Archive for January, 2012
I’m still receiving questions in the Ask Me Anything form; most of the time I am turning them into pieces for my advice column over on SexIs Magazine, but sometimes they are things I’d rather tackle here at Sugarbutch. So here’s one of those.
As a very feminine femme, I pass for straight more often than not, and I’d like to know your thoughts on femme invisibility, and why every time I smile/greet/nod at butches I am largely ignored. Even when I am out with my (butch) lover, a polite nod of recognition, or “Nice tie …” coming from me is not acknowledged. What gives?
Oh, femme invisibility. This is a big, constant topic, and I have lots of thoughts about it. Probably mostly I’ll say the same things that I said in 2009 when I wrote this piece, “On Femme Invisibility,”, but I have a few new things to say, too.
Femme Invisibility Is Real
Femme invisibility is a real thing. It happens all the time. Queer women who are feminine get seen as straight—by straight folks, other queer folks, and sometimes even queer femmes themselves—because this culture expects dykes to reject gender roles automatically when rejecting a heterosexual orientation. As if those two things go together inseparably.
For many people, they do go together. But for other folks, they do not.
Assuming that they do go together—that a rejection of heterosexuality also includes a rejection of masculine/feminine culturally-defined gender roles—assumes that the only purpose of those gender roles is for heterosexual gain (attraction, stimulation, and reinforcing patriarchal dominance). One of the things I particularly love about the butch/femme dynamic is that it disproves this. It fractures the concepts of “gender roles” into multiple things, including archetypes and perhaps some sort of “inner gender” (a concept trans theories have been flirting with, but I haven’t seen articulated perfectly, yet). Meaning: yes, these gender roles are societally dictated, but they are also more than that, bigger than that, and if we can strip down the societal restrictions that keep us oppressed and marginalized and compartmentalized (for example, break our identity alignment assumptions and separate gender roles from our hobbies, interests, and personality traits), we can come to some understanding that gender is fun and more than just a way to keep wives subordinate to husbands or to keep men in power (over, among other things, the awe-inspiring phenomenon that is women’s ability to bear children).
Masculinity, femininity, genderqueerness, or any sort of gender presentation is not inherent to a sexual identity. Femininity is not just for straight women. We’ve accepted that masculinity is for dykes and femininity is for fags because, well, this culture is homophobic and sexist, and we assume that a rejection of heterosexuality is also a rejection of gender roles. But many combinations of gender and sexuality exist—probably more than I could even name, probably more than I comprehend. (This is one of the reasons why, when people look at a guy who is even slightly feminine and declare him a closet fag, I think: that’s sexist. He certainly might be a closet fag, but there are also many straight men who have feminine gender performances, and that does not mean he’s gay. Ditto for slightly masculine women—I mean, how many of us have said, how many dozens of times, that Starbuck on Battlestar Galactica must be gay? But why is that? Well, it’s because she has some swagger, never because she has displayed any sexual or romantic interest toward other women.)
Stop Arguing With Reality & Find Some Radical Acceptance
This culture tells us all these things, and this culture is wrong. It is not correct that feminine dykes are really straight girls. It just isn’t. In fact, it’s rooted in sexism and homophobia, and a little bit ignorant.
But also? It’s just real. It’s not right, and I channel all sorts of righteous indignation when I come across something that is just wrong and nobody seems to get, so I’m not trying to discount that it sucks. But if you expect it to be another way, you are simply arguing with reality, and you can (and, dare I say, should!) do some radical acceptance around this issue. That doesn’t mean you just passively accept that this is how things are and move on, it can certainly mean that you do your own work to make this issue less painful for the many people involved.
But it’s just true. In this culture, physical markers of queerness are accepted as certain things (like short hair, baggy androgynous or slightly masculine clothes, comfortable shoes—i.e., not femininity). Your struggle to be accepted as a queer person by visual sight alone is probably going to continue, as long as the culture continues to have those same queer markers.
Since Your Queer Identity Isn’t Portrayed Visually, You Have To Portray It In Other Ways
Since many femmes don’t have those same visual queer markers, since your identity isn’t constructed in a way that portrays your sexuality (according to the culture) visually, you will have to find other ways to construct and communicate your queer identity.
I don’t know how, exactly. Seems like many femmes do this in different ways. After the 2008 Femme Conference, which was called The Architecture of Identity, I compiled my notes and identified a few different ways of constructing identity, such as in contrast to butch, in community, through language, through fashion and style, and through theory, and I think those still hold true.
Language is a big one for me. I would much prefer to befriend and sleep with someone who doesn’t “look gay” but who can talk about queer history, culture, or theory to someone who you would visually peg as a dyke immediately but doesn’t have any context for her identity any day.
There’s constant talk about making some sort of universal femme marker—a tattoo, or a hanky flower, or some way that the pin-up look is queered so that everybody knows it’s not heterosexual, but as far as I can tell, there’s almost no way to universalize one singular symbol. At least, not yet.
And I’m not sure we really need one (though I’m not the one going through the struggles of this, I recognize). Because, let’s be honest: I see femmes everywhere. Whatever you’re doing with your visual markers, it’s working, when you know how to look.
Lots of People See You!
At the Femme Conference in 2008, Leah Lakshmi Piepzna-Samarasinha said in her keynote address, “Femme invisibility is bullshit. You just don’t know how to look.”
Don’t forget: Lots of people see you. I feel like I can spot a femme on a crowded subway car even when there are three dozen people between us. It’s not just that she gives me an extra-long stare and big smile (though that happens, sometimes), but it’s also something energetically, something I can’t quite even put my finger on, that says to me, “Whoa, there is something special about her.”
There are lots of femmes out there. There are lots of butches and genderqueer folks and trans folks and other masculine of center identified people and femmes who love to date femmes, and who see the one femme in the dyke bar not as a straight impostor, but as our crush for the evening, our next girlfriend, our fantasy.
It is a real problem. And I know it causes mass frustration. But there are many people who get it, and who don’t question a femme’s identity as queer. And there are big movements adding on to the many, many conversations about femme invisibility that are already out there.
Know Your Femme History
Read up. Read blogs, read books. I suggest, to start: Persistence: All Ways Butch and Femme, A Persistent Desire, Brazen Femmes, Femmes of Power, Visible: A Femmethology Volumes I & II, The Femme’s Guide to the Universe, The Femme’s Mystique … and oh probably two dozen others. Take strength and pleasure from knowing others have come before you, and have struggled too: that you are not the only one who has had difficulties with this.
