100 Bedtime Strokes (Mistress Elise Winter & morgan #2)

“May I sit?” morgan’s voice surprised Elise; she hadn’t seen him approach. She looked up from her book and blinked, then composed her face and her answer at once.

“Are your chores complete?”

“Yes, Ma’am.”

“Tell me.” This was their ritual every night, the way they loved to come back together. Elise’s eyes sparkle as she fights the urge to reach out and grab him, pull him into her lap. Rituals are important, she reminds herself. Not only to display her authority, though yes that too, but also to reminder her of all that he does, the many ways he is devoted. She stays more present in gratitude and strives more successfully to be worthy when she pays attention to their rituals.

He begins the list. “Your tea service is complete; the dishes are done and put away; your clothes and jewels are put away, and tomorrow’s are laid out for you. Sir Elvis Purrmeister has been fed.”

Elise feels a smile pull on the corners of her mouth, starts to suppress it, and lets it come. Her cat’s name is just Elvis, but morgan has taken to adding the honorific and surname, and Elise is too amused to have him change it. It is clear who is above whom in the hierarchy, anyway, so the proper respect is just one more thing to admire about morgan.

“Tomorrow’s schedules, both yours and mine, are next to the bed and the morning alarms are set. The bed is turned down. And, I have picked tonight’s implement, it is in the usual place on the nightstand,” morgan doesn’t look smug or tired, just pleased to be useful and grateful to be serving.

Elise sighs a little, with relief and relaxation, with the pleasure of being taken care of precisely as she likes it. “Good job, boy; you may sit.” She pats the side of her elegant thick leather reading chair and he takes his seat at her feet, leaning against her bare legs and cuddling into her with happy sighs, the tension from the day leaving his shoulders.

She takes another sip of her tea and goes back to her book—one of those classic English novels that she likes. This one is Pride and Prejudice, a favorite she re-reads once a year or so. This is the second time morgan has seen it in her hands.

Most nights, this is how it goes. Sometimes morgan has a book, or something to study, or some lines to write for training or task. Usually, Elise has a novel, something that feels indulgent but keeps her mind steady and her heart thrumming. She likes to be as far into the adult-land in the evenings as possible—spending all day with pre-schoolers and kindergarteners for her job is exhausting, and can take such a toll.

She fingers the hair on the back of his head absently, as if fingering a blanket on the chair or her own sweater. His presence is comforting, reassuring. The warm mint tea and honey soothes her and flows golden down her tongue. Everything is just right.

After a few more chapters, when Lydia elopes with Mr. Wickham, Elise closes the book with a small snap and stands. morgan blinks and quickly rises to his ready position—hands behind his back, eyes down—he does not stay seated when she is standing. She pulls him close, nuzzles her cheek against his forehead, and he wraps his arms around her waist. How well they fit together, their bodies’ contours so complimentary. She holds him there for a moment until she says, “Okay; bedtime, boy,” and they separate. She turns to the hall to go into the bathroom for some of her evening self-care, and he goes to the bedroom to strip. She takes her time—brushing and braiding her hair, applying cleansers and creams to her skin, brushing her teeth. He waits. The waiting is like meditation, but cleaner for him, as it is totally beyond his control and thus much easier for him to let go. (This is the kinds of things he tells his Mistress in his journal, which she reads weekly.)

He has picked out the thick wooden paddle, taller than her hand’s widest spread. One side is soft suede, the other is hard wood. The handle is wrapped so her hand is protected.

This paddle makes beautiful, deep bruises.

When she enters, he has taken off his tee shirt and boy short-shorts, the ones that almost show the bottoms of the cheeks of his ass. He’s down to a jock strap, the white one, on his knees, hands behind his back in his submissive meditation position next to the bed. He knows to wait there until he is released by her. He breathes in the smell of her evening lotions, now so familiar to him and so related to their evening beatings that he flinches when the sweet tangy scent reaches his nose, and his mouth salivates. He is a trained pet. She can see his arousal in the flushing of his nearly naked skin, the slight hardening of his nipples. She is nearly bare now, too, down to one thin cream-colored slip with nothing beneath it. Her feet are bare. She keeps her bedroom warm.

“Here.” She points to the bed. She is not cruel, not really—just direct, specific. She eliminates superfluousness. She does not believe in coddling in D/s; she believes in trust, agency, consent. She believes morgan’s deep desire to serve and to please, and she is grateful, yes, but she also feeds off of it. She consumes it like cotton candy, leaving her mouth pink around the edges and her fingers sticky. She needs it, just as he does. Her clipped tone is only for simplicity, and for intimacy, as she trust him not to need hand-holding. Not anymore.

Mistress Elise Winter is deft with a paddle. It was always one of her favorites when she was domming professionally, delivering such a satisfying smack and leaving such good bruises. Plus, it can be a key prop in any age-play scene: just a few words and it is suddenly a cutting board the bottom’s mom grabbed from the kitchen, or a sorority girl who stole a fraternity paddle or a headmistress’s prized discipline tool. Even more than obedience, Elise likes her subs small and little, with feigned (preferably not real) innocence. Something about the corruption just works with the way she is wired.

She whispers in her boy’s ear before she begins—something soothing, something that makes him relax, arch his ass in the air a little higher, and lean in to her just a fraction of an inch more. She rubs herself against his ass and thighs, her hand stroking the fine muscles of his back. When he whimpers a little, she knows he is ready. 

Starting with her hands, she warms up his ass and thighs and upper back. He is chest-down, his face kissed by her burgundy 1000-count sheets, his feet just touching the floor of her raised bed. When she moves from the quick light swats to the deeper fist-thuds, he asks her if it is time. 

