Meanwhile, there was a poet who lived in northern states of Alaska and New York and their pine treehouse of aching fists. They were bursting open with gift and overspilling with a fountain of voice. They liked bergamot and the boy’s skin and tall mountains and sandwiches and smooth flat beach stones and getting fucked by the planet.
Their gravity together is undeniable. They make fingerpaintings of their inner visions on each other’s insoles, on each other’s tongues. They try on their places, their callings, in the haven of hotel room walls. Their pulses become synched.
On days in the north like this where the birds are flocking and the sky is clear, on days where the boy’s car is clean and ready for the yellow dotted line and return, there is little more than a single pane of glass between them. An arbitrary distance of separation, because the moonbeam pulled like taffy stretched between their chests keeps them imperceptibly drawn to the other’s orbital motion. The string between them keeps them ready to snap like rubber bands, ready to pounce like predators, ready to take their leather and gold hearts and suspend them on a chain to hang from the ceiling of their treehouse. They pull the ladder up and take it apart to use the rope, but put it back together anytime they needed kale or whiskey or tacos. Their bed is scraps of paper and scattered recordings of bliss and scars.
Happily ever after is many, many moments, strung together in lines of text and pressed leaves and sketches, and worn like a crown.