poetry

Vortex Poem, Or: What I learned these last 15 years of studying embodiment

Most of the time, my body has the answer. My own body, this vessel, this corporeal flesh with pulses and nerves and bone, these muscles that move me around and enable me to jump and reach and grasp and squat and pump. This unexplainable, inimitable machine that lets me experience the world through my senses, that gives my brain input about taste and smell and texture.

I’ve learned that there are many more senses than the five we tend to focus on: taste touch smell sight sound. There’s also thermoception, the ability to tell temperature. And magnetoception to sense the magnetic fields around us. And nociception—how our bodies sense pain.

If I can just find silence deep enough so that I can listen to what the synapses and blood cells are saying, I have found that my body has the answer. Sit still, she sometimes whispers to me. Or, Get up and move and move and move. Don’t stop. Keep going. Or, Goddamn, you need more root vegetables in your mouth. Make it happen.

The process of transformation is so minute, and so slow. I want it on a time-lapse like an bud opening into a huge white lily and then wilting to drip pollen all over the table. Maybe then we’d actually see how the light inside starts to seep through all the cracks, we’d see the ways that lightening strikes the same place over and over. Maybe it would make me laugh and laugh. Maybe I would feel that itch in my bones like when I am too tired to sleep but my body is overspun and needs dreams to recharge.

So I don’t really know how to explain to you what happened when I went into my first 3-day long weekend workshop when I was twenty, and how that paved a way to the path I’m on right now. I don’t know how to explain how hard it was to save $300 from my $60-week personal assistant job that usually covered my groceries but barely, and that I saved it anyway, and saved up every year after that, to make sure that I got to go back to that space. That space where there were women of all ages (these were all-women’s workshops, before there were queer options offered) took their clothes off and talked about their relationships to their bodies, the trauma and pleasure and amazing things that they have done, like birth and nurse babies, or how they create transcendent orgasmic experiences. I found a circle of women, and while I dabbled in studying wicca and feminism, and I knew hypothetically intellectually the power of women’s circles, I hadn’t actually experienced them until then.

And now I still go back. I crave the clarity that comes in circle, that feeling like I am sitting on top of a volcano and it is filling me from the bottom up, spilling out of the crown of my head and I am part of all that is. I crave the power that is generated by a group—so different and impossible to recreate when alone. We have so much energy in our bodies, so much power and potential that only needs the right outlet to plug into so it can be released, so it can be used to light up an entire city block.

I don’t just go back, though—now I spend a significant amount of my time studying how these circles work and how to lead and how to create the circumstance where the container of the circle is strong. I don’t just show up as a facilitator or an assistant, I create it for days before and close it for days after, spending time in meditation and in masturbation gathering and cultivating my own energy to try to form some temple out of thin air.

Maybe it’s hard to believe, from this point of view, but I have not always been able to ask for what I want. I have not always been able to take and allow and accept and give and receive in the beautiful ways that felt soul-nourishing like diving into the perfect clear mountain lake with shiny colorful soft pebbles at the bottom. At first it was just murky cloudy water, grey like the color of a sky when it can’t decide whether or not to rain. But everything got clearer as my connection to my body got stronger. I can feel more, I can tell what I want, I can tell when I’m hungry or when I’m thirsty, I can tell when I need touch and what kind of touch would be the most satisfying, I can tell when my arms get thick and my shoulders get tight that I just want to bust out my flogger and wail on someone for as long as they’ll let me. I can tell when I crave piercing skin or sliding in slow or being filled as thick and swollen as I can take.

The transformation, that’s the part that’s hard to put my finger on. I can tell you about the before and after, though. I can tell you how scary it used to be to tell a lover that I wanted something else, more, different, in bed. I remember listening to women in workshops talk about what they wanted and who they were and their growing edges, and I wanted what they had, I wanted to be that, to know what they knew. I didn’t know how to become someone who knew what I wanted, but I saw the next stone, the next step in the path, the next light down the way, and I followed and listened and followed, and when a sign post came up that said, Pssst, something useful is down that way, I took it seriously. I invested time and money and energy. I carved out the space, because I needed it, I needed a new way to be me in the world, a way that was less apologetic and desperate, that was more whole and holy and aligned and attuned.

Maybe that’s what I wanted most of all: the state of being so attuned to someone else that I’d feel psychic, or transparent, like all my thoughts were swirling around me in some sort of deconstructed vortex poem. That kind of physical attunement when our cells know each other, where our pulses swell and release at the same rhythm, where our blood pressure matches because we spent so much time with our hearts pumping next to each other. And I wanted that skill, that ability to dive so deep into someone else’s body.

I wanted to learn trust my body to tell me secrets like a conch shell. It’s not like that’s ever done, check, figured it out, it’s more like a work in progress, a pathway I strengthen every day. But at least now, I know what it is, what it possibly could be.

Published by Sinclair Sexsmith

Sinclair Sexsmith (they/them) is "the best-known butch erotica writer whose kinky, groundbreaking stories have turned on countless queers" (AfterEllen), who "is in all the books, wins all the awards, speaks at all the panels and readings, knows all the stuff, and writes for all the places" (Autostraddle). ​Their short story collection, Sweet & Rough: Queer Kink Erotica, was a 2016 finalist for a Lambda Literary Award, and they are the current editor of the Best Lesbian Erotica series. They identify as a white non-binary butch dominant, a survivor, and an introvert, and they live outside Seattle as an uninvited settler on traditional, ancestral, & unceded Snoqualmie land.

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