orgasm that opened a line from cunt to heart like an earthquake does to the ground, deep shaking, trembling at a core balanced on lava.
Standing in the kitchen, she’s sitting on the counter, my hand under her small jean skirt, pushing panties aside, finding her wet, finding her clit and pressing as she gasps in my ear, ejaculates on my black tee shirt, my stomach, warm and wet.
Her mouth on my cock outside on the veranda. I have her backed into the corner with hands on either wall and then one hand in her hair, one hand on my cock, where I can feel her lips, her tongue on the underside of my cockhead, her throat where it is wet and slick when she swallows me deep.
I take her to bed, fuck her hard from behind, plowing, her face buried in the mattress, hands grasping at the sheets, my knees turning red from the friction against the rough comforter, hands on her hipbones like handles and I slide in and out, hard and thick.
There she was on the chair, legs up and we weren’t even doing anything but reading magazines, drinking coffee, but my hand on her thigh started my dick trembling so I just kept going, fingers inside her, thrumming her clit until she came, gasping, grasping at my biceps.
I had her in nearly every room of that little condo, our palm-tree view of the sunset we’d watch from the king-sized bed, her body shaking and pulsing, so vivid.
Remembering the lust pushes out, for the moment, the pain of leaving, the rush of loss, the ache of absence.
Back in the tiny bathroom on the airplane, I push my fist to the wall opposite and my ass into the door, praying it’ll hold firm, fingers working my dick, remembering her fingers, wishing mine were hers, remembering how I fucked her with this same hand so recently. I jack my own dick like I did her, hard, same rhythm that she likes, and I come, grunting low, pressing my body to the edges of the small space, and I don’t start crying again, but I do remember her sweet smile and instead of buckling under the weight I swallow hard, wash my hands, and return to my seat to stare again out the window, as the sun sets over the Mexican horizon.
the view, and the girl
I’m most definitely not a recording engineer, and I get pretty impatient with the edits, so it’s messier than I’d like it to be. But I’m trying not to let my perfectionism about my spoken word get in the way. Thanks for the request, Viviane – happy to oblige.
I recorded audio for this piece, download the mp3 if you’d like to hear me read it.
“I really like the way you fuck me.”
“I’m not fishing, really, I don’t mean it like that – I’m genuinely curious – what do you like?”
It’s slow. Soft and slow, a slow steady build which means I am ready for more before you give it to me: a rarity, precious, because I open so rarely.
A desperation in my pelvis, my cunt, to be filled, to be broken down, to be taken apart into molecules and slowly put back together.
Then there’s that feeling of opening. Desperate, again, a desperate opening, something becoming wide and hungry.
And it’s all so slow and steady. So rock-steady, so solid. Makes my heart burst in my chest and I want to cry out, beg, ask for more, please, please, more, deeper, harder, faster, more, make me feel. I try to bite my tongue, here in this space, try not to let the desperation show. It seeps through the cracks of my eyelids and fingertips anyway. I know it is not hidden. I cannot quite access it with my voice, yet.
Instead, this is what my voice does: whimpers. Moaning with every exhale because my body is at such a vibration that the mere passage of air through my lungs and throat and vocal chords and mouth will exert sound. I cannot stay quiet. Oh oh oh at the very least and then there’s low hums of sound like ohhmmm and I remember what my yoga teacher used to say about the sound of the universe spinning and I feel my heart in orbit. I feel my atoms in orbit and I’m distilled down to the very sources of me, pooling on this bed, this floor, leaning against this wall, wherever, and you’re watching my eyes and I can feel the way you look through me, into me, and I think, this is what it feels like to be seen and it’s beautiful.
I like the way you surprise me with dominance, with force, with a sting or slap or bite. I love the rings of teeth marks on my biceps and inner thighs, the marks you’ve left, they’re fading now and I wish they wouldn’t, I wish they would always be there, wish for layers and layers of these bruises in different shades of yellow and blue and purple and the tender pink not yet deepened into black. I wish I could point to each one and remember the many days it took you to put them there. One a day for a week. For a month. A new way to tell time, a calendar on my arm.
It is not a threat to my masculinity that you wear a cock. That you fuck me with it. It has been, it could be, but you make me feel so boyish, despite your palmfulls of my breasts and twists of my nipples and the ways you say “oh I love the curves of your body,” and I know you mean the femininity, my hips, the way my ribcage gently tapers, my round full breasts I hide with binding and jog bras and button-downs.