Find some femme friends. Seek out femme community. There is tons of this happening online these days, for example, so even if you live somewhere kinda small or in a city that doesn’t particularly value the butch/femme dynamic, you can still talk to people about this.
If you don’t have a big community in your city, travel. No seriously, I mean that. Come to New York City. And for fuck’s sake, attend the Femme Conference in Baltimore this August. This is exactly what a femme conference is for: to make friends, to come together, to give voice to the common struggles and to start seeing our own experiences as valid and real.
This Is Your Struggle, But Remember: It’s Not Your Problem. It’s Theirs
Just as the main conflict in a butch’s identity—in my opinion—is sexism, misogyny, and masculine privilege (yes, I just said that), this is one of the main conflicts in a femme identity (others big things, from my perspective, being the mean girls thing, and escaping the beauty myth).
But if you really know and understand why other queers don’t see you, and why you pass as straight, and how to start constructing your identity in ways that aren’t reliant upon physical markers, you may just start to realize that it isn’t your problem. It isn’t something you are or aren’t doing right or wrong. It isn’t that if you just tried a little harder, smiled a little bigger, wore a different dress, that you would be recognize and validated as queer. It’s a cultural problem, a problem in our queer communities that is replicating gender norms and assumptions from the larger culture. It isn’t your fault, and it isn’t your problem. It’s theirs.
If someone doesn’t accept that you’re queer when you are a) in a queer space, b) with a visibly queer partner, or c) telling them that you are queer, well, then, fuck them, or rather don’t, because they don’t deserve to keep talking to you. Find somebody who does accept your combination of femininity and queerness. And keep working, yourself, on the reconciliation and supposed cultural conflict between the two.
Because that is your struggle.
How are you going to deal with it? How are you going to own your history, understand the sexist, misogynistic ways that this culture sees femininity, and overcome? How are you going to reconcile that not every visible queer you see will see you? How are you going to learn to communicate with a look and a smile, which, six times out of ten, might work? How are you going to articulate your own identity to others when they question it? What are the words you are going to say? How are you going to build a group of people around you that you know you can turn to when all you want to do is go, “ARGHHHHH!” and be angry that the world doesn’t see you as queer enough? How are you going to help build your femme friends up when they go through this? What can butches do (aside from learn how to recognize you, I know that’s a big one) to support you? How will we all reassure each other? What can we learn, here? What alliances can we make?
And perhaps most importantly, how can we move beyond this?
Strive to Move Us Beyond Visibility
There is more to femme identity than being visible. There is nurturance and caretaking, there is internalized homophobia, there is the mean girls complex that pits femmes against each other, there is the pervasive understanding that femme is nothing more than lipstick and heels (um, wrong!), there is some sort of hierarchy in the femme world as indicated simply by the still widespread use of the phrase “high femme,” there is the identity alignment assumption that all femmes are submissive bottoms and whoa is that incorrect, there is transmisogyny and the still troubled dialogue between cis and trans queer women, there is racism, there is a classist element that says that femmes have to or should buy their gender, there are dozens of other gender stereotypes that still pressure femmes to drink girly drinks and be homemakers and bear the children and stay at home and bake cookies, and oh there are probably two dozen other things I could list if I kept going.
There is more to femme identity than visibility. In fact, today in New York City there is a big day-long event going on right now called Beyond Visibility: Illuminating and Aligning Femmes in NYC, featuring a skillshare, roundtable discussion, and caucuses, all of which are femme-only, and then later an ally-invited reading and dance party (and you bet your beatle boots I will be attending that).
Being and becoming visible as a queer femme is a real thing that, it seems to me, almost all femmes struggle with. But as I’ve known more and more femmes for more and more years, I’m also starting to see that many femmes don’t struggle with it after years of working on it. Many have some radical acceptance and some understandings of how the queer world works, and are working on fighting other things.
Tara Hardy, one of my major mentors and a queer femme poet, has this line in one of her pieces: “I no longer get sad if they ask me at the door if I know it’s dyke night: I get mad. I mean, how much pussy do I have to eat before you let me in the club?” It’s a subtle shift, perhaps, from sad to mad, but it matters. It is the shift from internalizing the culture’s sexist bullshit to fighting back against it.
How do we overcome this issue and begin to elevate the discussion? I don’t know, but I’m curious to do that. And it seems that we, as a community, are beginning to, if only by the title of today’s event. I’m really excited for the Femme Conference in Baltimore this year, I think and hope that will continue to elevate the discussion.
Last, But Not Least
Also, let me say: I’m sorry. I’m sorry you are not acknowledged by the butches you are reaching out to, making bids that go unseen or unacknowledged. I don’t know why you are largely ignored. Could be many things: many butches are kind of used to straight girls hitting on us and using us for attention, and if you are being misread as straight, these butches could be resisting that. Perhaps when you’re out with your butch girlfriend and attempting to be acknowledged, they see you with your partner and don’t want to step on any toes or get into some sort of “hey man, you looking at my girl?” confrontation. It seems unlikely, but it’s possible. Maybe they fear that acknowledgment of your “nice tie” or big smile would be seen as flirting (I don’t think that would be a bad thing, but other people seem to).
Maybe they are just in their own world and just aren’t registering their surroundings. I mean, I’ve had friends of mine show up on a subway platform and try to get my attention while I was commuting, and I just had all my surroundings blocked out until they were literally waving a hand in my face. If you’re doing this in a big city, they could just be in their own world and not very observant.
I don’t know why, exactly. That’s kind of just the way it is, I think. For all those reasons I yammered on about above. That’s not okay and it’s not right, and I’m doing my own part to encourage femme visibility and work on our sexism in queer communities.
Butches, transmasculine folks, genderqueers, and all you other visible queers out there: listen the fuck up: LEARN TO RECOGNIZE FEMMES, even if you don’t date them, because they recognize you.
It’s the least we can do.
It’s almost as if I have January off!
I mean I don’t, I am still writing and working and preparing for workshops and etc, but I don’t have ANY gigs of my own—I’m not producing any events or teaching any workshops. Not sure when the last month was where that happened, but it’s been a while!
Oh wait—spoke too soon. There is one. But it’s not in person and it’s porn so that barely counts.