“Yes; go ahead and start,” she replies. 

He begins counting aloud. She’ll do twenty or thirty more with her hands beofre bringing in the paddle to finish the hundred strokes. 

They don’t say much. It’s just one of those quiet nights. Elise tries to let her job fall away, the stresses of her vaninlla life out of sync with her kinky self, the projects for the non-profit board she sits on, the pressure of her mother’s struggling health battle with emphysema. Nothing precisely fills Elise’s mind, but she finds her inner world quite full when she quiets and focuses. The relief of a target, a victim, is almost enough to make her start crying, the release feels so huge, like a dam beginning to leak and ready to smash apart with the weight of what is held back. 

morgan is counting. “32 … 33 … 34.” He is diligent, and taking it for her. He is deconstructing and reassembling in front of her eyes in that way that power and sensation can inspire. She slides the paddle into her grip and opens a rain of blows on his tender flesh, already pink and warm to the touch. His breathing gets heavier and his voice gets more strained. She doesn’t care; they are only just barely to 50. She winds up like a baseball batter and swings. He screams into the sheets. Drops of sweat form and trickle at his neck, at the small of his back. His ass is a round handful and she takes her grip as it pleases her, kneading like dough. She leans down to bite his ass. He yells out, “Mistress, please, oh god, please, it hurts!” He squirms away, but her hands hold his hips. She leaves a dark ring mark from her teeth; that one will bruise up nicely.

She licks her lips, and swats with the paddle again.

“This is for me, not you,” she whispers, mostly to herself. “I need it, I don’t know why I need it, but I need it, need your ass like this, need my marks on you, need your ache to show in your face tomorrow when you sit down.”

“68 … 69 … 70.” He is panting between the numbers. She is taking her time, savoring each one. His ass is already purple—he won’t be able to sit. She focuses on his thighs. He is trying so hard not to squirm. She slips a finger between his ass cheeks to check on his hole: it flexes against her finger pad like a kiss, open and eager. “Hungry boy,” she murmurs, swatting again with her right hand. He whimpers, pushing back against her just a little, not wanting to be too eager or demanding, but showing he wants it.

His knees are getting weak. The bed holds him up. Elise strokes his hair and he turns so one cheek is on the bed and he can see her, just a little. Her thick braid is flying behind her like the tail of a kite, her hands moving quickly, opening his tight back hole as the paddle slams in to him. He tries with all his concentration to keep count. He misses a few, but she lets it go; he is doing so well. “So good, boy,” she coos. “You’re so good.”

He’s in the nineties now and they are both climbing. Her two fingers have dipped into the Boy Butter on the nightstand and opens his hole just enough to feel the pressure distracting him from the wicked paddle. She might let him get off. Will she? She can’t decide. She likes it when he does.

“98 … 99 … 100,” morgan is whimpering each number, tears down his beautiful cheeks, body shuddering in waves of release. Elise steps back and breathes, separates herself from him for a moment so they can both catch their breath. Her wrists throb, shoulders buzz with aliveness. A few hairs have strayed and she tucks them back into her braid.

“Morgan,” she says softly. “Get on the bed and turn over.”

He does, slowly, testing out how his muscles have been changed, wincing at the rawness. She slides her slip up her thighs and kneels on the bed, swinging her leg over him and sliding up his body.

“Oh god,” he says, muffled, before she has even lowered her cunt onto his mouth to feed it to him. Hers is a hungry mouth, too, swollen and wet, dripping. She never lets him enter her, but she uses his mouth when she wants. His stamina is impressive.

She lifts her slip just enough to it is out of the way, not restricting the openness of her thighs. Its hem kisses his forehead. He laps with his tongue, sucks with his lips and throat. Her clit is huge and bursting with need, angry and red like the palms of her hands, like his ass. She needs it, this release, maybe even more than he does—though how can they compare? But her want is monstrous, never-ending. She almost feels like herself again. She rocks her hips over his mouth and steadies herself on the headboard, arms outstretched. She barely remembers there is a person under her right now, she just grinds down and against this beautiful boy, this toy who always does it just right, just right there.

“Come when I do,” she orders, low and fast, not giving much warning—but he won’t need it. He’s been ready to come since she fingered his ass. And he knows what she sounds like, what it means when she starts clawing at his hair and suffocating him with her hole.

“Fuck, that’s it, there, god oh god oh GOD!” Elise is sitting on a volcano and erupts through her mouth with words and grunts and screams when she comes, heavy, filling his mouth with liquid, pushing it into his throat. He opens wide and takes it, shuddering under her and swallowing.

“Thank you, Mistress, thank you,” he repeats, breathless, still only breathing small sips of air. She moves off of him and collapses onto the pillows, he curls up in her arms.

“Stay in my bed tonight,” she says, stroking his hair.

“Yes, Ma’am,” he sighs, happy, pulling the covers up over them both as they drift off to sleep.

Published by Sinclair Sexsmith

Sinclair Sexsmith is a genderqueer kinky butch writer who teaches and performs, specializing in sexualities, genders, and relationships. They've written at sugarbutch.net since 2006, recognized numerous places as one of the Top Sex Blogs. Sinclair's gender theory and queer erotica is widely published in anthologies like Take Me There: Trans and Genderqueer Erotica, and online at Feministing, Autostraddle, AfterEllen, and more; they are the editor of Best Lesbian Erotica 2012 and Say Please: Lesbian BDSM Erotica, both published by Cleis Press. Sweet & Rough: Sixteen Stories of Queer Smut, Sinclair's first book of short erotic stories, was published in 2014. They use the pronouns they, them, theirs, themself, and live in Oakland, CA with their boy.

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