Despite this – or maybe because of this, maybe precisely because you acknowledge my very female body, maybe precisely because you see me, really see me, really witness my soft underbelly, the vulnerable girl side of me that I have worked so hard to overturn, override, you see me and acknowledge me, too, actually speak about my body – despite this, you play with my masculinity with such respect and reverence, and it lives in such a solid place in me now, that it doesn’t hurt, it doesn’t contradict, it only affirms what I am already knowing in my body: the ways you witness, then acknowledge, then rejoice, in me.
Gently. With curves of her curled
like ferns nestled in wet moss.
A delicate fingertip like baby’s
breath, like a bluebell, like
a forget-me-not dangling
nearby. I memorized her breath.
The cadence, the rhythm. I
memorized her heartbeats, how
many pulses it took for her to turn
over, ask again in that language
of muscle for my warm thigh, my
open palm, my surrender into
the crook of her arm. She likes
the pillows. She likes the upper
hand where she can wake first,
start the coffee, start the morning.
This is the ritual of sharing a day
from start to finish, and I want to
replace her old red toothbrush, know
her schedule tomorrow, hear her mind
winding down before she – miracle! -
falls asleep in my bed yet again.
Four full days, four nights.
I don’t even know where to begin. There was wandering around the Village, visiting The Leatherman and New York pizza and a very successful trip to DSW for shoes – I found brown leather Steve Madden loafers, she bought ruby slippers, these incredible wine-red heels. There were noodles at Republic, coffee & bagel breakfasts in Park Slope, dancing at the dyke club Cattyshack (and a little too much whiskey for me, which only made it easier for her to fuck me on my kitchen floor after), burlesque at the Shanghai Mermaid where we stepped into 1920s Paris, which featured the house Tin Pan Blues Band. There was an unsuccessful dance at Stepping Out Studios and then the subsequent making up for it at Therapy, where, yes, we did get busted having sex in the bathroom.
There was sex and fucking and making love and play and rope and my flogger even came down off the wall for a while.
There was sitting in a coffee shop, writing across the table from her. There were late night conversations on pillows and morning light over her face and showers and walks and drinking and stories on the subway and kissing her. Holding her hand.
It was hard to stay present, hard not to be sad that she was leaving, that this was temporary, but I wanted to squeeze everything out of it that possibly could. Since she left, I feel numb. I took a deep breath, started focusing on my 200-item to-do-list and couldn’t focus on anything, not even a TV show.
I held it together until I peeled back the covers to find the baby-blue babydoll nightie she’d been wearing all weekend, sheer, barely covering her ass, so beautiful, and it smelled like her skin of course, and my fingers had been holding her body inside of it for days, and then suddenly it was just fabric, empty, and I welled up with the loss.
I know – we both know – better than to cultivate such intensity so early on in a relationship. We’re both passionate, intense, emotional – makes for romance and fascination, I’m sure, but we are wary of the distance between us, we discussed this; angry that we cannot properly date, slowly, excitedly, and instead we’re doing this hurricane long distance thing.
I don’t know what we’re going to do. All I know is, the next step is that she’s working from Puerta Vallarta in February, and I’m going to visit her at the villa she’s rented (just happens to be over Valentine’s Day). Twenty-two days, then, until I get to see her again.
I can make it until then.
One step at a time.
A 23-year-old British woman recently had a chance to look at her own heart on display, part of The Heart exhibition at the Wellcome Collection in London.
She had the heart transplant at Papworth Hospital, Cambridge, three months ago after a diagnosis of cardiomyopathy, a potentially fatal condition in which the heart walls stiffen. Her first reaction on seeing the old heart was disgust, but later she described the experience as slightly surreal. She said: “Because it was mine, I was like, wow, that’s my heart. I just couldn’t stop grinning. It’s odd to think that I stood here alive, and that was part of me once upon a time.”
- From the London Times Online, 9/1/07
This is the mix for DateDyke, which she (thank the heavens!) received yesterday. I made an elaborate cover (including that photograph and quote, above) and insert, with a few sentences on why I chose each song, but which are kind of special for her, so I won’t include that here.
Here, however, is the tracklist to the new year 2008 mix called how much my heart can take:
- 1. Electric Light – PJ Harvey
2. Wicked Game – Giant Drag
3. Preparedness – The Bird & The Bee
4. Sexual Animals – Sarah Fimm
5. Love Me Like a Man – Bonnie Raitt
6. Closer to You – JJ Cale
7. Warm – Kinnie Starr
8. One Big Love – Patty Griffin
9. Please – Tristan Prettyman
10. Headlock – Imogen Heap
11. If I Was Your Man – Joan Osborne
12. Tear You Apart – She Wants Revenge
13. Yr Love – The Butchies
14. The Fear You Won’t Fall – Joshua Radin
15. Did I Imagine You? – Dot Allison
16. Sweet The Sting – Tori Amos
And if you’d like to download these songs, I stuck ‘em up at YouSendIt, tracks 1-7 and tracks 8-16. YouSendIt allows 100 downloads of each file, so if you get to the file and you can’t download it, let me know in the comments and I will reupload with a new URL. … Though maybe not until after Miss DD is on her way back to Seattle on Tuesday. I might have better things to do this weekend than upload mp3s. Maybe. Just sayin’. I’m sure you understand.