Events with Mr. Sexsmith
|Monday, January 16, 2012||FREE Porn Party, viewing Alpha Femmes Tune in with the Hotmovies4her.com code and you’ll have enough free minutes to watch along with us on Twitter, using the #pornparty hashtag. More information on Sugarbutch here.||Your living room + on Twitter|
Events in New York City (& Beyond) You Shouldn’t Miss
|Saturday, January 14, 8pm||Queer Memoir: Pets. New York’s only queer storytelling event is back with a special guest curator, the amazing Sassafras Lowrey, editor of the Kicked Out anthology and nationally known storyteller. Announcing the amazing line-up of storytellers: Jessica Pabón, Julie Blair, Colten, Kelli Dunham, allisonjoy, & Sassafras Lowrey||Queers For Economic Justice, 147 W. 24th St., 4th Floor, New York, NY 10011|
|Saturday January 15, 12noon-late||Beyond Visibility: Illuminating and Aligning Femmes in NYC will be a day-long event for queer folks on a self-identified femme/inine spectrum to come together in conversation, coalition, and celebration of *all* the parts of ourselves and our many communities. We aim to illuminate the cultural, political and artistic work of all participating individuals and groups; to create and hold space to ally with and learn from each other; and discuss ways to align organizing to ensure that femme communities grow as generative, intersectional sites of gender justice.
Facebook events for:
|Judson Memorial Church , 239 Thompson St (directly below Washington Square Park), New York, NY & other venues (check the Facebook invites)|
|Friday, January 20, 8pm||Lesbian Sex Mafia: Negotiation for the Hopelessly Shy and Terribly Awkward with Mollena Williams. Negotiation of scenes can be tough on people who are adept at bargaining, expressing their needs, wants, and desires. so how is this gauntlet to be run by those of us perverts who are super shy or kind of awkward when it comes to saying “I need…” or “I won’t…” or giving the dreaded “No”??Join Mollena Williams, Closeted Shy Freak ™ as she shares some techniques that can help even the most awkward kinkster battle their own personal hurdles and insure that your needs are met, your expectations expressed more clearly, and that your scenes are satisfying for all parties! Bring your questions (jot ‘em down if you are to shy to ask!) and we’ll brainstorm ways to help you on your own journey to openness, clear communication and awesomeness!||LGBT Center, 208 West 13th St. (7th/8th Ave), Manhattan, NY|
|Saturday, January 21, 2-7pm IN TORONTO||The Sex Talk Series presents: No More Apologies: Queer Trans and Cis* Women, Coming/Cumming Together! A FREE conference about social exclusion, sex, and sexual health. No More Apologies is a day-long sex talk, designed to name and address the exclusion of queer trans women from broader queer women’s sexual communities.
Social exclusion negatively impacts trans queer women’s sexual, emotional, and psychological health; meanwhile, by excluding trans women from our communities, cis queer women are missing out on a multitude of sexy, wonderful women to love, fuck, and connect with. Join us for this long overdue conversation and call-to-action about how to transform our talk about trans inclusion into practice. The Facebook event has more information.
|Tranzac Club, 292 Brunswick Ave., Toronto, ON M5S 2M7|
|Saturday, January 28th, 10pm||Submit Party, submitparty.com, a BDSM play party for women and trans folks only. $15 before midnight, $20 after||Brooklyn, NY. For exact location call 718.789.4053 or email [email protected]|
|Thursday, February 2, 8pm||Red Umbrella Diaries, www.redumbrelladiaries.com||Happy Ending, 302 Broome Street between Forsyth and Eldridge, Manhattan, NY|
|Friday to Sunday, February 3-5||Celebrating the Body Erotic for Women through the Body Electric School. Did you know that “cunt” means “holy well”?||New York City. Contact [email protected] for more information.|
I’m booking gigs for the spring (February through May), and I’m aiming for Boston, Chicago, Atlanta, Portland, Seattle, San Francisco, Durham, DC, and more. Want to bring me to your college or university or local bookstore or sex toy shop? I’d love to visit! Things that are important to know!
- My schedule is kept up on mrsexsmith.com/appearances
- If you’re interested in bringing me to your town or college, check out what S. Bear Bergman wrote: Bear’s Guide to Getting the Artists You Want. It’s got some great tips for how to fundraise and make an offer to bring the people you admire to come do some custom work just for you & your friends. (Hint, hint.)
- Download my 2011 workshop offerings in a PDF or my one sheet PDF or high res photos in my press kit
- Get in touch if you’re interested in booking me, you can contact me directly—mrsexsmith(at)gmail—or my booking company, PhinLi, at bookings(at)phinli.com.
Any events I missed? Add ‘em in the comments.
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So this happened:
I’ve been debating for months how to tell you that the Butch Lab project is over. I have started mock interviews with myself about it, I’ve written rants in my journal. I want to put up a splash page over there, but to be honest—ha—it doesn’t get enough visitors for that to be actually noticed.
And that’s why the project is stopping. It never really got off the ground.
That could be because I didn’t throw enough energy over there, and if I had the time and energy to maintain another blog, maybe it’d grow into something. I can’t really expect it to jump into some big deal thing right away—but I guess I did, given the intensity of Top Hot Butches. Butch Lab never got the media attention, and that’s in part because Top Hot Butches had all that controversy and oh my god don’t we queers love controversy, especially when we know better than whoever is doing the stupid thing of insulting someone’s identity. The thing is, I took all of that feedback, scoured it, and spent months working on Butch Lab, incorporating all the feedback, and then it felt like it launched to silence. Sure, there have been many loving & supportive emails and many great comments about what the site has meant and how great it’s been to see all the mini-interviews (all of that is archived under on butches here on Sugarbutch, fyi), but it wasn’t really enough.
Beyond that, my life has moved more and more offline, teaching classes and leading workshops and organizing in-person events, and I just don’t have the time in front of the computer to hype butch-related things that perhaps I would’ve had a few years ago.
So, for all of these reasons, Butch Lab is closing. It’ll be up through the domain’s expiration in fall 2012, and I’ll be leaving Top Hot Butches up. When I made that decision, I wanted to continue doing the Symposium (writing prompts about butch identity and a blog carnival/roundup) and the mini-interviews, though I haven’t done that yet. I’d like to, perhaps I still will. I’ll add it to my 2012 Sugarbutch goals and see what I can do to make it happen.
Thanks, everyone, for being so supportive of both of those projects. Time to move on to more things, I guess.
This week, my horoscope said: “You are likely to thrive to the degree that you precisely identify and vigorously harness your obsessions. Please note I’m not saying you should allow your obsessions to possess you like demons and toss you around like a rag doll. I’m not advising you to fall down in front of your obsessions and worship them like idols. Be wildly grateful for them; love them with your fiery heart fully unfurled; but keep them under the control of your fine mind.”