9 hours, 45 minutes.
As I’m sure you can see by the countdown clock in the sidebar, Miss DD is landing in New York City in 1 day, 9 hours, 22 minutes.
I’m, uh, getting nervous. Spent last night readying the apartment, washed the sheets, boiled the cocks (again), organized my closet, did laundry, swept the floors. In fact, the apartment is just about ready. Tonight, I have a long list of errands to run, ranging from 1. get my nose stud properly coiled so it stops falling out of my nose to 14. pick up snacks and breakfasty options at the grocery store.
After work, I’m meeting a friend of mine who I will now call “my stylist” for some outfit help.
Because, see, my boy wardrobe is getting kind of boring. I pretty much wear the same outfit when I’m getting dressed up for a date or for a reading of my work: black slacks, black or red button-down, tie. I guess this varies a little. I have a few sweaters that I occasionally wear on top. I like the peep of a tie through a v-neck.
But I need to spice it up a bit. That’s where my stylist comes in.
So we started talking about my “wardrobe,” and I started wondering about a “basic men’s wardrobe guide” or some such book on men’s style, because that’s what I do, right, when I have a question or a dilemma or a problem I go find a book. Well, perhaps first I google it, then I find a book.
I’m in the gathering-data phase of this wardrobe project, but I will certainly let you know what I uncover.
… this is all to say that Miss DD and I are plannng to go dancing on Sunday night, and I don’t have a thing to wear. I will dust off (and polish) the solid black wingtips, but I’d like to wear something fun, peppy. Suspenders? I can’t seem to find my fedora.
… and this is also all to say that I am avoiding the topic of writing about my nerves, and DD’s visit, because though I am 90% excited and thrilled and in awe and beside myself, I am still 10% terrified. I’m already braced for that inevitable heartache that will happen when I have to take her back to the airport, send her back to Seattle. The reality of loss looming behind all our joyous interactions is such a weight to carry between us. Will we weather it? What are we going to do? How will I fall for someone, date someone, explore someone, from such a distance? It can’t possibly be adequate. It can’t possibly be enough. How do I make it enough? How do we approach this, how can we possibly frame this so that it will work, function, like two real hearts intertwining?
She sent me a photo yesterday of a new paddle with “BOY” cut into it, ready to mark. I got out my ropes and flogger and practiced my ties and aim. Felt good to twirl my wrists. I tightened my bedframe.
And now my head is swimming with the practical questions. What do I wear to pick her up from the airport? Do I pack? Must make a car reservation. Must get the apartment prepared. Do I have eggs? What kind of coffee does she like? (She is from Seattle, after all.) See and then I’m back to the distractions of the practicalities, and I feel a little better.
My retaliation mix for Miss DD went out into the mail yesterday, but unfortunately I didn’t realize that she can’t actually get the mail on Thursday, she’ll be occupied by being on a plane to come see me. So here’s praying it comes in the mail tomorrow.
Why did I not send it overnight? Dammit dammit dammit.
I’m keeping a lid on the tracklist until she actually gets it, but I want to share this one particular with you, track #12 from the mix how much my heart can take.
UPDATE: Looks like the embedded video isn’t working; meanwhile, watch the video on YouTube.
Lyrics in the ‘continued’ page. Read More
For Datedyke, because she asked me for this story, with thanks for reading the early draft and commenting things like “Make my character more mean,” “Don’t say thank you,” and “Just take me down,” and for providing the details of her outfit, and picking out my tie. “Swift thrust of cock,” one of my very favorite lines, was written by DD, not me; and DD informs me that “Lea” is pronounced “Lee.”*
“Honey!” Lea calls from the bathroom while she’s doing her hair and makeup. “Which tie are you going to wear?”
I’m dressed, plain black slacks and a black button-down, sitting on her bed, fidgeting with three ties in my fist I know will fit her desired houseboy fare. I bring them to her, gaze at her in the mirror as she applies something to her eyes with a fine brush.
“Either this silver, or this dark purple, or the dark blue with the white dots?” I offer.
“No no. This one.” She turns around fast and points, chooses the silver, the one she bought for me over the holidays. I nod and set the other two on the counter, start to tie the silver one. She glances at me in the mirror, aware that I’m watching her, narrowing her eyes a little, then finishes with the brush, tosses it into her makeup case.
She’s a little annoyed. She doesn’t like it when I watch her get ready. “Hand me those earrings, will you?” I see small diamond studs on the counter and hand them over.
“Not those,” she says. She’s beginning to get stressed. Three of her closest friends will be here any minute. It is my first time as her houseboy for a group.
“Those,” she points again and I see favorite pair of gold hoops. Of course. They match the black heels with the gold trim that she has on with her cocktail dress.
I fetch the earrings and she fastens them to her ears. I attempt to kiss her shoulders, neck, slip my hands around her waist, touch the curves of her hips in her sleek black cocktail dress. She shrugs me off, turns around, kisses me swiftly, dismissively. “Darling,” she says, “You look great. Really. I’m excited for the party.” And then she’s gone, running downstairs to check on the kitchen, fuss over food and drinks.
I sigh at my reflection, take a breath. Check my eyebrows, my teeth, my perfectly messy hair. I’m nervous, but ready for this, excited to be shown off, a trophy boy, look at my tricks. I want to please her. I adjust the dimple in my tie and then my cock under my harness strap.
The Oscars start at four and her friends have one of those pools where they’ve all guessed the winners and someone wins the whole pot. Lea gives me significant glances when the doorbell rings and I take coats to the closet, take drink requests, and practice my sweet “hi, hello” submission as they come in the door. Her friends are dressed up: The Cuban Genius, BB, and the Butch Daddy.
BB giggles at my predicament and hugs me, eyes twinkling, flirtatious, amused. The Butch Daddy eyes me like we’re fags and she’s cruising. I feel myself stiffen and try to relax.
Lea shines, says hello, hugs and smiles and laughter and greetings. She is subtly maneuvering this whole interaction, sparkling in her element; her earrings catch the light, glitter, and her makeup is flawless, soft. Her dress flirts around her knees, off her shoulders.
I serve martinis and cosmos, smiling and making myself as unnoticeable as I can be while I watch her. My attention is tuned fully into her body language, her eye contact, her hands. Not only for her cues at service, but to see her, to observe, to take in. I admire her like this. That external expert persona of hers is so appealing, I see her through her friend’s eyes, strong, poised, capable. I am blessed to see the soft parts, too.
Conversation flows, they catch up on jobs, girlfriends, America’s Next Top Model, the weather for upcoming kayaking, hiking. I try to participate, but Lea keeps interrupting me with glances and gestures every time I sit.
“Boy! More wieners!” she calls while I’m in the kitchen fetching a glass of water for the Butch Daddy, and everyone laughs. She’s been waiting to use that command. I bring the next plate of cocktail wieners onto the coffee table with a bow and a smile, as if I’m in on the joke.
Lea brings one up to her lips and leaves it poised. “Mmm, I love wieners,” she says, winking dramatically. Everyone’s still giggling; BB is giving me suggestive glances, the Cuban Genius mimics Lea’s movement of a wiener to her mouth and gives it a mock blow job, eyes low, looking at the Butch Daddy. I blush and try to laugh, adjust my silver tie nervously.
Lea takes inventory of the living room. “Refill BB’s drink,” she whispers loudly, for everyone to hear, and I take BB’s glass. He gives me a smug flirty smile. I mix his martini like he said, three olives, and I am careful careful careful not to spill in the long walk from the kitchen to the couch, and hand it to BB.
“BB likes his martinis dirtier than that,” Lea hisses at me as I resume my perch on the edge of the chair. “Make it right next time.”
I look to Lea in a glance, apologetically and to see her face, to see what’s under these commands, pleasure or embarrassment, gratitude or heat, but she’s already engaged back in her conversation with the Cuban Genius, laughing about something, talking about someone whose name I don’t recognize, who is that, who are these people I don’t know? She feels me looking at her and glances at me briefly, and for just a fraction of a second I see her features soften with deep appreciation, lust, care.
Then it’s gone; her body languages changes and she holds her near-empty cosmo up at me. “You’ve got another one of these ready, right? I shouldn’t have to even be asking you.”
I duck my head, go back to the kitchen.
A few minutes later she’s calling me, but I don’t recognize the call of “boy” fast enough, don’t hear her for a moment too long. Finally she uses my name: “Sinclair!” And I look up, caught off guard.
She inclines her head quickly to mean, come here, with that look on her face of hard exasperation and displeasure. She’s sitting on the arm of her couch, it makes her feel taller, and I approach. “No, here,” she says as I stop, pointing at the space next to her.
“Take your cock out,” she says.