Some of my obsessions are books and music. I know that’s very broad, and I could say that more specifically, I am a bit obsessed with sexuality & gender books, with female singer-songwriters and queer artists, with people making art in this world that is “open and aware directly to the urges that motivate … Keep[ing] the channel open. … [A] queer, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive,” which is part of a Martha Graham quote I’ve had in my email signature most of this year.
In the spirit of being wildly greatful, of loving with my fiery heart fully unfurled and (at least somewhat) under the control of my find mind, here’s my favorite music from 2011 (books forthcoming!).
When my computer got kinda fucked up this past year and my buddy the genius fixed it for me, we spent a long time figuring out how to combine my external hard drives full of music and get it all onto a new internal hard drive, and one of the consequences was that, for a small period of time, I lost my play counts in iTunes. I use these constantly to gauge what tracks from an album are good, what I want to add to a mix, etc.
Thankfully, I love online services, like last.fm, which has been recording what I listen to since 2005, through three different laptops and three different itunes installations, and those stats are a bit more accurate than the makeshift restored best-possible-option version that I ended up with. So I went over my top artists of the year & top tracks of the year to figure out what I’ve been listening to in 2011.
Albums (somewhat in order):
Alexi Murdoch – Since Kristen & I watched the film “Away We Go,” I’ve been a little obsessed, and downloaded the soundtrack from 2009 and his album Time Without Consequences from 2006. Not a new release, but new to me.
Girlyman, Somewhere Different Now, the live recording, came out this year, which reintroduced me to Girlyman and I’ve been listening to their whole discography, really.
Melissa Ferrick, Still Right Here – Kristen wasn’t really a Ferrick fan, and my theory was that it was because she never saw her play live, and that her albums can’t quite capture her amazing performance ability. We went to see her this year, Kristen for the first time and me for the first time in more than six years, and my love for her music got a jolt. I looked up a few albums of hers I hadn’t heard yet and listened to them all. Freedom is still my favorite, but this new one has some great tracks.
Chris Pureka, How I Learned to See In the Dark – came out in 2010, but I listened to it a lot this year. I’ve never been a huge fan, though many people I know whose tastes are the same as mine in so many other respects love her, and I suspected it might be similar to Kristen’s Ferrick resistance—that I’ve never seen her live. So Kristen and I saw her perform in early 2011, and the show was okay. It did get me to spend much more time with her fine, fine guitar work, though, and to start looking up her lyrics more. She’s grown on me a lot.
Reid Jamieson, Staring Contest – I’m obsessed with his album of Elvis covers, the Presley Sessions, so I keep buying everything he comes out with, because his voice is so perfect.
Schuyler Fisk, Blue Ribbon Winner – I found her because of her duet with Joshua Radin, Paperweight, and this is her second solo album. It’s really beautiful.
Coyote Grace, Ear to the Ground – I love Joe’s voice and Ingrid’s bass. Saw them with Girlyman this year and that show was fantastic.
Wish “I’m On Fire” was on this new album. “I’m On Fire” is on their 2011 release Now Take Flight, which is apparently only available on CD Baby (not iTunes or Amazon yet), which is why I haven’t seen it. Downloaded today! (Thanks Ash, for telling me in a comment.)
Meshell Ndegeocello, Weather – I didn’t even know this existed until very recently, but I’ve been waiting for her to release another album like Bitter, and I think this is it. I’m pretty obsessed with Petite Mort—can you tell what she’s saying? “Who’s your daddy? You are. Who’s your daddy now?” Fucken love it.
kd lang and the Siss Boom Bang, Sing it Loud – I Confess was the first amazing thing, but then there was Sugar Buzz (and each time I type that my fingers automatically type “Sugarbutch,” that muscle memory, it’s weird, it can be ahead of my brain’s commands), and then there was kd live earlier this year, and I really love this album. If you haven’t heard “I Confess” yet, though you probably have because I’ve mentioned it here many times, she at one point sings, “I confess / I’ll be your Daddy” and I still. Just. Gahh.
Ellis, Right On Time – came out in 2010, and I downloaded it then, but I still can’t stop listening to it. It’s such a perfect album.
Tori Amos, Night of Hunters. I don’t really like to talk about how much I love Tori Amos. I make cryptic references to it on Sugarbutch sometimes, I put things on tumblr sometimes, but it’s funny, it feels too personal, too private, to write about here and expose. This is one of the most perfect albums I’ve ever heard, a return to her classical roots with a string quartet, and I saw her twice on the world tour, which was incredibly unique and featured many remakes with the quartet. I could say pages and pages more about this, but I’ll stop and be shy about it again now.
… Here’s a link to all of them in a playlist on YouTube if you’d like to put ‘em on in the background and keep reading or working or jacking off or whatever you’re doing.
Other notable albums, because I can’t not mention them, that I listened to over & over this year: Grace Potter & the Nocturnals, Mumford & Sons – Sigh No More, Adele – 21, Florence & the Machine – Ceremonials, Brett Dennen – Loverboy, Monsters of Folk, Wild Flag, Lucas Silveira – Mockingbird, Zoe Keating – Into the Trees, & Balmorhea – Constellations.
Did I miss your very favorite? I’d love to know what you are listening to that you think I might like. Always looking for more good music.
Remember how I used to throw a #pornparty on Twitter every once in a while? Let’s do that again, that was fun.
What is a #pornparty, you ask? Well, it’s a worldwide gathering on Twitter of folks who like queer porn. Simply tune in, press play, and then follow the hashtag #pornparty while you watch for commentary and discussion. If you want to join in, make sure you have your own Twitter account, too (and make sure it’s unlocked for the evening if you want others to see your tweets!) and tag your posts with the hashtag so we’ll all see them.
We’ll be watching something through Hot Movies For Her, and viewing this film will be completely free. You don’t have to buy it or download it or purchase VOD minutes to watch it with us. You will need a HotMoviesForHer.com account (which requires a credit card for verification purposes), and simply use the access code (to be announced). When you sign up and you’ll receive 90 minutes free to watch! Those 90 minutes will expire the next day.
So don’t you want to know what we’ll be watching?
Um HELLO … that is going to be fucken hot.
Anna Devia brings her latex-clad fetish femmes to life in her stunning, directorial debut, entitled “Alpha Femmes”. Starring April Flores, Ashley Blue, Akira Raine, & Sarah Lee Sinful as the beautifully brutal Alphafemmes, along with Jiz Lee, Syd Blakovich, Puck Goodfellow, and Cadence St. John as their submissive counterparts. Featuring 4 kinky & queer vignettes, including: Relentless Mistress Akira with Puck Goodfellow as her boot-worshipping, foot fetish subboi; Smoldering hot Sarah Lee’s smoking & shaving fetish scene with Cadence St. John; LA’s anal superstar Ashley Blue & SF’s badass Syd Blakovich in a steamy dildo-gagged anal facefuck; and BBW goddess April Flores, with Jiz Lee as her exotic pet in this exquisitely erotic saki-fueled scene, set against the backdrop of a rainy Japanese garden.
Come join us—by which I mean me and Kristen, I guess, since that’s really all I can guarantee will show up to this #pornparty—while we watch this queer porn flick (for free!) (and in the privacy of our own homes) and chat about it.
Alpha Femmes Twitter #pornparty
Brought to you by HotMoviesForHer.com (& me!)
Monday, January 16th
6pm PST/9pm EST
Access code TBA
… So? Are you in?
Once upon a time, I ran a little contest, and the “winner” got a little prize. The real point was to get me inspired to write some smut, but asking readers to pick their favorite was fun, so let’s do that again, now that the Sugarbutch Star Contest #2 is done.
Which story is your favorite?
Her place is nearby. It’s why she chose that bar – to interview me before taking me home. She planned the whole thing. Those were here best lines back there. She wants me, and she’s willing to work for it. I like that.
She locks the door behind us, positioning herself next to me, taking a few steps like it’s a dance and she’s leading so I follow, and then my back is against the door and she’s sighing and flipping her hair and waiting for me to kiss her.
So I do.
She tastes like cream. Smooth, just a tiny bit of thickness, mostly ease and softness. She waits for me to guide her. To show her how I like to be kissed. She doesn’t rush in and thrust her tongue, just makes herself warm, wet, open, available.
I let desire increase slowly. Start soft as I get a grip on her hips, her lower back cradled in my forearm, fingers eagerly pulling at the thin fabric of her dress. She lets it get stronger in me, slides her ankle against my calf as she wraps one leg around mine low. I start growling a little, that ravaging tone that is not quite a moan, but a hunger, building.
She arches her back, gasps, cries out, leans into me like she’s nuzzling, and starts laughing, delighted. “Fuck,” she says and looks at me, catches my gaze, then gets shy and looks down. She fingers my buckle.
“Unbuckle your belt?” she says. And I take it back – that’s her best line. … Read more
She glances to where I just was and sees my small stack of books, but she lost track of me. Her eyebrows curl for just a moment, and she glances around the other direction but there’s no one there either. We’re alone – she thinks she’s alone. I hold my breath and try not to move. I know it’s voyeuristic of me, but she is in public. She must know someone could possibly see her. That must be part of the thrill.
She shifts, knees together, pulls her feet closer to her body, and I catch the sight of her simple white cotton panties between her legs, thin, so thin I can nearly see through them. She pushes her skirt up her thighs just a bit farther and slides her hand into them. The fabric strains.
Her fingers move slowly and she keeps her eyes on the pages of the book. Clearly a good one, I wonder what she’s reading, if its contents are queer or kinky, if she’s thinking about the taste of sweat and salty skin, the sounds of moans that emerge out of places where bodies collide, the sight of a fist disappearing at the wrist, the sting of an open-palm smack on the ass or cheek or cunt, the scent of desire, like musk, like the ocean, like a fertile ground.
Her fingers move faster. Hair falls into her eyes and her jaw drops open just a little. (Really, this is really happening?) Her lips pinken, eyelids flutter as her eyes dart across the page. Her strong thighs are quivering a little and I can see if I fucked her she’d want them pressed together, bent deep at the hips. It’s the way her knees want to close but her hand is in the way.
My hand goes to my zipper. (Should I?) … Read more
I push her back against the door of the classroom the second she closes it, catching her jaw by surprise, my hand over her mouth. “Is this what you wanted? You want me up against you like this?”
Corinne’s knees go weak and her eyes widen, looking up at me softly under her short red hair which curled around her chin in a blunt bob, the bangs across her forehead making her look like a model from the thirties. Her ivory blouse is loose and silky against her skin, a bit fallen to one side, showing the edges of a lace camisole.
I bet she’s already wet.
“You’ve been trying to get me alone all semester. Did you think I didn’t know what you wanted, when you asked me to study with you after class?” I speak softly against her neck, let her feel my breath, hot, against her skin. … Read more
I catch a whiff of her perfume as she walks by. Dizzying, intoxicating. The swish of her skirt. I watch her little toe-heel trot down the aisle. My body acts without my mind and I reach for her. My hand on her hip. Lightly at first, but then she doesn’t pull away and I grab her harder. Both hands and I stand, pull her toward me, her back to me, and she is still. I can’t see her face but I can feel her breath through my hands, she’s holding it. Surprised. Waiting.
I lift her skirt in the back to reveal her perfect ass. A work of art. A combination of genetics and squats and hundreds of hours at the gym. She knows it. She’s bare under her red dress, no panties, no stockings. Perhaps that’s what she forgot. I can’t resist, I palm the apple of her ass, caress the flesh, spreading her cheeks and opening her slit.
She lets out her breath, finally, and it comes with a breathy moan, just a little.
And I’m gone. The slightest noise from her lips and all I can feel is what it’ll be like to be inside her, to feel her body curl around my arm and buck and thrash and grasp as she comes. I’ve got to feel it. Got to make her. … Read more
“Was there something that you wanted? Sir?” She adds the last word in a low, sweet voice and my cock pulses. I drop my hand holding the glass to my side. Extending her arms around my neck, she draws closer to me. I can smell the sticky sweet of her lipstick. I lick my lips. Swallow again. My mouth is dry. I lift my arm, take a swig of the whiskey, and it goes down like a knife. She offers me her lips when I drop the glass again, whispering right up next to mine but not touching. She waits. I kiss her and her mouth is like candy, like being enveloped in silk. My knees go weak again and I lean against the wall to hold myself up. Her lipstick is a smear on my mouth and I don’t care. She leaves a trail of lip prints along my jaw and to the curve of my neck and I don’t care. She is devouring me one kiss at a time and I don’t care. My whole body shudders between her and the wall, held up by both.
She pulls on my earlobe between her lips before she whispers in my ear, “I would like to suck your cock now.” It’s almost a question, almost asking for permission, she knows that’s usually how it works, but this time it is more of a statement of intent. I notice she doesn’t say “sir” but I don’t care. She’s calling the shots now. She drags her body down mine and her skirt fans out around her legs as she kneels in front of me. She looks up, hands on her thighs, and waits, lips parted a little, lipstick smeared and thick which makes her mouth look even more swollen. I breathe deep, trying to focus. I’m supposed to do something. I manage to set the glass of whiskey down on the side table nearby and unbuckle my belt, unzip my pants, pull out my cock. She sits up on her knees to get it lined up with her mouth. … Read more
Do y’all remember the Sugarbutch Star stories? It was a series where readers sent in a scenario and I wrote up the story. This is the last of the 5 stories from the 2008 “contest,” the others being Eileen, Matt, Green-Eyed Girl, and Maze. This story idea comes from blkndblue.
Warning: This story is long, about 18 pages. Click the “read more” at the end to read the final scene (it’s worth it, promise). I figure it’s a good way to kick off a (happy, sexy) new year.
Thanks to Dacia & BB Rydell for help with edits!
Sugarbutch Star: blckndblue
THE PINK DRESS
Emily emerges from the dressing room slowly, suddenly shy, though I’ve seen her naked in dozens of compromised positions. She fidgets with the dress, her hair, sucks in her stomach, but her eyes are lit up and she’s biting back a playful smile. She wants to wear this dress. Her inner three-year-old princess is aflame. “What do you think?” Emily asks; but the question isn’t really about my preference. She wants me to want it so she has permission to wear it. Then she doesn’t have to want it for herself; she is absolved of her own desires. I want to her to have permission to want anything on her body that she is drawn to, regardless of its gendered implications.
I finger the skirt of the baby pink dress, its satin fabric, abundant for its near-full skirt. She looks amazing in the plunging neckline in a gentle scoop, which shows off her round breasts generously. Sleeveless, it gathers at the waist where a thick white band wraps around, tying in a ribbon at the back. It could have been a bridesmaid’s dress, or a prom dress, or maybe someone’s fancy party dress. She’s been eyeing this dress in the window display, and today was the day it came down. She asked them to set it aside for her.
“So?” She is trying so hard to be patient. The words come out in a rush. “Do you like it?”
I come up behind her as she looks in the full-length mirror barely visible behind racks of gently used clothes. I wrap my arm around her waist, pull her gently back to me as she sighs, then smooths the skirt down.
“I think it’s perfect,” I say, my lips next to her ear. “No question.”
“Really?” She’s not sure I mean it, but she wants me to. “But it’s so … femme.”
“Yeah, it is,” I say.
“But, I’m not femme!” She argues.
“What do you mean? Of course you are,” I say.
“No, I mean …” she struggles for the words. “I’m not high femme. I hate that term. I almost always wear jeans and tee shirts.” We’ve been dating for on and off for a few years. We both have primary partners, but we make time to play and go on dates. When she dresses up, she adds heels and lipstick, rarely anything more. She has some impressive lingerie, but seldom wears dresses. She wears power suits for her professional office work, where she has to keep control and is in charge of a dozen people’s activities on a daily basis. She spends a lot of time looking put together, climbing the corporate ladder, and fighting the male privilege in her office, and she’d rather kick around in something comfortable and durable when she has the option.
“I know that’s what you prefer, and it’s perfect—your ass looks great in jeans,” I counter. “Look, you’re twice the femme most self-identified high femmes are. You’re at home in your body, awake in your skin, not judgmental about your own waistline or anyone else’s. And you have your circle of femme friends without gossip or backstabbing. If that’s not high femme, I don’t know what is.”
“Yeah, but you have to say that.”
“And I want to. I know the dress is a stretch … but it’s amazing on you. It looks like it was made for you. Doesn’t it?” I ask the passing sales girl. “Doesn’t it look like it was made for her?”
“It is, like, so cut perfectly for your body,” the girl, probably barely twenty, replies. “It makes your curves look even more curvy. It’s practically, like, perfect.”
“Yeah. Perfect,” I echo, and Emily grins at herself in the mirror.
“It is, isn’t it. Yeah. Okay,” she kisses my cheek and zips back into the dressing room, and buys the dress.
The date is my idea, and a surprise. I enlist her friend Sam, a gay boy also known as Serena, who does a fierce drag queen act and has every feminizing, over-the-top accessory one would need. We’ve been out drinking and galavanting dozens of nights in the past few years. Sometimes Emily and I go see him perform. Last time, he did a Judy Garland number with an incredible outfit from the forties that made him look like a black and white movie star.
“I could never do that,” Emily must’ve whispered to me five times that night, but the spark in her eyes told me that she wanted to. I knew Sam would love to see Emily all dressed up.
And tonight, with this pink dress, he’s going to help. I enlist Sam because Emily doesn’t have the femme things I need, and I can’t afford to buy them all. I meet Sam around the corner and pick up the fluffy underskirt that’s used to puff out full skirts, called a crinoline.
I knock on Emily’s door, and she throws it open. “I’m here to pick up the dress,” I say, after kissing her hello. She fetches it from her bedroom, still in the thrift store’s lavender-colored paper bag with their logo on it, and hands it to me across the threshold.
“Thank you. Now, you remember what I told you? What’s the plan?”
“First, I’m getting my nails done across the street. Then I’m going to go to Sam’s at 5pm to get my hair and makeup done. Then I’ll come meet you at your place, and bring the bra and panties.” I know she doesn’t wear the white bra and panty set with the lace trim often. I like that she saves it for me.
“What time, at my apartment?”
“Good. Perfect. Don’t be late,” I add. As if she would be. She shifts her weight from foot to foot very slightly and I can see her ears beginning to flush pink.
I tuck the box with the crinoline under the arm that holds her dress in a shopping bag and draw her to me with the other, smiling as our faces get closer, drinking in her skin and hair and the sweet way her body fits.
“I won’t. I promise.”
“Good girl,” I say, and kiss her.
At seven twenty-eight, she knocks on my apartment door. I greet her with more kisses and lead her into the bedroom before she sets her purse down. Some of the things are laid out on the bed: the crinoline skirt, white thigh-high stockings, a white garter belt, and her new pink dress, which I had dry cleaned and pressed just this morning. I see her hand flicker slightly as she reaches out and touch the dress, then pulls it back and makes a fist.
“Are you ready for tonight?” I take a seat in the small armchair in the corner of my bedroom and I take a sip of the glass of water I’d poured just before she arrived, with extra ice so she can hear the clink of it in the glass. She nods. I notice Emily picks at her nails, then stop when she realizes she is probably chipping her nail polish. She must be nervous. The icy liquid is cool in my mouth and I feel it run down my throat. Her chestnut hair is mostly a silhouetted shadow, but I can see it is piled on top of her hair in spirals and curls in a way that is much more complicated than she would usually entertain. It reveals the curve of her neck, which swoops into her collarbone and, later, will lead right to her cleavage.
“Did Sam send you with jewelry?” I ask.
“Get it out, and put it on the top of the dresser.” I cleared it in anticipation. She goes to her bag, removes a couple small boxes and a tiny clutch purse, then arranges it all so each are neat and not touching, then goes back to standing, shifting her weight from foot to foot and looking around the room.
“Take off your clothes,” I say. “Slowly. Fold each piece and put them on the bed.” She starts with her v-neck grey fitted girly tee shirt, quickly pulling it over her head. “I said slowly,” I say, and she pauses, moves a little slower. She folds the thin fabric easily and places it on the bed, then steps out of her low, simple black flats. She’s not wearing a bra; she often doesn’t, not encouraging the curve of her breasts to be shown off. Her bare skin glows in the lamplight. She pulls down her tight blue jeans and steps out of them, folding them a little thoughtlessly, but I don’t tell her to slow down again. She slides her plain black cotton underwear down over her legs and adds it to the pile. She fingers the worn grey tee shirt and looks at it longingly, then glances at the lingerie laid out on the bed and moves her hand to touch it, smiling as her fingertips make contact, her face relaxing.
She stands again, naked this time, crosses her arms in front of herself, then drops her arms and holds one wrist with her hand. After a moment she straightens up, and clasps her hands behind her back like she is presenting herself to me, a blank canvas. She shifts her weight from foot to foot, drops her hip, but tries to stay still. She bites her lip.
“Very nice,” I murmur from my corner. I uncross and recross my legs, ankle to knee, and pick up the cane from next to my chair. I can see her nipples, even in the shadows, hard and dark. “Get the bra and panties out of your bag, lay them on the bed.” She does. “Now, get dressed. Start with the garter belt.” She takes a breath and turns to the bed, picking it up and sliding it up her legs, securing it in place.
“Now the stockings,” I say. “And the bra. Leave the panties off, for now.” She dresses quickly, fumbling a little with the clasps and the delicate fabric, sitting on the side of the bed to fasten the stockings to the lace. “Now the petticoat.” She looks at me a little questioning, then realizes I mean the white crinoline skirt, and pulls it in a flourish from the bed to step into it.
“The dress,” I say. She pulls it over her head, evens it over the petticoat, and does her best to tie the white bow behind her back. With the extra layers of under the skirt, the pink dress is even more stunning than it was in the store. “And the jewelry,” I say, as she admires herself in the mirror hanging over the dresser. She takes a step closer and puts small two-stone droplet earrings in; they’re delicate, just an inch or so long, hanging just enough to move when she does and sparkle when the light hits them. She reaches for the matching necklace and raises her elbows to buckle the clasp behind her neck. Her fingers tremble and it takes her three tries to hook it correctly.
Emily steps back and looks at her reflection, buzzing, hardly containing the thrill of happiness at her own reflection. Her smile is as big as I’ve ever seen it. She turns her head, then shakes it to see the sparkle of the earrings, tilts her chin down to see her fancy hair-do, fluffs the skirt out to the side, and finally twirls, watching the dress in the mirror and laughing, giddy.
“Come here,” I say. She turns her head to me and takes short, quick steps across the room to where I am sitting next to the window in her stockinged feet. She notices the cane I have been stroking.
“Is that for me?” she asks.
“It’s for your ass. For later.” I set it on the table with my glass and reach out for her waist, pull her on to my lap. “Very nice,” I say, stroking the skin on her arm, the the slick fabric of the top of the dress, brushing my fingers against her breasts and nipples. I offer my mouth for a kiss and she wraps her arms around my neck, opening her mouth, gently kissing back. “You look gorgeous.”
“You really think so?” she bats her eyelashes. She looks like a sunrise, peeking over the horizon, breaking the dark, reaching up into the sky. She still looks like herself—just polished up a little, enhanced, prettied.
“Really. Very much.” We kiss again and I get lost in her lips, her tongue, the way her hands grasp gently at my neck and shoulders. I let my hands trace her stockings, wander up under the many layers under her dress. “Do you like the crinoline?” I ask.
“Oh yes,” she breathes. “Is that what Sam gave you?”
“Yes. On loan.”
“It’s so … pretty.”
“You’re pretty, sweetheart.”
She smiles shyly, kisses me again.
“Did you like getting your nails done, and your hair and make-up done?”
“Yes! It was really fun. More than I thought it would be. I thought it would be weird but it makes me feel fancy. And important. And … ” she lowers her voice, her eyes a little and brings her hands up to straighten my tie, pinch my collar between her fingers. “And I knew I was doing it for you. That you would like it.”
“Mmm. And you did a very good job getting all ready for me.” I find the patch of skin at the top of her stockings, her sweet smooth inner thigh, and rest my hand there gently.
“I like doing what you say.” It lets her mind rest, she’s explained to me, and is a relief to trust enough to follow orders instead of second guessing and being in charge of everything.
“I know. And I have a few more things to do before we go to dinner. Are you ready?”
“Yes.” I toss her a questioning look and she corrects herself. “Yes, sir.”
“Good.” I take a breath. “I’m going to warm you up for the evening. I want to give you something that will serve as a reminder that this body—” I shift my hand quickly and palm her pussy, making her gasp, then quickly attempt to maintain her composure and keep her eyes open, looking at me, “—this pretty little body of yours is mine to play with tonight.”
She nods, quick, tiny movements of her head, and her eyes flicker with a hint of nervousness.
“Are you worried?”
“No, sir. I know you will take good care of me.”
“That’s right. Good.” I move my hand away and she breathes in, her thighs quiver. I lean in to kiss her again, bring my hands to her waist and then up to cup her chin, neck, the back of her head, careful not to mess up her hair. She relaxes, her mouth softens. She tastes like cream.
“Get up and bend over my lap. I’m going to make some marks on your ass before we go out.”
She delicately places herself over me with more care than usual, though we’ve been in this position many times. She doesn’t want to muss herself. This chair is perfect for over-the-knee spankings, with wide, low arm rests. Her stockinged tiptoes just barely reach the floor. She arches her back automatically, presenting her ass and slit to my right hand.
I caress her neck and shift my arm to cradle her collarbone and begin peeling up the layers of her pretty pink dress and petticoat. The peach of her ass is perfectly framed by her stockings and garter belt, the layers pushed up to her hips. Softly, I bring my hand to her thighs and ass and begin caressing.
“So nice,” I murmur into her ear. I start with some rapid tap-tap-taps with my fingers tight together on the sweet spots on her ass, the ones that make the flesh shake and that makes her muscles relax. She sighs, keeps breathing, keeps filling her lungs and breathing into the increasing sensation. She’s done enough yoga, we’ve played with enough sensation play—she knows how to open.
I keep going with light taps and occasional full-handed gentle swats until I can see a pink flush starting, just a hint. She loves being hit; she snuggles down into it as if I was reading her a bedtime story. I increase my swing, raising my arm higher, and give her a few open-palmed, but not too hard yet. Her skin is fair and it is easy to leave long-lasting marks, easy to bruise and break capillaries on the surface of her skin.
Which is exactly what I want.
I continue, warming up her ass until it is bright and hot, flushed and red, beginning to show some darker parts where it will be easy to leave marks. She moans, sinking into me, humming with pleasure. When we are both warm, when my shoulder feels like it is loose and liquid and easy, I raise my arm high and let fly a few hard wallops, pausing in between, but just for a moment, to let her react. Her body shudders and I feel her tense, then relax, over my lap. I can feel the impact of my hand through her and onto my thighs, can feel her growing heat and intensity. I let my hand down again, and again, allowing gravity to pull me, sucking up the power she’s handing over while I have her upturned and stunned, ready to take more.
I lean down so my mouth is by her ear again. “You are doing so well. Your ass is nice and red and starting to bruise. I’m going to get my cane out now.”
She manages to move her neck slightly, twists her head and looks up at me, and nods just a little. I grip the cane from the side table and it feels hard, solid in my hand. It slices through the air with a hiss and I love the way it extends my arm. The last time we used the cane, she told me every time she sat down, she thought about what I’d done and how I’d used her. That it made her wet to have to act like she could sit normally, when really it was excruciatingly painful. That’s how I want it to be tonight. Something to take away from the terror of being so femme, over the top femme, in public. Something to distract her.
The first hit with the cane is a little off, and not too hard. She gasps but does not squirm. The second is two centimeters toward her thighs and harder. Immediately a light stripe appears. She jumps a little and lets one arm drop, grabbing on to my pant leg, as she lets out her breath in a long thin stream through her teeth. The third, quicker now, is at a different angle, crossing the first two. She sucks air back in and lets out a laugh, bubbling like champagne, thrilling and tickling my nose. Good. She’s warm, dropping into that blurry area past the sharp pain and into sensation.
The next dozen or so are more rapid, in succession, some lighter and some fiercely hard and biting. She takes it well. She gasps and begins squirming, but not away, not off of my lap, just to wriggle and shake off some of the building energy. I fall into a pattern of hard-hard-quick-quick-soft-caress where my eyes glaze and my cock hardens. I can see her slit becoming wet, swollen, as pink as her sweet round ass cheeks.
The striping is beautiful, thin welts rising on bull’s eye circles where my hands bruised her first. I can already see some small places where my handiwork reveals itself.
I lean low against her ear again. “It’s going to hurt for a while when you sit,” I say, as a slide the cane away and bring my hand to her singed bottom. It is so tender and sensitive, like stretched skin over the frame of a drum, reverberating with every touch.
She moans. “Thank you, sir.”
I bring her up onto my lap again to hold her for a minute, her ass already uncomfortable. Sitting at the restaurant is going to be excruciating. I stroke her hair and neck, offer her some water and she takes it. She snuggles against my chest, lets me sooth her, then rocks a little on my lap and I realize she is searching for my cock.
“Looking for something?” I ask.
She falters, remembers herself. “No, sir.”
She nods, tries not to look disappointed.
“I have one more thing for you before we leave. Ready?”
She nods again, brings one hand up to her mouth to bite one finger, a childish gesture of nervousness.
I almost laugh. “Nothing bad, sweet girl. This is a present. A surprise.”
Her eyes light up as she slips off my lap. I go over to the closet where I stashed the bag, then sit on the bed, patting the bedspread next to me. She shuffles slowly over the thin carpet in her stockings, smoothing out the skirt of her dress and walking slowly because her legs are still weak from being bent over my lap and beaten. She brings her hands behind her, to touch her ass, as she walks, and I can tell the muscles are already sore.
I hand her the bag. She gives me a shy smile and pulls the shoe box out of the plain white shopping bag. Her eyes widen. She realizes she only brought the flat black shoes she came in.
“Oh!” She exclaims when she opens the box. They took me a few days to find: the exact pink shade as the dress, with a small strap over the arch of her foot, delicate white trim, and a tall, thin four inch heel. She pulls them both out and pushes the wrapping aside on the bed, holds them flat in her hands, grinning. “May I?”
I slip off the bed to kneel in front of her, holding my hand out. She blushes—adorable—and hands the shoes to me, offers me her foot so I can slide them on, one at a time.
She laughs, and twirls. “I feel like these are fancy shoes from my fairy godmother, and I’m Cinderella!”
“You look amazing,” I say, standing up, and offer my hands to help her stand. It may take a minute to get used to them. I take her in my arms again and she melts into me, offering her mouth for more kisses.
When I pull away I take the delicate white panties still laid out on the bed and offer them to her. “Put these on, we wouldn’t want you getting your dress any more wet than it already is. Freshen up your lipstick and let’s go to dinner. Are you hungry?” Her lipstick is smeared from kissing me, and she hasn’t noticed. It’s probably on my mouth. I quickly wipe my mouth in the bathroom mirror and when I come back in, she’s sitting on the bed to step into her panties, pulling them up over her shoes and stockings, leaving them on the outside, so they can be the first thing that comes off later. She stands and picks up the tiny clutch purse she laid out on the dresser, checking her make-up in the dresser mirror. I slide my suit coat over my shoulders, watching her twist the lipstick up and pucker her lips. She would never do these things on her own, but she is flushed and giddy and thrilled, ready to go.